Here are 100 books that City of Djinns fans have personally recommended if you like
City of Djinns.
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Since I first visited Africa in 2004 I’ve found it difficult to tear myself away. I’ve lived in South Africa, Ghana, Tanzania, and Sudan and travelled in all corners of the continent. I’ve participated in a revolution, hung out with the illegal fishermen of Lake Victoria, been cursed—and protected—by witch doctors, and learned Swahili. I’ve also read extensively about the place, written three books about it, and broadcast from it for the BBC World Service. In my other life I research and write about international development for universities and global organisations. This too has a focus on Africa.
This is a beautifully written tale of the author’s time living in rural Egypt in the 1980s.
Ghosh’s accounts of his meetings and friendships with Egyptians unused to foreigners resonate with my own experiences in rural Africa, and the way he pieces together the long-forgotten history of an anonymous twelfth-century Indian slave and his Arab Jewish trader master and weaves it into the story is astonishingly deft.
I read it again recently and enjoyed it just as much as the first time.
Once upon a time an Indian writer named Amitav Ghosh set out an Indian slave, name unknown, who some seven hundred years before had traveled to the Middle East. The journey took him to a small village in Egypt, where medieval customs coexist with twentieth-century desires and discontents. But even as Ghosh sought to re-create the life of his Indian predecessor, he found himself immersed in those of his modern Egyptian neighbors. Combining shrewd observations with painstaking historical research, Ghosh serves up skeptics and holy men, merchants and sorcerers. Some of these figures are real, some only imagined, but all…
I love reading history that is told in an experimental, interesting manner – history merged with travel, fiction, magical realism, etc. I began my writing career as a travel writer, bringing together history with travel but increasingly I have begun to experiment more. My book Walking with Nanak brings together 4 genres. One intellectual question that I have pursued through my writing is challenging modern notions of national, religious, and ethnic identities. I see my writing style as an extension of that pursuit, breaking away from the neat compartmentalization of genres.
This book is also a fascinating and completely new way of telling history, merging travel writing with personal family history. The author in this remarkable book travels through her own body to talk about the history of her family, and her own story – a story that is connected with the broader stories of colonization, post-colonialism, racism, capitalism, and many other macro, structural issues.
SHORTLISTED FOR THE 2020 OCM BOCAS PRIZE FOR CARIBBEAN LITERATURE
'What are you?'
Tessa McWatt knows first-hand that the answer to this question, often asked of people of colour by white people, is always more complicated than it seems. Is the answer English, Scottish, British, Caribbean, Portuguese, Indian, Amerindian, French, African, Chinese, Canadian? Like most families, hers is steeped in myth and the anecdotes of grandparents and parents who view their histories through the lens of desire, aspiration, loss, and shame.
In Shame On Me she unspools all the interwoven strands of her inheritance, and knits them back together using…
I love reading history that is told in an experimental, interesting manner – history merged with travel, fiction, magical realism, etc. I began my writing career as a travel writer, bringing together history with travel but increasingly I have begun to experiment more. My book Walking with Nanak brings together 4 genres. One intellectual question that I have pursued through my writing is challenging modern notions of national, religious, and ethnic identities. I see my writing style as an extension of that pursuit, breaking away from the neat compartmentalization of genres.
I loved this book because this was the first time I came across history in this way. Of course, historical fiction has a long history but this book moves away from that tradition and tells a story of a city in a manner that is somewhere between history and historical fiction, creating a genre of its own. The book is riveting and true to a lot of fascinating historical detail.
I return to Delhi as I return to my mistress Bhagmati when I have had my fill of whoring in foreign lands...' Thus begins Khushwant Singh's vast, erotic, irrelevant magnum opus on the city of Delhi. The principal narrator of the saga, which extends over six hundred years, is a bawdy, ageing reprobate who loves Delhi as much as he does the hijda whore Bhagmati-half man, half woman with sexual inventiveness and energy of both the sexes. Travelling through time, space and history to 'discover' his beloved city, the narrator meets a myriad of people-poets and princes, saints and sultans,…
I have long been fascinated by what makes us human. Great art is about the human condition. We are very quick to reject art that gets that human condition wrong. I’m a poet, a playwright, and a scientist. While my science has found itself at the center of fields such as computational psychiatry and neuroeconomics, I find myself turning again and again to the insights from great novels to understand the subtleties of the human condition. So to complement the scientific questions of morality (because morality is all about the human condition), one should start with great novels that ask who we are and why we do what we do.
In 1989, Salman Rushdie he had to go into hiding because of the fatwa against his life. In trying to explain this decision to his young son, Rushdie spins a magical tale of a storyteller who decides to stop telling stories.
The hero, Haroun, always wondered where his father's stories came from. His father always said “I drink from the ocean of stories. They install a spigot in the wall for me to drink from.” (Yeah, right.) Until, on that one fateful day, Haroun catches the water genie uninstalling the spigot.
