100 books like White Fox

Something that really drew me into this book is how slippery the sense of danger is: Is journalist Scott McGrath only risking further legal trouble with Stanislas Cordova if he continues to research the suicide of the mysterious director’s daughter, or is he up against something far more evil?

After his last encounter with Cordova destroyed his career, reputation, and marriage, Scott McGrath should be worrying about other things… but he can’t help himself. I was also intrigued by his shifting motivations: Is he driven by a need to know the truth, seeking revenge, fascinated by the story, or trying to protect himself and his loved ones?

Many scenes felt like optical illusions where I could see entirely different truths depending on what perspective I looked at them from.

A recent addition to the horror genre, this excellent debut novel excels in creating a surreal narrative drenched in dark atmosphere. To Break a Covenant centers around a terrifying, fractured faux-documentary about a town under control of a sinister presence. I dare you to read creepy descriptions of ‘found’ footage and not feel a chill as this mystery unfolds. 

Described as a faux documentary in the style of The Blair Witch Project, this one is an interesting take on the horror genre. Interviews, descriptions of crime-related exhibits, and written testimonies all come together to make the book feel both investigative and more than a little fractured. It’s an uncomfortable combination that helps create a nice sense of fear for readers.

I found out about this book when a friend urged me not to buy this book because it messed her up. Needless to say, I bought and read it right away, and even though it took me a long time with frequent pauses to get through this behemoth of a book, I understand why my friend said what she said.

Even beyond the striking visuals and the slowly escalating typographic madness (just google it and you’ll know what I mean) a feeling of dread suffuses this novel that stayed with me long after I put it down.

Post-apocalypse and gritty science fiction doesn’t get any better than this collection. Harlan Ellison writes in a rough and unflinching style that, to me, was like watching a classic 80s action/sci-fi movie. And the novella in this book, A Boy and His Dog, is another favorite of mine. It’s bloody and raw and felt ahead of its time for its prose and structure. After reading it, I saw this was published over fifty years ago, yet it still resonated as something fresh and new.

This book struck a visual chord and changed the way I looked at picture books. As most of my favorites were in full or limited color, Jumanji’s black and white illustrations had extreme perspective and were visually exciting.

This book inspired me to push both my illustration and text for picture books toward a less juvenile or simple presentation. The illustrations in Jumanji are a departure from the ordinary in both subject and artistic approach. It urged me to look harder at the extraordinary in the ordinary.

Though not a book, the film starring Will Ferrell and Emma Thompson borrowed heavily from "Niebla" by Miguel de Unamuno, a Spanish novel about a character who becomes aware he is being narrated by a writer and goes to visit the writer. This film lives rent-free in my heart because the style of self-awareness that Ferrell’s character experiences in this film is close to the way I conceived of the meta-awareness of the characters Forsyth and Kintyre in The Untold Tale. I love the idea of someone learning they are being puppeteered and breaking free of the expected, the prescribed, and the narrative laid out for them. Maybe that’s why I like the film The Truman Show so much, too.

This book will keep a writer from chasing his or her own tail. The last thing a novelist wants a reader to do is start skimming. Instead of getting bogged down in muddy story development, learn how to create a clear, engaging arc for both plot and characters. Filled with practical examples gleaned from film and bookshelf, this book can save your story and make it pop.   

Another book focusing on the medium of film, but again the lessons to be learned about good storytelling are universal. Alexander ‘Sandy’ Mackendrick directed such classic Ealing comedies as The Man in the White Suit and The Ladykillers, also the Hollywood masterpiece, Sweet Smell of Success. After retiring from filmmaking in 1969, he spent nearly 25 years as a professor at CalArts in Los Angeles where he helped students to write better stories and communicate them effectively through the craft of filmmaking.

This book is compiled from Mackendrick's legacy of masterly handouts and lectures. One section I found incredibly insightful is his comparison of two versions of a key scene from the script of Sweet Smell of Success (initially written by Ernest Lehman and subsequently rewritten by Clifford Odets), seeing how increased tension between the characters is achieved.

Sidney Lumet directed Twelve Angry Men and The Verdict, among many others, and the beauty of this short book is just how practical he is about his craft. In the magazine interviews and hagiographies about directors, we seldom get a true sense of the working day on a movie set, or what happens long before shooting begins and months after it finishes. But here Lumet reveals why he always tried to schedule a very simple shot for the first set-up on day 1 of production, the value of a rehearsal period (if he was granted one) and that he took a lunchtime nap. From first being offered a script to the final sound mix, this is what a movie director really does.