Here are 100 books that Haroun and the Sea of Stories fans have personally recommended if you like
Haroun and the Sea of Stories.
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I have long been fascinated by what makes us human. Great art is about the human condition. We are very quick to reject art that gets that human condition wrong. I’m a poet, a playwright, and a scientist. While my science has found itself at the center of fields such as computational psychiatry and neuroeconomics, I find myself turning again and again to the insights from great novels to understand the subtleties of the human condition. So to complement the scientific questions of morality (because morality is all about the human condition), one should start with great novels that ask who we are and why we do what we do.
Marco Polo at the court of Kublai Kahn tells of the fantastical cities that he has seen on his journey.
Each city, told in a vignette of a page or two, each more amazing than the last is another reflection on the universal city – the way humans come together to build something larger than themselves. And through these views, one comes to see how we construct societies and the bonds that hold us together.
In Invisible Cities Marco Polo conjures up cities of magical times for his host, the Chinese ruler Kublai Khan, but gradually it becomes clear that he is actually describing one city: Venice. As Gore Vidal wrote 'Of all tasks, describing the contents of a book is the most difficult and in the case of a marvellous invention like Invisible Cities, perfectly irrelevant.'
My science fiction and fantasy writing is concerned with the values I was exposed to growing up. As a lifelong Quaker, I have struggled—often unsuccessfully—to live out Quakerism’s non-conformist, almost utopian commitment to equality, simplicity, peace, and community. Not only have I tried to bear witness to those values in my writing, but those ideals led me to my career as an instructor at a community college, one of America’s great socioeconomic leveling institutions. My background as a speculative fiction writer has also made me into a teacher of science fiction and fantasy literature at my college, where I read and came to love the books I recommend here.
I found this book (whose subtitle is “An Ambiguous Utopia”) one of the most thought-provoking works of fiction I have read.
The Dispossessed was my first introduction to anarchism as a political platform, and while it didn’t make an anarchist out of me, it was the book that allowed me to imagine anarchism as a coherent political philosophy. Practically every page of the book offers a critique of modern capitalism, and it’s impossible to read this book without considering the structures in our world today that ensure a system of haves and have-nots.
One of the very best must-read novels of all time - with a new introduction by Roddy Doyle
'A well told tale signifying a good deal; one to be read again and again' THE TIMES
'The book I wish I had written ... It's so far away from my own imagination, I'd love to sit at my desk one day and discover that I could think and write like Ursula Le Guin' Roddy Doyle
'Le Guin is a writer of phenomenal power' OBSERVER
The Principle of Simultaneity is a scientific breakthrough which will revolutionize interstellar civilization by making possible instantaneous…
Since I first visited Africa in 2004 I’ve found it difficult to tear myself away. I’ve lived in South Africa, Ghana, Tanzania, and Sudan and travelled in all corners of the continent. I’ve participated in a revolution, hung out with the illegal fishermen of Lake Victoria, been cursed—and protected—by witch doctors, and learned Swahili. I’ve also read extensively about the place, written three books about it, and broadcast from it for the BBC World Service. In my other life I research and write about international development for universities and global organisations. This too has a focus on Africa.
This is a beautifully written tale of the author’s time living in rural Egypt in the 1980s.
Ghosh’s accounts of his meetings and friendships with Egyptians unused to foreigners resonate with my own experiences in rural Africa, and the way he pieces together the long-forgotten history of an anonymous twelfth-century Indian slave and his Arab Jewish trader master and weaves it into the story is astonishingly deft.
I read it again recently and enjoyed it just as much as the first time.
