100 books like Up From Slavery

Jurgis Rudkus, the protagonist of Upton Sinclair’s 1906 novel The Jungle, is a Lithuanian immigrant who comes to Chicago at the turn of the 20th century to work in the city’s notorious meat-packing industry.

Described as a “very steady man” who “does not easily lose his temper,” Jurgis reminds me of my father, Jerry. Like Jurgis, my father’s solution to most of life’s problems is to just work harder, regardless of the personal consequences.

In the novel, Jurgis injures himself on the job and Sinclair captures not only his physical agony but the more formidable dread of not being able to provide for his family, the working-man’s greatest fear.

Often panned for over-politicizing Jurgis’s plight, The Jungle elevates an anonymous member of the laboring class and presents him as a symbol of virtue, valor, and hope.

We love this book for its breadth and its moral and environmental urgency. Muir writes eloquently [in an admittedly heightened and romantic prose] about the beauties of Yosemite, Yellowstone, and Sequoia National Parks, the only ones in existence at the time. Muir is of interest to Roosevelt because of his understanding of how important it is for wilderness to be preserved for all time not by state governments—as was the case in his time—but by the federal government. This of course was one of TR’s central personal beliefs and was to be, especially after his two-night camping trip in Yosemite with Muir in 1903, a central and guiding policy of his Presidency. For an elegant essay, readers might want to spend time with Muir’s chapter, “The Wild Gardens of Yosemite Park.”

This novel’s power remains intact every time I read it, even as the nature of the tragedy seems to shift – from the perils of living by one’s looks (my teenage reading) to the cruelty of the world towards women (my young adult reading) to the struggle for personal freedom in a money-obsessed culture (my more recent readings).

Edith Wharton’s novel is a masterpiece, both electrifying and relevant, and worth re-reading as often as possible. 

Once you finish the book, watch the Terence Davies-directed film, starring the luminous Gillian Anderson as Lily Bart.

This is where the “Western novel” began.

By reading this book, people of the early 20th century were introduced to a prototype protagonist who would be duplicated (with variations) for generations to come. Authors who followed this lead were Zane Grey, Louis L’Amour, Jack Schaefer, Charles Portis, Elmer Kelton, and I.

As a boy I found my heroes in the format of the lone common man who faced up to adversities that cut against his moral code.  These protagonists played a large part in shaping my values. Even though the characters were fictitious, the lessons were real. The inspiration hit home.

Wister’s influence on later writers remains intact for good reason. His work was the historical beginning of the “Western,” which, to many folks, serves as the quintessential American story.

Did I save the best for last? I may have (although I recommend all of these books). This book appeals to me on so many levels. First, it tells the story of an important woman of history who was dauntless in her mission to help others to safety and freedom. Second, the dreamy, lyrical narrative is so different from how so many picture book biographies are written, yet incredibly effective. Third, the art is amazing – especially in its depiction of Harriet as an old woman when her strength was still so evident. And fourth, the story is told in reverse chronology. What a great decision! I use this book often when I teach about nonfiction picture book writing because of this creative approach. Hands down. I love this book.

The stars had to align perfectly for this autobiography to have been written. Born into slavery in the American South, Elizabeth Keckley learned to read and write at a time when laws forbade it. Her skills as a seamstress allowed her to buy her freedom and later become Mary Todd Lincoln’s dressmaker. She also became a close confidant of the First Lady, gaining an unfiltered view of life in the White House during one of the most crucial times in our nation’s history. After Lincoln’s assassination, Keckley published this autobiography and was widely criticized for relaying intimate conversations and private moments she shared with the Lincoln family. In addition, Keckley’s unflinching account of slavery was difficult for many to read. However, this book has endured as one of the best accounts of life as a slave and of the Lincolns’ time in the White House.

In researching my graphic novel, I read many comics on slavery.

This atmospheric account of enslaved Virginians in 1831 is a hard read, but it made a great impression on me.

Powerfully, Baker uses the verbatim testimony from the confession of Nat Turner as he awaited execution in jail. The narrative does not pull its punches; in one scene, Turner recounts the murder of a plantation owner's baby. It is shocking, but Baker skillfully puts this in the context of the brutality of the lived experience of the enslaved, their own children being routinely abducted and sold by their masters.

The comic is a powerful slave narrative in this sparse and mostly wordless retelling of America’s most famous slave revolt.

What does it mean to be free—and how can you prove that you are? Millward’s utterly engrossing book demonstrates how significant Black women’s reproductive sexuality was to their pursuit of freedom. Following the formal end of US participation in the international slave trade in 1808, white enslavers placed unprecedented demands on enslaved Black women to bear more children. Because the laws defined the child according to the mother’s free or unfree status, enslaved women literally birthed the property of white enslavers. But what if a currently enslaved person proved that the womb from which they entered the world belonged to a free person? Millward shows how Black women and their descendants paved their own pathways to freedom.

Reidy's book is an elegant and engaging read, but it is not an easy one.

It illustrates how the process of emancipation actually played out on the ground after Abraham Lincoln issued his famed Emancipation Proclamation in 1863. It takes us away from the marble edifices of Civil War Washington and into the dirt, showing us how messy the process of implementing freedom truly was.

It does so, moreover, by centering our attention on the actual men and women fighting for their own freedom. Reidy offers us historians a seminal reminder: change is not made solely from on high.

This book establishes that slavery was central to the Rhode Island economy from the colonial period well into the nineteenth century.

For many years, historians concentrated on slavery in the South, but we now have great scholarship on slavery in the North. Clark-Pujara illustrates how the black community, including the women, struggled against oppression in New England.  

Once I started reading, I could hardly put it down.