Here are 100 books that The Iliad of Homer fans have personally recommended if you like
The Iliad of Homer.
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I was introduced to the fascinating world of the Ancient Greeks by an inspirational teacher at my Primary School when I was about 10 years old—he read us tales of gods and monsters and heroes and heroism, and I was entranced. My grandpa bought me a copy of The Iliad. I read it with my torch under the bedclothes and embarked on a magical journey that has seen me spend the greater part of my life travelling in the world of the Ancient Greeks, both physically and intellectually. Those characters, both real and mythical, have become my friends, enemies, warnings, and role-models ever since.
Herodotus is a joy to read. In his Enquiries into the heroic struggle of Greece against the mighty Persian Empire, he wanted to preserve the memory of wondrous deeds. And he does it brilliantly. Along the way we discover how to catch a crocodile in Egypt, visit the walls of Babylon, and travel with the fearsome, gender-fluid, Scythian warriors. As the massed Persian armies with their arrogant and manipulative commanders bear down on the divided state of Greece, we are taken to battlefield of Marathon, witness the tenacious heroism of the 300 Spartans, and fight on the sea at the great Greek victory at Salamis. This epic conflict between the forces and ideals of East and West is rendered beautifully in Tom Holland’s fluent translation, which nimbly walks the line between accuracy and accessibility.
One of Western history's greatest books springs to life in Tom Holland's vibrant new translation
Herodotus of Halicarnassus-who was hailed by Cicero as "the father of history"-wrote his histories around 440 BC. It is the earliest surviving work of nonfiction and a thrilling narrative account of (among other things) the war between the Persian Empire and the Greek city-states in the fifth century BC.
With a wealth of information about ancient geography, ethnography, zoology, comparative anthropology, and much else, The Histories is also filled with bizarre and fanciful stories, which award-winning historian Tom Holland vividly captures in this major new…
I’ve been fascinated by war since I was literally a toddler. True story, I was the only two-and-a-half-year-old in South Boston, Massachusetts with an adult library card. I had to get one, and to get it to prove to the librarian that I could read, in order to check out certain books that I wanted. I only recall one title, The Battle of Midway. Since then, though I’ve done other things like practice law and become a novelist, most of my adult life was still spent as an enlisted man, non-commissioned officer, and company grade and field grade infantry officer in the Army.
Written around twenty-five centuries ago, this remains the seminal work of history, political science, man as he is, war, and diplomacy. The author expressly intended that it be “a work for all time,” and so it remains. Moreover, it serves still as an example of a civilization ruining itself, as Europe did in the Great War. Thus, it continues to warn.
Such was Macaulay's verdict on Thucydides (c. 460-400 BC) and his history of the Peloponnesian War, the momentous struggle between Athens and Sparta as rival powers and political systems that lasted for twenty-seven years from 431 to 404 BC, involved virtually the whole of the Greek world, and ended in the fall of Athens. Thucydides himself was a participant in the war; to his history he brings an awesome intellect, brilliant narrative, and penetrating analysis of the nature of power, as it affects both states and individuals.
I was introduced to the fascinating world of the Ancient Greeks by an inspirational teacher at my Primary School when I was about 10 years old—he read us tales of gods and monsters and heroes and heroism, and I was entranced. My grandpa bought me a copy of The Iliad. I read it with my torch under the bedclothes and embarked on a magical journey that has seen me spend the greater part of my life travelling in the world of the Ancient Greeks, both physically and intellectually. Those characters, both real and mythical, have become my friends, enemies, warnings, and role-models ever since.
‘Comedy’ is a Greek word, and there’s no better place to experience Greek humour than in Aristophanes’ plays. He never shies away from transgressive material and would probably send any twenty-first-century ‘celebrity’ straight to the libel courts—no topic or personality is off-limits, and there are 204 terms for genitalia in his surviving work, plus 190 for sex! Three fantastic plays are translated in Alan Sommerstein’s readable translation: The Acharnians, where an ordinary Athenian, Dicaeopolis (Mr. Just City), defeats the political establishment to enjoy a life of peace, food, alcohol, and sex; The Clouds, a stinging satire of philosophers and ‘modern’ education that includes a brilliant contest between Wrong and Right (spoiler alert—Wrong wins!); and Lysistrata, where the heroine puts an end to the war by organizing a sex strike, with all the hilarious consequence that entails.
I became passionate about ancient Greece as a teenager when I studied the ancient languages and history at school. I was also lapping up ancient Greece on film—back then the so-so Burton-Taylor Cleopatra really impressed. I got enthused by historical novels too, Mary Renault’s especially. My first visit to Greece as a university student hooked me on modern Greece as well. Since then, I’ve become a professional academic specialising in ancient Greece and have been lucky enough to develop a lifelong relationship with modern as well as ancient Greeks. I lived in Greece for six years in my twenties, and have gone back repeatedly ever since. I’ve published widely on Greece’s ancient history and archaeology.
