Here are 100 books that Antigone Rising fans have personally recommended if you like
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As a kid, I was fascinated by Greek mythology. Through myth, I encountered many powerful female characters—Athena was my favorite—but I felt frustrated by how women’s lives were told in my books. My interest in Greek myth and curiosity about untold stories led me to become a Classics professor. I love teaching and writing about women in the ancient world, helping people to understand how they navigated their lives. Luckily for me, many recent books across various genres, from novels to translations to histories, have illuminated the lives of ancient women. There’s so much more to read than when I was growing up!
This book is an epic about a war fought over a woman (Helen, the “face that launched a thousand ships”), yet this is the first major translation by one. Emily Wilson’s translation sounds fresh and up-to-date yet stays closer to Homer than the versions I encountered growing up.
I love how Wilson treats Homer’s women, avoiding the clichés and derogatory language used by previous translators. And her work has the narrative drive that Homer deserves, making this very old, very familiar story a real page-turner.
When Emily Wilson's translation of The Odyssey appeared in 2017-revealing the ancient poem in a contemporary idiom that "combines intellectual authority with addictive readability" (Edith Hall, The Sunday Telegraph)-critics lauded it as "a revelation" (Susan Chira, The New York Times) and "a cultural landmark" (Charlotte Higgins, The Guardian) that would forever change how Homer is read in English. Now Wilson has returned with an equally revelatory translation of the first great Homeric epic: The Iliad.
In Wilson's hands, this exciting and often horrifying work now gallops at a pace befitting its battle scenes, roaring with the clamour of arms, the…
When I tell people I think about Greek myths for a living, they tend not to believe me. But I’ve never considered Greek myths to be at all odd or mysterious. After all, telling stories is a very normal human activity. Most recently I’ve been working to better understand how ancient communities attached stories to the places they lived in and this has resulted in MANTO, a huge mapping project, which anyone can look at here: https://www.manto-myth.org/manto
Once Troy was conquered, the Greeks had to get back home. Few heroes managed this without drama, but even on this benchmark, Odysseus’ ten-year (a-hem) odyssey was an outlier.
You can read this as the first great traveller’s tale: the Odyssey will immerse you in a giant, detailed story world of gods, heroes, and monsters traversed by a protagonist famous for his clever schemes and his stretching of the truth.
Emily Wilson’s translation really can’t be beaten: she brings before our eyes and ears again a fantasy world given weight by very human stories of loss and longing.
When I tell people I think about Greek myths for a living, they tend not to believe me. But I’ve never considered Greek myths to be at all odd or mysterious. After all, telling stories is a very normal human activity. Most recently I’ve been working to better understand how ancient communities attached stories to the places they lived in and this has resulted in MANTO, a huge mapping project, which anyone can look at here: https://www.manto-myth.org/manto
Julia looks at this question through ten ancient stories about animals ranging from the every day (bees and birds) to the fantastical (the Sphinx and the Cyclops). These are, of course, stories produced out of human creativity and curiosity, and out of them emerges some surprising insights about how we understand our place in the world.
If animals could talk to us, what would they say about us?
What makes us human? What, if anything, sets us apart from all other creatures? Ever since Charles Darwin's theory of evolution, the answer to these questions has pointed to our own intrinsic animal nature. Yet the idea that, in one way or another, our humanity is entangled with the non-human has a much longer and more venerable history. In the West, it goes all the way back to classical antiquity. This grippingly written and provocative book boldly reveals how the ancient world mobilised concepts of 'the animal' and 'animality' to conceive of the human in a variety of illuminating ways.…
Who was the man who would become Caesar's lieutenant, Brutus' rival, Cleopatra's lover, and Octavian's enemy?
When his stepfather is executed for his involvement in the Catilinarian conspiracy, Mark Antony and his family are disgraced. His adolescence is marked by scandal and mischief, his love affairs are fleeting, and yet,…
When I tell people I think about Greek myths for a living, they tend not to believe me. But I’ve never considered Greek myths to be at all odd or mysterious. After all, telling stories is a very normal human activity. Most recently I’ve been working to better understand how ancient communities attached stories to the places they lived in and this has resulted in MANTO, a huge mapping project, which anyone can look at here: https://www.manto-myth.org/manto
This book is all you could ever have wanted to know about the monsters of Greek myth and the impact they have had on our imaginations. It’s a collaboration resulting in 40 articles that range across various monsters, monster theory, and the strange borders between the real and the imaginary.
