Here are 66 books that The Virginian fans have personally recommended if you like
The Virginian.
Shepherd is a community of 10,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
My passion for historical adventure and Texas history stems from my heritage: I’m a native Texan related to one of the Alamo defenders. My great-great-great-great-great-granduncle, Isaac Millsaps, was one of the Immortal 32, the reinforcements from Gonzales who answered William Barret Travis's call for help, rode to San Antonio, and died in the Alamo on March 6, 1836. My relationship with words began in elementary school, where I read Beowulf and Dracula by the time I was 10 years old (probably explains a lot about me). I began writing for newspapers in 1975 and have been writing professionally ever since.
I chose this for characters and setting. Larry McMurtry was one of the greatest American writers and a chronicler of life in Texas, and he won the Pulitzer Prize for Lonesome Dove, the story of two aging Texas Rangers on a final adventure together.
McMurtry immerses the reader in his world, but more importantly he immerses his characters in that world. The relationships are amazing: between characters who face deeply personal and tragic life-or-death decisions, but also between characters and the novel’s savage, lethal world.
McMurtry’s stories are character-driven slices of life, but authors of plot-driven books can learn from McMurtry when it comes to characters and their world.
Larry McMurtry's Pulitzer Prize winning novel is a powerful, triumphant portrayal of the American West as it really was. From Texas to Montana, it follows cowboys on a grueling cattle drive through the wilderness.
It begins in the office of The Hat Creek Cattle Company of the Rio Grande. It ends as a journey into the heart of every adventurer who ever lived . . .
More than a love story, more than an adventure, Lonesome Dove is an epic: a monumental novel which embraces the spirit of the last defiant wilderness of America.
The blue-collar everyman lives on the periphery, coming and going with little fanfare. But what does he think and feel? How does he view the world? I became interested in these questions while working for my father’s rug business. I started as a part-timer in the early 90s, straddling the line between academe and the homes of the rich. He employed me for the next twenty years, supplementing my income as I found my way as a university professor. The books listed led me to a deeper appreciation of my father’s vocation, but only in writing Rug Man did I come to understand the true meaning of work.
Jurgis Rudkus, the protagonist of Upton Sinclair’s 1906 novel The Jungle, is a Lithuanian immigrant who comes to Chicago at the turn of the 20th century to work in the city’s notorious meat-packing industry.
Described as a “very steady man” who “does not easily lose his temper,” Jurgis reminds me of my father, Jerry. Like Jurgis, my father’s solution to most of life’s problems is to just work harder, regardless of the personal consequences.
In the novel, Jurgis injures himself on the job and Sinclair captures not only his physical agony but the more formidable dread of not being able to provide for his family, the working-man’s greatest fear.
Often panned for over-politicizing Jurgis’s plight, The Jungle elevates an anonymous member of the laboring class and presents him as a symbol of virtue, valor, and hope.
First serialized in a newspaper in 1905, The Jungle is a classic of American literature that led to the creation of food-safety standards.
While investigating the meatpacking industry in Chicago, author and novelist Upton Sinclair discovered the brutal conditions that immigrant families faced. While his original intention was to bring this to the attention of the American public, his book was instead hailed for bringing food safety to the forefront of people's consciousness.
With its inspired plot and vivid descriptions, Upton Sinclair's classic tale of immigrant woe is now available as an elegantly designed clothbound edition with an elastic closure…
Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime television in those decades. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really did happen in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is so much more interesting than the myth. As a Western historian, I've done my share of historical research, but I still gravitate toward fiction as a writer. I love the freedom to engage my characters’ thoughts and emotions.
The dialogue and immersion into Southwestern culture is so immediate and authentic, one might as well have signed up for a secret journey into the heart of the borderlands.
Every paragraph reads like a masterpiece of literature, and taken together they comprise the kind of story that the reader wants never to end. McCarthy has the rare ability to entertain and edify at the same time.
John Grady Cole is the last bewildered survivor of long generations of Texas ranchers. Finding himself cut off from the only life he has ever wanted, he sets out for Mexico with his friend Lacey Rawlins. Befriending a third boy on the way, they find a country beyond their imagining: barren and beautiful, rugged yet cruelly civilized; a place where dreams are paid for in blood.
The first volume in McCarthy's legendary Border Trilogy, All The Pretty Horses is an acknowledged masterpiece and a grand love story: a novel about the passing of childhood, of innocence and a vanished American…
Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime television in those decades. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really did happen in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is so much more interesting than the myth. As a Western historian, I've done my share of historical research, but I still gravitate toward fiction as a writer. I love the freedom to engage my characters’ thoughts and emotions.
