Here are 100 books that Finding Charity's Folk fans have personally recommended if you like
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I never set out to be a historian of sexuality, but the more I read, the more convinced I became of the centrality of sex to politics, culture, religion, and social change. I am fascinated by histories of sexuality in the making and shaping of individual identities and behaviors, and I’m also drawn to histories of other topics—politics, religion, enslavement, leisure—that also teach us something about the history of sex and sexuality. These interests drew me to the podcast Sexing History, where I edit the stories and help produce the episodes. I love to read widely to find histories of sex in unexpected places.
Pearsall’s book is the sort that leaves a reader entertained, deeply informed, and unable to see the past the same way again. Polygamy, she shows, was at the center of the social and political systems of many Indigenous nations. As European soldiers and settlers attempted to trade with—or dominate—the people of these nations, they provoked violent reprisals. Opposition to monogamy drove Indigenous resistance movements. Europeans increasingly argued that their monogamous practices made them racially and religiously superior to the people they subordinated. The centrality of metaphors about monogamy and polygamy to American revolutionary political ideas is one of the book’s most enlightening—and entertaining—contributions in a book rich with surprises.
A groundbreaking examination of polygamy showing that monogamy was not the only form marriage took in early America
"A richly sourced, elegantly written, and strikingly original interdisciplinary study of the diverse practices of polygamy in American from ca.1500 to 1900."-John Witte Jr., Journal of Law and Religion
Today we tend to think of polygamy as an unnatural marital arrangement characteristic of fringe sects or uncivilized peoples. Historian Sarah Pearsall shows us that polygamy's surprising history encompasses numerous colonies, indigenous communities, and segments of the American nation. Polygamy-as well as the fight against it-illuminates many touchstones of American history: the Pueblo…
Based on my experiences as a single parent and worker in traditionally male fields (journalism and law, back when newsrooms and law firms resembled men's clubs), I believe that each person contains both “feminine” and “masculine” behaviors and feelings. Yet socially constructed gender norms discourage people from exhibiting this full range of being. Ben Koehler’s troubling and tragic story presented a way to explore the origins of 20th-century American gender norms while trying to solve the mystery of Ben’s guilt or innocence. A bonus was the opportunity to write about Plum Island, an environmental treasure with a fascinating history that many people, including myself, are seeking to preserve and open to the public.
Men, did you know that too little body hair or too much talkativeness could keep you from being admitted to the United States in the early 1900s? The Straight State will have readers shaking their heads at the outrageous presumptions that immigration inspectors applied to keep “degenerates” out of the country. This was the first time that federal officials had both the interest and power to create policies against homosexuality, and they were crassly influenced by the eugenics movement and hostility to the poor. Canaday also shows how early welfare policies perpetuated gender stereotypes and discrimination against sexual “deviants,” favoring the married over the single. I learned so much!
The Straight State is the most expansive study of the federal regulation of homosexuality yet written. Unearthing startling new evidence from the National Archives, Margot Canaday shows how the state systematically came to penalize homosexuality, giving rise to a regime of second-class citizenship that sexual minorities still live under today. Canaday looks at three key arenas of government control--immigration, the military, and welfare--and demonstrates how federal enforcement of sexual norms emerged with the rise of the modern bureaucratic state. She begins at the turn of the twentieth century when the state first stumbled upon evidence of sex and gender nonconformity,…
I never set out to be a historian of sexuality, but the more I read, the more convinced I became of the centrality of sex to politics, culture, religion, and social change. I am fascinated by histories of sexuality in the making and shaping of individual identities and behaviors, and I’m also drawn to histories of other topics—politics, religion, enslavement, leisure—that also teach us something about the history of sex and sexuality. These interests drew me to the podcast Sexing History, where I edit the stories and help produce the episodes. I love to read widely to find histories of sex in unexpected places.