Once upon a time an Indian writer named Amitav Ghosh set out an Indian slave, name unknown, who some seven hundred years before had traveled to the Middle East. The journey took him to a small village in Egypt, where medieval customs coexist with twentieth-century desires and discontents. But even as Ghosh sought to re-create the life of his Indian predecessor, he found himself immersed in those of his modern Egyptian neighbors. Combining shrewd observations with painstaking historical research, Ghosh serves up skeptics and holy men, merchants and sorcerers. Some of these figures are real, some only imagined, but all…
I have been a writer for more than twenty years and have favored pursuing “truth in fiction” rather than “money in formula.” I also spent over thirty years in the corporate world and was exposed to many situations reminiscent of those described in my fiction and in these recommended books. While I support enterprise, “enlightened capitalism” is preferable to the bare-knuckle type we have today, and which seems to resurface whenever regulation weakens. I also find writing novels closer to my lived experience connects me intimately with readers who are looking for socio-political, realist literature.
Avery Mann, a retired pharmaceuticals executive, is in crisis.
His wife dies of cancer, his son’s marriage is on the rocks, his grandson is having a meltdown, and his good friend is a victim of the robocalls scandal that invades the Canadian federal election. Throw in a reckless fling with a former colleague, a fire that destroys his retirement property, and a rumour emerging that the drug he helped bring to market years ago may have been responsible for the death of his wife, and Avery’s life goes into freefall.
Does an octogenarian beekeeper living on Vancouver Island hold the key to Avery’s recovery, a man holding secrets that put lives in jeopardy? Avery races across the country to find out, with crooked bosses, politicians, and assassins on his tail. Joseph spins a cautionary tale of corporate and political greed that is endemic to our times.
Avery Mann, a retired pharmaceuticals executive, is in crisis. His wife dies of cancer, his son’s marriage is on the rocks, his grandson is having a meltdown, and his good friend is a victim of the robocalls scandal that invades the Canadian federal election.
Throw in a reckless fling with a former colleague, a fire that destroys his retirement property, and a rumour emerging that the drug he helped bring to market years ago may have been responsible for the death of his wife, and Avery’s life goes into freefall.
Does an octogenarian bee keeper living on Vancouver Island hold…
I'm a writer and poet who loved reading books set in fantasy worlds like Narnia as a child. When I began writing for children, I realised my own magical experiences had been on family trips to India, where goddesses and temples, palaces swarming with monkeys, ice-capped mountains, and elephant rides were part of everyday life. The term ‘magic realism’ seemed to better fit my own fantasy world, Indica. Here, elemental magic is rooted in the myths and culture of young hero Minou Moonshine, expanding her experiences and guiding the search for her destiny. The children’s books I've chosen also contain supernatural and magical elements which are intrinsic to the protagonist’s world – no wardrobe needed!
Wolf Lightdazzled me with its original premise. Three girls, born in different lands on the same day – Zula from Mongolia, Adoma from Ghana, and Linet from Cornwall – communicate through magic.
Zula is a shaman’s daughter, and her father shows her how to connect with her sisters, all destined to be guardians of the earth. Zula’s mountain home is threatened by copper-mining, Adoma’s forest by gold prospectors, and Linet is the guardian of the Linet Lake.
When their homelands are threatened, the girls must use their shared powers to defend them, at great cost to themselves.
'She weaves ancient storytelling magic into words of exceptional beauty... Everyone should read Badoe' Sophie Anderson, author of The House with Chicken Legs.
A leopard dances under the moon. A wolf prowls. A red-beaked bird flies free.
Three girls born on the same day in wolf light are bound together to protect the world. They can dazzle or destroy. They have wind-song and fire-fury at their fingertips, but their enemies are everywhere.
From the bleak steppes to the tropical forests of Ghana and the stormy moors of Cornwall, the lands they love are plundered and poisoned. The girls must rally…
I'm a writer and poet who loved reading books set in fantasy worlds like Narnia as a child. When I began writing for children, I realised my own magical experiences had been on family trips to India, where goddesses and temples, palaces swarming with monkeys, ice-capped mountains, and elephant rides were part of everyday life. The term ‘magic realism’ seemed to better fit my own fantasy world, Indica. Here, elemental magic is rooted in the myths and culture of young hero Minou Moonshine, expanding her experiences and guiding the search for her destiny. The children’s books I've chosen also contain supernatural and magical elements which are intrinsic to the protagonist’s world – no wardrobe needed!
