Here are 67 books that Killings fans have personally recommended if you like
Killings.
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When my late wife Margo Wilson suggested, over 40 years ago, that we should study homicides for what they might reveal about human motives and emotions, her idea seemed zany. But when we plunged into police investigative files and homicide databases, we quickly realized that we had struck gold, and homicide research became our passion. Our innovation was to approach the topic like epidemiologists, asking who is likely to kill whom and identifying the risk factors that are peculiar to particular victim-killer relationships. What do people reallycare about? Surveys and interviews elicit cheap talk; killing someone is drastic action.
Florida-based historian David Courtwright is best known for his analyses of the history of drug addiction and the drug business in the United States, but this volume is a fact-filled page-turner on America's lethal violence problem. Courtwright describes a frontier culture in which a reputation for violent capability was an essential social asset and persuasively explicates its similarities with the situation that faces single young men in America's underserved inner cities to this day. The interdisciplinary scope of Courtwright's scholarship guarantees that any reader will learn a great deal from his book. I found it unputdownable.
This book offers a look at violence in America - why it is so prevalent, and what and who are responsible. David Cartwright takes the long view of his subject, developing the historical patterns of violence and disorder in this country. Where there is violent and disorderly behaviour, he shows, there are plenty of men, largely young and single. What began in the mining camp and bunkhouse has simply continued in the urban world of today, where many young, armed, intoxicated, honour-conscious bachelors have reverted to frontier conditions. "Violent Land" combines social science with a narrative that spans and reinterprets…
When my late wife Margo Wilson suggested, over 40 years ago, that we should study homicides for what they might reveal about human motives and emotions, her idea seemed zany. But when we plunged into police investigative files and homicide databases, we quickly realized that we had struck gold, and homicide research became our passion. Our innovation was to approach the topic like epidemiologists, asking who is likely to kill whom and identifying the risk factors that are peculiar to particular victim-killer relationships. What do people reallycare about? Surveys and interviews elicit cheap talk; killing someone is drastic action.
Rebecca and Russell Dobash had studied men's violence against their female partners for decades and were already heroes of the women's movement when they began interviewing incarcerated killers in Britain. Two fine books have resulted, one focused on men who killed women, the other on men who killed men. It is the former, especially the section on intimate partner homicide, that I find most captivating. The Dobashes skilfully blend national statistics with the self-serving testimony of their interviewees, who minimize their lethal acts as things that "happened" rather than things that they did, and apparently believe themselves to be the victims. These insights are essential.
In the United States and Great Britain, 20-30% of all homicides involve the killing of a woman by a man, and it is far rarer when a woman is killed by another woman. Unfortunately, this is not a very well understood phenomenon. Most books on the topic discuss serial killings, but those only make up 2% of sexual murder-a sensationalist subset of a subset. There has never before been a comprehensive book that has covered the entire scope of homicide cases in which men murder women.
Dobash and Dobash, two seasoned researchers and longtime collaborators in the study of violence…
I have always strived to speak out when surrounded by silence, whether in person through my own voice, or through the books I have written and had published. Not because I am heroic or noble, but because I am angered by suppressed truth, and I believe reality should be shown as it is, not as people believe it should be. That is why the books I chose are so important to me, because they fearlessly exposed the truths the respective authors were determined to show, risks be damned. I hope these books inspire you as much as they have inspired me.
I loved this book because it was the basis of the incredible show, The Wire. Before starting the book, I always wondered if in-depth journalism could be written as a thrilling story, and Mr. Simon's incredible work proved it absolutely can be.
Despite it being over 700 pages, I couldn’t put it down. The reality David Simon showed in every word and every page, in all its flawed and uncomfortable humanity, was nothing short of mesmerizing. The details were so memorable that I felt like I was walking the same streets he described. This book inspired me a great deal.
From the creator of HBO's The Wire, the classic book about homicide investigation that became the basis for the hit television show
The scene is Baltimore. Twice every three days another citizen is shot, stabbed, or bludgeoned to death. At the center of this hurricane of crime is the city's homicide unit, a small brotherhood of hard men who fight for whatever justice is possible in a deadly world.
David Simon was the first reporter ever to gain unlimited access to a homicide unit, and this electrifying book tells the true story of a year on the violent streets of…
When my late wife Margo Wilson suggested, over 40 years ago, that we should study homicides for what they might reveal about human motives and emotions, her idea seemed zany. But when we plunged into police investigative files and homicide databases, we quickly realized that we had struck gold, and homicide research became our passion. Our innovation was to approach the topic like epidemiologists, asking who is likely to kill whom and identifying the risk factors that are peculiar to particular victim-killer relationships. What do people reallycare about? Surveys and interviews elicit cheap talk; killing someone is drastic action.
