Here are 100 books that The Road to Oxiana fans have personally recommended if you like
The Road to Oxiana.
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As a travel writer, author, broadcaster, speaker, and producer, Iâve reported from over 100 countries on 7 continents for major print and digital publications worldwide and networks like National Geographic and Travel Channel. I kicked off my career with a solo, 12-month round-the-world backpacking adventure, largely inspired by the formative books I read below. Embracing the world with insatiable curiosity, an open heart, an open mind, a sense of humour, and enthusiasm to share my stories clearly resonated. Here I am, two decades later, author of a half-dozen bestselling books that focus on my own eclectic travels, which will hopefully inspire others as these books inspired me.
A deserved, all-time classic, this book seems to transcend time to capture the spirit of wanderlust. I was young and impressionable when I read it for the first time, and it inspired a sense of profound restlessness to explore, grow, and hit the road to see for myself.
Neal Cassidy and Jack Kerouac are wild, occasionally unhinged protagonists, and their journey consists of hustling, romance, and drinking their way to a good time. Kerouacâs writing made me long for similar misadventures, where life is simple and finding the road is all that matters. Subversively, the novel promotes a full life and whole human experience, which makes working 9 to 5 that much more difficult.
The legendary novel of freedom and the search for authenticity that defined a generation, now in a striking new Pengiun Classics Deluxe Edition
Inspired by Jack Kerouac's adventures with Neal Cassady, On the Road tells the story of two friends whose cross-country road trips are a quest for meaning and true experience. Written with a mixture of sad-eyed naivete and wild ambition and imbued with Kerouac's love of America, his compassion for humanity, and his sense of language as jazz, On the Road is the quintessential American vision of freedom and hope, a book that changed American literature and changedâŚ
I started travelling to paint and draw when I was an art student, first in Manchester and then at the Royal College of Art in London. I applied for drawing scholarships to help enable my travels. I wanted to see and draw the world in my own way. Iâve never really liked reading travel guidebooks. They date so quickly and can be too limiting but Iâve always enjoyed reading books by people who travel. You get a much truer sense of a place from someone who has followed a passion to somewhere remote. When I travel I look for stories on my journeys, something to bring home.
Another book about youthful innocence and optimism.
As I Walked Out One Midsummer Morning is the story of Laurie Lee leaving England in 1935 on a boat for Spain with just a violin and a blanket and few possessions.
He busks his way around Spain heading south to AndalucĂa, playing in cafes and town squares for a few coins.
Life in Spain was poor and primitive and the country was on the verge of civil war but his cheery demeanour was always met with warmth and humanity. Itâs a life-affirming story.
The author of Cider with Rosie continues his bestselling autobiographical trilogy with âa wondrous adventureâ through Spain on the eve of its civil war (Library Journal).
On a bright Sunday morning in June 1934, Laurie Lee left the village home so lovingly portrayed in his bestselling memoir, Cider with Rosie. His plan was to walk the hundred miles from Slad to London, with a detour of an extra hundred miles to see the sea for the first time. He was nineteen years old and brought with him only what he could carry on his back: a tent, a change ofâŚ
I was lucky to always know what I wanted to doânamely, to travel and observe. Picking up a camera early in my travels allowed me to justify these aimless wanderings under the guise of "photographer." Making any money at it took a while longer! The books in my list have been faithful companions along the way, offering inspiration and comfort at such timesâand they were manyâthose qualities were in short supply. Over the years, I have visited many of the places mentioned in their pages and experienced the ups and downs faced by their authors and characters. And their message deepens every time I re-read them.
The Way of the World details a journey made in 1953 from Geneva to the Khyber Pass in an unreliable Fiat. The elements of adventure, reportage, whimsy and hope are gathered in this permanent resident of my bookshelf. I often re-read this book, penned from the diaries of then-24-year-old Nicholas Bouvier, and wish I had been born 40 years earlier so that I could have joined him and his artist friend Thierry Vernet on their epic road trip!
Bouvier, a Swiss national cited as a "traveler, writer, and photographer," transcends these rather workaday classifications in this seminal volume, becoming more philosopher and poetâthe narrator of a timeless, haunting prose classic and one that echoes the escapades of Robert Byron in his book, The Road to Oxiana, a generation earlier.
In 1953, twenty-four-year old Nicolas Bouvier and his artist friend Thierry Vernet set out to make their way overland from their native Geneva to the Khyber Pass. They had a rattletrap Fiat and a little money, but above all they were equipped with the certainty that by hook or by crook they would reach their destination, and that there would be unanticipated adventures, curious companionship, and sudden illumination along the way. The Way of the World, which Bouvier fashioned over the course of many years from his journals, is an entrancing story of adventure, an extraordinary work of art, andâŚ
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctorâand only womanâon a remote Everest climb in Tibet.
