Here are 100 books that Doro fans have personally recommended if you like
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I knew I wanted to be a writer of fiction when I was 10 years old, being raised by my father. He thoughtfully gave me a typewriter, and plenty of other encouragement too. As a youngster, I couldn’t read enough about what youngsters read about: animals, sports, cowboys, child detectives. Soon, I came to love books that probed human conflict through characters who reached deeply into my soul. Not simplistic “good versus evil” driven principally by plot, but gut-pulling interpersonal struggle coming to life (and sometimes death) in characters facing moral and legal dilemma, and facing it with wit, humor, and human frailty.
The novel’s evocative intensity hit me like a brick in the head. From page one, it never let up. I urge readers to set aside if they can, the literary/political ethnicity storm that the book engendered and simply accept and enjoy the quality of the storytelling by Ms. Cummins.
I initially listened to it as an audiobook. I wondered if my favorable view might be attributable to some degree to the extremely effective first-person female narration. When I then read the book in print, I was disabused of any such impression. The writing is terrific.
*NOW A BBC RADIO 4 BOOK AT BEDTIME* 'Breathtaking... I haven't been so entirely consumed by a book for years' Telegraph 'I'll never stop thinking about it' Ann Patchett
FEAR KEEPS THEM RUNNING. HOPE KEEPS THEM ALIVE.
Vivid, visceral, utterly compelling, AMERICAN DIRT is an unforgettable story of a mother and son's attempt to cross the US-Mexico border. Described as 'impossible to put down' (Saturday Review) and 'essential reading' (Tracy Chevalier), it is a story that will leave you utterly changed.
Yesterday, Lydia had a bookshop. Yesterday, Lydia was married to a journalist. Yesterday, she was with everyone she loved…
I’ve been working to amplify voices of refugees and asylum seekers since 2015, when a 12-year-old boy named Mez joined my family as the first of four foster brothers I now have from Eritrea, Sudan, Libya and Afghanistan. Their stories led me to the Calais Jungle in an attempt to challenge the negative media portrayal of those experiencing displacement. I’ve since worked in refugee camps across the world from France to Bangladesh, sharing food, stories, laughter, and tears, asking questions and learning from those I meet. My book is a compilation of the stories that have impacted me most (Mez being the first), and a testament to those who shared them with me.
I read this book when my own family was in the process of welcoming a new foster brother from Afghanistan.
Reading Gulwali’s very personal journey from Afghanistan to the UK as an unaccompanied child helped us to understand what my own brother had been through and the journey he had taken. It gave us context as to the Afghanistan he experienced and left behind, and we passed the book around the whole family and devoured it eagerly.
Gulwali’s story is raw and real and is the most powerful account of a child refugee I have ever read.
A gripping, inspiring, and eye-opening memoir of fortitude and survival—of a twelve-year-old boy’s traumatic flight from Afghanistan to the West—that puts a face to one of the most shocking and devastating humanitarian crises of our time.
“To risk my life had to mean something. Otherwise what was it all for?”
In 2006, after his father was killed, Gulwali Passarlay was caught between the Taliban who wanted to recruit him, and the Americans who wanted to use him. To protect her son, Gulwali’s mother sent him away. The search for safety would lead the twelve-year-old across eight countries, from the mountains…
I’ve been working to amplify voices of refugees and asylum seekers since 2015, when a 12-year-old boy named Mez joined my family as the first of four foster brothers I now have from Eritrea, Sudan, Libya and Afghanistan. Their stories led me to the Calais Jungle in an attempt to challenge the negative media portrayal of those experiencing displacement. I’ve since worked in refugee camps across the world from France to Bangladesh, sharing food, stories, laughter, and tears, asking questions and learning from those I meet. My book is a compilation of the stories that have impacted me most (Mez being the first), and a testament to those who shared them with me.
This book is history in the making. Iconic, heart-breaking, and so, so powerful.
It is such a simple concept and a truly accessible introduction to the situation for asylum seekers in Calais, which I personally experienced during my time volunteering there. It’s visual and easy to pick up and put down, which successfully and impactfully breaks down a huge topic. A topic, place, and issue very close to my heart.
Calais is where my work with refugees began, and my time there changed my life forever. Mathilda has compiled exactly why.
'A beautiful, deeply affecting and powerful marriage between art and activism' - KHALED HOSSEINI, bestselling author of The Kite Runner
'These are vital conversations. Everyone should eavesdrop on them'- KAMILA SHAMSIE, author of award-winning bestseller Home Fire
Conversations From Calais is a global art movement that captures moments between volunteers and refugees in poster form. Pasted on our city walls these posters amplify marginalised voices and bear witness to those who are often ignored.
Features essay contributions by Osman Yousefzada, Gulwali Passarlay, Nish Kumar, Joudie Kalla, Waad Al-Kateab, Yasmin Alibhai-Brown, Ai Weiwei and Inua Ellams.
I’ve been working to amplify voices of refugees and asylum seekers since 2015, when a 12-year-old boy named Mez joined my family as the first of four foster brothers I now have from Eritrea, Sudan, Libya and Afghanistan. Their stories led me to the Calais Jungle in an attempt to challenge the negative media portrayal of those experiencing displacement. I’ve since worked in refugee camps across the world from France to Bangladesh, sharing food, stories, laughter, and tears, asking questions and learning from those I meet. My book is a compilation of the stories that have impacted me most (Mez being the first), and a testament to those who shared them with me.
I love to cook, and I love to eat. I love using food as a vehicle to tell stories.
This is a bustling, vibrant tour of 90 Syrian dishes celebrating the flavours of Syria that can easily be made in the comfort of your own home–the first cookbook from my friend Imad–a renowned chef from Damascus.
