Here are 100 books that Twilight in Delhi fans have personally recommended if you like
Twilight in Delhi.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I am the granddaughter of an American boy who grew up in India at the end of the British Raj. I have a personal interest in the time period because of this, but I wanted to see more books about the Raj that weren’t from the British perspective. I wrote my own novel from the unique angle of Americans in India. During my historical research, I specifically looked for books that represented Indian opinions and mindsets of that period. As the saying goes, history is written by the victors, but with this reading list, I want to help shed light on the other side of the story.
I love a good adventure tale, and this one is set on the high seas and spans countries and cultures. I’ll never forget the character of Kalua, an untouchable man of enormous size and strength who saves a woman from horrible abuse at the hands of her own family. It’s just one example of a rich cast of characters who held my rapt attention.
At the heart of this epic saga, set just before the Opium Wars, is an old slaving-ship, The Ibis. Its destiny is a tumultuous voyage across the Indian Ocean, its crew a motley array of sailors and stowaways, coolies and convicts. In a time of colonial upheaval, fate has thrown together a truly diverse cast of Indians and Westerners, from a bankrupt Raja to a widowed villager, from an evangelical English opium trader to a mulatto American freedman. As their old family ties are washed away they, like their historical counterparts, come to view themselves as jahaj-bhais or ship-brothers. An…
I am the granddaughter of an American boy who grew up in India at the end of the British Raj. I have a personal interest in the time period because of this, but I wanted to see more books about the Raj that weren’t from the British perspective. I wrote my own novel from the unique angle of Americans in India. During my historical research, I specifically looked for books that represented Indian opinions and mindsets of that period. As the saying goes, history is written by the victors, but with this reading list, I want to help shed light on the other side of the story.
I’m interested in the various children’s tales from other countries, and I thought that this classic Indian collection of stories about an imaginary city to be just charming. It captures the richness of everyday life, of daily interactions across all sorts of people.
With such a wide cast of characters, from an astrologer to a postman to a snake charmer, there’s something for everyone to either relate to or marvel at. My favorite stories are the kinds that find meaning in the smallest pockets of life, and this collection is all about that.
Introducing this collection of stories, R. K. Narayan describes how in India 'the writer has only to look out of the window to pick up a character and thereby a story'. Malgudi Days is the marvellous result. Here Narayan portrays an astrologer, a snake-charmer, a postman, a vendor of pies and chappatis - all kinds of people, drawn in full colour and endearing domestic detail. And under his magician's touch the whole imaginary city of Malgudi springs to life, revealing the essence of India and of human experience.
I am the granddaughter of an American boy who grew up in India at the end of the British Raj. I have a personal interest in the time period because of this, but I wanted to see more books about the Raj that weren’t from the British perspective. I wrote my own novel from the unique angle of Americans in India. During my historical research, I specifically looked for books that represented Indian opinions and mindsets of that period. As the saying goes, history is written by the victors, but with this reading list, I want to help shed light on the other side of the story.
I immediately connected with the very human and universal desire for a better life elsewhere, set against the idyllic Bengal countryside. I loved the writing style, which perfectly captured the wonder and excitement of a young boy coming of age while on such an adventure.
The poignant moments of familial love and quiet, pensive descriptions of a time gone by made for a calming, enjoyable read. The title translates to “Song of the Road” in Bengali, and I found that title to be very fitting.
Pather Panchali, translated as Song of the Road is a novel written by Bibhutibhushan Bandyopadhyay and was later adapted into a film of the same name by Satyajit Ray. Pather Panchali deals with the life of the Roy family, both in their ancestral village in rural Bengal and later when they move to Varanasi in search of a better life, as well as the anguish and loss they face during their travels. It first appeared as a serial in a Calcutta periodical in 1928 and was published as a book the next year; it was the first published novel written…
I am the granddaughter of an American boy who grew up in India at the end of the British Raj. I have a personal interest in the time period because of this, but I wanted to see more books about the Raj that weren’t from the British perspective. I wrote my own novel from the unique angle of Americans in India. During my historical research, I specifically looked for books that represented Indian opinions and mindsets of that period. As the saying goes, history is written by the victors, but with this reading list, I want to help shed light on the other side of the story.
I have not come across many books about Indian women in power, but this book is an amazing exploration of how feminine strength can hold up against a deeply patriarchal society and time period.
The story sucked me in as the main character, a young princess coming of age, gets caught up in romance and subterfuge; by the end, the story takes a sad and heartbreaking turn as India’s rich history of its many kingdoms falls to the British Raj.