You will never look at (or wear) a kimono the same way after reading Amy Sueyoshi’s ingenious investigation into the making of an American leisure culture awash in stereotypes of Japanese and Chinese sexuality. With a focus on San Francisco, Sueyoshi’s book reveals how Anglo-European Americans appropriated “Oriental” dress and design aesthetics, even as the white press and legal system displayed overt hostility toward people of Asian descent. This book is one of my very favorites among a growing body of work that centers on the making of racial identities within histories of sexuality. Sueyoshi is a superb writer, and in this book, she excels at honoring the humanity of Asian-descended people within a white leisure culture that insisted on their inferiority.
Freewheeling sexuality and gender experimentation defined the social and moral landscape of 1890s San Francisco. Middle class whites crafting titillating narratives on topics such as high divorce rates, mannish women, and extramarital sex centered Chinese and Japanese immigrants in particular.
Amy Sueyoshi draws on everything from newspapers to felony case files to oral histories in order to examine how whites' pursuit of gender and sexual fulfillment gave rise to racial caricatures. As she reveals, white reporters, writers, artists, and others conflated Chinese and Japanese, previously seen as two races, into one. There emerged the Oriental-a single pan-Asian American stereotype weighted…
I never set out to be a historian of sexuality, but the more I read, the more convinced I became of the centrality of sex to politics, culture, religion, and social change. I am fascinated by histories of sexuality in the making and shaping of individual identities and behaviors, and I’m also drawn to histories of other topics—politics, religion, enslavement, leisure—that also teach us something about the history of sex and sexuality. These interests drew me to the podcast Sexing History, where I edit the stories and help produce the episodes. I love to read widely to find histories of sex in unexpected places.
Aimee Semple McPherson lived a trailblazing life as the founder of the Four-Square Gospel Pentecostal church in Los Angeles, the first woman to own a US radio station, and a captivating, theatrical preacher. The beauty of Sutton’s book is the way he shows how McPherson’s sexual charisma—as well as her nearly career-ending sexual scandals—enabled her to define herself as the embodiment of Christian virtue. Wearing white and preaching with props and scenery worthy of a Hollywood set, McPherson used a show business savvy to portray conservative Christianity as the bedrock of Americanism.
From the Pilgrims who settled at Plymouth Rock to Christian Coalition canvassers working for George W. Bush, Americans have long sought to integrate faith with politics. Few have been as successful as Hollywood evangelist Aimee Semple McPherson.
During the years between the two world wars, McPherson was the most flamboyant and controversial minister in the United States. She built an enormously successful and innovative megachurch, established a mass media empire, and produced spellbinding theatrical sermons that rivaled Tinseltown's spectacular shows. As McPherson's power grew, she moved beyond religion into the realm of politics, launching a national crusade to fight the…
In 1990, Amy Gary discovered unpublished manuscripts and songs from Margaret Wise Brown tucked away in a trunk in the attic of Margaret’s sister’s barn. Since then, Gary has catalogued, edited, and researched all of Margaret’s writings. She has worked with several publishers to publish more than 100 of those manuscripts, which include bestsellers and Caldecott nominees.
Amy’s work on Margaret has been covered in Vanity Fair, Entertainment Weekly, and on NPR. Her biography on Margaret, In the Great Green Room, was published by Flatiron Books, a division of Macmillan, and was named a best book of the year in 2017 by Amazon.
She was formerly the Director of Publishing at Lucasfilm and headed the publishing department at Pixar Animation studios. In addition to writing, she packages books for retailers and consults with publishers. In that capacity, she has worked with Sam’s Wholesale, Books-a-Million, Sterling Publishers, and Charles Schultz Creative Associates.
The stars had to align perfectly for this autobiography to have been written. Born into slavery in the American South, Elizabeth Keckley learned to read and write at a time when laws forbade it. Her skills as a seamstress allowed her to buy her freedom and later become Mary Todd Lincoln’s dressmaker. She also became a close confidant of the First Lady, gaining an unfiltered view of life in the White House during one of the most crucial times in our nation’s history. After Lincoln’s assassination, Keckley published this autobiography and was widely criticized for relaying intimate conversations and private moments she shared with the Lincoln family. In addition, Keckley’s unflinching account of slavery was difficult for many to read. However, this book has endured as one of the best accounts of life as a slave and of the Lincolns’ time in the White House.
