Here are 100 books that Legal Fiction fans have personally recommended if you like
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I started writing fiction and writing aboutfiction at about the same time. My novels and stories tend to be about solitary characters pulled into the maelstrom that is contemporary Indian urban life and trying to make sense of it. I’ve always believed that to be an effective observer of your society you need to stay in tune with what your peers are doing and the last two decades in which I’ve been writing and publishing have been some of the most exciting for Indian fiction in general.
I am always looking out for talented young writers and this debut really struck me for its narrator’s very distinctive voice, both stylish and sad. An Indian Catcher in the Ryebut with a protagonist more hampered by family and circumstances, capable of greater angst, and looking for authenticity in the strangest and loneliest of places.
"And then finally I felt sadness, aided perhaps by those futile notes, by the dust that keeps thickening, by the untouchable past, the inevitable future, and by everything else that pushes us around."
Ib lives with his schizophrenic father and his "nice" mother negotiating life, not knowing what to do, steered by uncaring winds and pushy people. From his slimy, unmiraculous birth to the tragic death of a loved one, Ib wanders the city, from one thing to another, confused, lost, and alone, all the while reflecting on his predicament. He is searching for something - what he does not…
I started writing fiction and writing aboutfiction at about the same time. My novels and stories tend to be about solitary characters pulled into the maelstrom that is contemporary Indian urban life and trying to make sense of it. I’ve always believed that to be an effective observer of your society you need to stay in tune with what your peers are doing and the last two decades in which I’ve been writing and publishing have been some of the most exciting for Indian fiction in general.
Crimes again women are discussedad nauseam in the media but this was the first time I read a novel that made the subject painfully uncomfortable for me by telling the story not in the voice of the victim but through the reflections of a witness who probes everyone’s culpability, including her own. This powerful debut shines a very revealing light on what it means to be a comfortably middle-class Indian.
‘In Mukta Sathe we have a new voice that displays a deep understanding of both the old and the young, of their complex relationships, and of how crime and punishment play out under our flawed judicial system. A Patchwork Family is a novel that I found difficult to put down.’ —Shanta Gokhale, author, columnist and translator
Young and idealistic, Janaki is eager to serve the cause of justice as a lawyer. Her only confidant is Ajoba, an elderly friend of her grandfather’s, who supported her throughout her childhood. They are unrelated by blood or marriage ties, but they have both…
I started writing fiction and writing aboutfiction at about the same time. My novels and stories tend to be about solitary characters pulled into the maelstrom that is contemporary Indian urban life and trying to make sense of it. I’ve always believed that to be an effective observer of your society you need to stay in tune with what your peers are doing and the last two decades in which I’ve been writing and publishing have been some of the most exciting for Indian fiction in general.
A most affecting historical novel set in 19th century Assam as the British colonialists sought to push deeper into the country. I’ve read so many accounts of the early encounters between native and foreigner but what makes this one rare is Blackburn’s careful and tender individualising of his characters so that they can both be ranged against each other and yet in some human and mysterious and ultimately tragic way also be friends.
As the British Raj begins its expansion towards Tibet, the remote Apatani valley on the Indo-Tibetan border becomes a flashpoint. George Taylor, an up-and-coming officer in the Indian Civil Service, leads the first expedition into the valley and recommends setting
up a base nearby, as the Apatanis are a ‘friendly tribe’. During the expedition, a tenuous bond is established between him and Gyati,
the Apatani shaman who has long been anxious about the halyang outsiders creeping closer and closer to the ordered world of the valley. But this bond cannot survive. The increased British presence and
I started writing fiction and writing aboutfiction at about the same time. My novels and stories tend to be about solitary characters pulled into the maelstrom that is contemporary Indian urban life and trying to make sense of it. I’ve always believed that to be an effective observer of your society you need to stay in tune with what your peers are doing and the last two decades in which I’ve been writing and publishing have been some of the most exciting for Indian fiction in general.
This is a marvellous novel about an area in the foothills of the eastern Himalayas that is not far from where I grew up. It’s a story about people and nature, how the relationship is at once very elemental for those who live off the land, as well as very convoluted and destructive because it’s driven by greed, politics, and fear. The narrator is a visitor to the region, looking to solve a mystery from his past, and this device of the curious outsider looking in works really well to make the whole place come to life.
Description Shaken by the news of his mother’s death, a man leaves his job in Delhi and returns to Assam. Twenty-five years ago, his father, a forest officer here, was found shot dead in his jeep. With the passing of his mother, the man learns new and startling details of his father’s life, and trying to reclaim an entire life suddenly made unfamiliar, he starts digging into events from far back in time, visiting places where his father had served, in the foothills of the eastern Himalayas. But the forests he had once roamed as a boy with his father…
I like to tell people that I found my passion in life and it's books. I write them, read them, review them and I’ve been a librarian for 17 years. (I’ve worked in libraries for longer than that. Over 25 years!) It’s been dark times recently and romance has become my happy place. I’m a sucker for romances with pretty covers, quirky characters, and not so much of the on-page spice. If there’s some travel involved, even better!
