Here are 100 books that The Trojan Horse and Other Stories fans have personally recommended if you like
The Trojan Horse and Other Stories.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
As a kid, I was fascinated by Greek mythology. Through myth, I encountered many powerful female charactersâAthena was my favoriteâbut I felt frustrated by how womenâs lives were told in my books. My interest in Greek myth and curiosity about untold stories led me to become a Classics professor. I love teaching and writing about women in the ancient world, helping people to understand how they navigated their lives. Luckily for me, many recent books across various genres, from novels to translations to histories, have illuminated the lives of ancient women. Thereâs so much more to read than when I was growing up!
This book is an epic about a war fought over a woman (Helen, the âface that launched a thousand shipsâ), yet this is the first major translation by one. Emily Wilsonâs translation sounds fresh and up-to-date yet stays closer to Homer than the versions I encountered growing up.
When Emily Wilson's translation of The Odyssey appeared in 2017-revealing the ancient poem in a contemporary idiom that "combines intellectual authority with addictive readability" (Edith Hall, The Sunday Telegraph)-critics lauded it as "a revelation" (Susan Chira, The New York Times) and "a cultural landmark" (Charlotte Higgins, The Guardian) that would forever change how Homer is read in English. Now Wilson has returned with an equally revelatory translation of the first great Homeric epic: The Iliad.
In Wilson's hands, this exciting and often horrifying work now gallops at a pace befitting its battle scenes, roaring with the clamour of arms, theâŠ
When I tell people I think about Greek myths for a living, they tend not to believe me. But Iâve never considered Greek myths to be at all odd or mysterious. After all, telling stories is a very normal human activity. Most recently Iâve been working to better understand how ancient communities attached stories to the places they lived in and this has resulted in MANTO, a huge mapping project, which anyone can look at here: https://www.manto-myth.org/manto
Once Troy was conquered, the Greeks had to get back home. Few heroes managed this without drama, but even on this benchmark, Odysseusâ ten-year (a-hem) odyssey was an outlier.
You can read this as the first great travellerâs tale: the Odyssey will immerse you in a giant, detailed story world of gods, heroes, and monsters traversed by a protagonist famous for his clever schemes and his stretching of the truth.
Emily Wilsonâs translation really canât be beaten: she brings before our eyes and ears again a fantasy world given weight by very human stories of loss and longing.
When I tell people I think about Greek myths for a living, they tend not to believe me. But Iâve never considered Greek myths to be at all odd or mysterious. After all, telling stories is a very normal human activity. Most recently Iâve been working to better understand how ancient communities attached stories to the places they lived in and this has resulted in MANTO, a huge mapping project, which anyone can look at here: https://www.manto-myth.org/manto
Thoughtful, personal, passionate, insightful, and humane. This is the book I wish I could write.
Helen Morales puts a pin in the lazy âglory that was Greeceâ trope and gives us the darker side of antiquity and its influence, showing us how stories have been used to enslave bodies and tame minds, to belittle and exclude. But this plasticity is what also makes Greek myth a potentially restorative force.
Helenâs message is that such capacity for continual reinvention gives the ultimate power to the teller of tales, whoever she might be.
A witty, inspiring reckoning with the ancient Greek and Roman myths and their legacy, from what they can illuminate about #MeToo to the radical imagery of Beyonce.
The picture of classical antiquity most of us learned in school is framed in certain ways -- glossing over misogyny while omitting the seeds of feminist resistance. Many of today's harmful practices, like school dress codes, exploitation of the environment, and rape culture, have their roots in the ancient world.
But in Antigone Rising, classicist Helen Morales reminds us that the myths have subversive power because they are told -- and read --âŠ
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctorâand only womanâon a remote Everest climb in Tibet.
When I tell people I think about Greek myths for a living, they tend not to believe me. But Iâve never considered Greek myths to be at all odd or mysterious. After all, telling stories is a very normal human activity. Most recently Iâve been working to better understand how ancient communities attached stories to the places they lived in and this has resulted in MANTO, a huge mapping project, which anyone can look at here: https://www.manto-myth.org/manto
This book is all you could ever have wanted to know about the monsters of Greek myth and the impact they have had on our imaginations. Itâs a collaboration resulting in 40 articles that range across various monsters, monster theory, and the strange borders between the real and the imaginary.
