Here are 100 books that The Iliad fans have personally recommended if you like
The Iliad.
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Born and raised in Greece, I have always been fascinated by the history and mythology of my homeland. My love for reading historical fiction and Greek myths has been drawing me into stories of ancient civilizations and their timeless tales. Visiting archaeological sites and museums, where history comes to life through the remnants of the past has been a lifelong passion and Is a source of inspiration. These experiences have shaped my love for storytelling and my desire to breathe new life into Greek myths and history. In my writing, I aim to bridge the gap between the ancient and the modern.
I loved this book for the way Madeline Miller creatively retells Greek myths with a female protagonist. As Circe grows up, she discovers her power of magic, which can transform enemies into monsters and even challenge the gods.
Bold and inspiring, Miller vividly strings together figures like Prometheus, Medea, Calypso, Odysseus, and the Minotaur in a feminist reimagining of Circe's life. I find it to be a thoughtful and well-crafted biography of a complex and engaging mythological character with both divine and human strengths and flaws. I have read it several times, and the story has maintained its appeal.
In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. Circe is a strange child - not powerful and terrible, like her father, nor gorgeous and mercenary like her mother. Scorned and rejected, Circe grows up in the shadows, at home in neither the world of gods or mortals. But Circe has a dark power of her own: witchcraft. When her gift threatens…
As a kid, I was fascinated by Greek mythology. Through myth, I encountered many powerful female characters—Athena was my favorite—but I felt frustrated by how women’s lives were told in my books. My interest in Greek myth and curiosity about untold stories led me to become a Classics professor. I love teaching and writing about women in the ancient world, helping people to understand how they navigated their lives. Luckily for me, many recent books across various genres, from novels to translations to histories, have illuminated the lives of ancient women. There’s so much more to read than when I was growing up!
This book showed me how important it was for women to write ancient history and how different their interpretations of that history could be. Stacy Schiff’s biography of Cleopatra does full justice to her complicated subject and the fraught historical era she had to negotiate.
I appreciate how richly Schiff evokes Cleopatra’s world, from the palace in Alexandria she lived in as a child to the fleet she commanded in her last, fateful battle. Even more, I love how skeptically Schiff reads the ancient sources on Cleopatra and how thoughtfully she constructs her own more nuanced portrait of the powerful Egyptian queen.
The Pulitzer Prize-winning biographer brings to life the most intriguing woman in the history of the world: Cleopatra, the last queen of Egypt.Her palace shimmered with onyx, garnets, and gold, but was richer still in political and sexual intrigue. Above all else, Cleopatra was a shrewd strategist and an ingenious negotiator.Though her life spanned fewer than forty years, it reshaped the contours of the ancient world. She was married twice, each time to a brother. She waged a brutal civil war against the first when both were teenagers. She poisoned the second. Ultimately she dispensed with an ambitious sister as…
When I tell people I think about Greek myths for a living, they tend not to believe me. But I’ve never considered Greek myths to be at all odd or mysterious. After all, telling stories is a very normal human activity. Most recently I’ve been working to better understand how ancient communities attached stories to the places they lived in and this has resulted in MANTO, a huge mapping project, which anyone can look at here: https://www.manto-myth.org/manto
Once Troy was conquered, the Greeks had to get back home. Few heroes managed this without drama, but even on this benchmark, Odysseus’ ten-year (a-hem) odyssey was an outlier.
You can read this as the first great traveller’s tale: the Odyssey will immerse you in a giant, detailed story world of gods, heroes, and monsters traversed by a protagonist famous for his clever schemes and his stretching of the truth.
Emily Wilson’s translation really can’t be beaten: she brings before our eyes and ears again a fantasy world given weight by very human stories of loss and longing.
When I tell people I think about Greek myths for a living, they tend not to believe me. But I’ve never considered Greek myths to be at all odd or mysterious. After all, telling stories is a very normal human activity. Most recently I’ve been working to better understand how ancient communities attached stories to the places they lived in and this has resulted in MANTO, a huge mapping project, which anyone can look at here: https://www.manto-myth.org/manto
Thoughtful, personal, passionate, insightful, and humane. This is the book I wish I could write.
Helen Morales puts a pin in the lazy “glory that was Greece” trope and gives us the darker side of antiquity and its influence, showing us how stories have been used to enslave bodies and tame minds, to belittle and exclude. But this plasticity is what also makes Greek myth a potentially restorative force.
