Here are 100 books that Coolie fans have personally recommended if you like
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As a child of a worker in the boot and shoe industry of the English Midlands, I have written for more than half a century about poverty in its many guises – from the want and misery of early industrialism in Britain to the modernised poverty of a form of affluence which mimics prosperity without providing either satisfaction or sufficiency. Writing about the landscapes of poverty in the 1980s, I went to India and Bangladesh, and saw there in patterns of urbanization familiar echoes of what we in Britain had experienced. It seems to me that poor people are always poor in the same way, although this may be hidden behind differences in culture, tradition, ethnicity, and faith.
This great Hindi novel evokes the vast placid plains of North India, and the social and psychological violence that lies so close to the surface in the lives of the poor. It is the story of Hori Ram, to whom a neighbour gifts a cow, which his estranged brother poisons, thereby deepening the already impoverished family’s misery beneath the humiliations of caste and poverty, and it provided me with insights into the lives of poor people in India which volumes of academic work on poverty failed to do.
Premchand is the most famous Hindi novelist, and Godaan is Premchand's most celebrated novel. Economic and social conflict in a north Indian village are brilliantly captured in the story of Hori, a poor farmer, and his family's struggle for survival and self-respect. Hori does everything he can to fulfill his life's desire: to own a cow, the peasant's measure of wealth and well-being. An engaging introduction to India before Independence, Godaan is at once village ethnography, moving human document, and insightful colonial history. Out of print for many years, this translation is regarded as a classic in itself.
I have spent close to thirty years researching and teaching about questions of inequality and change. Most of my focus has been on the Global South, with a particular focus on India. I've written about intersecting class, gender, and caste inequalities. I've pursued this research agenda through extensive field research on labor politics, democratization, and the politics of economic reform in India. My interest stems from my background. I am originally from India and have lived and travelled extensively in the Middle East and Southeast Asia. I'm an author, public speaker, and consultant and have been a professor for three decades at the University of Michigan, Rutgers University, The University of Washington, and Oberlin College.
It is often hard to get our minds around poverty and the scarcity of resources that affect people’s lives. This is especially true of rural life in the Global South. This is a highly accessible book written by an eminent journalist in India and is considered to be a classic text on rural poverty. It also illuminates the failures of governance including the programs and policies that seek to help poor and marginalized communities in countries like India.
Acclaimed across the world, prescribed in over 100 universities and colleges, and included in part in The Century's Greatest Reportage (Ordfront, 2000), alongside the works of Gabriel Garcia Marquez, Studs Terkel and John Reed, Everybody Loves a Good Drought is the established classic on rural poverty in India. Twenty years after publication, it remains unsurpassed in the scope and depth of reportage, providing an intimate view of the daily struggles of the poor and the efforts, often ludicrous, made to uplift them.
An illuminating introduction accompanying this twentieth-anniversary edition reveals, alarmingly, how a large section of India continues to suffer…
I grew up in a small town in the days before the internet and cable television, so books were my escape, and through them, I traveled to faraway places and learned about different customs and cultures. Later, I studied Chinese cultural anthropology and lived and worked in Asia for many years. Now, I write a series about a Chinese police inspector in the brutally cold far north province of Heilongjiang and use mystery stories to unpack some of the more fascinating and essential aspects of Chinese society, politics, and religion.
The White Tigeris a witty and searing portrayal of a “self-made” man who has risen from the depths of abject poverty to a position of wealth and influence.
The India portrayed is far from the glitz and romantic notions of Bollywood. It is a desperately poor place where the “haves” live like kings and the “have-nots" live like slaves.
In addition to shedding light on some of the harsh realities of class, economics, and corruption in India, The White Tigersomehow manages to subvert expectations and coax the reader into rooting for a murderer and thief who justifies his actions, not entirely convincingly, by describing himself as a sort of working-class hero.
Balram Halwai is the White Tiger - the smartest boy in his village. His family is too poor for him to afford for him to finish school and he has to work in a teashop, breaking coals and wiping tables. But Balram gets his break when a rich man hires him as a chauffeur, and takes him to live in Delhi. The city is a revelation. As he drives his master to shopping malls and call centres, Balram becomes increasingly aware of immense wealth and opportunity all around him, while knowing that he…
As a child of a worker in the boot and shoe industry of the English Midlands, I have written for more than half a century about poverty in its many guises – from the want and misery of early industrialism in Britain to the modernised poverty of a form of affluence which mimics prosperity without providing either satisfaction or sufficiency. Writing about the landscapes of poverty in the 1980s, I went to India and Bangladesh, and saw there in patterns of urbanization familiar echoes of what we in Britain had experienced. It seems to me that poor people are always poor in the same way, although this may be hidden behind differences in culture, tradition, ethnicity, and faith.