Where the Mountain Meets the Moondrew me in with its beautiful illustrations and glimpse into the rich mythologies of China.
Minli, a poor girl, lives where Fruitless Mountain and Jade River meet and like Haroun, has a storyteller father. When she spends two copper coins on a talking goldfish, it tells her how to find the Old Man on the Moon and change her family’s fortune. Minli sets off on her quest in the company of a dragon who cannot fly and discovers that good fortune means more than riches.
A delightful fable of friendship and family, with stories from Chinese folklore embedded within the main narrative.
In the valley of Fruitless mountain, a young girl named Minli lives in a ramshackle hut with her parents. While her father regales her with old folktales of the Jade Dragon and the Old Man in the Moon, Minli's mother chides him for filling her head with stories. But inspired by these stories, Minli spends one of her precious copper pennies on a beautiful goldfish, which is said to be able to change the fortune of the owner. Her mother reprimands her for the silly purchase, but, it pays off when the goldfish talks and offers to show her the…
I struggled a lot with reading as a kid, I would not call myself a natural reader at all. When I was young, fantasy and magic stories were one of the few genres that could grip me enough to make me actually focus and attempt to read but I always hated the ones that took themselves too seriously (they always felt impossibly long to get through). Now, as a children’s author, myself, it’s my hope and passion to serve fellow young-readers-who-don’t-consider-themselves-readers with fun accessible stories. I hope you enjoy!
Special collector's film tie-in hardback of the best-selling classic, featuring the complete story with a sumptuous cover design inspired by THE HOBBIT: AN UNEXPECTED JOURNEY and brand new reproductions of all the drawings and maps by J.R.R. Tolkien.
Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely travelling further than the pantry of his hobbit-hole in Bag End.
But his contentment is disturbed when the wizard, Gandalf, and a company of thirteen dwarves arrive on his doorstep one day to whisk him away on an unexpected journey 'there and back again'. They have a plot to raid…
Ever since I could read, I have found myself finding security and escape through the words on the paper. As I grew older, I no longer wanted to just read these realities, I wanted to create them for myself. Writing is the one thing in my mundane existence that has made me feel like more than just a number in the system. I laugh with my characters and love with them. My writing is a part of me that will live long after I am gone. Whether it be a novel, or a simple letter, I want my words to linger with the reader long after the page is turned.
Veronica Roth's Divergent is like a loyal companion that stuck by me during the unpredictable ride of middle school.
Tris Prior's journey felt strangely familiar, like a reflection of my own struggles—moving from vulnerability to discovering an inner strength I never knew existed. Roth crafted Tris into more than just a character; she became someone I looked up to, a personal source of motivation. The whole faction system, sorting people based on traits, hit close to home, echoing my own battles with fitting in.
In the maze of adolescence, Tris's rebellion and acceptance of her divergence felt like a reassuring guide through my own self-discovery. Divergent was groundbreaking for its time, making it a comfort and a source of courage when times got tough.
Veronica Roth's storytelling, paired with Tris's tenacity, turned a dystopian tale into a deeply personal journey through identity, resilience, and survival.
The explosive debut by No. 1 New York Times bestselling author Veronica Roth.
DIVERGENT - a major motion picture series.
For sixteen-year-old Tris, the world changes in a heartbeat when she is forced to make a terrible choice. Turning her back on her family, Tris ventures out, alone, determined to find out where she truly belongs.
Shocked by the brutality of her new life, Tris can trust no one. And yet she is drawn to a boy who seems to both threaten and protect her. The hardest choices may yet lie ahead....
