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The Trojan Horse and Other Stories.
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As a kid, I was fascinated by Greek mythology. Through myth, I encountered many powerful female characters—Athena was my favorite—but I felt frustrated by how women’s lives were told in my books. My interest in Greek myth and curiosity about untold stories led me to become a Classics professor. I love teaching and writing about women in the ancient world, helping people to understand how they navigated their lives. Luckily for me, many recent books across various genres, from novels to translations to histories, have illuminated the lives of ancient women. There’s so much more to read than when I was growing up!
This book is an epic about a war fought over a woman (Helen, the “face that launched a thousand ships”), yet this is the first major translation by one. Emily Wilson’s translation sounds fresh and up-to-date yet stays closer to Homer than the versions I encountered growing up.
I love how Wilson treats Homer’s women, avoiding the clichés and derogatory language used by previous translators. And her work has the narrative drive that Homer deserves, making this very old, very familiar story a real page-turner.
When Emily Wilson's translation of The Odyssey appeared in 2017-revealing the ancient poem in a contemporary idiom that "combines intellectual authority with addictive readability" (Edith Hall, The Sunday Telegraph)-critics lauded it as "a revelation" (Susan Chira, The New York Times) and "a cultural landmark" (Charlotte Higgins, The Guardian) that would forever change how Homer is read in English. Now Wilson has returned with an equally revelatory translation of the first great Homeric epic: The Iliad.
In Wilson's hands, this exciting and often horrifying work now gallops at a pace befitting its battle scenes, roaring with the clamour of arms, the…
When I tell people I think about Greek myths for a living, they tend not to believe me. But I’ve never considered Greek myths to be at all odd or mysterious. After all, telling stories is a very normal human activity. Most recently I’ve been working to better understand how ancient communities attached stories to the places they lived in and this has resulted in MANTO, a huge mapping project, which anyone can look at here: https://www.manto-myth.org/manto
Once Troy was conquered, the Greeks had to get back home. Few heroes managed this without drama, but even on this benchmark, Odysseus’ ten-year (a-hem) odyssey was an outlier.
You can read this as the first great traveller’s tale: the Odyssey will immerse you in a giant, detailed story world of gods, heroes, and monsters traversed by a protagonist famous for his clever schemes and his stretching of the truth.
Emily Wilson’s translation really can’t be beaten: she brings before our eyes and ears again a fantasy world given weight by very human stories of loss and longing.
When I tell people I think about Greek myths for a living, they tend not to believe me. But I’ve never considered Greek myths to be at all odd or mysterious. After all, telling stories is a very normal human activity. Most recently I’ve been working to better understand how ancient communities attached stories to the places they lived in and this has resulted in MANTO, a huge mapping project, which anyone can look at here: https://www.manto-myth.org/manto
Thoughtful, personal, passionate, insightful, and humane. This is the book I wish I could write.
Helen Morales puts a pin in the lazy “glory that was Greece” trope and gives us the darker side of antiquity and its influence, showing us how stories have been used to enslave bodies and tame minds, to belittle and exclude. But this plasticity is what also makes Greek myth a potentially restorative force.
Helen’s message is that such capacity for continual reinvention gives the ultimate power to the teller of tales, whoever she might be.
A witty, inspiring reckoning with the ancient Greek and Roman myths and their legacy, from what they can illuminate about #MeToo to the radical imagery of Beyonce.
The picture of classical antiquity most of us learned in school is framed in certain ways -- glossing over misogyny while omitting the seeds of feminist resistance. Many of today's harmful practices, like school dress codes, exploitation of the environment, and rape culture, have their roots in the ancient world.
But in Antigone Rising, classicist Helen Morales reminds us that the myths have subversive power because they are told -- and read --…
When I tell people I think about Greek myths for a living, they tend not to believe me. But I’ve never considered Greek myths to be at all odd or mysterious. After all, telling stories is a very normal human activity. Most recently I’ve been working to better understand how ancient communities attached stories to the places they lived in and this has resulted in MANTO, a huge mapping project, which anyone can look at here: https://www.manto-myth.org/manto
This book is all you could ever have wanted to know about the monsters of Greek myth and the impact they have had on our imaginations. It’s a collaboration resulting in 40 articles that range across various monsters, monster theory, and the strange borders between the real and the imaginary.