Born to the Royal House of Balmer, Jaya Singh experiences the influences of Western culture as a selfless wife, strong leader, and courageous individual in a national struggle.
Jaya Singh is the intelligent, beautiful, and compassionate daughter of the Maharajah and Maharani of Balmer. Raised in the thousand-year-old tradition of purdah, a strict regime of seclusion, silence, and submission, Jaya is ill-prepared to assume the role of Regent Maharani of Sirpur upon the death of her decadent, Westernized husband. But Jaya bravely fulfills her duty and soon finds herself thrust into the center of a roiling political battle in which…
About thirty years ago, I spent three months on an Indo-American Fellowship in Varanasi taking notes on daily life in this holy city where my novel Sister India is set. That winter felt like a separate life within my life, a bonus. Because all there was so new to me, and it was unmediated by cars, television, or computers, I felt while I was there so much more in touch with the physical world, what in any given moment I could see, hear, smell…. It was the way I had felt as a child, knowing close-up particular trees and shrubs, the pattern of cracks in a sidewalk.
A dark story about a corrupt man, An Obedient Father unfolds in a closely observed world. From page one: “It was morning. The sky was blue from edge to edge. I had just bathed and was on my balcony hanging a towel over the ledge. The May heat was so intense that as soon as I stepped out of the flat, worms of sweat appeared on my bald scalp.” The close sensory detail makes a dark story shockingly intimate.
Ram Karan, a corrupt official in the Delhi school system, lives in one of the city's slums with his widowed daughter and his eight-year-old granddaughter. Bumbling, contradictory, sad, Ram is a man corroded by a guilty secret. An Obedient Father takes the reader to an India that is both far away and real - into the mind of a character as tormented, funny, and ambiguous as one of Dostoevsky's anti-heroes.
I love reading history that is told in an experimental, interesting manner – history merged with travel, fiction, magical realism, etc. I began my writing career as a travel writer, bringing together history with travel but increasingly I have begun to experiment more. My book Walking with Nanak brings together 4 genres. One intellectual question that I have pursued through my writing is challenging modern notions of national, religious, and ethnic identities. I see my writing style as an extension of that pursuit, breaking away from the neat compartmentalization of genres.
This book introduced a whole new way of travel and history writing for me. It beautifully merges the experiences of the author, his interactions with people, and the history of the city he is engaged with. I loved how he used everyday conversations and experiences to link it back to historical moments and told a chronological story of an amazing city. The book is important to me because it also taught me that travel writing can happen within one’s home and one’s own city. One doesn’t need to travel hundreds of miles, in a foreign country, to engage in travel writing. It helped me conceptualize travel writing in a new way.
Indraprastha is the Hindu name for the first, mythical Delhi. In this book the author peels back the successive encrusting layers of Delhi's history, using both the material and the human remains of each period as a touchstone with the present. With each of the six cities of Delhi being revealed in respective chapters, the climax, the final chapter, tells of the mythical first city, whose beginnings, told in the Mahamarata, form the principle Hindu creation myth. This book is a portrait of Delhi, the mother of all cities. Its dry plains are the fertile meeting point of all the…
I’m a novelist and game designer from Bangalore. I’ve been a lifelong reader of science fiction and fantasy. Growing up, I almost never encountered futures that included people like me—brown women, from a country that isn’t the UK/ US, and yet, who are in sync with the rapidly changing global village we belong to. Over the last decade, though, I've found increasing joy in more recent science fiction, in which the future belongs to everyone.The Ten Percent Thiefis an expression of my experiences living in dynamic urban India, and represents one of our many possible futures.
This book holds a future that’s a mirror to present-day India. Joey is a Reality Controller who manages her ex-boyfriend’s influencer career. Rudra is attempting to escape his family’s shady business. They're both plunged into the deep end of the surveillance-heavy, thought-policed, escapist entertainment-fuelled reality they belong to.
I first read this novel in its South Asian avatar, Chosen Spirits, when it was released the same year as my book. It was exciting to encounter a near-future Delhi that simultaneously both mirrored and contrasted my reimagined near-future Bangalore. Dark, satirical, horrifying, and hopeful all at once—if you’re looking for a book that captures the zeitgeist in modern-day India, this is it.
Featured in the Washington Post “The 9 best science fiction and fantasy novels of 2022”!
A highly anticipated 2022 release for Polygon | The Washington Post | The Nerd Daily | BookBub | The Philadelphia Inquirer | The Portalist | Tor.com
The City Inside, a near-future epic by the internationally celebrated Samit Basu, pulls no punches as it comes for your anxieties about society, government, the environment, and our world at large—yet never loses sight of the hopeful potential of the future.