This is the daddy of travel books about Greece, penned by a Greek from western Turkey who toured the sights during the pax Romana (2nd century AD).
Catching ancient Greece before it fell into ruin, he enthusiastically wrote up the buildings and artworks and the local history of places both famous and obscure. My own copy, decidedly battered, has been a companion of my academic career since my twenties.
You can still follow Pausanias on certain archaeological sites, like Delphi or Olympia. On others it’s fascinating, after visiting them, to turn to this ancient guide to read how he described the same places when they were intact.
Peter Levi’s translation is highly readable and well equipped, but not overladen, with footnotes.
Written in the second century AD by a Greek traveller for a predominantly Roman audience, Pausanias' Guide to Greece is an extraordinarily literate and well-informed guidebook. A study of buildings, traditions and myth, it describes with precision and eloquence the glory of classical Greece shortly before its ultimate decline in the third century. This volume, the first of two, concerns the five provinces of central Greece, with an account of cities including Athens, Corinth and Thebes and a compelling depiction of the Oracle at Delphi. Along the way, Pausanias recounts Greek legends that are unknown from any other source and…
They say true happiness is finding something you love, and getting paid to do it, which makes me one happy bunny. Ancient history has been my passion, my hobby and my job for the past three decades, and I still wake up every morning looking forward to another day of it. Thanks to the internet I can study the classics and still hike in the mountains and kayak the mountain lakes of my corner of British Columbia. It doesn't get better than this.
Don't look for some high-brow version full of pseudo-Shakespearean language. Homer's story is a blood-and-guts tale (literally) of hard-bitten heroes, feuding among spiteful gods and bombastic military commanders. Try John Dolan's version from Feral house publishing, deliberately written as he imagined the story was first told – by soldiers sitting around a campfire exchanging yarns.
We recognize the names: Achilles, Odysseus, Zeus, and Apollo. We're taught that The Iliad is a foundational text of civilization. But who has really read the text? Until now, The Iliad was hijacked by academics and used to bludgeon schoolchildren as a boring-yet- mandatory reading.
Poet, novelist, essayist, and former teacher John Dolan revisits this ancient tale and restores it to its ancient glory. The Greeks and Trojans are still fighting. The gods are still interfering. But in Dolan's version, you'll be amazed at how funny, raw, and terrifying this doomed world of war really is. He strips away clunky,…
I have always been intrigued by fantastical world-building that is complex, detailed, forensically credible, and immeasurably encyclopedic in scope. It should propel you to a world that feels almost as real as the world you leave behind but with intricate magic systems and razor-shape lore. Ironically, some of my choices took a while to love, but once they “sunk in,” everything changed. Whenever life gets too much, it has been cathartic, essential even, to transport to another universe and find solace in prose dedicated to survival, soul, and renewal.
This may be considered an odd choice on the surface, given the true events of the Trojan War. This was also another I initially struggled with. Nevertheless, despite the factual elements, it’s viewed as one of the earliest epic fantasies in Western literature, along with The Odyssey, which came after.
Centered on just a few days of the ten-year siege of Troy, the lives of humans and their gods are intricately linked. It is one of the earliest examples of pathos with much sympathy actually lying with the enemies, the Trojans, a people based in Asia Minor, and their allies from all over the region. Outside the gods, it also references monsters such as Bellerophon, the Gorgon, and centaurs, with the gods often used as a plot device to refract the emotions and flaws of the characters.
The world-building is vivid and rich in dactylic hexameter, a rhythmic style.…
One of the greatest epics in Western literature, THE ILIAD recounts the story of the Trojan wars. This timeless poem still vividly conveys the horror and heroism of men and gods battling amidst devastation and destruction, as it moves to its tragic conclusion. In his introduction, Bernard Knox observes that although the violence of the Iliad is grim and relentless, it co-exists with both images of civilized life and a poignant yearning for peace.
As a kid, I was fascinated by Greek mythology. Through myth, I encountered many powerful female characters—Athena was my favorite—but I felt frustrated by how women’s lives were told in my books. My interest in Greek myth and curiosity about untold stories led me to become a Classics professor. I love teaching and writing about women in the ancient world, helping people to understand how they navigated their lives. Luckily for me, many recent books across various genres, from novels to translations to histories, have illuminated the lives of ancient women. There’s so much more to read than when I was growing up!