On his way to save the ocean of stories, Haroun finds wonderful friends and the power of teamwork. The moral contrast between the Guppees (who argue all the time, but in the end work together) and the Chupwalas (who never disagree because they live in fear, but are so unable to work together, they fight with their own shadows)…
A captivating fantasy novel for readers of all ages, by the author of Midnight's Children and The Satanic Verses
"This is, simply put, a book for anyone who loves a good story. It's also a work of literary genius." -Stephen King
Set in an exotic Eastern landscape peopled by magicians and fantastic talking animals, Haroun and the Sea of Stories inhabits the same imaginative space as The Lord of the Rings, The Alchemist, The Arabian Nights, and The Wizard of Oz. Twelve-year-old Haroun sets out on an adventure to restore his father's gift of storytelling by reviving the poisoned Sea…
About thirty years ago, I spent three months on an Indo-American Fellowship in Varanasi taking notes on daily life in this holy city where my novel Sister India is set. That winter felt like a separate life within my life, a bonus. Because all there was so new to me, and it was unmediated by cars, television, or computers, I felt while I was there so much more in touch with the physical world, what in any given moment I could see, hear, smell…. It was the way I had felt as a child, knowing close-up particular trees and shrubs, the pattern of cracks in a sidewalk.
A dark story about a corrupt man, An Obedient Father unfolds in a closely observed world. From page one: “It was morning. The sky was blue from edge to edge. I had just bathed and was on my balcony hanging a towel over the ledge. The May heat was so intense that as soon as I stepped out of the flat, worms of sweat appeared on my bald scalp.” The close sensory detail makes a dark story shockingly intimate.
Ram Karan, a corrupt official in the Delhi school system, lives in one of the city's slums with his widowed daughter and his eight-year-old granddaughter. Bumbling, contradictory, sad, Ram is a man corroded by a guilty secret. An Obedient Father takes the reader to an India that is both far away and real - into the mind of a character as tormented, funny, and ambiguous as one of Dostoevsky's anti-heroes.
I am the granddaughter of an American boy who grew up in India at the end of the British Raj. I have a personal interest in the time period because of this, but I wanted to see more books about the Raj that weren’t from the British perspective. I wrote my own novel from the unique angle of Americans in India. During my historical research, I specifically looked for books that represented Indian opinions and mindsets of that period. As the saying goes, history is written by the victors, but with this reading list, I want to help shed light on the other side of the story.
I thought this book was such a heartfelt and tragic story. It’s about a family struggling with their past as the city of Delhi gets taken over by the British as it becomes their new capital. The author paints these beautiful scenes of Delhi, like the traditional pigeon flying and the bustling Chandni Chowk market.
I could really feel his love for the city in those descriptions. To me, the story felt like a lament for the old Delhi that was lost to the British, and you can sense how hard it was for the author to accept that. In the introduction, he talks about how he left India and was never allowed to return, so this goodbye isn’t just part of the story; it’s personal.
Set in nineteenth-century India between two revolutionary moments of change, Twilight in Delhi brings history alive, depicting most movingly the loss of an entire culture and way of life. As Bonamy Dobree said, "It releases us into a different and quite complete world. Mr. Ahmed Ali makes us hear and smell Delhi...hear the flutter of pigeons' wings, the cries of itinerant vendors, the calls to prayer, the howls of mourners, the chants of qawwals, smell jasmine and sewage, frying ghee and burning wood." The detail, as E.M. Forster said, is "new and fascinating," poetic and brutal, delightful and callous. First…
I’m a novelist and game designer from Bangalore. I’ve been a lifelong reader of science fiction and fantasy. Growing up, I almost never encountered futures that included people like me—brown women, from a country that isn’t the UK/ US, and yet, who are in sync with the rapidly changing global village we belong to. Over the last decade, though, I've found increasing joy in more recent science fiction, in which the future belongs to everyone.The Ten Percent Thiefis an expression of my experiences living in dynamic urban India, and represents one of our many possible futures.
This book holds a future that’s a mirror to present-day India. Joey is a Reality Controller who manages her ex-boyfriend’s influencer career. Rudra is attempting to escape his family’s shady business. They're both plunged into the deep end of the surveillance-heavy, thought-policed, escapist entertainment-fuelled reality they belong to.
I first read this novel in its South Asian avatar, Chosen Spirits, when it was released the same year as my book. It was exciting to encounter a near-future Delhi that simultaneously both mirrored and contrasted my reimagined near-future Bangalore. Dark, satirical, horrifying, and hopeful all at once—if you’re looking for a book that captures the zeitgeist in modern-day India, this is it.
Featured in the Washington Post “The 9 best science fiction and fantasy novels of 2022”!