“They'd known the end times were coming but hadn’t known they’d be multiple choice.”
As a child of a worker in the boot and shoe industry of the English Midlands, I have written for more than half a century about poverty in its many guises – from the want and misery of early industrialism in Britain to the modernised poverty of a form of affluence which mimics prosperity without providing either satisfaction or sufficiency. Writing about the landscapes of poverty in the 1980s, I went to India and Bangladesh, and saw there in patterns of urbanization familiar echoes of what we in Britain had experienced. It seems to me that poor people are always poor in the same way, although this may be hidden behind differences in culture, tradition, ethnicity, and faith.
This story of an orphan, brought up by an uncle and aunt and sent out to work as a house servant, moved me so much because, although written in the early years of the Independence struggle, nevertheless prefigures the fate of countless young Indians, little more than children who, beaten and mistreated, run away to the closest city and later, to the unforgiving metropolis of Mumbai or Delhi. His life of innocence destroyed and youth blighted, ends at the age of sixteen when he dies of TB. It is harrowing but uplifting.
Coolie portrays the picaresque adventures of Munoo, a young boy forced to leave his hill village to fend for himself and discover the world. His journey takes him far from home to towns and cities, to Bomboy and Simla, sweating as servant, factory-worker and rickshaw driver. It is a fight for survival that illuminates, with raw immediacy, the grim fate of the masses in pre-Partition India. Together with Untouchable, Coolie places Mulk Raj Anand among the twentieth century's finest Indian novelists writing in English.
I'm a retired historian of early Islam and writer of historical fiction set in medieval Iraq, Turkic, and Persian lands. I write and love to read novels that “do history.” In other words, historical fiction that unravels the tangles of history through the lives of its characters, especially when told from the perspectives of those upon whom elite power is wielded. My selections are written by authors who speak from an informed position, either as academic or lay historians, those with a stake in that history, or, like me, both, and include major press, small press, and self-published works and represent the histories of West Africa, Europe, Central and West Asia, and South Asia.
Set in Delhi on
the eve of the first battle for Indian independence in 1857 that would be so
brutally put down by the British, ending with Delhi in flames and India coming
under direct British rule, our detective, the poet laureate Mirza Ghalib
investigates a murder. The investigation reveals the myriad of personalities,
pressures, and allegiances from every corner of Indian and British society that
led to the uprising and all that has come after. This finely wrought novel
begins and ends with death at a Mushaira—a poetry recitation, public, private,
or intimate for just two, that typically drew from every level of society—sounding
the loss of India as it was before colonization, and then partition, when
religious and social boundaries were not as starkly defined and policed as they
are now.
3 May 1857. India stands on the brink of war. Everywhere in its cities, towns, and villages, rebels and revolutionaries are massing to overthrow the ruthless and corrupt British East India Company which has taken over the country and laid it to waste. In Delhi, the capital, even as the plot to get rid of the hated foreigners gathers intensity, the busy social life of the city hums along. Nautch girls entertain clients, nawabs host mushairas or poetry soirees in which the finest poets of the realm congregate to recite their latest verse and intrigue, the wealthy roister in magnificent…
Michael Schuman is the author of three history books on Asia, most recently Superpower Interrupted: The Chinese History of the World, released in 2020. He has spent the past quarter-century as a journalist in the region. Formerly a correspondent for The Wall Street Journal and Time magazine, he is currently a contributor to The Atlantic and a columnist for Bloomberg Opinion.
Mixing deep archival scholarship with brilliant storytelling, Dalrymple transports the reader into the final days of the Mughal Empire and its last emperor. The story centers on Delhi during the mutiny against British rule in 1857, the last great attempt by the Indians to throw off their European overlords until Gandhi. What begins with hope ultimately ends in tragedy, for the Mughal poet-ruler who fails to grasp his chance to change history, and the brilliant civilization his empire had fostered.
At 4pm on a dark, wet winter's evening in November 1862, a cheap coffin was buried in eerie silence: no lamentations, no panegyrics, for as the British Commissioner in charge of the funeral insisted, 'No vesting will remain to distinguish where the last of the Great Moghuls rests.' This Mughal was Bahadur Shah Zafar II, one of the most talented, tolerant and likeable of his remarkable dynasty who found himself leader of a violent uprising he knew from the start would lead to irreparable carnage. Zafar's frantic efforts to unite his forces proved tragically futile. The Siege of Delhi was…
