Here are 100 books that Slowly Down the Ganges fans have personally recommended if you like
Slowly Down the Ganges.
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As a travel writer, author, broadcaster, speaker, and producer, Iāve reported from over 100 countries on 7 continents for major print and digital publications worldwide and networks like National Geographic and Travel Channel. I kicked off my career with a solo, 12-month round-the-world backpacking adventure, largely inspired by the formative books I read below. Embracing the world with insatiable curiosity, an open heart, an open mind, a sense of humour, and enthusiasm to share my stories clearly resonated. Here I am, two decades later, author of a half-dozen bestselling books that focus on my own eclectic travels, which will hopefully inspire others as these books inspired me.
A deserved, all-time classic, this book seems to transcend time to capture the spirit of wanderlust. I was young and impressionable when I read it for the first time, and it inspired a sense of profound restlessness to explore, grow, and hit the road to see for myself.
Neal Cassidy and Jack Kerouac are wild, occasionally unhinged protagonists, and their journey consists of hustling, romance, and drinking their way to a good time. Kerouacās writing made me long for similar misadventures, where life is simple and finding the road is all that matters. Subversively, the novel promotes a full life and whole human experience, which makes working 9 to 5 that much more difficult.
The legendary novel of freedom and the search for authenticity that defined a generation, now in a striking new Pengiun Classics Deluxe Edition
Inspired by Jack Kerouac's adventures with Neal Cassady, On the Road tells the story of two friends whose cross-country road trips are a quest for meaning and true experience. Written with a mixture of sad-eyed naivete and wild ambition and imbued with Kerouac's love of America, his compassion for humanity, and his sense of language as jazz, On the Road is the quintessential American vision of freedom and hope, a book that changed American literature and changedā¦
I started travelling to paint and draw when I was an art student, first in Manchester and then at the Royal College of Art in London. I applied for drawing scholarships to help enable my travels. I wanted to see and draw the world in my own way. Iāve never really liked reading travel guidebooks. They date so quickly and can be too limiting but Iāve always enjoyed reading books by people who travel. You get a much truer sense of a place from someone who has followed a passion to somewhere remote. When I travel I look for stories on my journeys, something to bring home.
Another book about youthful innocence and optimism.
As I Walked Out One Midsummer Morning is the story of Laurie Lee leaving England in 1935 on a boat for Spain with just a violin and a blanket and few possessions.
He busks his way around Spain heading south to AndalucĆa, playing in cafes and town squares for a few coins.
Life in Spain was poor and primitive and the country was on the verge of civil war but his cheery demeanour was always met with warmth and humanity. Itās a life-affirming story.
The author of Cider with Rosie continues his bestselling autobiographical trilogy with āa wondrous adventureā through Spain on the eve of its civil war (Library Journal).
On a bright Sunday morning in June 1934, Laurie Lee left the village home so lovingly portrayed in his bestselling memoir, Cider with Rosie. His plan was to walk the hundred miles from Slad to London, with a detour of an extra hundred miles to see the sea for the first time. He was nineteen years old and brought with him only what he could carry on his back: a tent, a change ofā¦
I started travelling to paint and draw when I was an art student, first in Manchester and then at the Royal College of Art in London. I applied for drawing scholarships to help enable my travels. I wanted to see and draw the world in my own way. Iāve never really liked reading travel guidebooks. They date so quickly and can be too limiting but Iāve always enjoyed reading books by people who travel. You get a much truer sense of a place from someone who has followed a passion to somewhere remote. When I travel I look for stories on my journeys, something to bring home.
It was first published in 1937 and the book is an account of a journey Robert Byron made through Persia and Afghanistan in 1933.
The Oxiana he writes about no longer exists having been torn apart by wars and revolutions. I read of his visit to see the Buddhas in Bamian with an ache. I wish they had never been destroyed.
His conversational narrative vividly describes life in towns and villages and the people he meets and their ways of living. He is driven by a love for Islamic architecture that lures him to make this journey.
He attends tea parties and fancy dress balls in remote consulates that now seem absurd but they were no doubt fun at the time and a welcome break.
"The Road to Oxiana" is an account of Robert Byronās ten-month journey to Iran and Afghanistan in 1933ā34 in the company of Christopher Sykes. This travelogue is considered by many modern travel writers to be the first example of great travel writing. Bruce Chatwin has described it as āa sacred text, beyond criticismā and carried his copy since he was fifteen years old, āspineless and floodstainedā after four journeys through central Asia.By the Si-o-seh pol bridge in Isfahan, Iran, Byron wrote: āThe lights came out. A little breeze stirred, and for the first time in four months I felt aā¦
When two brothers discover a 300-year-old sausage-curing cabin on the side of a Slovenian mountain, it's love at first sight. But 300-year-old cabins come with 300 problems.