The Oxford Handbook of Monsters in Classical Myth presents forty chapters about the unique and terrifying creatures from myths of the long-ago Near East and Mediterranean world, featuring authoritative contributions by many of the top international experts on ancient monsters and the monstrous. The first part provides original studies of individual monsters such as the Chimaera, Cerberus, the Hydra, and the Minotaur, and of monster groups such as dragons, centaurs, sirens, and Cyclopes. This section also explores their encounters with the major heroes of classical myth, including Perseus, Jason, Heracles, and Odysseus. The second part examines monsters of ancient folkloreâŠ
Balakrishna Kamath has to his credit a 39-year-long service in one of Indiaâs premier Intelligence agencies. His long service has taken him to many places and enabled him to gain considerable experience in handling challenging operations. The coveted national-level honors - The Indian Police Medal and President's Police Medal, he had received during his service, would indicate the distinction he has earned in his career. After his retirement, he has written two novels â The Velvet Gloves (November 2018) and The Ace of Shadows (March 2022). These novels dwelling on intelligence operations have been recently signed for adaptation into web series.
Besides being an excellent thriller, the book provides an interesting insight into terrorism prevalent in the Indian subcontinent in South Asia. The storyline is refreshingly new and the characters are so close to reality. The hide-and-seek game played out by the Pakistani terrorists and the Indian counter-terror operatives can keep the readers glued to the book. The stirring narration about how secret operations are planned and executed at grave risk would leave the readers awe-struck. These operatives canât fail as that might endanger the lives of the innocent citizens whom they are duty-bound to protect. A compelling read, indeed.
It is 1996. A fifteen-year-old Lashkar-e-Taiba fidayeen crosses over to India from Pakistan. When officer Shekhar Singh of the Counter Terrorism Cell captures and interrogates him, he makes a startling revelation. The terror group has begun sending men to settle down in India in the guise of regular civilians. On the sly, they are to serve as outposts for its missions and destroy the country from within.
Stunned but not shaken, Shekhar and his bosses decide to take the fight to the enemy camp. Five Indian intelligence agents are planted in the LeT toâŠ
The only thing I love reading more than books about myth and legend are books youâre not supposed to read. George Bataille once wrote that if you ever caught him producing a book that he risked nothing to write, you should throw it away, and I take that to heart. Every book should be dangerous, because only danger makes you think. I hope every book Iâve written is, in some sense, dangerous, although of course I also hope my readers do not get ripped to pieces by the devil. Thatâs a little too dangerous.
Not necessarily the worldâs first novel (the worldâs first novel is probably lost) nor even the worldâs first great novel (that would be Petroniusâ Satyricon, which you should also not get caught reading), The Golden Ass is definitely the worldâs first great novel that has survived through the centuries intact.
Itâs the story of a man who tries just one time to dabble in magic and accidentally turns himself into a donkey. The poor guy has a bunch of adventures as he tries to figure out how to, you know, stop being a donkey.
That doesnât sound so bad, but no oneâs ever going to let you read a book with the title The Golden Ass. It just means the golden donkey! Thereâs nothing filthy about it! But no one will believe you!
Written towards the end of the second century AD, The Golden Ass tells the story of the many adventures of a young man whose fascination with witchcraft leads him to be transformed into a donkey. The bewitched Lucius passes from owner to owner - encountering a desperate gang of robbers and being forced to perform lewd 'human' tricks on stage - until the Goddess Isis finally breaks the spell and Lucius is initiated into her cult. Apuleius' enchanting story has inspired generations of writers such as Boccaccio, Shakespeare, Cervantes and Keats with its dazzling combination of allegory, satire, bawdiness andâŠ
I have always wondered why people choose and act in particular ways, from heroism and altruism to selfishness and greed. Human society is a kaleidoscope of changing actions and fortunes. Social science tries to explain why. But I was dissatisfied with its answers. Then I discovered writers who used evolutionary ideas to help explain social and economic change. I realized that evolution did not mean reducing everything to biology. I became fascinated by Darwinâs deeper and wider ideas about human society, cooperation, and motivation. I read widely and joined with others of similar mind. It is an exciting and rewarding intellectual landscape to explore. I strongly recommend a long visit.
I often find well-researched histories of ideas invaluable as quarries for enhanced understanding and intellectual inspiration. This book is an exceptionally useful history of some key Darwinian ideas. Its principal focus is on evolutionary theories of mind, morality, and behavior, which have massive implications for the further development of the social sciences today. Richards sketches the intellectual background of Darwinâs thought in the nineteenth century, showing how he distanced himself from utilitarian approaches to moral and psychological analysis. The contrast with Herbert Spencer is particularly pertinent. But even more so, Darwinâs anti-utilitarianism remains highly relevant today, as much of social science â especially economics â is still dominated by utilitarian ideas. This history of thought defends evolutionary approaches to morality and it is explosive in its implications.