'If you read only one western in your life, this is the one' Roland Smith, author of Peak
He rode into our valley in the summer of 1889, a slim man, dressed in black. 'Call me Shane,' he said. He never told us more. There was a deadly calm in the valley that summer, a slow, climbing tension that seemed to focus on Shane.
Seen through the eyes of a young boy, Bob Starrett, SHANE is the classic story of a lone stranger. At first sight, the boy realises there is something unusual about the approaching man, but as Bob…
We live in the countryside of southwest Michigan in a farmhouse dating back to the 1830s on land once owned by James Fenimore Cooper. The land itself has stories to tell that intrigue us as readers and writers ourselves. Katherine’s passion for the writings of Jane Addams and Edith Wharton led her to Theodore Roosevelt, a kindred male voice in American literature at the turn of the twentieth century. Tom’s passion for environmental writers and activism led him to the books and essays of the 26th President, who believed that good writing sometimes leads to good laws! As professors and writing partners, we are delighted every time we can introduce readers to the literary Theodore Roosevelt.
We love this book for its breadth and its moral and environmental urgency. Muir writes eloquently [in an admittedly heightened and romantic prose] about the beauties of Yosemite, Yellowstone, and Sequoia National Parks, the only ones in existence at the time. Muir is of interest to Roosevelt because of his understanding of how important it is for wilderness to be preserved for all time not by state governments—as was the case in his time—but by the federal government. This of course was one of TR’s central personal beliefs and was to be, especially after his two-night camping trip in Yosemite with Muir in 1903, a central and guiding policy of his Presidency. For an elegant essay, readers might want to spend time with Muir’s chapter, “The Wild Gardens of Yosemite Park.”
For every person who has experienced the beauty of the mountains and felt humbled by comparison.
John Muir’s Our National Parks—reissued to encourage, and inspire travelers, campers, and contemporary naturalists—is as profound for readers today as it was in 1901.
Take in John Muir’s detailed observations of the sights, scents, sounds, and textures of Yosemite, Yellowstone, and forest reservations of the West. Be reminded (as Muir sagely puts), “Wildness is a necessity; and that mountain parks and reservations are useful not only as fountains of timber and irrigating rivers, but as fountains of life.”
I was raised to believe that I could do everything a man could do, just as Ginger Rodgers did, “backwards and in high heels.” My discovery that social expectations and boundaries for women were vastly different than those for men came as an enormous shock, and struck me as deeply, tragically unfair. I take strength from women in history, as well as from fictional female characters, who passionately pursue roles in a man’s world that are considered transgressive or forbidden. As a glass-ceiling-shattering female film and television director I take inspiration from women who have the gritty determination to live on their own terms. And then tell it as they lived it.
This novel’s power remains intact every time I read it, even as the nature of the tragedy seems to shift – from the perils of living by one’s looks (my teenage reading) to the cruelty of the world towards women (my young adult reading) to the struggle for personal freedom in a money-obsessed culture (my more recent readings).
Edith Wharton’s novel is a masterpiece, both electrifying and relevant, and worth re-reading as often as possible.
Once you finish the book, watch the Terence Davies-directed film, starring the luminous Gillian Anderson as Lily Bart.
A bestseller when it was published nearly a century ago, this literary classic established Edith Wharton as one of the most important American writers in the twentieth century-now with a new introduction from Pulitzer Prize-winning author Jennifer Egan.
Wharton's first literary success-a devastatingly accurate portrait of New York's aristocracy at the turn of the century-is considered by many to be her most important novel, and Lily Bart, her most unforgettable character. Impoverished but well-born, the beautiful and beguiling Lily realizes a secure future depends on her acquiring a wealthy husband. But with her romantic indiscretion, gambling debts, and a maelstrom…
Cows and horses were part of daily life in my family. For many years of my youth, my father was a working cowboy, running the cattle ranch on a large agricultural operation. We also had our own herd and trained horses as well. While we watched the popular TV Westerns of the time, we were always aware that they had no connection to the reality of cowboy life, and that “cowboy” was a term misused and abused on the screen and in the pages of shoot-’em-up Western novels. Authenticity and a sense of the reality of cowboy life are important to me, and have been since boyhood.
In a tale of Scottish immigrants who homestead Montana ranches in the shadows of the Rocky Mountains, Dancing at the Rascal Fairfeatures a cast of characters who cooperate and sometimes clash as they build lives in a harsh new country. Human relationships prove as challenging as the land, the livestock, and the weather. Doig, like few authors who write about the West, presents a faithful picture of ranch life.