People share a complex core of humanity that transcends cultural differences. Rather than being incomprehensibly strange, the passions that move people in "exotic" societies are all too familiar. Compendia of homicide cases in tribal societies that are in many ways different from the one we inhabit support this claim, and my 5th pick is a particularly readable example. Anthropologist Verrier Elwin amassed court records on 107 homicides among the "Bison-Horn Maria" of central India in the first half of the 20th century. The Maria then lived as slash-and-burn horticulturalists and part-time hunter-gatherers, and were, like other "tribals," left to their own devices by the British Raj unless a violent death provoked state intervention. The killings described here are tragic, and the protagonists, though sparsely introduced, fully human.
After providing a brief sketch of Maria life and custom, Elwin goes on to examine the records of one hundred cases of murder and fifty cases of suicide, and finally makes valuable suggestions for improving the treatment of aboriginal in jail. The commonest motives for crime among the Bison-horn Maria were found to be sexual jealousy and resentment or shame caused by public rebuke; fatigue and the use of alcohol were also found to be factors.
As a former Division 1 basketball player at Marquette University and current ecommerce executive, I’m always looking for new sources of inspiration. Please enjoy my list and send me any comments on what you find inspiring!
Win By Two is the true story about a Kansas City drug dealer and a private school teacher, bonded together through basketball. This is a powerful story about race, leadership, and what can happen when people get outside of their comfort zones and build bridges in their community. It also challenges our internal biases that we may not even know exist.
A drug dealer, who grew up in the urban core of Kansas City. A private school teacher who grew up in San Diego and dared to hire a convicted felon as his assistant coach. And the game that saved both their lives. A drama so powerful no storyteller would script the details that unfold. It all starts in a crack house on the west side of the Paseo, and in a broken low income home in east San Diego. It unfolds in a private school gymnasium, a state penitentiary, a chapel in downtown Kansas City, the Johnson County Suburbs, and…
Having grown up in segregated Knoxville, TN, I've often wondered what having a black friend as a child would have been like. My MFA thesis, in the 1980s, was a novella about just such a friendship. A small group of my (white) MFA classmates insisted that I could not, should not write about black characters. Although I believed them to be mistaken, I put my thesis away and haven’t looked at it since. About ten years ago, I decided to try again. I took an early draft of a new novel to a workshop with John Dufresne, who encouraged me to continue. The result was Beginning with Cannonballs, which received positive reviews and won the 2021 IPPY Silver Medal for Multicultural Fiction.
I’d never read a novel like this. The chapters are similar to diary entries, telling the fictional story of a middle-aged white woman who moves into her childhood home. Over the years, due to “city planning,” East of Troost (an actual neighborhood in Kansas City, Missouri) has become nearly all-black. Readers will wonder: Why the heck did the narrator decide to move back there? How will she be treated? Will she have any friends? You’ll enjoy finding out.
Under the guise of a starting-over story, this novel deals with subtle racism today, overt racism in the past, and soul-searching about what to do about it in everyday living.
East of Troost's fictional narrator has moved back to her childhood home in a neighborhood that is now mostly Black and vastly changed by an expressway that displaced hundreds of families. It is the area located east of Troost Avenue, an invisible barrier created in the early 1900s to keep the west side of Kansas City white, "safely" cordoned off from the Black families on the east side.
As a gay writer who has navigated some difficult life changes of my own, including cancer, a gay bashing, and the death of an early love, I always enjoy finding writers whose gay characters must deal with their own challenging life issues. Whether it's a coming-of-age tale, a puzzling mystery, or a suspenseful fantasy, each character comes to terms with accepting who he is in an often hostile world.
Maybe Next Year, by Dave Hughes, a coming-of-age love story of two young men that touched my heart. It's all about Bryan and Chris, two high school guys that have been best friends for several years, and what happens when they discover their feelings for each other are more than friendship. They come from two very different family backgrounds and will have a lot to navigate.
Bryan and Chris are high school juniors who have been inseparable best friends for three years. Now, they are discovering that their feelings for each other run much deeper than mere friendship.
