Here are 100 books that The Lightless Sky fans have personally recommended if you like
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I knew I wanted to be a writer of fiction when I was 10 years old, being raised by my father. He thoughtfully gave me a typewriter, and plenty of other encouragement too. As a youngster, I couldn’t read enough about what youngsters read about: animals, sports, cowboys, child detectives. Soon, I came to love books that probed human conflict through characters who reached deeply into my soul. Not simplistic “good versus evil” driven principally by plot, but gut-pulling interpersonal struggle coming to life (and sometimes death) in characters facing moral and legal dilemma, and facing it with wit, humor, and human frailty.
The novel’s evocative intensity hit me like a brick in the head. From page one, it never let up. I urge readers to set aside if they can, the literary/political ethnicity storm that the book engendered and simply accept and enjoy the quality of the storytelling by Ms. Cummins.
I initially listened to it as an audiobook. I wondered if my favorable view might be attributable to some degree to the extremely effective first-person female narration. When I then read the book in print, I was disabused of any such impression. The writing is terrific.
*NOW A BBC RADIO 4 BOOK AT BEDTIME* 'Breathtaking... I haven't been so entirely consumed by a book for years' Telegraph 'I'll never stop thinking about it' Ann Patchett
FEAR KEEPS THEM RUNNING. HOPE KEEPS THEM ALIVE.
Vivid, visceral, utterly compelling, AMERICAN DIRT is an unforgettable story of a mother and son's attempt to cross the US-Mexico border. Described as 'impossible to put down' (Saturday Review) and 'essential reading' (Tracy Chevalier), it is a story that will leave you utterly changed.
Yesterday, Lydia had a bookshop. Yesterday, Lydia was married to a journalist. Yesterday, she was with everyone she loved…
I’ve been working to amplify voices of refugees and asylum seekers since 2015, when a 12-year-old boy named Mez joined my family as the first of four foster brothers I now have from Eritrea, Sudan, Libya and Afghanistan. Their stories led me to the Calais Jungle in an attempt to challenge the negative media portrayal of those experiencing displacement. I’ve since worked in refugee camps across the world from France to Bangladesh, sharing food, stories, laughter, and tears, asking questions and learning from those I meet. My book is a compilation of the stories that have impacted me most (Mez being the first), and a testament to those who shared them with me.
This book is history in the making. Iconic, heart-breaking, and so, so powerful.
It is such a simple concept and a truly accessible introduction to the situation for asylum seekers in Calais, which I personally experienced during my time volunteering there. It’s visual and easy to pick up and put down, which successfully and impactfully breaks down a huge topic. A topic, place, and issue very close to my heart.
Calais is where my work with refugees began, and my time there changed my life forever. Mathilda has compiled exactly why.
'A beautiful, deeply affecting and powerful marriage between art and activism' - KHALED HOSSEINI, bestselling author of The Kite Runner
'These are vital conversations. Everyone should eavesdrop on them'- KAMILA SHAMSIE, author of award-winning bestseller Home Fire
Conversations From Calais is a global art movement that captures moments between volunteers and refugees in poster form. Pasted on our city walls these posters amplify marginalised voices and bear witness to those who are often ignored.
Features essay contributions by Osman Yousefzada, Gulwali Passarlay, Nish Kumar, Joudie Kalla, Waad Al-Kateab, Yasmin Alibhai-Brown, Ai Weiwei and Inua Ellams.
I’ve been working to amplify voices of refugees and asylum seekers since 2015, when a 12-year-old boy named Mez joined my family as the first of four foster brothers I now have from Eritrea, Sudan, Libya and Afghanistan. Their stories led me to the Calais Jungle in an attempt to challenge the negative media portrayal of those experiencing displacement. I’ve since worked in refugee camps across the world from France to Bangladesh, sharing food, stories, laughter, and tears, asking questions and learning from those I meet. My book is a compilation of the stories that have impacted me most (Mez being the first), and a testament to those who shared them with me.
My friend and hero search-and-rescue worker Brendan met Doro during a rescue mission in the Mediterranean Sea. He promised to help Doro share his story with the world, and together they wrote this book.
Brendan’s writing really touches me as someone who has had a similar experience and journey into working in refugee response, and this, along with Doro’s incredible story, makes for a very profound book.
So begins the extraordinary story of Doro Goumaneh, who faced an unimaginable series of adversities on his journey from persecution in The Gambia to refuge in France.