The Oxford Handbook of Monsters in Classical Myth presents forty chapters about the unique and terrifying creatures from myths of the long-ago Near East and Mediterranean world, featuring authoritative contributions by many of the top international experts on ancient monsters and the monstrous. The first part provides original studies of individual monsters such as the Chimaera, Cerberus, the Hydra, and the Minotaur, and of monster groups such as dragons, centaurs, sirens, and Cyclopes. This section also explores their encounters with the major heroes of classical myth, including Perseus, Jason, Heracles, and Odysseus. The second part examines monsters of ancient folklore…
My parents had the travel bug and passed it on to me ten-fold—I’ve been to over 60 countries and counting. Each place has its own charm, hidden nooks and crannies that are completely unique. Even more so, the cultures I’ve been able to experience have shown me that while stereotypes can have a grain of truth, they never give you the whole picture of a place or people. I’ve tried to build this into my writing with settings and characters that showcase this. I love and appreciate it so much when I see it in books that I read.
The best way to describe this book and the entire Heroes of Olympus series is fun. The world in which it takes place is fascinating, with the Greek and Roman gods. I love the characters, and this book in particular because we get to see the perspectives of two extra characters on top of the original seven ‘chosen’ heroes. Riordan builds each character into a full person, and while I don’t usually read much YA, I absolutely love this series. The female characters are particularly amazing – totally different from each other, and a real combination of strong and vulnerable. The dialogue and plot are funny and it doesn’t take itself too seriously, despite the high stakes.
On top of that, I love what Riordan does with the setting. The book travels from Greece to New York and I recognize many of the different places where it takes place…
The Blood of Olympus is the fifth book in the bestselling Heroes of Olympus series - set in the high-octane world of Percy Jackson.
Though the Greek and Roman crew members of the Argo II have made progress in their many quests, they still seem no closer to defeating the earth mother, Gaea. Her giants have risen - all of them - and they're stronger than ever.
They must be stopped before the Feast of Spes, when Gaea plans to have two demigods sacrificed in Athens. She needs their blood -the blood of Olympus - in order to wake. The…
I’ve been fascinated by Greek Mythology since I read a book about it in childhood. There was a popular graphic novel series about Greek and Roman Mythology in Korea, and I was one of many kids obsessed with these books. That passion continued and became stronger when I moved to New York. It had various mythology books, including novels and picture books, and there were tons of references, such as paintings, sculptures, and authentic vases. I hope you enjoy the books on the list and feel the same thrill I felt!
This is such a classic book to start learning about Greek Mythology. I read the translated Korean version when I was researching my book in the past.
Even though I was familiar with most characters, I still learned about new stories while reading it. I'm glad I started with this book and then branched out with other novels and picture books.
Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and…
The constellation we know as Taurus goes all the way back to cave paintings of aurochs at Lascaux. This book traces the story of the bull in the sky, a journey through the history of what has become known as the sacred bull.
As an avid reader since childhood, I’ve always hunted for books that deliver the most epic emotional experiences. Stories that you can’t put down even when your eyelids ache for sleep or the page is blurred with tears. The ones where fiction becomes reality and the room around you disappears with every page. Cupid’s Compass was inspired by these all-consuming novels and I expect my future works will follow the same mission: to evoke laughter, tears, and the ever-expansive qualities of humanity.
Am I deranged for loving horrifying cliffhangers? If you do too, book three of five in The Heroes of Olympus is the epitome of jaw-dropping endings you will both love and hate.
This series follows Percy Jackson from the original middle grade content to a young adult era. The stand-out cliffhanger of the series, The Mark of Athena, is bursting with page-turning action and follows multiple characters, but it’s the steadily growing romance between Percy and Annabeth that drives the stakes.
I consider this couple one of the best executed healthy romances in modern youth content. My biggest recommendation is that if you start The Heroes of Olympus series, make sure you have all the books on hand first, because you will need the next one on hand.
The Mark of Athena is the explosive third part in Rick Riordan's number one series - Heroes of Olympus.
ONE FATAL PROPHECY SEVEN BRAVE DEMIGODS A QUEST TO FIND - AND CLOSE - THE DOORS OF DEATH.
Annabeth felt as if someone had draped a cold washcloth across her neck. She heard that whispering laughter again, as if the presence had followed her from the ship.
She looked up at the Argo II. Its massive bronze hull glittered in the sunlight.Part of her wanted to kidnap Percy right now, get on board and get out of here while they still…
Not only have I written six critically acclaimed novels for middle-grade readers, including three historical fictions, I am the parent of a tween and teen who is always looking for great read-alouds and read-alongs for my own family. I am a firm believer that this is a valuable way to encourage literacy and love of story as I wrote in a recent, much-discussed essay inThe Atlantic. Having lived abroad, including as an exchange student and camper in the Soviet Union and for three years in Belgium, I am also a huge believer in expanding our own as well as our kids’ knowledge of history beyond our own borders, cultures, identities, and perspectives.