Chris, whose open-minded family is completely supportive, is ready and able to live his life out and proud. For Bryan, whose father is the pastor of a very conservative mega-church in a Kansas City suburb, being gay simply isn’t an option. Bryan hopes that maybe next year when they leave Kansas to go to college together, he will be able to live more openly. In the meantime, they…
I write cozy mysteries about a house flipper turned sleuth in fictional Crocus Heights, Minnesota. My father was a carpenter, and I was his helper. My childhood was spent on a farm, with the biggest event of the week being a trip to the local library, where I checked out seven books. I would prop my library book in front of my school book and read in class whenever I could. My favorites were mysteries, and later romances, and now cozy mysteries, which combine a bit of both. I am always fascinated by people and their motivations, and that is what I enjoy in all the authors I recommend.
I love Mulhern’s references to the 70s and a snooty country club entourage. I love the way she describes men and whether they live inside or outside of the lines, capturing their quirks perfectly. I love the depiction of a simpler time of life with no cell phones or the internet, where everything felt more personal and connected.
INTRIGUING PLOT, FASCINATING CHARACTERS... "Part mystery, part women's fiction, part poetry, Mulhern's debut, The Deep End, will draw you in with the first sentence and entrance you until the last. An engaging whodunit that kept me guessing until the end!" - Tracy Weber, Author of the Downward Dog Mysteries Sub-Genre Keywords: Humorous Mystery, Historical Mystery, Whodunnit, Amateur Sleuth, Women Sleuths Swimming into the lifeless body of her husband's mistress tends to ruin a woman's day, but becoming a murder suspect can ruin her whole life. It's 1974 and Ellison Russell's life revolves around her daughter and her art. She's long…
I’ve been obsessed with Halloween traditions since before I could finish my own bag of candy. In many ways, those dark and chilly childhood nights of trick or treating are what gave rise to my lifelong love of horror. Inspired by the thrill of staying up late on the one night of the year when the dead can return to earth, I have since delved deep into the ancient history and folklore of All Hallows’ Eve, much of which features prominently in my Book of Shadowsseries. I hope the books on this list help you capture the spooky magic of the season!
Scott Thomas was nominated for a Bram Stoker award for his spine-chilling story about four famous horror writers who are invited to spend Halloween in a haunted house as a publicity stunt, only to find themselves tormented by the unholy entity that roams its silent halls. Clearly an expert on the horror genre himself, Thomas brings a much-needed new twist to the haunted house trope and elevates it to a fearsome new level. But this novel’s real strength lies in its character development. A horror story only works if you care enough about the characters to hope (and pray) for their survival, and by the end of this one, you’ll feel like you’re clinging to old, familiar friends as they fight for their lives.
“I’ve only dared to read it in the daylight.” ―Kaly Soto, Deputy Weekend Editor, the New York Times Book Review
At the end of a dark prairie road, nearly forgotten in the Kansas countryside, is the Finch House. For years it has remained empty, overgrown, abandoned. Soon the door will be opened for the first time in decades. But something is waiting, lurking in the shadows, anxious to meet its new guests…
When best-selling horror author Sam McGarver is invited to spend Halloween night in one of the country’s most infamous haunted houses, he reluctantly agrees. At least he won’t…
Ever since taking a college course in film noir, I've been in love with the cigarette-smoking, fedora-wearing, wisecracking tough guys (and gals) who inhabit the darkest corners of the modern world’s back alleys. The protagonist of Tears for the Dead, Bonnie Parker – named for the distaff half of Bonnie and Clyde – is my modest way of paying homage to this tradition, and incidentally having a lot of fun in the process.
I might have picked A Maiden’s Grave for the title alone, though you’ll have to read it to learn the subtle double meaning packed into those three words. But of course there’s a lot more to this fast-paced story of a school for the deaf caught in the crossfire of a police standoff. Jeffery Deaver deftly intertwines full-bodied characters, crackling tension, and emotionally affecting backstories. Reading it, I realized that it could have been a pretty ordinary police procedural and that only the author’s determination to add layers of depth and detail lifted it to a new level.
When a trio of desperate convicts hijack a bus carrying a group of deaf and mute schoolgirls, everyone is braced for a terrible tragedy.
FBI agent Arthur Potter is flown in to negotiate. But he has competition: local police, state troopers, politicians and the media are swarming. Not everyone has the same agenda.
And the killers will murder one innocent child an hour, on the hour, until their demands are met...
'A real chiller, seething with violence and heart-stopping tension' Sunday Telegraph
