Fans pick 100 books like Ovid

This is the masterclass in the portrayal of the first hundred years or so of the Roman Empire. Graves was a considerable scholar in his own right, providing the translation for the Penguin edition of Suetonius’ “Twelve Caesars”. He was also a poet and novelist, and his picture of the naïve Claudius making his unwitting way to power is probably on most people’s list of all-time great historical novels. What I particularly found striking was just how much work went into running the Roman empire, and one almost has sympathy for Augustus as he tries to mould Roman rule into something that is efficient and fair. The BBC adaptation, in my opinion, did a good job: Sian Phillips as Livia is a complete joy.

This is the first book in Saylor’s “Roma sub rosa” series, and introduces one of the nicest heroes in historical mystery! Gordianus the Finder is the Roman equivalent of our private detective and he works for a young politician and orator, Cicero. Based on a real lawsuit from 80 BCE, Saylor makes great use of the actual speech made, and conveys the skill and showmanship of the lawyer at a time when a good speech was seen as entertainment for the masses. Into this original material though he weaves a hideous and complex murder plot. Riveting stuff! 

I am a huge fan of Cicero, and it was really interesting—if a little hard at times!—to see him portrayed with all his flaws and weaknesses.

The fact that this trilogy was turned into a stage show is a measure of its fantastic popularity! On the face of it, a set of novels about the machinations of late Republican politics might not hold broad appeal, but it is the genius of Robert Harris to bring the crime and corruption-riddled streets of 1st century BC Rome bursting to life.

Apparently, he spent several years immersing himself in contemporary literature before putting pen to paper, and it really shows. I admired how his research paints vivid background colour without ever stepping upon the toes of the brilliantly drawn characters. I loved his Cicero (and Caesar and Pompey and Antony) and, despite some tough competition, cannot think of any historical figures so authentically portrayed in any other Roman historical fiction.

And yet, for me, it's Cicero's humble secretary, Tiro, who steals the show. I think it was a masterstroke… show more.

Maddox Roberts has written the superb SPQR series of historical mysteries, named after the Latin phrase meaning “The Senate and The People of Rome”. The whole series, with its cynical and arrogant hero, Decius Caecilius Metellus, is full of energy and wonderfully colorful characters, but I chose this book for one scene: the ritual of the October Horse. I defy you to read this and not end up exhausted as you cheer on our hero’s magnificent victory. The author’s research is impeccable and is used so skilfully you don’t notice it’s there. I cannot think of a higher compliment to give an historical writer. Cicero gets a nice write-up, which I appreciate!

So closely does he follow what is known about the battle and its aftermath that Ben Kane’s trilogy about the Battle of Teutoburg Forest – Eagles of War, Hunting the Eagles, and Eagles in the Storm – blurs the line between fiction and historical fact and makes the reader feel that they are there.

He has a sympathetic hero in the centurion Lucius Tullus and he brings many of the historical characters to life. Aside from the vivid writing, what particularly stands out are the nods towards the archaeology of the battle and Roman Germany. 

The fourth book in Lindsay Davis’ magnificent series of detective novels featuring Marcus Didius Falco, The Iron Hand of Mars is set in 71CE, several years after the events of the Battle of Teutoburg Forest.

Although much of the action takes place in the aftermath of the Batavian Revolt in 69–70CE, Davis both captures daily life in the Roman cities in Germany, but also how the events of 9CE continued to haunt Roman Germany – the Roman empire – even a generation later. 

Most novels that discuss the period take the perspective of the Romans. Fabbri’s Arminius is different in that he gets under the skin of Arminius and examines how and why he turned against Rome in a story told via his son.

This is a bold approach as the idea of Arminius as narrator/hero had become tainted after he became harnessed to German nationalism from the mid-19th century onwards. Fabbri’s approach is masterful. 

Published in the 1950s, at first glance The Three Legions looks like unashamed pulp, but it certainly deserves to be remembered.

The story itself follows what was known of the battle at the time via the tribune Claudius Cinna – a thinly disguised Lucius Eggius. While the archaeology can feel dated, the writing rises above pulp. Solon himself was a tail gunner in the US airforce in World War II and both the depictions of army life as well as the descriptions of battle are particularly vivid. 

If you want to know what some Romans thought about sport and spectacle in their own words, turn to Anne Mahoney’s sourcebook, which offers translations of key literary passages and inscriptions. From Horace’s descriptions of unruly theater audiences to Ovid’s advice to young Roman men about how to pick up girls at the circus, this sourcebook brought the world of Roman spectacle to life for me. I love that she shows how the themes that make modern sport and fandom so complex—religion, gender, politics, and money—were just as relevant in ancient Rome. I always come away from reading the sources she compiles feeling that Roman sports fans are not so different from us today.

This fifth pick isn’t fiction. But like the best fiction, poetry can pierce through to the very essence. Although shaggy poet Whitman was the furthest thing from a soldier imaginable, he was deeply involved in the war effort nonetheless. After the Battle of Fredericksburg, Whitman traveled to Virginia to find his wounded brother. He then chose to remain in Washington, DC, nursing wounded soldiers. Whitman’s war-time experiences gave rise to some of the finest poems in Leaves of Grass such as “The Wound-Dresser,” “Come Up from the Fields Father,” and “A Sight in Camp in the Daybreak Gray and Dim.”