This book is an epic about a war fought over a woman (Helen, the “face that launched a thousand ships”), yet this is the first major translation by one. Emily Wilson’s translation sounds fresh and up-to-date yet stays closer to Homer than the versions I encountered growing up.
I love how Wilson treats Homer’s women, avoiding the clichés and derogatory language used by previous translators. And her work has the narrative drive that Homer deserves, making this very old, very familiar story a real page-turner.
When Emily Wilson's translation of The Odyssey appeared in 2017-revealing the ancient poem in a contemporary idiom that "combines intellectual authority with addictive readability" (Edith Hall, The Sunday Telegraph)-critics lauded it as "a revelation" (Susan Chira, The New York Times) and "a cultural landmark" (Charlotte Higgins, The Guardian) that would forever change how Homer is read in English. Now Wilson has returned with an equally revelatory translation of the first great Homeric epic: The Iliad.
In Wilson's hands, this exciting and often horrifying work now gallops at a pace befitting its battle scenes, roaring with the clamour of arms, the…
I have been a dreamer since my childhood and chasing my dream is the goal of my life. Dreams do not have a visible purpose the destiny is hidden behind dreams. While following my dreams, I had started searching for my origin, because I felt connected to some unknown place. I travelled to various ancient sites of Mesopotamia, Egypt, and Indus civilizations and explored that these civilizations were very disciplined and advanced. Still, we are not able to unfold so many mysteries. I see the future in the past and present is just a stem in between, this inspired me to write a book.
This epic by Homer has a great impact on epic culture.
Writing such an epic in the 700-800 BC era is mind-blowing, War of Troy which we used to read in comic books and movies has so well narrated citing the bravery of Greek and Trojan Heroes in the Iliad.
Everyone should read about the heroes of Iliad epic King Agamemnon, warrior Achilles and Odyssey’s Greek hero Odysseus, king of Ithaca and his return journey about the Trojan War. Greek mythology is always a great source of information about the ancient time wars and treaties.
I’ve been fascinated by the ancient Greeks and Romans since my teenage years. I was lucky to have inspiring teachers when I was an undergraduate. Spending a few months in Greece during my university years intensified my love of antiquity, and now I’m a professor who teaches Greek and Latin. One of the things that first drew me to the Greeks and Romans was the sophistication of their poetry, and that’s why I wrote this list.
Even after 20 years of separation, brought on by the Trojan War and the gods, Odysseus and Penelope hold on to their love and reunite in Ithaca. They must overcome tremendous obstacles: divine anger, violent suitors, jealous lovers, ghosts, and monsters.
Of course, the poem has double standards regarding relations between men and women. And yet, the central love story hasn’t lost its appeal since antiquity. Fitzgerald’s English translation of the Odyssey is one of the best and a wonderful creation in its own right: it’s a magnificent rendition of Odysseus and his world.
The classic translation of The Odyssey, now in paperback.
This edition also features a map, a Glossary of Names and Places, and Fitzgerald's Postscript. Line drawings precede each book of the poem.
Robert Fitzgerald's translation of Homer's Odyssey is the best and best-loved modern translation of the greatest of all epic poems. Since 1961, this Odyssey has sold more than two million copies, and it is the standard translation for three generations of students and poets. Farrar, Straus and Giroux is delighted to publish a new edition of this classic work. Fitzgerald's supple verse is ideally suited to the story…
Journeys of discovery are my favorite kind of story and my favorite vehicle for (mental) travel. From Gilgamesh to last week’s bestseller, they embody how we live and learn: we go somewhere, and something happens. We come home changed and tell the tale. The tales I love most take me where the learning is richest, perhaps to distant, exotic places—like Darwin’s Galapagos—perhaps deep into the interior of a completely original mind—like Henry Thoreau’s. I cannot live without such books. Amid the heartbreak of war, greed, disease, and all the rest, they remind me in a most essential way of humanity’s redemptive capacity for understanding and wonder.
Once, on a weeks-long gig far from home, I stayed in a bare attic room with no TV, no internet, not even a radio. I didn’t mind. I had this translation of the Odyssey to settle down with every evening after work. I would think about it all day long: the vivid language, the fantastical events, the struggle and suffering of the protagonist. Reading it was like going to a technicolor movie every night, except that the movie was inside my head.
Talk about an essential human story—the Odyssey is four thousand years old, but its characters have the same emotions, fears, vices, and virtues we have today. Their struggles make my heart race and my eyes tear up. My imagination goes into overdrive, and I revel in the wonder.
Homer's best-loved and most accessible poem, recounting the great wandering of Odysseus during his ten-year voyage back home to Ithaca, after the Trojan War. A superb new verse translation, now published in trade paperback, before the standard Penguin Classic B format.