I loved this book! I was especially fond of taking the tour of India with the main character, Niki, who had never been to India before, despite the fact that her family is Indian and she’s 29 years old. She unexpectedly finds herself with the opportunity to go to India for her best friend’s wedding. While she’s there, she gets to celebrate Diwali at a big party when who should she meet but a handsome musician. The setting is fantastic, the characters are so lovable. This was just an excellent feel-good book.
"Lalli's prose is deft, her characters are delightful and her book is the just-right holiday romance."--USA Today
One type-A data analyst discovers her free-spirited side on an impulsive journey from bustling Mumbai to the gorgeous beaches of Goa and finds love waiting for her on Christmas morning.
Twenty-nine-year-old Niki Randhawa has always made practical decisions. Despite her love for music and art, she became an analyst for the stability. She's always stuck close to home, in case her family needed her. And she's always dated guys that seem good on paper, rather than the ones who give her butterflies. When…
Rajendra B. Aklekar (born 1974) is an Indian journalist with over 25 years of experience and author of best-selling books on India’s railway history and heritage. He is also the biographer of India’s legendary railway engineer Dr. E Sreedharan. With museology from Chhatrapati Shivaji Maharasj Vastu Sangrahalaya (formerly the Prince of Wales Museum, Mumbai, Aklekar is also a Google-certified Digital Marketer. Aklekar, associated with the Indian Railway Fans’ Club Association, Indian Steam Railway Society, Rail Enthusiasts Society, has contributed significantly while setting up the Rail Heritage Gallery at the UNESCO-listed Mumbai Chhatrapati Shivaji Terminus station, formerly Victoria Terminus building, Bombay, and documentation of heritage relics of India’s first railway.
This out-of-the-box book that takes you on a very Indian train trip on the lines of the iconic work of eminent Jules Verne has been my instant favourite right from the title and idea. The author, the Indian British Tourist went on a trip to the sub-continent on trains and has covered everything from commuter trains to hospital trains. I personally love this book for the various narratives and the “people stories” that reflect as the author goes on trips across the country in trains. The small stories capture the essence of India and bring out the magnitude of railways and how deeply it is connected to Indian social life. As one of my favorite rail authors Ian J. Kerr once told me in a historical context, “No railways, no India.” on how the iron web of railways brought together a nation.
'Crackles and sparks with life like an exploding box of Diwali fireworks' -William Dalrymple
'One can only envy Monisha Rajesh as she embarks on this epic journey' -Tim Parks
When she was a child, Monisha Rajesh's family uprooted to Madras in the hope of making India their home, but soon returned to England with a bitter taste in their mouths. Two decades on, Monisha turns to a map of the Indian Railways and takes a page out of Jules Verne's classic tale, embarking on an adventure around India in 80 trains, covering 40,000km - the circumference of the Earth.
There’s a surging Western school of thought which claims that there’s no Asia. Really? Just look at my personal cultural connections with all corners of Asia. As a Hindu Sindhi Singaporean, I can relate directly to India and Southeast Asia, which has an Indic base. My name, “Mahbubani”, has Arabic/Persian roots. “Mahbub” means “beloved”. My mother took me to Buddhist temples when I was a boy, too, giving me an intimate connection with China, Japan, and Korea. In short, Asia is intimately connected. The goal of my ten books has been to give voice to the larger Asian story in a world imprisoned by Western perspectives.
As the great Asian renaissance gathers momentum in the 21st century, many young Asians will begin to rediscover their own cultures and civilizations, just as the West did in its first cultural renaissance in the 15th century. Few understand classical Indian civilization as well as Amartya Sen does.
Since Asian cultures are associated with despotism and Western cultures with individual liberties, Sen says, “The claim that the basic ideas underlying freedom and tolerance have been central to Western culture over the millennia and are somehow alien to Asia is, I believe, entirely rejectable.” Living up to the spirit of the title of his book, Sen demonstrates in this book that he’s an argumentative Indian and Asian. Argumentative Asians will eventually win the argument with the West.
From Nobel prize-winning economist Amartya Sen, The Argumentative Indian: Writings on Indian Culture, History and Identity brings together an illuminating selection of writings on contemporary India.
India is an immensely diverse country with many distinct pursuits, vastly different convictions, widely divergent customs and a veritable feast of viewpoints.
