Here are 100 books that Up From Slavery fans have personally recommended if you like
Up From Slavery.
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Growing up in Indiana and Illinois meant that Chicago has always been, for me, the city—the place where people went to make a name for themselves and took the world by storm. From my local Carnegie Library, I read voraciously across genres—history, science, literature. They transported me out of my small town—across the universe sometimes. I learned that setting in fiction was for me a major feature of my enjoyment, and Chicago was where I set my own mystery series. These books, when I read them, explored that grand metropolis—and brought Chicago to life on and off the page. I hope you enjoy these books as much as I have.
This book is really a call to action, and even today, it is hard to read this novel and not feel anger on behalf of Jurgis and Ona. Perhaps that is why I like this book so much. It is visceral. I get angry at money-grubbing management who care nothing about their employees.
I swore off meat for a while, disgusted with the factory conditions of the time. I mourn Jurgis and Ona's inability to achieve the American dream. In this book, I am brought into the Chicago immigrant experience at the turn of the 20th Century.
First serialized in a newspaper in 1905, The Jungle is a classic of American literature that led to the creation of food-safety standards.
While investigating the meatpacking industry in Chicago, author and novelist Upton Sinclair discovered the brutal conditions that immigrant families faced. While his original intention was to bring this to the attention of the American public, his book was instead hailed for bringing food safety to the forefront of people's consciousness.
With its inspired plot and vivid descriptions, Upton Sinclair's classic tale of immigrant woe is now available as an elegantly designed clothbound edition with an elastic closure…
We live in the countryside of southwest Michigan in a farmhouse dating back to the 1830s on land once owned by James Fenimore Cooper. The land itself has stories to tell that intrigue us as readers and writers ourselves. Katherine’s passion for the writings of Jane Addams and Edith Wharton led her to Theodore Roosevelt, a kindred male voice in American literature at the turn of the twentieth century. Tom’s passion for environmental writers and activism led him to the books and essays of the 26th President, who believed that good writing sometimes leads to good laws! As professors and writing partners, we are delighted every time we can introduce readers to the literary Theodore Roosevelt.
We love this book for its breadth and its moral and environmental urgency. Muir writes eloquently [in an admittedly heightened and romantic prose] about the beauties of Yosemite, Yellowstone, and Sequoia National Parks, the only ones in existence at the time. Muir is of interest to Roosevelt because of his understanding of how important it is for wilderness to be preserved for all time not by state governments—as was the case in his time—but by the federal government. This of course was one of TR’s central personal beliefs and was to be, especially after his two-night camping trip in Yosemite with Muir in 1903, a central and guiding policy of his Presidency. For an elegant essay, readers might want to spend time with Muir’s chapter, “The Wild Gardens of Yosemite Park.”
For every person who has experienced the beauty of the mountains and felt humbled by comparison.
John Muir’s Our National Parks—reissued to encourage, and inspire travelers, campers, and contemporary naturalists—is as profound for readers today as it was in 1901.
Take in John Muir’s detailed observations of the sights, scents, sounds, and textures of Yosemite, Yellowstone, and forest reservations of the West. Be reminded (as Muir sagely puts), “Wildness is a necessity; and that mountain parks and reservations are useful not only as fountains of timber and irrigating rivers, but as fountains of life.”
I was raised to believe that I could do everything a man could do, just as Ginger Rodgers did, “backwards and in high heels.” My discovery that social expectations and boundaries for women were vastly different than those for men came as an enormous shock, and struck me as deeply, tragically unfair. I take strength from women in history, as well as from fictional female characters, who passionately pursue roles in a man’s world that are considered transgressive or forbidden. As a glass-ceiling-shattering female film and television director I take inspiration from women who have the gritty determination to live on their own terms. And then tell it as they lived it.
This novel’s power remains intact every time I read it, even as the nature of the tragedy seems to shift – from the perils of living by one’s looks (my teenage reading) to the cruelty of the world towards women (my young adult reading) to the struggle for personal freedom in a money-obsessed culture (my more recent readings).
Edith Wharton’s novel is a masterpiece, both electrifying and relevant, and worth re-reading as often as possible.
Once you finish the book, watch the Terence Davies-directed film, starring the luminous Gillian Anderson as Lily Bart.
A bestseller when it was published nearly a century ago, this literary classic established Edith Wharton as one of the most important American writers in the twentieth century-now with a new introduction from Pulitzer Prize-winning author Jennifer Egan.
Wharton's first literary success-a devastatingly accurate portrait of New York's aristocracy at the turn of the century-is considered by many to be her most important novel, and Lily Bart, her most unforgettable character. Impoverished but well-born, the beautiful and beguiling Lily realizes a secure future depends on her acquiring a wealthy husband. But with her romantic indiscretion, gambling debts, and a maelstrom…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime television in those decades. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really did happen in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is so much more interesting than the myth. As a Western historian, I've done my share of historical research, but I still gravitate toward fiction as a writer. I love the freedom to engage my characters’ thoughts and emotions.