I started travelling to paint and draw when I was an art student, first in Manchester and then at the Royal College of Art in London. I applied for drawing scholarships to help enable my travels. I wanted to see and draw the world in my own way. Iâve never really liked reading travel guidebooks. They date so quickly and can be too limiting but Iâve always enjoyed reading books by people who travel. You get a much truer sense of a place from someone who has followed a passion to somewhere remote. When I travel I look for stories on my journeys, something to bring home.
Travelling in India is never easy or predictable and it is a great test for ones resilience and sense of calm.
I read Slowly Down the Ganges before making my first trip to the north of India and I found it to be a great source of information and wisdom.
Newby travels with such a positive outlook open to all happenings and eventualities.
He set himself a difficult talk in sailing the Ganges but he shares beautiful and fascinating descriptions of the landscapes and villages. Newby talks with great respect about the sacred importance of the River Ganges and tells us all her 108 names.
The book makes you realize that travelling in India will be difficult but ultimately so rewarding.
Iâve been working to amplify voices of refugees and asylum seekers since 2015, when a 12-year-old boy named Mez joined my family as the first of four foster brothers I now have from Eritrea, Sudan, Libya and Afghanistan. Their stories led me to the Calais Jungle in an attempt to challenge the negative media portrayal of those experiencing displacement. Iâve since worked in refugee camps across the world from France to Bangladesh, sharing food, stories, laughter, and tears, asking questions and learning from those I meet. My book is a compilation of the stories that have impacted me most (Mez being the first), and a testament to those who shared them with me.
I read this book when my own family was in the process of welcoming a new foster brother from Afghanistan.
Reading Gulwaliâs very personal journey from Afghanistan to the UK as an unaccompanied child helped us to understand what my own brother had been through and the journey he had taken. It gave us context as to the Afghanistan he experienced and left behind, and we passed the book around the whole family and devoured it eagerly.
Gulwaliâs story is raw and real and is the most powerful account of a child refugee I have ever read.
A gripping, inspiring, and eye-opening memoir of fortitude and survivalâof a twelve-year-old boyâs traumatic flight from Afghanistan to the Westâthat puts a face to one of the most shocking and devastating humanitarian crises of our time.
âTo risk my life had to mean something. Otherwise what was it all for?â
In 2006, after his father was killed, Gulwali Passarlay was caught between the Taliban who wanted to recruit him, and the Americans who wanted to use him. To protect her son, Gulwaliâs mother sent him away. The search for safety would lead the twelve-year-old across eight countries, from the mountainsâŚ
A combination of things led me to this topic: My father was forced to leave his home in northern India during partition and was therefore a child refugee. In 2016, I was filming in Ukraine and became hugely interested in what was happening there. I have looked for a way to help ever since then. Discovering Monica Stirlingâs novel about refugees from East Europe, I realised that here was an opportunity to help give voice to the refugee experience; to help raise funds for Ukraine, and to help bring back to life an incredible story written by an author who deserves to be rediscovered.
When his mother disappears, ten-year-old Enaiatollah Akbari embarks on what would end up being a five-year journey that would take him from Afghanistan, through Iran, Greece, and Turkey, and eventually to Italy where he would meet and be befriended by the family of the bookâs author, Fabio Geda.
This is a novelisation of a true story â one that beggars belief â as young Enaiatollah works dangerous jobs and has to deal with unscrupulous people-traffickers as well as making perilous crossings across several borders. This is a story, nevertheless, of hope and so I feel it is something that will inspire as well as inform, and yes, entertain.
What would you do if, when you were ten, you were left to fend for yourself, and, in order to survive, you had to undertake a harrowing journey all the way from Afghanistan to Italy?
In early 2002, Enaiatollah Akbariâs village fell prey to the Taliban. His mother, fearing for his life, led him across the border. So began Enaiatâs remarkable and often publishing five-year ordealâtrekking across bitterly cold mountains, riding the suffocating false bottom of a truck, steering an inflatable raft in violent watersâthrough Iran, Turkey, Pakistan, and Greece, before he eventually sought political asylum in Italy, all beforeâŚ
I worked for many years in business consultancy before branching into other genres, including fiction. Through working regularly in Singapore I was able to travel around the region, finding I loved that part of the world. I came to regard Thailand as the jewel of Southeast Asia. I continue to visit and aim for my light-hearted travel writing to encourage others to enjoy the area and be ambitious in their travel plans. I regard my book as an invitation to share my love of a unique place and was delighted when one reviewer described my writing of it as âBrysonish.â
Again, a writer I love, more serious than the likes of Bill Bryson but no less readable.
This book records a journey from China along the historic Silk Road and across the world to the mountains of Central Asia, encompassing time in places such as Afghanistan, which was a difficult place then and one where circumstances deteriorated subsequently.