The Oxford Handbook of Monsters in Classical Myth presents forty chapters about the unique and terrifying creatures from myths of the long-ago Near East and Mediterranean world, featuring authoritative contributions by many of the top international experts on ancient monsters and the monstrous. The first part provides original studies of individual monsters such as the Chimaera, Cerberus, the Hydra, and the Minotaur, and of monster groups such as dragons, centaurs, sirens, and Cyclopes. This section also explores their encounters with the major heroes of classical myth, including Perseus, Jason, Heracles, and Odysseus. The second part examines monsters of ancient folklore…
Balakrishna Kamath has to his credit a 39-year-long service in one of India’s premier Intelligence agencies. His long service has taken him to many places and enabled him to gain considerable experience in handling challenging operations. The coveted national-level honors - The Indian Police Medal and President's Police Medal, he had received during his service, would indicate the distinction he has earned in his career. After his retirement, he has written two novels – The Velvet Gloves (November 2018) and The Ace of Shadows (March 2022). These novels dwelling on intelligence operations have been recently signed for adaptation into web series.
Besides being an excellent thriller, the book provides an interesting insight into terrorism prevalent in the Indian subcontinent in South Asia. The storyline is refreshingly new and the characters are so close to reality. The hide-and-seek game played out by the Pakistani terrorists and the Indian counter-terror operatives can keep the readers glued to the book. The stirring narration about how secret operations are planned and executed at grave risk would leave the readers awe-struck. These operatives can’t fail as that might endanger the lives of the innocent citizens whom they are duty-bound to protect. A compelling read, indeed.
It is 1996. A fifteen-year-old Lashkar-e-Taiba fidayeen crosses over to India from Pakistan. When officer Shekhar Singh of the Counter Terrorism Cell captures and interrogates him, he makes a startling revelation. The terror group has begun sending men to settle down in India in the guise of regular civilians. On the sly, they are to serve as outposts for its missions and destroy the country from within.
Stunned but not shaken, Shekhar and his bosses decide to take the fight to the enemy camp. Five Indian intelligence agents are planted in the LeT to…
The only thing I love reading more than books about myth and legend are books you’re not supposed to read. George Bataille once wrote that if you ever caught him producing a book that he risked nothing to write, you should throw it away, and I take that to heart. Every book should be dangerous, because only danger makes you think. I hope every book I’ve written is, in some sense, dangerous, although of course I also hope my readers do not get ripped to pieces by the devil. That’s a little too dangerous.
Not necessarily the world’s first novel (the world’s first novel is probably lost) nor even the world’s first great novel (that would be Petronius’ Satyricon, which you should also not get caught reading), The Golden Ass is definitely the world’s first great novel that has survived through the centuries intact.
It’s the story of a man who tries just one time to dabble in magic and accidentally turns himself into a donkey. The poor guy has a bunch of adventures as he tries to figure out how to, you know, stop being a donkey.
That doesn’t sound so bad, but no one’s ever going to let you read a book with the title The Golden Ass. It just means the golden donkey! There’s nothing filthy about it! But no one will believe you!
Written towards the end of the second century AD, The Golden Ass tells the story of the many adventures of a young man whose fascination with witchcraft leads him to be transformed into a donkey. The bewitched Lucius passes from owner to owner - encountering a desperate gang of robbers and being forced to perform lewd 'human' tricks on stage - until the Goddess Isis finally breaks the spell and Lucius is initiated into her cult. Apuleius' enchanting story has inspired generations of writers such as Boccaccio, Shakespeare, Cervantes and Keats with its dazzling combination of allegory, satire, bawdiness and…
I have always wondered why people choose and act in particular ways, from heroism and altruism to selfishness and greed. Human society is a kaleidoscope of changing actions and fortunes. Social science tries to explain why. But I was dissatisfied with its answers. Then I discovered writers who used evolutionary ideas to help explain social and economic change. I realized that evolution did not mean reducing everything to biology. I became fascinated by Darwin’s deeper and wider ideas about human society, cooperation, and motivation. I read widely and joined with others of similar mind. It is an exciting and rewarding intellectual landscape to explore. I strongly recommend a long visit.
I often find well-researched histories of ideas invaluable as quarries for enhanced understanding and intellectual inspiration. This book is an exceptionally useful history of some key Darwinian ideas. Its principal focus is on evolutionary theories of mind, morality, and behavior, which have massive implications for the further development of the social sciences today. Richards sketches the intellectual background of Darwin’s thought in the nineteenth century, showing how he distanced himself from utilitarian approaches to moral and psychological analysis. The contrast with Herbert Spencer is particularly pertinent. But even more so, Darwin’s anti-utilitarianism remains highly relevant today, as much of social science – especially economics – is still dominated by utilitarian ideas. This history of thought defends evolutionary approaches to morality and it is explosive in its implications.