This book, part polemic, part reportage, is an account of Arundhati Roy’s journey into the forests of Chattisgarh, where groups of ‘Naxalites’ or Maoists have taken up arms against the Indian state, in defence of Adivasis, the indigenous inhabitants of India, for whom the forests, rivers, and hills are sacred. Unhappily these are cover vast deposits of minerals and precious resources required as ‘raw materials’ by a rapidly industrializing India. As a result, the State, which throughout the colonial period and in the early years of Independence, had, in turn, neglected and cheated the forest-dwellers, has now turned upon them with militaristic intensity to wrest resources from them. I found this narrative so powerful because Arundhati Roy makes us understand the violence of the despairing, without overtly supporting it.
From the award-winning author of The Ministry of Utmost Happiness and The God of Small Things comes a searing frontline exposé of brutal repression in India
In this fiercely reported work of nonfiction, internationally renowned author Arundhati Roy draws on her unprecedented access to a little-known rebel movement in India to pen a work full of earth-shattering revelations. Deep in the forests, under the pretense of battling Maoist guerillas, the Indian government is waging a vicious total war against its own citizens-a war undocumented by a weak domestic press and fostered by corporations eager to exploit the rare minerals buried…
I lived in Bombay until I was 21. During my teenage years I had a love-hate relationship with the city, mostly noticing its poverty, the pollution, and the crowds. But as a writer, I have come to love the city for its resilience, its sweet toughness, its heartbreaking beauty. I love reading books by other writers that are set in this endlessly fascinating metropolis of 22 million, each with their own story to tell, stories that float in the air in front of us, ready to be plucked and set on paper.
This collection of short stories by another Parsi writer paints an affection and compassionate picture of the metropolis, as seen from the eyes of its motley crew of residents—a laundryman, a writer, a cab driver. Shroff’s generosity and love for his city come through in every story.
This book, with its powerful evocation of the city and its description of the minutia of everyday life, left me nostalgic and breathless for Bombay.
Shortlisted for the 2009 Commomwealth Writers' Prize
Shroff's vibrant narratives in this concept collection of 14 stories set in contemporary Bombay feature a range of beautifully drawn characters in fascinating situations: from the laundrywallas' water shortage problems, to the doomed love affair of a schizophrenic painter and his Bollywood girlfriend, to the wandering thoughts of a massagewalla at Chowpatty Beach, to the heart-warming relationship of a carriage driver and his beloved horse. Each of these stories is richly crafted and arranged against the grand chaotic backdrop of life that is Bombay. Shroff's love for his hometown shines through, but so…
I lived the first 24 years of my life in Mumbai and traveled to many parts of India. I’ve had close friends of every community and religion and been fascinated by the incredible diversity. By studying historical crimes and how they were reported and investigated, I learned a great deal about the norms of Indian culture. Reading (and writing) historical mysteries allowed me to dive into past eras and immerse myself in the tumultuous events that have shaped our world today. While I’m obsessed with the turn of the 20th century, mysteries in later years also delight me. Enjoy this selection of mysteries set in India that reveal the inner workings of its diverse culture.
A young woman is found dead only a few yards behind the stands where hundreds of students gathered to watch the Prince of Wales’ parade on his 1922 visit to Bombay. When lawyer Pervin Mistry realizes it’s the same woman who consulted her only days ago, she’s driven by guilt and determined to help the Parsi family through the awful process of the coroner's inquiry.
I started this book with a whole host of questions, which grew more dire as the number of suspects rose. Finely etched characters abound. Pervin is torn between a natural patriotism and desire to see justice and her own family’s interests. As she learns more, she realizes that the young female student has a sort of dangerous honesty (a term the author Sujata Massey used when I interviewed her) which complicates matters and shows the difficulty of being a dutiful daughter while staying true to…
Bombay’s first female lawyer, Perveen Mistry, is compelled to bring justice to the family of a murdered female Parsi student just as Bombay’s streets erupt in riots to protest British colonial rule. Sujata Massey is back with this third installment to the Agatha and Mary Higgins Clark Award-winning series set in 1920s Bombay.
November 1921. Edward VIII, Prince of Wales and future ruler of India, is arriving in Bombay to begin a fourmonth tour. The Indian subcontinent is chafing under British rule, and Bombay solicitor Perveen Mistry isn’t surprised when local unrest over the royal arrival spirals into riots. But…
Anurag Anand is a keen observer of humankind. He believes that the diversity of human emotions, motivations, and actions offer him a rich palette of tones to paint his stories with. He is the author of thirteen books across genres like self-help, historical fiction, crime thrillers, and contemporary fiction. Anurag’s works have been lauded for their realism, simplicity, and sharp characterization by readers across the spectrum. Of course, he is an avid reader and likes to remain abreast with the developments in the Indian writing space. He is a familiar face (and voice) in literature festivals, television debates and other related forums across the country.
There are times when we think that we have successfully buried something in our past and it suddenly resurfaces and shocks us. But what if this ‘thing’ wreaks havoc with our lives and turns it topsy turvy? Only the Good Die Young is a taut and gripping sequel to Akash Verma’s thriller, You Never Know. The book unravels beautifully, quite like a web series playing out between the craftily stitched words.