Ever since I could read, I have found myself finding security and escape through the words on the paper. As I grew older, I no longer wanted to just read these realities, I wanted to create them for myself. Writing is the one thing in my mundane existence that has made me feel like more than just a number in the system. I laugh with my characters and love with them. My writing is a part of me that will live long after I am gone. Whether it be a novel, or a simple letter, I want my words to linger with the reader long after the page is turned.
Maze Runner was a wild ride I couldn't put down. The plot's originality had me hooked with all its twists and turns, turning it into this page-turner I couldn't resist. Dashner's maze world? Pure genius.
Every mystery unfolding kept me racing through the pages, completely caught up in the characters' urgency and the need to unravel the maze's secrets. It felt like a personal challenge, a puzzle I just had to solve.
Dashner's talent for keeping the suspense alive made the whole experience immersive, and I couldn't help but appreciate the intricate plot. Maze Runner is a personal victory, and a story that grabbed me and held on tight until the very end.
The first book in the New York Times bestselling Maze Runner series - now a series of major movies starring Dylan O'Brien!
SEE THE FILMS. READ THE BOOKS. ENTER THE MAZE ...
When the doors of the lift crank open, the only thing Thomas remembers is his first name. But he's not alone.
He's surrounded by boys who welcome him to the Glade - a walled encampment at the centre of a bizarre and terrible stone maze. Like Thomas, the Gladers don't know why or how they came to be there - or what's happened to the world outside.
I love reading history that is told in an experimental, interesting manner – history merged with travel, fiction, magical realism, etc. I began my writing career as a travel writer, bringing together history with travel but increasingly I have begun to experiment more. My book Walking with Nanak brings together 4 genres. One intellectual question that I have pursued through my writing is challenging modern notions of national, religious, and ethnic identities. I see my writing style as an extension of that pursuit, breaking away from the neat compartmentalization of genres.
This book introduced a whole new way of travel and history writing for me. It beautifully merges the experiences of the author, his interactions with people, and the history of the city he is engaged with. I loved how he used everyday conversations and experiences to link it back to historical moments and told a chronological story of an amazing city. The book is important to me because it also taught me that travel writing can happen within one’s home and one’s own city. One doesn’t need to travel hundreds of miles, in a foreign country, to engage in travel writing. It helped me conceptualize travel writing in a new way.
Indraprastha is the Hindu name for the first, mythical Delhi. In this book the author peels back the successive encrusting layers of Delhi's history, using both the material and the human remains of each period as a touchstone with the present. With each of the six cities of Delhi being revealed in respective chapters, the climax, the final chapter, tells of the mythical first city, whose beginnings, told in the Mahamarata, form the principle Hindu creation myth. This book is a portrait of Delhi, the mother of all cities. Its dry plains are the fertile meeting point of all the…
I love reading history that is told in an experimental, interesting manner – history merged with travel, fiction, magical realism, etc. I began my writing career as a travel writer, bringing together history with travel but increasingly I have begun to experiment more. My book Walking with Nanak brings together 4 genres. One intellectual question that I have pursued through my writing is challenging modern notions of national, religious, and ethnic identities. I see my writing style as an extension of that pursuit, breaking away from the neat compartmentalization of genres.
This book is also a fascinating and completely new way of telling history, merging travel writing with personal family history. The author in this remarkable book travels through her own body to talk about the history of her family, and her own story – a story that is connected with the broader stories of colonization, post-colonialism, racism, capitalism, and many other macro, structural issues.
SHORTLISTED FOR THE 2020 OCM BOCAS PRIZE FOR CARIBBEAN LITERATURE
'What are you?'
Tessa McWatt knows first-hand that the answer to this question, often asked of people of colour by white people, is always more complicated than it seems. Is the answer English, Scottish, British, Caribbean, Portuguese, Indian, Amerindian, French, African, Chinese, Canadian? Like most families, hers is steeped in myth and the anecdotes of grandparents and parents who view their histories through the lens of desire, aspiration, loss, and shame.
In Shame On Me she unspools all the interwoven strands of her inheritance, and knits them back together using…
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