Doro was once a relatively prosperous fisherman, but in 2014, when the country's fishing rights were stolen and secret police began arresting Gambian fishermen, Doro left home, fleeing for his life. From Senegal to Libya to Algeria and back to Libya, Doro fell victim to the horrific cycle of abuse targeted at refugees. He endured shipwrecks, torture and being left for dead in a mass grave.…
I’ve been working to amplify voices of refugees and asylum seekers since 2015, when a 12-year-old boy named Mez joined my family as the first of four foster brothers I now have from Eritrea, Sudan, Libya and Afghanistan. Their stories led me to the Calais Jungle in an attempt to challenge the negative media portrayal of those experiencing displacement. I’ve since worked in refugee camps across the world from France to Bangladesh, sharing food, stories, laughter, and tears, asking questions and learning from those I meet. My book is a compilation of the stories that have impacted me most (Mez being the first), and a testament to those who shared them with me.
I love to cook, and I love to eat. I love using food as a vehicle to tell stories.
This is a bustling, vibrant tour of 90 Syrian dishes celebrating the flavours of Syria that can easily be made in the comfort of your own home–the first cookbook from my friend Imad–a renowned chef from Damascus.
Complete with heartfelt stories, stunning photography, and beautiful illustrations, Imad's Syrian Kitchen features 90 sensational recipes celebrating the flavors of Syria.
This is the first cookbook by Imad Alarnab, a renowned chef from Damascus. Imad now runs an acclaimed restaurant in London, which was named GQ’s “Best Breakthrough Restaurant 2022.” Imad’s Syrian Kitchen is a bustling tour through 90 traditional and adapted Syrian dishes that can be made in the comfort of your own home. Imad introduces us to the delicious flavors and techniques of the Syrian kitchen. And alongside delicious recipes, mouthwatering photography, and beautiful illustrations, Imad shares the…
A combination of things led me to this topic: My father was forced to leave his home in northern India during partition and was therefore a child refugee. In 2016, I was filming in Ukraine and became hugely interested in what was happening there. I have looked for a way to help ever since then. Discovering Monica Stirling’s novel about refugees from East Europe, I realised that here was an opportunity to help give voice to the refugee experience; to help raise funds for Ukraine, and to help bring back to life an incredible story written by an author who deserves to be rediscovered.
When his mother disappears, ten-year-old Enaiatollah Akbari embarks on what would end up being a five-year journey that would take him from Afghanistan, through Iran, Greece, and Turkey, and eventually to Italy where he would meet and be befriended by the family of the book’s author, Fabio Geda.
This is a novelisation of a true story – one that beggars belief – as young Enaiatollah works dangerous jobs and has to deal with unscrupulous people-traffickers as well as making perilous crossings across several borders. This is a story, nevertheless, of hope and so I feel it is something that will inspire as well as inform, and yes, entertain.
What would you do if, when you were ten, you were left to fend for yourself, and, in order to survive, you had to undertake a harrowing journey all the way from Afghanistan to Italy?
In early 2002, Enaiatollah Akbari’s village fell prey to the Taliban. His mother, fearing for his life, led him across the border. So began Enaiat’s remarkable and often publishing five-year ordeal—trekking across bitterly cold mountains, riding the suffocating false bottom of a truck, steering an inflatable raft in violent waters—through Iran, Turkey, Pakistan, and Greece, before he eventually sought political asylum in Italy, all before…
I started travelling to paint and draw when I was an art student, first in Manchester and then at the Royal College of Art in London. I applied for drawing scholarships to help enable my travels. I wanted to see and draw the world in my own way. I’ve never really liked reading travel guidebooks. They date so quickly and can be too limiting but I’ve always enjoyed reading books by people who travel. You get a much truer sense of a place from someone who has followed a passion to somewhere remote. When I travel I look for stories on my journeys, something to bring home.
It was first published in 1937 and the book is an account of a journey Robert Byron made through Persia and Afghanistan in 1933.
The Oxiana he writes about no longer exists having been torn apart by wars and revolutions. I read of his visit to see the Buddhas in Bamian with an ache. I wish they had never been destroyed.
His conversational narrative vividly describes life in towns and villages and the people he meets and their ways of living. He is driven by a love for Islamic architecture that lures him to make this journey.
He attends tea parties and fancy dress balls in remote consulates that now seem absurd but they were no doubt fun at the time and a welcome break.
"The Road to Oxiana" is an account of Robert Byron’s ten-month journey to Iran and Afghanistan in 1933–34 in the company of Christopher Sykes. This travelogue is considered by many modern travel writers to be the first example of great travel writing. Bruce Chatwin has described it as “a sacred text, beyond criticism” and carried his copy since he was fifteen years old, “spineless and floodstained” after four journeys through central Asia.By the Si-o-seh pol bridge in Isfahan, Iran, Byron wrote: “The lights came out. A little breeze stirred, and for the first time in four months I felt a…
I worked for many years in business consultancy before branching into other genres, including fiction. Through working regularly in Singapore I was able to travel around the region, finding I loved that part of the world. I came to regard Thailand as the jewel of Southeast Asia. I continue to visit and aim for my light-hearted travel writing to encourage others to enjoy the area and be ambitious in their travel plans. I regard my book as an invitation to share my love of a unique place and was delighted when one reviewer described my writing of it as “Brysonish.”