A highly anticipated 2022 release for Polygon | The Washington Post | The Nerd Daily | BookBub | The Philadelphia Inquirer | The Portalist | Tor.com
The City Inside, a near-future epic by the internationally celebrated Samit Basu, pulls no punches as it comes for your anxieties about society, government, the environment, and our world at large—yet never loses sight of the hopeful potential of the future.
“They'd known the end times were coming but hadn’t known they’d be multiple choice.”
As a child of a worker in the boot and shoe industry of the English Midlands, I have written for more than half a century about poverty in its many guises – from the want and misery of early industrialism in Britain to the modernised poverty of a form of affluence which mimics prosperity without providing either satisfaction or sufficiency. Writing about the landscapes of poverty in the 1980s, I went to India and Bangladesh, and saw there in patterns of urbanization familiar echoes of what we in Britain had experienced. It seems to me that poor people are always poor in the same way, although this may be hidden behind differences in culture, tradition, ethnicity, and faith.
This story of an orphan, brought up by an uncle and aunt and sent out to work as a house servant, moved me so much because, although written in the early years of the Independence struggle, nevertheless prefigures the fate of countless young Indians, little more than children who, beaten and mistreated, run away to the closest city and later, to the unforgiving metropolis of Mumbai or Delhi. His life of innocence destroyed and youth blighted, ends at the age of sixteen when he dies of TB. It is harrowing but uplifting.
Coolie portrays the picaresque adventures of Munoo, a young boy forced to leave his hill village to fend for himself and discover the world. His journey takes him far from home to towns and cities, to Bomboy and Simla, sweating as servant, factory-worker and rickshaw driver. It is a fight for survival that illuminates, with raw immediacy, the grim fate of the masses in pre-Partition India. Together with Untouchable, Coolie places Mulk Raj Anand among the twentieth century's finest Indian novelists writing in English.
Michael Schuman is the author of three history books on Asia, most recently Superpower Interrupted: The Chinese History of the World, released in 2020. He has spent the past quarter-century as a journalist in the region. Formerly a correspondent for The Wall Street Journal and Time magazine, he is currently a contributor to The Atlantic and a columnist for Bloomberg Opinion.
Mixing deep archival scholarship with brilliant storytelling, Dalrymple transports the reader into the final days of the Mughal Empire and its last emperor. The story centers on Delhi during the mutiny against British rule in 1857, the last great attempt by the Indians to throw off their European overlords until Gandhi. What begins with hope ultimately ends in tragedy, for the Mughal poet-ruler who fails to grasp his chance to change history, and the brilliant civilization his empire had fostered.
At 4pm on a dark, wet winter's evening in November 1862, a cheap coffin was buried in eerie silence: no lamentations, no panegyrics, for as the British Commissioner in charge of the funeral insisted, 'No vesting will remain to distinguish where the last of the Great Moghuls rests.' This Mughal was Bahadur Shah Zafar II, one of the most talented, tolerant and likeable of his remarkable dynasty who found himself leader of a violent uprising he knew from the start would lead to irreparable carnage. Zafar's frantic efforts to unite his forces proved tragically futile. The Siege of Delhi was…
I'm a retired historian of early Islam and writer of historical fiction set in medieval Iraq, Turkic, and Persian lands. I write and love to read novels that “do history.” In other words, historical fiction that unravels the tangles of history through the lives of its characters, especially when told from the perspectives of those upon whom elite power is wielded. My selections are written by authors who speak from an informed position, either as academic or lay historians, those with a stake in that history, or, like me, both, and include major press, small press, and self-published works and represent the histories of West Africa, Europe, Central and West Asia, and South Asia.
Set in Delhi on
the eve of the first battle for Indian independence in 1857 that would be so
brutally put down by the British, ending with Delhi in flames and India coming
under direct British rule, our detective, the poet laureate Mirza Ghalib
investigates a murder. The investigation reveals the myriad of personalities,
pressures, and allegiances from every corner of Indian and British society that
led to the uprising and all that has come after. This finely wrought novel
begins and ends with death at a Mushaira—a poetry recitation, public, private,
or intimate for just two, that typically drew from every level of society—sounding
the loss of India as it was before colonization, and then partition, when
religious and social boundaries were not as starkly defined and policed as they
are now.
3 May 1857. India stands on the brink of war. Everywhere in its cities, towns, and villages, rebels and revolutionaries are massing to overthrow the ruthless and corrupt British East India Company which has taken over the country and laid it to waste. In Delhi, the capital, even as the plot to get rid of the hated foreigners gathers intensity, the busy social life of the city hums along. Nautch girls entertain clients, nawabs host mushairas or poetry soirees in which the finest poets of the realm congregate to recite their latest verse and intrigue, the wealthy roister in magnificent…