Schlitz’s latest historical novel, set in Ancient Greece, is one I read aloud to my own kids, who like many are already well versed in Greek and Roman mythology.
The story of the rebellious daughter of a noble family and an enslaved boy, it’s a haunting and beautifully rendered introduction to classical philosophy and the story of Socrates. Reading this together gave us a chance to discuss the classical world as a real place and its culture and religion in detail and depth.
Schlitz’s books are among the most literary and original out there and this one was written to stay with you for a very long time.
The Newbery Medal–winning author of Good Masters! Sweet Ladies! givesreaders avirtuoso performance in verse in this profoundly original epic pitched just right for fans of poetry, history, mythology, and fantasy.
Welcome to ancient Greece as only genius storyteller Laura Amy Schlitz can conjure it. In a warlike land of wind and sunlight, “ringed by a restless sea,” live Rhaskos and Melisto, spiritual twins with little in common beyond the violent and mysterious forces that dictate their lives. A Thracian slave in a Greek household, Rhaskos is as common as clay, a stable boy worth less than a donkey, much less…
I’m an Australian author who lives on the other side of the Pond. I’m a self-confessed Romaholic but my great love is for the Etruscans. My curiosity was first piqued to learn about these people when I saw an Etruscan sarcophagus depicting a couple embracing for eternity. The casket was unusual because women were rarely commemorated in funerary art let alone a couple depicted in such a pose of affection. What ancient society revered women as much as men? Discovering the answer led me to the decadent and mystical Etruscan civilisation and the little-known story of a ten-year siege between Rome and the Etruscan city of Veii.
The ancient world has always held a fascination for me. It must be in my genes because one of my fondest memories is my father telling me stories about the Greek gods. As a kid, I also found a book in our house that had been handed down through generations within my family entitled The Myths and Legends of Ancient Greece and Rome by E.M. Berens. This book was published in 1892 but Berens is still in print, no doubt in its umpteenth edition.
My book has a leather cover, the spine frayed so that the webbing that binds the folios is exposed. The pages are mottled, yellowing. It is a treasure. Inside, the lives of the fickle, adulterous, benevolent, or malevolent deities are revealed; their bickering and flaws similar to mortals but their ability to bless, curse, and manipulate man’s fate, divine.
HarperCollins is proud to present its incredible range of best-loved, essential classics.
'This was the slaying of the Minotaur, which put an end forever to the shameful tribute of seven youths and seven maidens which was exacted from the Athenians every nine years.'
The gods, heroes and legends of Greek mythology and their Roman interpretations are as fascinating as they are instructive. They include the almighty Zeus and his many wives; heroic Perseus, slayer of the snake-headed Medusa; Helen of Troy, whose beauty caused a great war; Medea, driven mad by jealousy; and tragic Persephone, doomed to live half of…
Curiosity is certain she saw fairies at the bottom of the garden. Little does she know . . . they saw her first.
Emotionally abandoned by her mother and infatuated by a figurine of a fairy ballerina she discovers in an old toy shop, eight-year-old Curiosity Portland steals the figurine,…
As an author of horror and thrillers, I have always been drawn to big mysteries, the darker the better. I blame this fascination on my love of David Lynch movies, which had originated in my early teens and persists to this day. I have also found that incorporating ‘found objects’ into mixed media narratives can help better simulate reality while also twisting it in unpredictable ways. It is no surprise that my debut What the Woods Keep is a mixed media genre-bender. While this storytelling method is not new, recent horror novels have used it in incredibly inventive and impactful ways.
White Fox is another excellent example of a fictional mixed media narrative formed around a cult object of art – in this case, a film script. The author’s technique of alternating the dual narration of two sisters with excerpts from the eponymous script, White Fox, written by (and about) their missing mother, does an excellent job of mixing the real with the surreal. While the mystery at the heart of this sophomore novel is a very human one, the addition of the mysterious film script and the mythology around it bolsters a terrific atmosphere and makes for a compelling reading experience.
“Eerie and sly, White Fox is a trap waiting to be sprung. I was completely enthralled.”―Rory Power, New York Times-bestselling author of Wilder Girls
“A ghost story that will spook even the most hardened grown-ups.” ―Entertainment Weekly
After their world-famous actor mother disappeared under mysterious circumstances, Manon and Thaïs left their remote Mediterranean island home―sent away by their pharma-tech tycoon father. Opposites in every way, the sisters drifted apart in their grief. Yet their mother's unfinished story still haunts them both, and they can't put to rest the possibility that she is still alive.