Helen’s message is that such capacity for continual reinvention gives the ultimate power to the teller of tales, whoever she might be.
A witty, inspiring reckoning with the ancient Greek and Roman myths and their legacy, from what they can illuminate about #MeToo to the radical imagery of Beyonce.
The picture of classical antiquity most of us learned in school is framed in certain ways -- glossing over misogyny while omitting the seeds of feminist resistance. Many of today's harmful practices, like school dress codes, exploitation of the environment, and rape culture, have their roots in the ancient world.
But in Antigone Rising, classicist Helen Morales reminds us that the myths have subversive power because they are told -- and read --…
When I tell people I think about Greek myths for a living, they tend not to believe me. But I’ve never considered Greek myths to be at all odd or mysterious. After all, telling stories is a very normal human activity. Most recently I’ve been working to better understand how ancient communities attached stories to the places they lived in and this has resulted in MANTO, a huge mapping project, which anyone can look at here: https://www.manto-myth.org/manto
Julia looks at this question through ten ancient stories about animals ranging from the every day (bees and birds) to the fantastical (the Sphinx and the Cyclops). These are, of course, stories produced out of human creativity and curiosity, and out of them emerges some surprising insights about how we understand our place in the world.
If animals could talk to us, what would they say about us?
What makes us human? What, if anything, sets us apart from all other creatures? Ever since Charles Darwin's theory of evolution, the answer to these questions has pointed to our own intrinsic animal nature. Yet the idea that, in one way or another, our humanity is entangled with the non-human has a much longer and more venerable history. In the West, it goes all the way back to classical antiquity. This grippingly written and provocative book boldly reveals how the ancient world mobilised concepts of 'the animal' and 'animality' to conceive of the human in a variety of illuminating ways.…
When I tell people I think about Greek myths for a living, they tend not to believe me. But I’ve never considered Greek myths to be at all odd or mysterious. After all, telling stories is a very normal human activity. Most recently I’ve been working to better understand how ancient communities attached stories to the places they lived in and this has resulted in MANTO, a huge mapping project, which anyone can look at here: https://www.manto-myth.org/manto
This book is all you could ever have wanted to know about the monsters of Greek myth and the impact they have had on our imaginations. It’s a collaboration resulting in 40 articles that range across various monsters, monster theory, and the strange borders between the real and the imaginary.
The Oxford Handbook of Monsters in Classical Myth presents forty chapters about the unique and terrifying creatures from myths of the long-ago Near East and Mediterranean world, featuring authoritative contributions by many of the top international experts on ancient monsters and the monstrous. The first part provides original studies of individual monsters such as the Chimaera, Cerberus, the Hydra, and the Minotaur, and of monster groups such as dragons, centaurs, sirens, and Cyclopes. This section also explores their encounters with the major heroes of classical myth, including Perseus, Jason, Heracles, and Odysseus. The second part examines monsters of ancient folklore…
As a kid, I was fascinated by Greek mythology. Through myth, I encountered many powerful female characters—Athena was my favorite—but I felt frustrated by how women’s lives were told in my books. My interest in Greek myth and curiosity about untold stories led me to become a Classics professor. I love teaching and writing about women in the ancient world, helping people to understand how they navigated their lives. Luckily for me, many recent books across various genres, from novels to translations to histories, have illuminated the lives of ancient women. There’s so much more to read than when I was growing up!
Very few histories of Rome manage to be both trenchant and laugh-out-loud funny. Emma Southon’s is one. I was laughing and wincing at the same time. I was especially impressed because many of the figures Southon discusses (Tanaquil, Lucretia, Tarpeia) are shrouded in Rome’s self-serving patriotic myths.
Southon tells their stories in a colorful, empathetic narrative that dares to imagine what the women’s point of view might have been like. She also makes clear how much Rome, that quintessentially patriarchal ancient empire, imagined itself as founded on the bodies of women.
From the acclaimed author of A Fatal Thing Happened on the Way to the Forum, a wildly entertaining new history of Rome that uses the lives of 21 women to upend our understanding of the ancient world
The history of Rome has long been narrow and one-sided, essentially a history of “the Doing of Important Things.” And as far as Roman historians have been concerned, women don’t make that history. From Romulus through the political stab-fest of the late Republic, and then on to all the emperors, Roman historians may deign to give you a wife or a mother to…
I’ve been fascinated by the ancient Greeks and Romans since my teenage years. I was lucky to have inspiring teachers when I was an undergraduate. Spending a few months in Greece during my university years intensified my love of antiquity, and now I’m a professor who teaches Greek and Latin. One of the things that first drew me to the Greeks and Romans was the sophistication of their poetry, and that’s why I wrote this list.