By reading this book, people of the early 20th
century were introduced to a prototype protagonist who would be
duplicated (with variations) for generations to come. Authors who
followed this lead were Zane Grey, Louis L’Amour, Jack Schaefer, Charles
Portis, Elmer Kelton, and I.
As a boy I found my heroes in the format
of the lone common man who faced up to adversities that cut against his
moral code. These protagonists played a large part in shaping my
values. Even though the characters were fictitious, the lessons were
real. The inspiration hit home.
Wister’s influence on later writers
remains intact for good reason. His work was the historical beginning of
the “Western,” which, to many folks, serves as the quintessential
American story.
Still as exciting and meaningful as when it was written in 1902, Owen Wister's epic tale of one man's journey into the untamed territory of Wyoming, where he is caught between his love for a woman and his quest for justice, has exemplified one of the most significant and enduring themes in all of American culture.
With remarkable character depth and vivid descriptive passages, The Virginian stands not only as the first great novel of American Western literature, but as a testament to the eternal struggle between good and evil in humanity and a revealing study of the forces that…
In 1990, Amy Gary discovered unpublished manuscripts and songs from Margaret Wise Brown tucked away in a trunk in the attic of Margaret’s sister’s barn. Since then, Gary has catalogued, edited, and researched all of Margaret’s writings. She has worked with several publishers to publish more than 100 of those manuscripts, which include bestsellers and Caldecott nominees.
Amy’s work on Margaret has been covered in Vanity Fair, Entertainment Weekly, and on NPR. Her biography on Margaret, In the Great Green Room, was published by Flatiron Books, a division of Macmillan, and was named a best book of the year in 2017 by Amazon.
She was formerly the Director of Publishing at Lucasfilm and headed the publishing department at Pixar Animation studios. In addition to writing, she packages books for retailers and consults with publishers. In that capacity, she has worked with Sam’s Wholesale, Books-a-Million, Sterling Publishers, and Charles Schultz Creative Associates.
The stars had to align perfectly for this autobiography to have been written. Born into slavery in the American South, Elizabeth Keckley learned to read and write at a time when laws forbade it. Her skills as a seamstress allowed her to buy her freedom and later become Mary Todd Lincoln’s dressmaker. She also became a close confidant of the First Lady, gaining an unfiltered view of life in the White House during one of the most crucial times in our nation’s history. After Lincoln’s assassination, Keckley published this autobiography and was widely criticized for relaying intimate conversations and private moments she shared with the Lincoln family. In addition, Keckley’s unflinching account of slavery was difficult for many to read. However, this book has endured as one of the best accounts of life as a slave and of the Lincolns’ time in the White House.
Behind the Scenes: or Thirty Years a Slave and Four Years in the White House was first published in 1868 and is considered one of the most candid and poignant slave narratives. Author Elizabeth Hobbs Keckley writes about her teenage years, working as a slave for the Rev. Robert Burwell in Hillsborough, NC. He is thought by many historians to have been Keckley s half-brother. The Burwells had twelve children and ran an academy for girls. She writes about mistreatment and violence visited upon her by Rev. and Mrs. Burwell, and the unwelcome sexual advances and eventual rape by one…
I am drawn to stories of women who display a fighting spirit, faith in themselves, and the drive to help others. Perhaps this is due to growing up during the women’s rights movement. So many women paved the way for me. Perhaps it was my upbringing. I was raised with six siblings - three brothers and three sisters – and my parents never thought that my sisters and I couldn’t do something just because we were girls. Combine these experiences with the fact that I love history and you can see why I love these stories. Now I get to write and share stories like these with young readers. Lucky me!
Did I save the best for last? I may have (although I recommend all of these books). This book appeals to me on so many levels. First, it tells the story of an important woman of history who was dauntless in her mission to help others to safety and freedom. Second, the dreamy, lyrical narrative is so different from how so many picture book biographies are written, yet incredibly effective. Third, the art is amazing – especially in its depiction of Harriet as an old woman when her strength was still so evident. And fourth, the story is told in reverse chronology. What a great decision! I use this book often when I teach about nonfiction picture book writing because of this creative approach. Hands down. I love this book.
An evocative poem and stunning watercolors come together to honor an American heroine in a Coretta Scott King Honor and Christopher Award-winning picture book.
We know her today as Harriet Tubman, but in her lifetime she was called by many names. As General Tubman she was a Union spy. As Moses she led hundreds to freedom on the Underground Railroad. As Minty she was a slave whose spirit could not be broken. As Araminta she was a young girl whose father showed her the stars and the first steps on the path to freedom.
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
I am a history professor at Ohio State, where I have taught for most of my career. I have always been fascinated by how people in different regions define their own identities, how other Americans perceive them, and how these ideas change over time. Having lived through several wars (as a civilian), I have observed that social and political conflicts on the homefront can be intense in their own right and that non-military events and military events are often connected. In my work, I have published on gender, race, slavery, family, material culture, legal history, and environmental history, from the Revolution through the Civil War.
This book establishes that slavery was central to the Rhode Island economy from the colonial period well into the nineteenth century.
For many years, historians concentrated on slavery in the South, but we now have great scholarship on slavery in the North. Clark-Pujara illustrates how the black community, including the women, struggled against oppression in New England.