Behind the Scenes: or Thirty Years a Slave and Four Years in the White House was first published in 1868 and is considered one of the most candid and poignant slave narratives. Author Elizabeth Hobbs Keckley writes about her teenage years, working as a slave for the Rev. Robert Burwell in Hillsborough, NC. He is thought by many historians to have been Keckley s half-brother. The Burwells had twelve children and ran an academy for girls. She writes about mistreatment and violence visited upon her by Rev. and Mrs. Burwell, and the unwelcome sexual advances and eventual rape by one…
I spent many a night growing up glued to the television, watching Ken Burns’ Civil War. But as I got older, I found my interests stretching beyond the battles and melancholic music on the screen. I decided to become a historian of abolitionism–the radical reform movement that fought to end the evils of slavery and racial prejudice. Through my research, I seek to explain the substantial influence of the abolitionist movement as well as its significant limitations. I received my Ph.D. from the University of Virginia in 2017, and have since held positions at such institutions as The New School, the University of Bonn, and the Massachusetts Historical Society.
Reidy's book is an elegant and engaging read, but it is not an easy one.
It illustrates how the process of emancipation actually played out on the ground after Abraham Lincoln issued his famed Emancipation Proclamation in 1863. It takes us away from the marble edifices of Civil War Washington and into the dirt, showing us how messy the process of implementing freedom truly was.
It does so, moreover, by centering our attention on the actual men and women fighting for their own freedom. Reidy offers us historians a seminal reminder: change is not made solely from on high.
As students of the Civil War have long known, emancipation was not merely a product of Lincoln's proclamation or of Confederate defeat in April 1865. It was a process that required more than legal or military action. With enslaved people fully engaged as actors, emancipation necessitated a fundamental reordering of a way of life whose implications stretched well beyond the former slave states. Slavery did not die quietly or quickly, nor did freedom fulfill every dream of the enslaved or their allies. The process unfolded unevenly.
In this sweeping reappraisal of slavery's end during the Civil War era, Joseph P.…
As an archaeologist, anthropologist, and historian who has worked on both the East Coast (Flowerdew Hundred and Jamestown, Virginia) and West Coast (San Diego, California) of the U.S. and dug sites from the 17th, 18th, 19th, and 20th centuries, I am passionate about how archaeology can serve to offer new insights for marginalized peoples in American history. I specialize in exposing how narrow thinking, revisionism, and myth-making warp local histories and turn them into fabrications of the present.
As a historical archaeologist, I find this book especially compelling. Stolen Childhood does a fine job of blending insights from a variety of primary-source narratives and recently uncovered archaeological artifacts; but these insights transcend the specific research questions regarding the conditions of daily life for slave youth in nineteenth-century America and indirectly make an intriguing case for why current archaeologists should pay as much attention to issues of childhood, parenting, and aging as they do to ethnicity, class, and gender.
One of the most important books published on slave society, Stolen Childhood focuses on the millions of children and youth enslaved in 19th-century America. This enlarged and revised edition reflects the abundance of new scholarship on slavery that has emerged in the 15 years since the first edition. While the structure of the book remains the same, Wilma King has expanded its scope to include the international dimension with a new chapter on the transatlantic trade in African children, and the book's geographic boundaries now embrace slave-born children in the North. She includes data about children owned by Native Americans…
I like thinking about the people who misbehaved in the 1700s. As a teenager, I was initially drawn to journalism as a medium for telling stories, but in college, I was entranced by the stories I could tell with early American sources. Years ago, Jan Lewis noted that many readers want “bedtime stories” about how great the American Revolution was, but there’s much more to the Revolution’s history. Now, I’m a history professor at Brooklyn College and the Graduate Center of the City of New York. Having lived in the Boston area and New York City, it’s been a thrill to write books about the American Revolution in both places.
