46 books like The Good Old Boys

Before I was a writer, I was a reader.  My mother was a primary school teacher, so I was encouraged to read from my earliest years. I wanted to be not only entertained but transported to another place, time, or world. When I finally decided to write my first novel, I settled on historical fiction, but I have since written both science fiction and fantasy. I always endeavour to emulate my literary heroes and create engaging characters, compelling plots, and an interesting, unusual, convincing world.

Cows and horses were part of daily life in my family. For many years of my youth, my father was a working cowboy, running the cattle ranch on a large agricultural operation. We also had our own herd and trained horses as well. While we watched the popular TV Westerns of the time, we were always aware that they had no connection to the reality of cowboy life, and that “cowboy” was a term misused and abused on the screen and in the pages of shoot-’em-up Western novels. Authenticity and a sense of the reality of cowboy life are important to me, and have been since boyhood. 

Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime television in those decades. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really did happen in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is so much more interesting than the myth. As a Western historian, I've done my share of historical research, but I still gravitate toward fiction as a writer. I love the freedom to engage my characters’ thoughts and emotions.

Cows and horses were part of daily life in my family. For many years of my youth, my father was a working cowboy, running the cattle ranch on a large agricultural operation. We also had our own herd and trained horses as well. While we watched the popular TV Westerns of the time, we were always aware that they had no connection to the reality of cowboy life, and that “cowboy” was a term misused and abused on the screen and in the pages of shoot-’em-up Western novels. Authenticity and a sense of the reality of cowboy life are important to me, and have been since boyhood. 

I study and write about the Early Medieval period, and in a series of books about its most important characters, its archaeology and landscapes, I've tried to share my lifelong passion for this most obscure and tantalizing period of our history – what we still call the Dark Ages. From the two most shadowy centuries after Rome's fall (The First Kingdom) to Northumbrian King Oswald (The King in the North), who brought Christianity into pagan Anglo-Saxon England, and a walking, riding, sailing tour of Britain's Dark Age lands and seas (In the Land of Giants), I see a continuity of rich cultures, vibrant politics and regional characters that help us to understand how and why we are like we are.

Why do I have expertise on embarrassing moments? I wish I could say I just enjoy watching other people occasionally squirm and nothing humiliating has ever happened to me. That would be such a lie, though. I’m an embarrassing moment waiting to happen. I rode to the vet with a cat who wanted to cling to the top of my head. I got stuck in a gas station in the middle of nowhere. I (nearly) locked myself out of my house in my pajamas. The only good thing about having embarrassing moments is that you can use them in your novels. And I do.

I’m fascinated by men, the way they think and behave, the problems they have in their relationships. The very first gay romance I wrote was a cowboy story – Cowboys Down – and who doesn’t love cowboys? They’re enigmatic, strong, rugged, ultra-masculine. But what if they were also gay? I think it’s that challenge, to show another side of a role that has so predominantly been drawn in one particular way in western books and films. I think gay men must have to work even harder to be accepted as a cowboy than in many other industries and exploring that is enthralling.

I’m a romance novelist who writes about otherwise smart people who deal badly with their feelings. Love, sorrow, jealousy, anger, hopelessness, and grief make appearances in my books because I write in a genre that centers the emotional lives of its characters. When I’m not wreaking havoc on fictional people, I take long walks and eavesdrop on conversations. I’m a recent transplant to Toronto, Canada, after having lived in New York City for more than 20 years.

My mother instilled a love of reading in me, and from an early age, I read everything from Agatha Christie to Edgar Rice Burroughs to Louis L’Amour to Marvel Comics. Stories are stories no matter how they’re classified, and genre is primarily a marketing tool to help readers find things they like. When I started writing, I often blended genres because I liked so many things. As I type this, I have 29 novels published with #30 on the way. The novels include science fiction, fantasy, horror, and thriller under my name, westerns as Dan Winchester, and a cozy mystery as Angie Cabot. Go figure.

I’ve been fascinated by bad-boy heroes since I started reading romance books in my teenage years. Throw me a story about a rebel, player, a guy who likes living on the edge with a wild streak, and you’ve got me sold. There are a few rules when it comes to what I don’t want in a bad boy – abuse, pedophiles, violent men, and lack of consent. I love happy endings and believe that every bad boy and his lover (or lovers if it’s a consensual polyamorous relationship) deserve their happily ever after endings. I’m an ex-journalist who has published romance stories from erotic to sweet.