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I started writing fiction and writing aboutfiction at about the same time. My novels and stories tend to be about solitary characters pulled into the maelstrom that is contemporary Indian urban life and trying to make sense of it. I’ve always believed that to be an effective observer of your society you need to stay in tune with what your peers are doing and the last two decades in which I’ve been writing and publishing have been some of the most exciting for Indian fiction in general.
Crimes again women are discussedad nauseam in the media but this was the first time I read a novel that made the subject painfully uncomfortable for me by telling the story not in the voice of the victim but through the reflections of a witness who probes everyone’s culpability, including her own. This powerful debut shines a very revealing light on what it means to be a comfortably middle-class Indian.
‘In Mukta Sathe we have a new voice that displays a deep understanding of both the old and the young, of their complex relationships, and of how crime and punishment play out under our flawed judicial system. A Patchwork Family is a novel that I found difficult to put down.’ —Shanta Gokhale, author, columnist and translator
Young and idealistic, Janaki is eager to serve the cause of justice as a lawyer. Her only confidant is Ajoba, an elderly friend of her grandfather’s, who supported her throughout her childhood. They are unrelated by blood or marriage ties, but they have both…
I started writing fiction and writing aboutfiction at about the same time. My novels and stories tend to be about solitary characters pulled into the maelstrom that is contemporary Indian urban life and trying to make sense of it. I’ve always believed that to be an effective observer of your society you need to stay in tune with what your peers are doing and the last two decades in which I’ve been writing and publishing have been some of the most exciting for Indian fiction in general.
A most affecting historical novel set in 19th century Assam as the British colonialists sought to push deeper into the country. I’ve read so many accounts of the early encounters between native and foreigner but what makes this one rare is Blackburn’s careful and tender individualising of his characters so that they can both be ranged against each other and yet in some human and mysterious and ultimately tragic way also be friends.
As the British Raj begins its expansion towards Tibet, the remote Apatani valley on the Indo-Tibetan border becomes a flashpoint. George Taylor, an up-and-coming officer in the Indian Civil Service, leads the first expedition into the valley and recommends setting
up a base nearby, as the Apatanis are a ‘friendly tribe’. During the expedition, a tenuous bond is established between him and Gyati,
the Apatani shaman who has long been anxious about the halyang outsiders creeping closer and closer to the ordered world of the valley. But this bond cannot survive. The increased British presence and
I started writing fiction and writing aboutfiction at about the same time. My novels and stories tend to be about solitary characters pulled into the maelstrom that is contemporary Indian urban life and trying to make sense of it. I’ve always believed that to be an effective observer of your society you need to stay in tune with what your peers are doing and the last two decades in which I’ve been writing and publishing have been some of the most exciting for Indian fiction in general.
This is a marvellous novel about an area in the foothills of the eastern Himalayas that is not far from where I grew up. It’s a story about people and nature, how the relationship is at once very elemental for those who live off the land, as well as very convoluted and destructive because it’s driven by greed, politics, and fear. The narrator is a visitor to the region, looking to solve a mystery from his past, and this device of the curious outsider looking in works really well to make the whole place come to life.
Description Shaken by the news of his mother’s death, a man leaves his job in Delhi and returns to Assam. Twenty-five years ago, his father, a forest officer here, was found shot dead in his jeep. With the passing of his mother, the man learns new and startling details of his father’s life, and trying to reclaim an entire life suddenly made unfamiliar, he starts digging into events from far back in time, visiting places where his father had served, in the foothills of the eastern Himalayas. But the forests he had once roamed as a boy with his father…
I started writing fiction and writing aboutfiction at about the same time. My novels and stories tend to be about solitary characters pulled into the maelstrom that is contemporary Indian urban life and trying to make sense of it. I’ve always believed that to be an effective observer of your society you need to stay in tune with what your peers are doing and the last two decades in which I’ve been writing and publishing have been some of the most exciting for Indian fiction in general.
This slim novel I read in one sitting not because, in the way of conventional thrillers, one hopes for a decent resolution, but because the story is so devastating. Its very hopelessness somehow pulls one in. Pandey has written a very gentle account of the very brutal forces ranged against one couple who have committed what can be a crime in modern India – marrying outside one’s caste and religion.
This is like Kafka in Deoria. Or Camus in the cow belt. But more accurate to say that Legal Fiction is an urgent, literary report about how truth goes missing in our land. I read it with a racing heart.