With insight and wit, Robert J. Richards focuses on the development of evolutionary theories of mind and behavior from their first distinct appearance in the eighteenth century to their controversial state today. Particularly important in the nineteenth century were Charles Darwin's ideas about instinct, reason, and morality, which Richards considers against the background of Darwin's personality, training, scientific and cultural concerns, and intellectual community. Many critics have argued that the Darwinian revolution stripped nature of moral purpose and ethically neutered the human animal. Richards contends, however, that Darwin, Herbert Spencer, and their disciples attempted to reanimate moral life, believing that…
I wrote Orchid Muse: A History of Obsession in Fifteen Flowers. I’m a historian, a master gardener, and I’ve grown a few hundred orchids for over half my life. I love collecting stories of orchids because, well, they’re fascinating, and they offer a deeper connection to the pastime I love best.
A truly great addition to orchid history by a great master of botanical history at large.Endersby sets orchid culture in all of its larger historical contexts and adds intrigue and flare by following orchid fiction through the ages. It’s funny to boot! I'll be referring back to this book for years to come.
At once delicate, exotic, and elegant, orchids are beloved for their singular, instantly recognizable beauty. Found in nearly every climate, the many species of orchid have carried symbolic weight in countless cultures over time. The ancient Greeks associated them with fertility and thought that parents who ingested orchid root tubers could control the sex of their child. During the Victorian era, orchids became deeply associated with romance and seduction. And in twentieth-century hard-boiled detective stories, they transformed into symbols of decadence, secrecy, and cunning. What is it about the orchid that has enthralled the imagination for so many centuries? And…
Since I retired from lecturing in Classical Studies I’ve been writing more pieces on women in the ancient world, and also some plays. One of them, 189 Pieces, is about the Portland Vase, a beautiful example of Roman glass whose label in the British Museum tells us that it was owned by the Duke of Portland. This is true—he’d inherited it—but it was bought at great expense by his grandmother, the wonderful Duchessof Portland. Giving women their place in history has been my aim in much of my work. Nowadays I’m obsessed with female footwear, and Cinderella, Goody Two-Shoes, and Carrie Bradshaw take up a lot of my time.
In this witty and intelligent book, broadcaster and novelist Natalie Haynes applies a woman’s mind to stories that in the past have been told to us mostly by men. She presents us with ten female characters who not only feature in ancient myths, but also have starring roles in later paintings, plays, novels, films, operas, and musicals. They include Pandora, Helen, Medusa, Eurydice, and Penelope: whether traditionally seen as victims or villains, all these women are explored in their ‘difficult, messy, murderous’ complexity.
'Funny, sharp explications of what these sometimes not-very-nice women were up to!' - Margaret Atwood, author of The Handmaid's Tale
The Greek myths are among the world's most important cultural building blocks and they have been retold many times, but rarely do they focus on the remarkable women at the heart of these ancient stories.
Stories of gods and monsters are the mainstay of epic poetry and Greek tragedy, from Homer to Aeschylus, Sophocles and Euripides, from the Trojan War to Jason and the Argonauts. And still, today, a wealth of novels, plays and films draw their inspiration from stories…
I write about aloneness and individuals, what it takes to connect to family and community, and how to hang on to the people we hold dear. This means I think a lot about points of view and personal perception. We often wonder: Have I got this right? Did they get my meaning? Does everybody feel this? And more often than not, everybody does. These interpretations are both personal and universal at the same time. We all fear loss; we all have to be brave to hold onto people we love and principles we value.
Book 1 in a 4-book series, and our hero is Kaidance Monroe. I love the world the author hascreated and I really connected with Kaidance and the challenges she faces. This story is amodern-day take on the ancient Greek myth about The Fates who control our lives, and I lovethis retelling because the core message holds true for each and every one of us, that we canonly control so much of our lives, that there are forces bigger than us that we have to deal with,but it's how we cope that's important. I’ve read the entire series. The author doesn’t drop thepace. I loved experiencing this fantastical world on a rollercoaster ride, clinging on until the end.
My name is Kaidance Monroe, and sometimes when I touch people, I see how they die.
"Love, betrayal, mythology, mystery, you name it this has it! Hold onto your horses and Minotaurs people as this ride is definitely going to get bumpy." ★★★★★
After I saw my little brother's death but failed to stop it, my parents abandoned me to a juvenile detention facility. I don't let people touch me anymore. Not my fingertips, not my skin, not my heart. Just before I turned 18, I got a visit from a cute guy, who tricked me into giving up my…