It is writing that makes you dwell on the history and want to follow every stepâand every page.
Colin Thurbon's beautiful prose unfolds along the Silk Road, unearthing a richly layered past on his most ambitious journey.
On buses, donkey carts, trains, jeeps and camels, Colin Thubron traces the drifts of the first great trade route out of the heart of China into the mountains of Central Asia, across northern Afghanistan and the plains of Iran into Kurdish Turkey. A magnificent account of an ancient world in modern ferment, Thubron covers over 7000 miles in eight months enduring a near-miss with a drunk-driver, incarceration in a Chinese cell, and undergoing root canal treatment without anaesthetic, along the way.âŚ
Over the course of my so-called career as a travel writer, the âIâve-Got-A Big-Oneâ school favoured by the male of the species has ceded ground. Women, less interested in âconquering,â have pioneered a kind of creative non-fiction that suits the travel genre. I prefer it to the blokeish business of seeing how dead you can get. It notices more. As the decades unfurled â Pole to Pole, via Poland â I realised, more and more, the debt I owe to the other women who not only set sail but also unsparingly observed the world that turns within each self.
In many books, Freya Stark (1893 to 1993) covered mostly what we used to call the Middle and Near East â Turkey, Iran, Iraq, Syria, Egypt, Afghanistan.
In The Lycian Shore she sails in a small yacht along the coast of south-west Turkey. I love this book â it shows what women travel writers can do when they blend history and personal observation. I used to take her chapters apart when I started out to learn how she did it.
Iâm a scholar who has spent most of his working life looking at the history of North Africa. This passion was formerly directed toward looking at the conditions that Europeans imposed on local populations, but in recent times, I have moved solely to consider forgotten cultures made by indigenous Muslim and Jewish populations. Making this move has been the best, riskiest, and most rewarding choice Iâve ever made in my career, and I am now a cheerleader for the incredible forms of art made by ordinary people in these societies.
I love this book (and think you will too) because of the way in which it weaves together architectural, art, social, and religious history so as to tell the story of one of the greatest cities in the Islamic world: Isfahan.
Its beautiful illustrations take readers to a place that many will not have a chance to visit while connecting the beauty of its built environment to cultures that come before and after the Safavid moment.
Its author is THE guide to the topic, and gaining a sense of the history of built environments is of critical importance for anyone interested in the history of Islamic art.
Winner of the Houshang Pourshariati Iranian Studies Book Award 2009 This beautifully illustrated history of Safavid Isfahan (1501-1722) explores the architectural and urban forms and networks of socio-cultural action that reflected a distinctly early-modern and Perso-Shi'i practice of kingship. An immense building campaign, initiated in 1590-91 at the millennial threshold of the Islamic calendar (1000 A.H.), transformed Isfahan from a provincial, medieval, and largely Sunni city into an urban-centered representation of the first Imami Shi'i empire in the history of Islam. The historical process of Shi'ification of Safavid Iran and the deployment of the arts in situating the shifts inâŚ
When two brothers discover a 300-year-old sausage-curing cabin on the side of a Slovenian mountain, it's love at first sight. But 300-year-old cabins come with 300 problems.
Dormice & Moonshine is the true story of an Englishman seduced by Slovenia. In the wake of a breakup, he seeks temporary refugeâŚ
I was born in New Jersey to an American mother and an Iranian father. I spent the first twenty years of my life living both in Tehran and New York, striving to fit and blend into whatever culture I happened to occupy at a given moment. I whined about this, wishing I was one thing or another. But after the 1979 Islamic Revolution erupted and my family was permanently exiled, I learned the true meaning of being careful about what you wish for. To connect with my lost Persian heritage, I began to write about it, and to write about living in the diaspora. Itâs how I make sense of the world.
Five Iranian women of very different backgrounds come together in a lush Persian garden outside Tehran. We learn their stories, their dreams, their hopes. The central theme is as the title suggests: what would a world without men be like? How would life away from the narrow gender-defined roles of an oppressive patriarchal system work? If you like magical realism, there is plenty here, and itâs beautifully rendered. Because of her writing, the author spent many years in prison under the Islamic Republic. Yet she never stopped writing. I think she should be considered for the Nobel Prize in literature. This novel was also made into a film.
From an outspoken Iranian author comes a âcharming, powerful novellaâ that is banned in Iran for its depiction of female freedom (Publishers Weekly).
âParsipur is a courageous, talented woman, and above all, a great writer.â âMarjane Satrapi, author of Persepolis
This modern literary masterpiece follows the interwoven destinies of five womenâincluding a wealthy middle-aged housewife, a prostitute, and a schoolteacherâas they arrive by different paths to live together in an abundant garden on the outskirts of Tehran. Drawing on elements of Islamic mysticism and recent Iranian history, this unforgettable novel depicts women escaping the narrow confines of family and society,âŚ