Sometimes when you're desperate to leave the past behind, the past is eager to catch up! Anuradha leaves Gurgaon when Dhruv chooses his family over her. She thinks that chapter of her life has ended, and starts afresh in Mumbai. But strangely, it seems her past is trying to catch up. Dhruv suddenly comes back into her life. Even as they try to figure out their relationship, horrible things start happening to people they know. Together, Anuradha and Dhruv need to find out who it is that cannot bear to see them together. Who is carrying out these shocking crimes?…
I lived the first 24 years of my life in Mumbai and traveled to many parts of India. I’ve had close friends of every community and religion and been fascinated by the incredible diversity. By studying historical crimes and how they were reported and investigated, I learned a great deal about the norms of Indian culture. Reading (and writing) historical mysteries allowed me to dive into past eras and immerse myself in the tumultuous events that have shaped our world today. While I’m obsessed with the turn of the 20th century, mysteries in later years also delight me. Enjoy this selection of mysteries set in India that reveal the inner workings of its diverse culture.
Oh, how I enjoyed the dry wit embedded into each page! This complex mystery is filled with engaging characters. Author Vaseem Khan lavishes even the most minor characters with detailed and hilarious descriptions. The mystery of three separate murders converging is wrapped up with a cipher puzzle embedded in the mythology of Indian culture and iconography. The crimes with two different modus operandi makes things even more confusing.
Sourcing from the internment of foreign nationals in India during World War II, this twisty tale takes us through a number of locations and little-known events of India's history. I enjoyed protagonist Persis Wadia, as a Parsi woman myself, however, seeing her run headlong into dangerous situations does not do her credit. The deepening personal relationship with Archie is delightful but perhaps a deeper understanding of the moral and personal quandaries will be coming in future books. This does not detract from…
When the body of a white man is found frozen in the Himalayan foothills near Dehra Dun, he is christened the Ice Man by the national media. Who is he? How long has he been there? Why was he killed?
As Inspector Persis Wadia and Metropolitan Police criminalist Archie Blackfinch investigate the case in Bombay, they uncover a trail left behind by the enigmatic Ice Man - a trail leading directly into the dark heart of conspiracy.
Meanwhile, two new murders grip the city. Is there a serial killer on the loose, targeting Europeans?
My father estranged himself from his sister because she was an alcoholic. I never met my aunt. However, when looking for a strong character for my Lilian Dove Mystery Series, I decided this aunt was a good mentoring character. Fictionally, I gave my aunt sobriety, but her recovery is not so much from drinking as it is recovering from the past to take on life anew. The mysteries Lillian Dove becomes involved her help her see how to do this. And first, she needs to learn to admit life is full of mayhem. Small-town Iowa amateur sleuth who ends up owning a liquor store.
Bombay Monsoon, first book in the new Emergency Series, delivers Ziskin’s talent for blending literary techniques and believable characters while taking the reader on an intense ride.
Journalist Danny Jacobs, young and anxious to make his mark, hasn’t been in Bombay long when he is caught up into intrigue, romance, and danger. Set in India during 1975 when India was shaken with political unrest after Prime Minister Indira Gandhi declared a state of emergence, Zisken weaves cultural adjustment along with crime and romance.
The book written by Zisken is an impressive page-turner, thanks to his meticulous attention to detail and insightful knowledge of India.
The last thing Danny wants to see published is his obituary
The year is 1975. Danny Jacobs is an ambitious, young American journalist who's just arrived in Bombay for a new assignment. He's soon caught up in the chaos of Prime Minister Indira Gandhi's domestic "Emergency."
Willy Smets is Danny's enigmatic expat neighbor. He's a charming man, but with suspicious connections. As a monsoon drenches Bombay, Danny falls hard for Sushmita, Smets's beguiling and clever lover-and the infatuation is mutual.
"The Emergency," a virtual coup by the prime minister, is only the first twist in the high-stakes drama of Danny's…
I lived in Bombay until I was 21. During my teenage years I had a love-hate relationship with the city, mostly noticing its poverty, the pollution, and the crowds. But as a writer, I have come to love the city for its resilience, its sweet toughness, its heartbreaking beauty. I love reading books by other writers that are set in this endlessly fascinating metropolis of 22 million, each with their own story to tell, stories that float in the air in front of us, ready to be plucked and set on paper.
Mehta’s propulsive, strangely entertaining nonfiction book takes us into subterranean Bombay—into the underworld gangs, the bar dancers, the pavement dwellers. Despite its oft-times grim subject matter, the book exudes an energy and excitement that is reflective of the maximum city itself. As someone who grew up in a genteel, middle-class household in Bombay and was not familiar with the world described by Mehta, this eye-opening book served as a guide to places I have never been and roads I have never traveled.
A native of Bombay, Suketu Mehta gives us an insider’s view of this stunning metropolis. He approaches the city from unexpected angles, taking us into the criminal underworld of rival Muslim and Hindu gangs, following the life of a bar dancer raised amid poverty and abuse, opening the door into the inner sanctums of Bollywood, and delving into the stories of the countless villagers who come in search of a better life and end up living on the sidewalks.
As each individual story unfolds, Mehta also recounts his own efforts to make a home in Bombay after more than twenty…