With insight and wit, Robert J. Richards focuses on the development of evolutionary theories of mind and behavior from their first distinct appearance in the eighteenth century to their controversial state today. Particularly important in the nineteenth century were Charles Darwin's ideas about instinct, reason, and morality, which Richards considers against the background of Darwin's personality, training, scientific and cultural concerns, and intellectual community. Many critics have argued that the Darwinian revolution stripped nature of moral purpose and ethically neutered the human animal. Richards contends, however, that Darwin, Herbert Spencer, and their disciples attempted to reanimate moral life, believing thatâŠ
I wrote Orchid Muse: A History of Obsession in Fifteen Flowers. Iâm a historian, a master gardener, and Iâve grown a few hundred orchids for over half my life. I love collecting stories of orchids because, well, theyâre fascinating, and they offer a deeper connection to the pastime I love best.
A truly great addition to orchid history by a great master of botanical history at large.Endersby sets orchid culture in all of its larger historical contexts and adds intrigue and flare by following orchid fiction through the ages. Itâs funny to boot! I'll be referring back to this book for years to come.
At once delicate, exotic, and elegant, orchids are beloved for their singular, instantly recognizable beauty. Found in nearly every climate, the many species of orchid have carried symbolic weight in countless cultures over time. The ancient Greeks associated them with fertility and thought that parents who ingested orchid root tubers could control the sex of their child. During the Victorian era, orchids became deeply associated with romance and seduction. And in twentieth-century hard-boiled detective stories, they transformed into symbols of decadence, secrecy, and cunning. What is it about the orchid that has enthralled the imagination for so many centuries? AndâŠ
I had a lot of troubles as a kid, and my favorite escape was getting lost in fairy tales and mythology. For me, those stories were a window into ancient worlds full of strange rules and powers, where magic was real and nothing was outside the bounds of possibility. As an author, I get to build my own stories and worlds inspired by the tales I loved so much as a kid, and Iâve loved reading about new heroes and heroines whose tales are rooted in the powerful traditions of peoples from all over the globe. Iâm happy to be sharing some of my recent favorite mythology-inspired books!
An absolutely unique story that takes the mythology of the Greek underworld and gives it a twist (or two). Clo only has her Dad. Heâs always been a little differentâas has sheâbut when he disappears and leaves her a ticket for half-passage across the sea, Clo finds herself stranded on a mysterious island with a weaver, a cat, and an odd little boyâCary, who has secrets of his own.
I loved the stunning and strange machinations of Cloâs days on the island and working to unravel its hidden truths alongside her. She feels like a friend, and her dawning need to protect Cary is touching and relatable. The writing is beautiful, the imagery haunting, and Cloâs need to understandâand escape, is somehow both urgent and dream-like. Deep thinkers will love this book.
A spellbinding middle grade fantasy inspired by Greek mythology, for fans of The Girl Who Drank the Moon and The Book of Boy.
Clothilde has lived her whole life in the shadows with her (sometimes) thieving and (always) ailing father. But when he fails to meet her one morning, sending her instead a mysterious ticket of "half-paffage," Clo finds herself journeying across the sea to reunite with him. The ticket, however, leaves her on a sunless island populated only by creaking fishermen, a rumpled old woman, a piggish cat, and a moon-cheeked boy named Cary.
Forthcoming eclipses coming up in Australia include that of 22 July 2028, which will cross Australia from the Northern Territory to Sydney, home of the internationally famous sights of the Harbour Bridge and the Opera House. Eclipse Chasers will act as a guidebook for both locals and international visitors, givingâŠ
I struggled a lot with reading as a kid, I would not call myself a natural reader at all. When I was young, fantasy and magic stories were one of the few genres that could grip me enough to make me actually focus and attempt to read but I always hated the ones that took themselves too seriously (they always felt impossibly long to get through). Now, as a childrenâs author, myself, itâs my hope and passion to serve fellow young-readers-who-donât-consider-themselves-readers with fun accessible stories. I hope you enjoy!
A school drama with a dash of Greek Mythology when Helen of Troyâs amulet gets into a young girl's hands.
Juliet is suddenly doused with attention and does her best to navigate it. The story is very funny and lighthearted, this was another one of my favorite school reads.
Juliet Dove is a girl who doesn't like to be noticed. But though she may be shy, she has a wickedly sharp wit. Whenever someone does take notice of her, she tears into the person with a savagery that's earned her the nickname Killer. Juliet ends up leaving Mr. Elives' magic shop with Helen of Troy's amulet--that is, a virtual man magnet. Juliet doesn't know what she's got, but the boys in her class do--they start to notice her. Soon every boy in town is swoony for her. Yet, much as she'd like to lose all the unwanted attention, sheâŠ