Fans pick 47 books like Pather Panchali

I love a good adventure tale, and this one is set on the high seas and spans countries and cultures. I’ll never forget the character of Kalua, an untouchable man of enormous size and strength who saves a woman from horrible abuse at the hands of her own family. It’s just one example of a rich cast of characters who held my rapt attention.

I’m interested in the various children’s tales from other countries, and I thought that this classic Indian collection of stories about an imaginary city to be just charming. It captures the richness of everyday life, of daily interactions across all sorts of people.

With such a wide cast of characters, from an astrologer to a postman to a snake charmer, there’s something for everyone to either relate to or marvel at. My favorite stories are the kinds that find meaning in the smallest pockets of life, and this collection is all about that.

I have not come across many books about Indian women in power, but this book is an amazing exploration of how feminine strength can hold up against a deeply patriarchal society and time period.

The story sucked me in as the main character, a young princess coming of age, gets caught up in romance and subterfuge; by the end, the story takes a sad and heartbreaking turn as India’s rich history of its many kingdoms falls to the British Raj.

I thought this book was such a heartfelt and tragic story. It’s about a family struggling with their past as the city of Delhi gets taken over by the British as it becomes their new capital. The author paints these beautiful scenes of Delhi, like the traditional pigeon flying and the bustling Chandni Chowk market.

I could really feel his love for the city in those descriptions. To me, the story felt like a lament for the old Delhi that was lost to the British, and you can sense how hard it was for the author to accept that. In the introduction, he talks about how he left India and was never allowed to return, so this goodbye isn’t just part of the story; it’s personal.

Another nonfiction similar in scope and outlook to Kushanava Choudhury’s The Epic City, this title dispenses with the personal narrative and offers a highly structured rundown of the main attractions/points of history/social and cultural issues, etc of the Bengali capital. Not quite a guidebook, Calcutta offers short texts on particular aspects of life in the city, then and now. Well written, the book suffers from the same issue as all other recent books on Kolkata – the British get away with way too much and the post-independence period is seen through the eyes of Calcutta’s privileged elite. That said, this title does well at dissecting cultural currents, and the section on artistic Kolkata is especially rewarding. A great, practical introduction for the first-time visitor.

A cracking, thorough portrait of contemporary Kolkata as the Bengali capital is now known, by an Indian author who grew up in New Jersey (very much the flipside to Calcutta) and who returns to the city of his ancestors to work for a newspaper. The book is well-written, crammed with interesting anecdotes and historic trivia. Past and present are held against the light and the results are often funny. It’s as good as a book by a privileged outsider who speaks the language is likely to be. Perhaps in another decade, a non-fiction chronicle will be written by a resident non-Brahmin writer. I have a feeling the city is waiting for it. In the meantime, Choudhury’s book serves as an excellent introduction to first-time visitors.

A most affecting historical novel set in 19th century Assam as the British colonialists sought to push deeper into the country. I’ve read so many accounts of the early encounters between native and foreigner but what makes this one rare is Blackburn’s careful and tender individualising of his characters so that they can both be ranged against each other and yet in some human and mysterious and ultimately tragic way also be friends. 

People share a complex core of humanity that transcends cultural differences. Rather than being incomprehensibly strange, the passions that move people in "exotic" societies are all too familiar. Compendia of homicide cases in tribal societies that are in many ways different from the one we inhabit support this claim, and my 5th pick is a particularly readable example. Anthropologist Verrier Elwin amassed court records on 107 homicides among the "Bison-Horn Maria" of central India in the first half of the 20th century. The Maria then lived as slash-and-burn horticulturalists and part-time hunter-gatherers, and were, like other "tribals," left to their own devices by the British Raj unless a violent death provoked state intervention. The killings described here are tragic, and the protagonists, though sparsely introduced, fully human.     

Another 13-year-old boy protagonist, Kimball O’Hara. No relation. 

I read parts of Kim to Lucian in the studio, he liked the epigraph at the beginning of chapter five: the prodigal son does not stay comfortably in his father’s forgiving embrace, but returns ‘to the styes afresh.’

Kim is a magnificent adventure: the orphan boy who belongs but does not belong to two nations, and a description of the peoples, the ways, the mountains, and the plains of India. 

A vicarious journey around a world of the past, and a particularly male world, which Kipling takes us to.

M.M Kaye was best known for her blockbuster The Far Pavilions. This beautifully written book, however, is a first volume of memoir—another record of a European child in India. Having travelled there a lot myself and had a family relative close to me in age grew up in the tea gardens there, I have long wondered what that experience was like, quite apart from the politics of whether we should have been there or not. Kaye’s childhood eye describes her upbringing in Shimla in the Himalayan foothills as well as Delhi, before her inevitable banishment to cold England. The book has a sunlit feel to it and it full of vivid detail and fond memories of this childhood caught between two worlds.