I was drawn to Sappho as a teenager, and in many ways, her poems are classic poems of teen angst, love, jealousy, and rejection. Over the years, I’ve also come to admire her poetic craft and skill at composing beautiful verse, as well as the music of her poetry.
If only more of her poems had survived! Even many of the surviving poems are marked by gaps and omissions. The fragmentariness of the poems is part of their mystique. An accomplished poet, Anne Carson captures the force and charm of these ancient love songs superbly in her version.
In this "gorgeous translation" (The New York Times), one of our most fearless and original poets provides a tantalizing window onto the genius of a woman whose lyric power spans millennia.
Of the nine books of lyrics the ancient Greek poet Sappho is said to have composed, only one poem has survived complete. The rest are fragments. In this miraculous new translation, acclaimed poet and classicist Anne Carson presents all of Sappho’s fragments, in Greek and in English, as if on the ragged scraps of papyrus that preserve them, inviting a thrill of discovery and conjecture that can be described…
I have always been intrigued by fantastical world-building that is complex, detailed, forensically credible, and immeasurably encyclopedic in scope. It should propel you to a world that feels almost as real as the world you leave behind but with intricate magic systems and razor-shape lore. Ironically, some of my choices took a while to love, but once they “sunk in,” everything changed. Whenever life gets too much, it has been cathartic, essential even, to transport to another universe and find solace in prose dedicated to survival, soul, and renewal.
This may be considered an odd choice on the surface, given the true events of the Trojan War. This was also another I initially struggled with. Nevertheless, despite the factual elements, it’s viewed as one of the earliest epic fantasies in Western literature, along with The Odyssey, which came after.
Centered on just a few days of the ten-year siege of Troy, the lives of humans and their gods are intricately linked. It is one of the earliest examples of pathos with much sympathy actually lying with the enemies, the Trojans, a people based in Asia Minor, and their allies from all over the region. Outside the gods, it also references monsters such as Bellerophon, the Gorgon, and centaurs, with the gods often used as a plot device to refract the emotions and flaws of the characters.
The world-building is vivid and rich in dactylic hexameter, a rhythmic style.…
One of the greatest epics in Western literature, THE ILIAD recounts the story of the Trojan wars. This timeless poem still vividly conveys the horror and heroism of men and gods battling amidst devastation and destruction, as it moves to its tragic conclusion. In his introduction, Bernard Knox observes that although the violence of the Iliad is grim and relentless, it co-exists with both images of civilized life and a poignant yearning for peace.
I was introduced to the fascinating world of the Ancient Greeks by an inspirational teacher at my Primary School when I was about 10 years old—he read us tales of gods and monsters and heroes and heroism, and I was entranced. My grandpa bought me a copy of The Iliad. I read it with my torch under the bedclothes and embarked on a magical journey that has seen me spend the greater part of my life travelling in the world of the Ancient Greeks, both physically and intellectually. Those characters, both real and mythical, have become my friends, enemies, warnings, and role-models ever since.
Homer’s Iliadis a fabulously exciting tale of action and heroism, as the mightiest Greek heroes fight beneath the walls of Troy for the most beautiful woman who ever lived. But there is so much more to it! It’s partly the tale of one man’s anger, and partly a timeless tale about war and sacrifice for all humanity. Homer confronts some of the most significant human problems with amazingly contemporary power and nuance: the beauty and horror of combat; the inseparability of glory and destruction; the raw emotional power of reconciliation between mortal enemies; and the fact that there is more to life than revenge and more to being a man than slaughtering other men. Richmond Lattimore’s inspired translation makes you feel like Homer himself is reciting the tales to you.
"Sing, goddess, the anger of Peleus' son Achilleus / and its devastation." For sixty years, that's how Homer has begun the Iliad in English, in Richmond Lattimore's faithful translation-the gold standard for generations of students and general readers.
This long-awaited new edition of Lattimore's Iliad is designed to bring the book into the twenty-first century-while leaving the poem as firmly rooted in ancient Greece as ever. Lattimore's elegant, fluent verses-with their memorably phrased heroic epithets and remarkable fidelity to the Greek-remain unchanged, but classicist Richard Martin has added a wealth of supplementary materials designed to aid new generations of readers.…
