100 books like Roman Sports and Spectacles

Chariot racing. Gambling. Alcohol. Sex. If you’ve ever wondered what ancient Romans did for fun, look no further than Jerry Toner’s book. His book makes me laugh and learn in equal measure. Toner excels at revealing what is distinctive about ancient Roman practices (regularly bathing nude in public)—but also what feels startlingly modern (betting on horses and drinking with friends). From the wealthiest to the poorest of Romans, Toner shows just how serious the business of fun was in the Roman world. I love this book because it makes me think about quintessentially Roman topics from a bottom-up, rather than elite, perspective.

Anybody who studies travel in ancient Rome knows the name of Lionel Casson, and after reading his magnum opus, you will understand why. Reading his book makes me feel that I am taking a tour of the Roman world in all its glory: its diversity, its impressive infrastructure, its cultural highlights, and its religious pilgrimage sites. Travel could be exciting or dangerous, luxurious or barebones, for business or for pleasure. In Casson’s engaging and accessible prose, however, it is always a revelatory window into Roman culture and history. Casson’s book helped me understand the personal, emotional aspects of travel in ancient Rome and, consequently, made me feel closer to ancient Romans themselves.

This lavishly illustrated book offers a visually stunning and information-packed tour of ancient Rome’s most popular forms of entertainment: chariot racing, gladiatorial combats, and theater performances. I was astonished by the sheer range and creativity of Roman spectacles and their material commemorations, from action figures of gladiators with removable helmets, piggy banks with pictures of lucky winning charioteers, and mosaic puzzles that challenged viewers to guess the names of famous racehorses based on visual clues. As an art historian, I particularly love the beautiful color illustrations; my own copy of this book is dog-eared because I am constantly returning to look at the fascinating objects she discusses. For me, this book about spectacles is spectacular in its own right. 

Although we often dismiss souvenirs as kitsch, they can be deeply meaningful to people, both today and in antiquity. Taking a phenomenological approach to ancient Roman souvenirs of places, Kimberly Cassibry shows how people would have held, used, and interacted with small objects showing seaside resort towns on the Bay of Naples, the Circus Maximus in Rome, Hadrian’s Wall in Britain, and the western empire’s network of imperial roads. Her book taught me just how large makers and materials loom in how places came to be represented and conceptualized in Roman antiquity. I love that Cassibry forces me to think anew about my own travel souvenirs and how I interact with them to make meaning of places my loved ones or I have visited. 

For those who like their conspiracy theories, it is hard not to be seduced by Ovid and David Wishart’s hard-boiled detective Marcus Corvinus.

Commissioned to bring back Ovid’s ashes, the author links the exile of the poet Ovid by the Emperor Augustus to the loss of the three legions under Varus. The book is notable both for the real sense that it gives how the defeat became one to be avoided in the polite society in Rome, but also for its generally sympathetic portrait of the Roman governor. Varus is corrupted and betrayed by Arminius, but he is not wholly incompetent. 

No city of the Roman world survives more fully than Pompeii in southern Italy. Baths, bars, houses, and temples have been recovered, along with pots and pans, foodstuffs, medical instruments, and skeletons with evidence of an appallingly high rate of disease. For a knowledgeable and witty guide to the city you can’t beat Mary Beard, who helps us see it was not all marble columns and pretty paintings. I especially love her description of the House of the Tragic Poet, in which Edward Bulwer-Lytton set an early scene of his novel The Last Days of Pompeii, a dinner party hosted by the character Glaucus. Beard reveals that just behind this house was a cloth-processing workshop in which the main agent used would have been human urine. “In the background to Glaucus’ elegant dinner party,” writes Beard, “there must have been a distinctly nasty odor.”        

This enthralling evocation of the long life of Rome’s first emperor, Augustus, uses fictional letters and other invented documents to tell his story, from the point when, as a teenager, he found himself the heir of the assassinated dictator Julius Caesar, to his final days as sole ruler of a vast empire. Emerging as victor from a protracted civil war, Augustus managed to impose a degree of stability across the Roman world, though at a cost. Could the bloodthirsty youth have really turned into the modest statesman? His contemporaries found him hard to read. Williams charts with subtlety and insight the phases in Augustus’ self-reinvention, shining a particular spotlight on his fraught relationship with Julia, his daughter, whom he found himself obliged to send into exile, as a conspicuous offender against his flagship legislation on adultery.

In two volumes, this is quite simply one of the most beautiful books I own. Much more than an atlas of maps, it includes illustrations of archaeological evidence from across the city and is full of reconstruction drawings. It is a book to simply lose yourself in and spend time browsing through the pages that set out the city of Rome. The overlaying of the ancient buildings from Rome onto the modern street grid, also allows for the reader to see how those ancient buildings, such as the Theatre of Pompey, continue to shape the streetscape of the city of Rome.

The fact that this trilogy was turned into a stage show is a measure of its fantastic popularity! On the face of it, a set of novels about the machinations of late Republican politics might not hold broad appeal, but it is the genius of Robert Harris to bring the crime and corruption-riddled streets of 1st century BC Rome bursting to life.

Apparently, he spent several years immersing himself in contemporary literature before putting pen to paper, and it really shows. I admired how his research paints vivid background colour without ever stepping upon the toes of the brilliantly drawn characters. I loved his Cicero (and Caesar and Pompey and Antony) and, despite some tough competition, cannot think of any historical figures so authentically portrayed in any other Roman historical fiction.

And yet, for me, it's Cicero's humble secretary, Tiro, who steals the show. I think it was a masterstroke… show more.

This book is set in Italy at the end of the 6th century. It is a vivid account of an engineer who struggles to survive in a largely devastated country and longs to revive the former advanced Roman technology. It depicts a cruel world: old Romans attacked by Lombards, and merciless clashes between Pagans, Arian, and Catholic Christians. Of great interest to me were the personal interactions of both leaders and ordinary people.

Although, for my taste, it included an unnecessary preoccupation with violence and sex, the vivid cultural and factual detail provided me with much background information and food for thought. The characters are well developed and the story exciting.