I couldn’t put down the story of Isabel, a fictional Black teenager who lived through the American Revolution in New York City.
The book covers everything from the assassination plot against George Washington to the fire that burned much of the city in September 1776, along with the everyday injustices of eighteenth-century slavery. The book gives the reader a true feel for the Black experience in Revolutionary New York.
Each chapter starts with an excerpt from a real Revolutionary document. It’s geared at young adult readers, but this is not your grandmother’s Johnny Tremain. I loved this book and the remainder of the trilogy that followed it.
Isabel and her sister, Ruth, are slaves. Sold from one owner to the next, they arrive in New York as the Americans are fighting for their independence, and the English are struggling to maintain control. Soon Isabel is struggling too. Struggling to keep herself and her sister safe in a world in which they have no control. With a rare and compelling voice, this haunting novel tells not only the story of a remarkable girl and her incredible strength, but also of a time and place in which slavery was the order of the day and lives were valued like…
I’ve been putting my passport to good use for the last thirty years or so. Few things make me happier than showing up in an unfamiliar place – whether a village in Ecuador, a town in Ireland, or a city in Ghana – and trying to become familiar with the people, the customs, the food, all of it. But I suppose what I love most is a good story. During those three decades, I’ve also become a Professor of English at Arizona State University, where my research has increasingly focused on how artists and ideas move across geographical and cultural boundaries. In my latest book, License to Travel, these various interests come together.
This book moves me whenever I open it, no matter the chapter, no matter the page.
It presents the harrowing tale of Douglass’s flight from slavery as a young man with a degree of urgency and detail that is not found in his other writings.
But it is the account of his travels through Europe and North Africa as a man of almost seventy, finally free to pursue his lifelong wanderlust, that is perhaps most poignant: “I had strange dreams of travel even in my boyhood days,” he writes. “I thought I should some day see many of the famous places of which I heard men speak, and of which I read even while a slave.”
In between Paris and the pyramids, Douglass repeatedly compares what he sees in the Old World with what he knows so well, and often so painfully, of American ideals, values, and aspirations.
This richly illustrated edition of this classic American autobiography sheds new light on Douglass's famous text for a new generation of readers.
Famous orator and former slave Frederick Douglass published his third and last autobiography, Life and Times of Frederick Douglass, in 1881. No longer in danger as an escaped slave, it goes into greater detail and encompasses Douglass's entire life, from his early years living with his grandmother in Maryland to the events during and after the Civil War, including his meetings with presidents and dignitaries and his deep involvement with the burgeoning suffragist movement. His account reveals what…
I am drawn to stories of women who display a fighting spirit, faith in themselves, and the drive to help others. Perhaps this is due to growing up during the women’s rights movement. So many women paved the way for me. Perhaps it was my upbringing. I was raised with six siblings - three brothers and three sisters – and my parents never thought that my sisters and I couldn’t do something just because we were girls. Combine these experiences with the fact that I love history and you can see why I love these stories. Now I get to write and share stories like these with young readers. Lucky me!
Did I save the best for last? I may have (although I recommend all of these books). This book appeals to me on so many levels. First, it tells the story of an important woman of history who was dauntless in her mission to help others to safety and freedom. Second, the dreamy, lyrical narrative is so different from how so many picture book biographies are written, yet incredibly effective. Third, the art is amazing – especially in its depiction of Harriet as an old woman when her strength was still so evident. And fourth, the story is told in reverse chronology. What a great decision! I use this book often when I teach about nonfiction picture book writing because of this creative approach. Hands down. I love this book.
An evocative poem and stunning watercolors come together to honor an American heroine in a Coretta Scott King Honor and Christopher Award-winning picture book.
We know her today as Harriet Tubman, but in her lifetime she was called by many names. As General Tubman she was a Union spy. As Moses she led hundreds to freedom on the Underground Railroad. As Minty she was a slave whose spirit could not be broken. As Araminta she was a young girl whose father showed her the stars and the first steps on the path to freedom.