Again, a writer I love, more serious than the likes of Bill Bryson but no less readable.
This book records a journey from China along the historic Silk Road and across the world to the mountains of Central Asia, encompassing time in places such as Afghanistan, which was a difficult place then and one where circumstances deteriorated subsequently.
It is writing that makes you dwell on the history and want to follow every step—and every page.
Colin Thurbon's beautiful prose unfolds along the Silk Road, unearthing a richly layered past on his most ambitious journey.
On buses, donkey carts, trains, jeeps and camels, Colin Thubron traces the drifts of the first great trade route out of the heart of China into the mountains of Central Asia, across northern Afghanistan and the plains of Iran into Kurdish Turkey. A magnificent account of an ancient world in modern ferment, Thubron covers over 7000 miles in eight months enduring a near-miss with a drunk-driver, incarceration in a Chinese cell, and undergoing root canal treatment without anaesthetic, along the way.…
Over the course of my so-called career as a travel writer, the ‘I’ve-Got-A Big-One’ school favoured by the male of the species has ceded ground. Women, less interested in ‘conquering,’ have pioneered a kind of creative non-fiction that suits the travel genre. I prefer it to the blokeish business of seeing how dead you can get. It notices more. As the decades unfurled – Pole to Pole, via Poland – I realised, more and more, the debt I owe to the other women who not only set sail but also unsparingly observed the world that turns within each self.
In many books, Freya Stark (1893 to 1993) covered mostly what we used to call the Middle and Near East – Turkey, Iran, Iraq, Syria, Egypt, Afghanistan.
In The Lycian Shore she sails in a small yacht along the coast of south-west Turkey. I love this book – it shows what women travel writers can do when they blend history and personal observation. I used to take her chapters apart when I started out to learn how she did it.
I’ve been fascinated by fictional royal stories ever since I was a little kid watching them unfold in children’s movies. Once I became a reader, I quickly became a fan of the genre. There’s such an escapism that comes with reading books about royals. And since America has no monarch, the books offer a fantasy and fairy-tale aspect to the reading. I read these books to relax, to fall in love with love, and to cheer for the ordinary person finding something extraordinary in their world—real orfictional.
I feel like Rachel Hauck is the queen of royal fiction in the Christian romance genre. She was the first author I read in the genre to have royals which made me a huge fan. There’s such elegance in her writing but also humor, a swoony hero, and a heroine to cheer for. Not to mention her covers are all awesome for her Royal Wedding series. I couldn’t make a royal recommendation list without her on it.
An American heiress and a crown prince thought their secret marriage was annulled years ago-but now they must come face to face with their past. The third volume in the captivating Royal Wedding series from New York Times bestselling author Rachel Hauck.
Corina Del Rey is happy with her life in Melbourne, Florida. She spends her days engrossed in her career as a journalist and has her sights set on climbing the corporate ladder, partly to distract herself from her dissolving family.
Prince Stephen of Brighton Kingdom came to America to escape responsibility, but what he found complicates his life…
To stop us from reopening a school for girls, a mob of angry and well-armed Pashtun men threatened to shoot my workers. I surprised myself. “If you are going to shoot my workmen, you will have to shoot me first!” My wife, Janna, and I bred cattle in outback Australia. On the weekends we played tennis. Yet, in 1984 we began a twenty-four-year adventure battling corruption, injustice, and disadvantage in the deserts, mountains, and cities of Pakistan and Afghanistan. I dug wells, built schools, and helped restore the eyesight of thousands of Afghans; until I myself became blind.
The three Pashtun virtues are hospitality, honor, and revenge. Pashtun hospitality epitomizes human warmth and generosity but Pashtun honor and revenge make a chilling and toxic cocktail. Christina Lamb gives a human face to the destruction wrought by the then unknown ultraconservative political and religious faction led by the one-eyed cleric, Mohammad Omar. Lamb was there before and after the tragedy. A great read. Will history repeat itself?
“Lamb’s long experience as a journalist is a solid stage upon which to build the story of her voyage through Afghanistan, told with a deep, loving honesty.” — Montreal Gazette (Canada)
A brilliant British war correspondent who has spent ten years in Afghanistan gives a first hand report on the war and its genesis.
Award-winning journalist Christina Lamb chronicles the human stories behind the rise of the Taliban in Afghanistan. Lamb spent the last phase of the Soviet War in Pakistan, relying on her friendship with exiled Afghans to smuggle her in and out of Jalalabad. Many of these friends…