Out of these conflicting views spring a rich tradition of skeptical argument and cultural achievement which is critically important, argues Amartya Sen, for the success of India's democracy, the defence of its secular politics, the removal of inequalities related to class, caste, gender and community, and the pursuit of sub-continental peace.
Though religious violence is an odd obsession for a nice guy like me, the topic was forced on me. Having lived for years in the Indian Punjab, I was struck by the uprising of Sikhs in the 1980s. I wanted to know why, and what religion had to do with it. These could have been my own students. It is easy to understand why bad people do bad things, but why do good people—often with religious visions of peace—employ such savage acts of violence? This is the question that has propelled me through a half-dozen books, including the recent When God Stops Fighting: How Religious Violence Ends.
Those who know the field of religious violence may find my choice of Ashis Nandy’s book of essays to be a peculiar one since it deals with a variety of issues besides religious violence. But one of his essays, “The Discrete Charms of Indian Terrorists,” is worth the price of the book. In it, Nandy describes the remarkably civil behavior of young Sikh activists who hijacked an Indian plane in the 1980s. He then goes on to disagree with Gandhi that terrorism necessarily absolutizes a conflict, and he rejects the common perspective, especially in the West, that terrorism is always evil. Though Nandy’s analysis does not fit all, or perhaps most, instances of religion-related terrorism it makes us reconsider our assumptions about the use of violence in certain situations.
One of India's leading public intellectuals, Ashis Nandy is a highly influential critic of modernity, science, nationalism, and secularism. In this, his most important collection of essays so far, he seeks to locate cultural forms and languages of being and thinking that defy the logic and hegemony of the modern West. The core of the volume consists of two ambitious, deeply probing essays, one on the early success of psychoanalysis in India, the other on the justice meted out by the Tokyo War Crimes Tribunal to the defeated Japanese. Both issues are viewed in the context of the psychology of…
I’ve been fascinated by maps all my life. The map of India has always held special interest. As I’ve lived in different parts of India, I’ve seen firsthand how India is one country, but its stories are multiple. I chronicled India’s varied stories through the origins of each of its states. Similarly, I’ve curated a diverse and inclusive reading list. It covers different parts of the country and contains different types of books—graphic novel, travelog, memoir, and short story collections. The authors also cut across religion, gender, and social strata. I hope you discover a whole new India!
I love how this short story collection traverses time but not location—the setting is the northeastern state of Meghalaya while the stories span 150 years. In these fifteen tales, folklore mixes with modern life and myth is steeped in the mundane. The result? The reader journeys through a rich smorgasbord of a multi-faceted Meghalaya and its people. Given the tendency to clump the seven northeastern states together, this book helps us view one of those states distinctively.
Boats on Land is a unique way of looking at India’s northeast and its people against a larger historical canvas—the early days of the British Raj, the World Wars, conversions to Christianity, and the missionaries. This is a world in which the everyday is infused with folklore and a deep belief in the supernatural. Here, a girl dreams of being a firebird. An artist watches souls turn into trees. A man shape-shifts into a tiger. Another is bewitched by water fairies. Political struggles and social unrest interweave with fireside tales and age-old superstitions. Boats on Land quietly captures our fragile…
I am an academic and writer based in the UK. I have always wondered why capitalism claims to know the price of everything but the costs of nothing, unless it gets in the way of increased profit. I have been puzzling over gender inequalities in the political economy of our global society for many years now. This is not only an academic interest but a personal one; the rich buy in the labour of others and the poor get depleted more and faster. I wonder what our world would feel like if this labour of life-making was equally distributed, and valued as it should be.
A friend gave me this book, and I couldn’t put it down. It is Bhowmick’s story–and that of her mother, who was a working mother and exhausted by managing both her professional work and homemaking.
Building on this, Bhowmick maps the lives of middle-class Indian women labouring under this double burden and yet giving hope to their daughters about the promise of the possibility of "having it all"–a fulfilling home life (despite the unequal burden of housework) and an ambitious professional life.
The tone of the book is angry as Bhowmick, a journalist, conveys her frustrations with the patriarchal social order that refuses to see the depleting effects of gendered inequalities in both the public and the private spheres of life for middle-class women in India.
Savitribai Phule, Mahasweta Devi, Amrita Pritam, Medha Patkar, Kamla Bhasin, and countless others have, since the nineteenth century, fought for and won equal rights for Indian women in a variety of areas-universal suffrage, inheritance and property rights, equal remuneration, prevention of sexual harassment at the workplace, and others. Pioneering feminists believed that due to these hard-won rights, their daughters and granddaughters would have the opportunity to have rewarding careers, participate in the social and political growth of the country, gain economic independence, and become equal partners in their marriages. On paper, it would appear that the lot of Indian women…