The central volume in Ivan Doig's acclaimed Montana trilogy, Dancing at the Rascal Fair is an authentic saga of the American experience at the turn of this century and a passionate, portrayal of the immigrants who dared to try new lives in the imposing Rocky Mountains.
Ivan Doig's supple tale of landseekers unfolds into a fateful contest of the heart between Anna Ramsay and Angus McCaskill, walled apart by their obligations as they and their stormy kith and kin vie to tame the brutal, beautiful Two Medicine country.
We live in the countryside of southwest Michigan in a farmhouse dating back to the 1830s on land once owned by James Fenimore Cooper. The land itself has stories to tell that intrigue us as readers and writers ourselves. Katherine’s passion for the writings of Jane Addams and Edith Wharton led her to Theodore Roosevelt, a kindred male voice in American literature at the turn of the twentieth century. Tom’s passion for environmental writers and activism led him to the books and essays of the 26th President, who believed that good writing sometimes leads to good laws! As professors and writing partners, we are delighted every time we can introduce readers to the literary Theodore Roosevelt.
Theodore Roosevelt read the book and loved his philosophy and way of telling a life story. Autobiography is at the heart of American literature. Washington, the founder of the Tuskegee Institute and Roosevelt’s contemporary in age and thinking, was the first writer the President invited to lunch at the White House, controversial as that invitation came to be. We love the book because, in this day of reconsidering Black history, the reader can see how Washington’s notion of self-reliance, captured in his famous admonition, “Cast down your bucket where you are,” helps to define the quest for economic and social freedom for people of color in the early 20th century. Readers will discover a compelling man with an engaging writing style who speaks to the struggles within American society that persist to this day.
Originally published in 1901, ‘Up From Slavery’ is an eloquently written book by Booker T. Washington, an American educator, author, speaker, and counselor to several presidents of the United States. Booker T. Washington was a prominent leader of the African-American community in the late 19th and early 20th centuries. Washington was born into slavery but would become a prolific author who wrote broadly about his life experiences and the challenges facing African-Americans during his time. In this, Washington describes events in an extraordinary life that began in bondage and culminated in worldwide recognition for his many accomplishments. In simply written…
Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime television in those decades. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really did happen in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is so much more interesting than the myth. As a Western historian, I've done my share of historical research, but I still gravitate toward fiction as a writer. I love the freedom to engage my characters’ thoughts and emotions.
When a poet picks up a pen to write a novel, the end result can be most rewarding.
Here the protagonist is a Ute rodeo star who has lost his way in a world to which he does not truly belong. As the underdog (an Indian in a white world), he seeks his personal redemption by finding the strengths that were long ago buried in his own psyche.
This story of one man’s salvation stays with the reader for a lifetime.
A young Native American raised in the forest is suddenly thrust into the modern world, in this novel by the author of The Dog Who Came to Stay. Thomas Black Bull’s parents forsook the life of a modern reservation and took to ancient paths in the woods, teaching their young son the stories and customs of his ancestors. But Tom’s life changes forever when he loses his father in a tragic accident and his mother dies shortly afterward. When Tom is discovered alone in the forest with only a bear cub as a companion, life becomes difficult. Soon, well-meaning teachers…
Cows and horses were part of daily life in my family. For many years of my youth, my father was a working cowboy, running the cattle ranch on a large agricultural operation. We also had our own herd and trained horses as well. While we watched the popular TV Westerns of the time, we were always aware that they had no connection to the reality of cowboy life, and that “cowboy” was a term misused and abused on the screen and in the pages of shoot-’em-up Western novels. Authenticity and a sense of the reality of cowboy life are important to me, and have been since boyhood.
The characters in The Good Old Boys are real cowboy types involved in real-cowboy-type work and play. The novel’s opening line, “For the last five or six days Hewey Calloway had realized he needed a bath” is one of the most intriguing introductions ever. The story is lighthearted and fun, as is much of cowboy life. Elmer Kelton is among the best-ever Western writers and this is my favorite of his many outstanding books.
Hewey Calloway has a problem. In his West Texas home of 1906, the land of the way of life that he loves are changing too quickly for his taste.
Hewey dreams of freedom--he wants only to be a footloose horseback cowboy, endlessly wandering the open range. But the open range of his childhood is slowly disappearing: land is being parceled out, and barbed-wire fences are spring up all over. As if that weren't enough, cars and other machines are invading Hewey's simple cowboy life, stinking up the area and threatening to replace horse travel. As Hewey struggles against the relentless…
10,000+ authors have recommended their favorite books and what they love about them.
Browse their picks for the best books about
Wyoming,
cowboys,
and
vigilantes.