-- Amitava Kumar, author of The Lovers
Chandan Pandey goes looking for the story that lurks just out of sight, getting under the skin of news headlines and extracting a story that is as compelling as it is devastating.
-- Annie Zaidi, author of Prelude to a Riot
Chandan Pandey has written a brilliant, gripping political novel. Legal Fiction is…
When I was growing up, I longed to see myself and my family represented in ways that were not demeaning. Hollywood movies showed Asian women as passive victims or hypersexualized “dragon ladies.” Depictions of Asian men were even fewer—they were mostly the enemy soldiers in the background of movies about the American war in Vietnam. I became a writer to try to correct these grossly flattened stereotypes. I am now the author of 11 books, and recipient of an American Book Award, National Endowment for the Arts Fellowship, Asian Pacific American Award for Literature, a Kiriyama Prize Notable Book, and Bakwin Award for Writing by a Woman.
This collection features South Asian characters from the present to different times in history. Bhuvaneswar’s prose is gorgeous, her dialogue snappy. From a woman feeling guilty for having an affair with her friend’s husband to an enslaved woman in Renaissance-era Portugal to a queer woman who’d rather move to another country than come out to her parents, Bhuvaneswar’s characters are smart, self-aware, flawed, and fascinating.
Best Books of 2018 Kirkus Reviews (debut and short fiction categories)
Best Books of 2018, Entropy Magazine
A Book Club selection for The Wing, Rebel Women's Lit and Bookish.com
35 over 35 Debut Fiction Award
Finalist for the 2019 PEN American Robert Bingham Prize for Debut Short Story Collection
"Chaya Bhuvaneswar's debut collection maps with great assurance the intricate outer reaches of the human heart. What a bold, smart, exciting new voice, well worth listening to; what an elegant story collection to read and savor." -Lauren Groff, author of Florida
I am a Canadian writer, teacher, and mother with Norwegian and Scottish ancestry. Since my twenties, I have been fascinated by ancestral memory, what Martha Graham (a late great dance pioneer) called ‘blood memory.’ Having spent many years in dance and therapy, diving into my own unique somatic symptoms, I started to realize that my mother’s (and grandmother’s) traumas were entwined and entangled with my own and that my body was holding on to all of it. What a relief to discover the research of transgenerational epigenetics! This curiosity fueled the narrative of my debut novel, Becoming Leidah, allowing me to explore Norse and Celtic mythology, as a way to speak about very personal truths.
There are only a few novels that I like to re-read, and this is one of them. Layered with descriptions of jarring political and sexual violence occurring amidst separatist tensions in 1937 in India, this narrative allows for the usually silenced (girls and women) to speak, through the voice of Roop. The complicated relationship between Roop and Satya (both wives of a rich landowner) is only one layer in this richly woven novel. Ancestral trauma, truth, silence, atonement, sacrifice, love, and memory, themes that continue to ripple and resonate for me.
What the Body Remembers takes place in Rawalpindi, in the Indian state of the Punjab, in 1937 amid the mourning and mounting tension that precedes partition. Satya (whose name means Truth) has failed to give her well-born respected husband, Sardarji, a child. Sardarji, without hesitation or consultation, has found himself a youthful second wife, Roop (meaning body or form), a village girl whose mother died in childbirth, and whose father is deep in debt to him. Satya and Roop's enforced female partnership - by turns warring, sisterly, tender, rivalrous - forms a bitter axis around which the tragedy of this…
As an Indian writer of contemporary fiction revolving around family, relationships, emotions, and hope, I am constantly on the lookout for similar novels to take inspiration from them and learn how to build beautiful, well-etched characters and portray heart-wrenching emotions. I love books that make me cry as they give me a fulfillment like nothing else. I love characters that are likable and make me feel a strong connection with them. And I like to write similar characters in my books as well. The readers of my novel The Fragile Thread of Hope have corroborated the same. I live in Gangtok, a hill station in northeast India.
Set in South India in the 1950s, this is a story of Meera, Manuel, and Shankar—three conflicted souls, each with secrets that can destroy the other. It is a beautiful novel showing how one can become a prisoner of one's secrets and live compromised lives. The descriptions are so hauntingly vivid that they will remain etched in my mind forever. I loved the narration and the poetic language, and the bittersweet ending was like icing on the cake.