Dormice & Moonshine is the true story of an Englishman seduced by Slovenia. In the wake of a breakup, he seeks temporary refugeā¦
I was lucky to always know what I wanted to doānamely, to travel and observe. Picking up a camera early in my travels allowed me to justify these aimless wanderings under the guise of "photographer." Making any money at it took a while longer! The books in my list have been faithful companions along the way, offering inspiration and comfort at such timesāand they were manyāthose qualities were in short supply. Over the years, I have visited many of the places mentioned in their pages and experienced the ups and downs faced by their authors and characters. And their message deepens every time I re-read them.
The Way of the World details a journey made in 1953 from Geneva to the Khyber Pass in an unreliable Fiat. The elements of adventure, reportage, whimsy and hope are gathered in this permanent resident of my bookshelf. I often re-read this book, penned from the diaries of then-24-year-old Nicholas Bouvier, and wish I had been born 40 years earlier so that I could have joined him and his artist friend Thierry Vernet on their epic road trip!
Bouvier, a Swiss national cited as a "traveler, writer, and photographer," transcends these rather workaday classifications in this seminal volume, becoming more philosopher and poetāthe narrator of a timeless, haunting prose classic and one that echoes the escapades of Robert Byron in his book, The Road to Oxiana, a generation earlier.
In 1953, twenty-four-year old Nicolas Bouvier and his artist friend Thierry Vernet set out to make their way overland from their native Geneva to the Khyber Pass. They had a rattletrap Fiat and a little money, but above all they were equipped with the certainty that by hook or by crook they would reach their destination, and that there would be unanticipated adventures, curious companionship, and sudden illumination along the way. The Way of the World, which Bouvier fashioned over the course of many years from his journals, is an entrancing story of adventure, an extraordinary work of art, andā¦
I was born and raised in Mumbai, India, and as a kid I loved to read. But I never saw myselfāan Indian girl like meārepresented in childrenās books before. I didnāt realize how much it affected me until I began writing my first novel at age 23. When I did, I wrote the entire first draft with white characters and set it in a western country. I believed my Indian culture and my experience as an Indian kid was not worth writing about. I was so wrong! Now, with the novels I write, Iām passionate about representation, especially South Asian representation because all kids deserve to see themselves and their cultures in the books they read.
I absolutely adore stories where a seemingly innocuous vacation turns on its heels into a gripping, out-of-this-world adventure. And this book is exactly that! When Ash (Ashoka) Mistry, an Indian mythology geek who lives in England, visits his aunt and uncle in Varanasi, the holy city of the Ganges in India, strange occurrences begin to happen, and Ash discovers that heroes and monsters of Indian myths have come back to life. Top that up with one character wanting to bring back Ravana, the demon king with ten heads and the ultimate essence of evil, and you have an adventure thatās got you at the edge of your seat!
Breathtaking action adventure for 8 to 12-year-olds. Ash Mistry, reluctant hero, faces ancient demons... and comes into an astonishing, magical inheritance.
Varanasi: holy city of the Ganges.
In this land of ancient temples, incense and snake charmers...
Where the monsters and heroes of the past come to life...
One slightly geeky boy from our time... IS GOING TO KICK SOME DEMONS BACK TO HELL.
Ash Mistry hates India. Which is a problem since his uncle has brought him and his annoying younger sister Lucky there to take up a dream job with the mysterious Lord Savage. But Ash immediately suspectsā¦
My mother, father, and I were each born in different countries, and into different languages. In my childhood, we were a hybridized wonderāone part jetsam, one part flotsamāand a country unto ourselves. Our house was filled with all kinds of books, our dinnertimes with lively conversation (and occasional shouting), our plates with food cooked according to the recipes of family ghosts. I can honestly say that no other family was like ours, especially not in the American suburbs of the 1980s. As a writer, I have always been fascinated by the tug-and-pull of intergenerational trauma, and by the dislocation of immigration and exile.
Pramesh, a hostel manager, lives a quiet life with his wife and daughter. His job is to help guests who have traveled to the city of Banares in the hope of good deaths. But when a body is pulled from the Ganges, a complicated family history surfaces alongside it, one that threatens the joyful stability of the present. Champaneriās prose is stunning. Reviewers have aptly called the book ātranscendentā, and I found myself entirely transported by this meditation of life, death, and things past.
Winner of the Restless Books Prize for New Immigrant Writing, Priyanka Champaneriās transcendent debut novel brings us inside Indiaās holy city of Banaras, where the manager of a death hostel shepherds the dying who seek the release of a good death, while his own past refuses to let him go.