Once I started reading, I could hardly put it down.
Tells the story of one state in particular whose role in the slave trade was outsized: Rhode Island
Historians have written expansively about the slave economy and its vital role in early American economic life. Like their northern neighbors, Rhode Islanders bought and sold slaves and supplies that sustained plantations throughout the Americas; however, nowhere else was this business so important. During the colonial period trade with West Indian planters provided Rhode Islanders with molasses, the key ingredient for their number one export: rum. More than 60 percent of all the slave ships that left North America left from Rhode…
I have worked as an illustrator and visual storyteller throughout my adult life, illustrating children’s fiction books and comics for educational publications. My educational work focused on publications for kids with special needs, this gave me training in how to communicate visually, very clearly and concisely. I now collaborate with my partner Sakina Karimjee making beautiful graphic novels full-time. Toussaint Louverture is our first; we are now working on our second.
In researching my graphic novel, I read many comics on slavery.
This atmospheric account of enslaved Virginians in 1831 is a hard read, but it made a great impression on me.
Powerfully, Baker uses the verbatim testimony from the confession of Nat Turner as he awaited execution in jail. The narrative does not pull its punches; in one scene, Turner recounts the murder of a plantation owner's baby. It is shocking, but Baker skillfully puts this in the context of the brutality of the lived experience of the enslaved, their own children being routinely abducted and sold by their masters.
The comic is a powerful slave narrative in this sparse and mostly wordless retelling of America’s most famous slave revolt.
The story of Nat Turner and his slave rebellion-which began on August 21, 1831, in Southampton County, Virginia-is known among school children and adults. To some he is a hero, a symbol of Black resistance and a precursor to the civil rights movement; to others he is monster-a murderer whose name is never uttered. In Nat Turner, acclaimed author and illustrator Kyle Baker depicts the evils of slavery in this moving and historically accurate story of Nat Turner's slave rebellion. Told nearly wordlessly, every image resonates with the reader as the brutal story unfolds. Find teaching guides for Nat Turner…
I spent many a night growing up glued to the television, watching Ken Burns’ Civil War. But as I got older, I found my interests stretching beyond the battles and melancholic music on the screen. I decided to become a historian of abolitionism–the radical reform movement that fought to end the evils of slavery and racial prejudice. Through my research, I seek to explain the substantial influence of the abolitionist movement as well as its significant limitations. I received my Ph.D. from the University of Virginia in 2017, and have since held positions at such institutions as The New School, the University of Bonn, and the Massachusetts Historical Society.
Reidy's book is an elegant and engaging read, but it is not an easy one.
It illustrates how the process of emancipation actually played out on the ground after Abraham Lincoln issued his famed Emancipation Proclamation in 1863. It takes us away from the marble edifices of Civil War Washington and into the dirt, showing us how messy the process of implementing freedom truly was.
It does so, moreover, by centering our attention on the actual men and women fighting for their own freedom. Reidy offers us historians a seminal reminder: change is not made solely from on high.
As students of the Civil War have long known, emancipation was not merely a product of Lincoln's proclamation or of Confederate defeat in April 1865. It was a process that required more than legal or military action. With enslaved people fully engaged as actors, emancipation necessitated a fundamental reordering of a way of life whose implications stretched well beyond the former slave states. Slavery did not die quietly or quickly, nor did freedom fulfill every dream of the enslaved or their allies. The process unfolded unevenly.
In this sweeping reappraisal of slavery's end during the Civil War era, Joseph P.…
When Jennifer Shea married Russel Redmond, they made a decision to spend their honeymoon at sea, sailing in Mexico. The voyage tested their new relationship, not just through rocky waters and unexpected weather, but in all the ways that living on a twenty-six-foot sailboat make one reconsider what's truly important.…
As an archaeologist, anthropologist, and historian who has worked on both the East Coast (Flowerdew Hundred and Jamestown, Virginia) and West Coast (San Diego, California) of the U.S. and dug sites from the 17th, 18th, 19th, and 20th centuries, I am passionate about how archaeology can serve to offer new insights for marginalized peoples in American history. I specialize in exposing how narrow thinking, revisionism, and myth-making warp local histories and turn them into fabrications of the present.
As a historical archaeologist, I find this book especially compelling. Stolen Childhood does a fine job of blending insights from a variety of primary-source narratives and recently uncovered archaeological artifacts; but these insights transcend the specific research questions regarding the conditions of daily life for slave youth in nineteenth-century America and indirectly make an intriguing case for why current archaeologists should pay as much attention to issues of childhood, parenting, and aging as they do to ethnicity, class, and gender.
One of the most important books published on slave society, Stolen Childhood focuses on the millions of children and youth enslaved in 19th-century America. This enlarged and revised edition reflects the abundance of new scholarship on slavery that has emerged in the 15 years since the first edition. While the structure of the book remains the same, Wilma King has expanded its scope to include the international dimension with a new chapter on the transatlantic trade in African children, and the book's geographic boundaries now embrace slave-born children in the North. She includes data about children owned by Native Americans…