A most unusual story of love.Do relationships built upon the one foundation that relationships must never be built on – secrets – really crumble?Set in South India in the 1950s, this is the story of Meera, Manuel, and Shankar – three conflicted souls each with secrets that can destroy the other.A story told in a way where you, the reader, are privy to the secrets, and made part of the conflict as you watch the story unfurl into consequences that arise when one becomes a prisoner of their secret.
I'm a clinical psychologist who also writes about and teaches Buddhist philosophy, psychology, and meditation. I've had the great good fortune to be closely mentored by a number of elder Tibetan teachers who were educated in old Tibet. Over the decades, when seeking wisdom and compassion in the midst of life's challenges, I've repeatedly found inspiration, education, solace, and guidance along my own path in the enlightened and enlightening life stories of a number of the great scholar/yogis of the Himalayan Buddhist traditions.
Naropa was an important figure in Indian Tantric Buddhism whose lineages gained great popularity in Tibet. His life story beautifully embodies many archetypal elements of the spiritual journey in a way that has proved compelling, inspiring, and educational for Buddhist practitioners for well over a millenium. He goes from being a great scholar to a seeker who bears many hardships to an enlightened master. If you yourself are someone deeply committed to a spiritual journey, then it's likely that you'll find moments of your own experience reflected back for you in his remarkable story.
In the history of Tibetan Buddhism, the eleventh-century Indian mystic Nâropa occupies an unusual position, for his life and teachings mark both the end of a long tradition and the beginning of a new and rich era in Buddhist thought. Nâropa's biography, translated by the world-renowned Buddhist scholar Herbert V. Guenther from hitherto unknown sources, describes with great psychological insight the spiritual development of this scholar-saint. It is unique in that it also contains a detailed analysis of his teaching that has been authoritative for the whole of Tantric Buddhism.
This modern translation is accompanied by a commentary that relates…
I am a journalist who has strayed into book writing with a particular interest in the history of post-independent and contemporary India. My interest in this subject developed as an offshoot of reporting on landmark changes during the period of economic liberalization in the 1990s. One of the astounding stories of this period was the rise of the technology industry and the outsourcing business. A deeper study of this took me back to the period of independence in 1947 and decades before it.
India is an enigma to many people – a developing country beset with a number of problems yet a resounding democracy; a nuclear and space power yet grappling with poverty, malnutrition, and illiteracy; a source of great talent for global corporations and a nation of innovators yet experiencing violence and acrimony based on caste and religion. India After Gandhi is a comprehensive guide to understand these apparent contradictions and make sense of modern India. It is history told in an accessible, evidence-based fashion, and free from biases.
From one of the subcontinent’s most important and controversial writers comes this definitive history of post-Partition India, published on the 60th anniversary of Independence
Told in lucid and beautiful prose, the story of India’s wild ride toward and since Independence is a riveting one. Taking full advantage of the dramatic details of the protests and conflicts that helped shape the nation, politically, socially, and economically, Guha writes of the factors and processes that have kept the country together, and kept it democratic, defying the numerous prophets of doom.
Moving between history and biography, this story provides fresh insights into the…
Abi Oliver is a pen name as my real name is Annie Murray—I write under both names. My first book, A New Map of Love, set in the 1960s, featured an older woman who had been born in India. She developed into such a character—a bit of an old trout to be truthful—that I wanted to tell her story. It also tapped into my family’s many connections with India and the fact that I have travelled a lot there. I finally got to travel, with my oldest daughter, and stay in one of the tea gardens in Assam—a wonderful experience.
"India will sing like a bird out of its cage when she is free," says one of the characters in this wonderfully engaging book. Times of transition interest me and this book is set during the early part of Indian Independence, when everyone was trying to find a new identity and way of living, especially Victoria, one of the three main characters who is Eurasian, or as we would now say, mixed race. She is torn between the two sides of her heritage. Some of the language is shocking in our times but it is a fascinating story of people caught up in a country’s re-birth. It is also a tender love story. It’s a great way to get a feel of that period of upheaval.
Bhowani Junction is set in the wake of the partition of India, as the British prepare to withdraw from the newly independent country. Evoking the tensions and conflicts that accompanied the birth of modern India, the characters struggle to find their place in the new India that is emerging. In the last hectic days of the British Raj, Victoria has to choose between marrying a British Army officer or a Sikh, Ranjit, as she struggles to find her place in the new, independent India.
One of John Masters' seven novels which followed several generations of the Savage family serving in…
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