Banaras, Varanasi, Kashi: Indiaās holy city on the banks of the Ganges has many names but holds one ultimate promise for Hindus. It is the place where pilgrims come for a good death, to be released from the cycle of reincarnation by purifying fire. As the dutiful manager of aā¦
Growing up I read a lot of science fiction: HG Wells, Isaac Asimov, John Wyndham; those kind of authors and their inspiring tales. In my early twenties, I penned a few short stories as I worked as an aeronautical engineer. Always being at the leading edge of technology certainly helped shape my dreams of the future. I have an interest in writing novels that place humankind within a universe [or multiverse] we are only just starting to understand. To date, I have written six novels, two of them extensive short story collections. They are light years from each other, but share the future adventures of mankind in an expansive universe as a common theme.
A living worldwide nightmare is born and just will not go away. The signs are everywhere, and often rather abrupt. Are extreme powers about to be unleashed and something rather dark about to happen?
A book that gets you thinking about the future and whether, in fact, we can do anything about it. The reader can sympathize with the characters and join them on their journeyāwith one look over your shoulder.
For those who love their Dystopia with a hint of horror.
It is the near future and signs of an impending global disaster are multiplying. Earthquakes, floods and volcanic eruptions sweep the earth. As the storms and tempests rage, a series of ominous events signal the emergence of a new and terrifying force.
While scuba-diving on the Great Barrier Reef a diver watches fascinated as a tiny light floats past him towards the surface. Moments later he is torn to pieces as the reef erupts with colossal power.
On the banks of the Ganges, a young boy pauses from his back-breaking labours, transfixed by the play of a mysterious light amidstā¦
As the author of Hicky's Bengal Gazette: The Untold Story of India's First Newspaper I have great interest in journalism and history in the Indian subcontinent. There are relatively few books that explore these topics in a narrative nonfiction way. It is my hope that this shortlist will help readers find a few good books to start with.
Perhaps the most unusual book on the list. This book is a riveting, true account of a British soldier in India in 1847. Itās a first-person tale of Ryderās life in the army, of endless marches, and moments of sheer terror. Most histories are written for, and by elites, but this story is written by a true subaltern ā a very special thing! If you want to know what life was truly like for the average British soldier in the Raj, read this. Did I also mention it is a page-turner? I guarantee you wonāt be able to put it down. (Itās also free online).
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
Abi Oliver is a pen name as my real name is Annie MurrayāI write under both names. My first book, A New Map of Love, set in the 1960s, featured an older woman who had been born in India. She developed into such a characterāa bit of an old trout to be truthfulāthat I wanted to tell her story. It also tapped into my familyās many connections with India and the fact that I have travelled a lot there. I finally got to travel, with my oldest daughter, and stay in one of the tea gardens in Assamāa wonderful experience.
M.M Kaye was best known for her blockbuster The Far Pavilions. This beautifully written book, however, is a first volume of memoirāanother record of a European child in India. Having travelled there a lot myself and had a family relative close to me in age grew up in the tea gardens there, I have long wondered what that experience was like, quite apart from the politics of whether we should have been there or not. Kayeās childhood eye describes her upbringing in Shimla in the Himalayan foothills as well as Delhi, before her inevitable banishment to cold England. The book has a sunlit feel to it and it full of vivid detail and fond memories of this childhood caught between two worlds.
The Sun in the Morning is the first volume of autobiography by the beloved British author M. M. Kaye. It traces the author's early life in India and later adolescence in England. As The Guardian wrote, "No romance in the novels of M.M. Kaye... could equal her love for India."
" ā¦ [Kaye's] kaleidoscopic story of a long-lost innocence just before and after World War I helps to explain Kaye's idealization of the British Raj and her love for Kipling's verse." - Publishers Weekly
Iāve chosen these books because they take me to times and places I canāt go (although I did serendipitously get to Kerala, and am hoping to go to the West Coast of America one day).Girl with Two Fingers takes you into the studio, hopefullyas if you could have been there yourself. I want readers to be able to share something of the experience I was so lucky to have. And to be able to see perhaps more questioningly when they look at art.
Another 13-year-old boy protagonist, Kimball OāHara. No relation.
I read parts of Kim to Lucian in the studio, he liked the epigraph at the beginning of chapter five: the prodigal son does not stay comfortably in his fatherās forgiving embrace, but returns āto the styes afresh.ā
Kim is a magnificent adventure: the orphan boy who belongs but does not belong to two nations, and a description of the peoples, the ways, the mountains, and the plains of India.
A vicarious journey around a world of the past, and a particularly male world, which Kipling takes us to.
Kimball OāHara grows up an orphan in the walled city of Lahore, India. Deeply devoted to an old Tibetan lama but involved in a secret mission for the British, Kim struggles to weave the strands of his life into a single pattern. Kim and the holy man roam about India. Kimās intimate knowledge of India makes him a valuable asset to the English Secret Service, in which he wins renown while still a boy.
Charged with action and suspense, yet profoundly spiritual, Kim vividly expresses the sounds and smells, colors and characters, opulence and squalor of complex, contradictory India underā¦