My specialty is American history, meticulously researched, but delivered in a narrative style that’s akin to fiction. My latest book, A Fierce Glory, is about Antietam, a battle that occupied a single day in 1862, yet remains one of history’s most consequential events. Of course, there are countless military histories of Antietam–or any Civil War battle, for that matter–focusing on troop movements and tactics. I wanted to get at the emotional heart of this epic showdown: the confusion, terror, sadness, along with some startling and selfless acts of heroism. To do so, I drew inspiration from some of my favorite fictional works.
By Justin Martin
This is a character-rich, modern-style account of an 1862 Civil War battle that was more important than Gettysburg and—with a death toll of 3,650 soldiers—remains the bloodiest single day in U.S. history. Had the South won, we’d likely be living in two separate nations today. Because it was a Northern victory instead, though by the slimmest of margins, Lincoln chose to issue the Emancipation Proclamation, imbuing the war effort with a new and noble purpose–freeing the slaves. Lincoln is woven deeply into this tale, far more than in a standard military history of the battle. The rich cast also includes generals George McClellan and Robert E. Lee, medical pioneers Clara Barton and Jonathan Letterman, and Alexander Gardner, the groundbreaking photographer.
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By Stephen Crane
As a reader, you spend zero time inside the minds of generals as they pour over maps and hash out strategy. Rather, The Red Badge of Courage focuses on a single character, 18-year-old private, Henry Fleming. And that’s the magic of Crane’s masterpiece. This is war seen from a perspective that is idiosyncratic, intimate, and deeply vulnerable.
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By Charles Frazier
For recent U.S. wars such as Vietnam or Iraq, there’s a considerable body of work both fiction and nonfiction that focuses on the travails of soldiers after the fighting ends. But this is a Civil War-era novel about coming home. It follows a Confederate deserter who leaves a Virginia hospital and sets out for his North Carolina farm. At times heart-breaking, at times uproariously funny, Cold Mountain addresses the weight of war, and the way that survivors are burdened with wounds both physical and psychological.
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By Margaret Mitchell
As a novel extolling the Confederacy and slavery, this work is problematic, to be sure. Modern readers will have to grapple with whether its merits outweigh its antiquated worldview. In the merits column: Gone with the Wind focuses on the home front and specifically the experiences of women, a topic that gets short shrift in both Civil War fiction and nonfiction. As it happens, only a small percentage of Americans were soldiers. But everyone was affected by the war, and everyone was forced to navigate a world utterly transformed. In this important way, Gone with the Wind explores experiences shared by Union and Confederate civilians alike.
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By Ambrose Bierce
Unlike so many writers, Bierce had actual Civil War experience, as a Union soldier who saw action in a number of key battles. His stories are characterized by a rigorous attention to detail. But Bierce enjoyed serving up verisimilitude with a twist. A strong sense of the macabre, rivaling Poe, is present in some of Bierce’s finest stories such as “Chickamauga,” “One of the Missing,” and “Parker Adderson, Philosopher.” His timeless “An Occurrence at Owl Creek Bridge,” features one of the most mind-bending twists in all of fiction.
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By Walt Whitman
This fifth pick isn’t fiction. But like the best fiction, poetry can pierce through to the very essence. Although shaggy poet Whitman was the furthest thing from a soldier imaginable, he was deeply involved in the war effort nonetheless. After the Battle of Fredericksburg, Whitman traveled to Virginia to find his wounded brother. He then chose to remain in Washington, DC, nursing wounded soldiers. Whitman’s war-time experiences gave rise to some of the finest poems in Leaves of Grass such as “The Wound-Dresser,” “Come Up from the Fields Father,” and “A Sight in Camp in the Daybreak Gray and Dim.”
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