100 books like Zeroville

I love stories where the hero is a normal guy that we can all identify with in some way or another and where there is an arc to the story that transforms that normal guy into something extraordinary. 

With just wits and creativity, our hero, Wade Watts, finds a way to survive against all odds. And no matter how bad things get, he never quits. He embodies the best of the human spirit—and by the end of the book, you’re cheering for him. Because he is you (or who you want to be), the "everyman" who stands up to injustice, unfairness, and those powers that are wrecking humanity (which in this case happens to be a trillion-dollar Mega Corporation).

I was fascinated by the way the tragic protagonist uses “self-gaslighting” as a means of survival.

Anna Fox has suffered unimaginable tragedy, so she imagines it away. I felt her pain and isolation as well as her terror at discovering her neighbors have a horrifying secret.

I especially enjoy a suspense novel that moves at a pace between breathtaking and reflective.

If you love books that tie themselves to movie genre tropes, you’ll not only love my novel, but also this one by Riley Sager, his first novel that launched a huge career and made him a household name.

Set around Quincy, a young woman who survives a horrible massacre in which all her friends are killed, she becomes what’s known in horror movies as Final Girl meaning she’s the only one who made it out alive. Linked to 2 other Final Girls by the media, Quincy leads a pretty normal life until someone starts killing Final Girls.

A fun read that’s inspired countless knockoffs that would make a killer movie. 

A sci-fi space opera that’s told like a documentary film.

This was the first book (but certainly not the last) that ever made me jealous I didn’t write, and inspired countless hours of me trying to duplicate.

Set in an alternate 1986 where silent films still reign and using various forms (reality tv, movie, celebrity rags, audio transcripts) this is a genre-bending collective gorgeously told and seriously underread. 

Ted Sennett is one of the most prolific and widely-read writers about Hollywood and this book on 1939 is one of his very best works. It is filled (one might even say, stuffed) with behind-the-scenes stories. The writing is sometimes critical and analytical rather than gushing as in some of Sennett's many coffee table books. He concentrates on only seventeen 1939 movies so one doesn't get a full picture of that amazing year of movies. It's good to see some lesser-known classics like Midnight and Angels Have Wings included in the seventeen.

Another book focusing on the medium of film, but again the lessons to be learned about good storytelling are universal. Alexander ‘Sandy’ Mackendrick directed such classic Ealing comedies as The Man in the White Suit and The Ladykillers, also the Hollywood masterpiece, Sweet Smell of Success. After retiring from filmmaking in 1969, he spent nearly 25 years as a professor at CalArts in Los Angeles where he helped students to write better stories and communicate them effectively through the craft of filmmaking.

This book is compiled from Mackendrick's legacy of masterly handouts and lectures. One section I found incredibly insightful is his comparison of two versions of a key scene from the script of Sweet Smell of Success (initially written by Ernest Lehman and subsequently rewritten by Clifford Odets), seeing how increased tension between the characters is achieved.

Only a small fraction of the millions of Americans in uniform during World War II were engaged in combat operations. Harris’s well-researched account zeroes in on the service of five Hollywood directors, who, like many other professionals, were asked to adapt their civilian skills to wartime needs.

Tacking back and forth between Washington and other stateside locales and posts far afield—from Midway and the Aleutian Islands to North Africa and Italy—the book’s carefully drawn action conveys the far-flung exploits of filmmakers during the war as well as how those experiences impacted their craft.

I stumbled across this beautiful non-fiction hardback while I was searching for books that would immerse me fully into Honey Black’s world, when I first started writing my novel.

This is an excellent book recounting the scandals of Old Hollywood – Clark Gable and Errol Flynn included – complete with an impressive amount of authentic photographs that bring every story to bright, technicolour life. A lot of the scandals referred to in my novel were discovered through reading this book!

It might seem presumptuous to call 50 films from 1939 "classics" but I agree with Vieira that these 50 movies deserve that distinction. This book is filled with all the pertinent information, fun facts, and great visuals. Movie stills, behind-the-scenes candid photos, portraits, and poster art make this a memorable volume to treasure. I particularly like the attention Vieira gives to the many outstanding movie directors working in 1939.

Because this book concentrates on only six 1939 movies – Gone with the Wind, The Wizard of Oz, Mr. Smith Goes to Washington, Stagecoach, The Hound of the Baskervilles, and The Adventures of Huckleberry Finn – Adams is able to go into much more detail about the making of each film and the critical reaction each received. I'd be hard-pressed to pick only six movies from that eventful year and movie fans will disagree with Vieira's choices somewhere down the line. But once you get past that, this book is filled with important information and plenty of trivial details that it is a great read.