Complete with heartfelt stories, stunning photography, and beautiful illustrations, Imad's Syrian Kitchen features 90 sensational recipes celebrating the flavors of Syria.
This is the first cookbook by Imad Alarnab, a renowned chef from Damascus. Imad now runs an acclaimed restaurant in London, which was named GQ’s “Best Breakthrough Restaurant 2022.” Imad’s Syrian Kitchen is a bustling tour through 90 traditional and adapted Syrian dishes that can be made in the comfort of your own home. Imad introduces us to the delicious flavors and techniques of the Syrian kitchen. And alongside delicious recipes, mouthwatering photography, and beautiful illustrations, Imad shares the…
I’ve been fascinated with the topic of immigration since childhood. My father is an immigrant, and my mother grew up overseas. My first job after college was working for a youth program for immigrant and refugee kids in Chicago. Now, I am a professor who teaches and writes about migration law. I find stories about how moving across borders shapes people’s lives to be endlessly interesting, bringing up themes of belonging, home, memory, trauma, and identity. I also think that the topic of global migration is intimately linked to questions of justice and equality and requires us all to reckon with the ways in which the colonial past shapes the present.
I couldn’t stop listening to this book. This autobiographical tale of a girl who flees Iran, grows up in the United States, and migrates to Europe is powerful and poignant in a way only a really good story can be. It perfectly captures the sense of being from multiple places but never truly at home. Nayeri has also written excellent nonfiction on the topic of migration and refuge, but this book has stayed with me and remains one of my favorite novels.
“Rich and colorful… [Refuge] has the kind of immediacy commonly associated with memoir, which lends it heft, intimacy, atmosphere.” –New York Times
The moving lifetime relationship between a father and a daughter, seen through the prism of global immigration and the contemporary refugee experience.
An Iranian girl escapes to America as a child, but her father stays behind. Over twenty years, as she transforms from confused immigrant to overachieving Westerner to sophisticated European transplant, daughter and father know each other only from their visits: four crucial visits over two decades, each in a different international city. The longer they are…
I’m a journalist in Edmonton, Canada, who covered former premier Jason Kenney’s rise through Alberta politics, in which he tapped into the populist zeitgeist of Donald Trump and Brexit, and his eventual implosion. I have a newsletter on Substack, "The Orchard," where I cover the intersection of politics, the media, and corporate power. Through my journalism, I’ve developed a keen interest in this age of mass discontent we find ourselves in, with right-wing political and economic elites promising to blow up the entire system they embody while feckless liberal politicians seek to tinker around the edges to make the established order more palatable.
Borders are far more than mere demarcations of territory, argues Canadian academic and activist Harsha Walia in a book I greatly appreciated for connecting seemingly disparate phenomena into a cohesive takedown of the modern state and its service of corporate power.
The conventional wisdom that corporate globalization eliminates national boundaries is only true, Walia explains, for an increasingly mobile global ruling class. For a global underclass of migrant labourers and asylum seekers, borders are increasingly entrenched, segregating newcomers as a source of cheap labour from the working class and fuelling the exploitation of both.
Walia describes how this segmentation undermines labour standards for all and fuels a xenophobic backlash against the depredations of global capitalism.
In Border and Rule, one of North America's foremost thinkers and immigrant rights organizers delivers an unflinching examination of migration as a pillar of global governance and gendered racial class formation.
Harsha Walia disrupts easy explanations for the migrant and refugee crises, instead showing them to be the inevitable outcomes of conquest, capitalist globalization, and climate change generating mass dispossession worldwide. Border and Rule explores a number of seemingly disparate global geographies with shared logics of border rule that displace, immobilize, criminalize, exploit, and expel migrants and refugees. With her keen ability to connect the dots, Walia demonstrates how borders…
I am a historian of modern Poland. I teach, write, and think a lot about Poland and its place in Europe and the world. Regardless of where I live, Poland will always be my first home, where strawberries taste the best, the forest offers the most calming shade in the summer, and the language sounds the sweetest. But Poland is also a conundrum—perhaps similar to anywhere else and unique simultaneously. Its successes and failures, the traumas it caused and experienced, are part of me, and they keep pushing me to search for people and their stories that help us see the complexity of human life and individual choices.
It’s a short book with 5 essays on displacement, loss, and ways to find a sense of belonging. The stories are personal; perhaps because of that, they touch on something that I think many of us carry in our hearts–a need to reflect on what it means to lose and rebuild a home.
The essays evoke many different themes–the power of movement and starting anew, but also a sense of alienation that even the voluntary wanderers may never lose. We carry the cultures that shaped us within us; as Eva Hoffman, one of the authors, says, “We are nothing more than the encoded memory of our heritage.” And feeling, even if a blessing, sometimes deepens our sense of alienation.
For many of the authors, it’s the language and writing that make sense of the discomfort and find a ‘home.’ It’s a small but beautifully written book and one that inspires…
"Moving, deeply introspective and honest" (Publishers Weekly) reflections on exile and memory from five award-winning authors. All of the authors in Letters of Transit have written award-winning works on exile, home, and memory, using the written word as a tool for revisiting their old homes or fashioning new ones. Now in paperback are five newly commissioned essays offering moving distillations of their most important thinking on these themes. Andre Aciman traces his migrations and compares his own transience with the uprootedness of many moderns. Eva Hoffman examines the crucial role of language and what happens when your first one is…
I have taught a broad array of humanities and social sciences courses over the years, sometimes employing case studies from the realm of law, most notably stories about undocumented migrants, refugees, or homeless people. I’ve also had occasion to teach in law schools, usually in ways that bridge the gap between the legality of forced displacement, and the lived experiences of those who have done it. I won a Rockefeller Foundation grant to write my newest book, Clamouring for Legal Protection, in which I considered the idea that we can learn a lot about refugees and vulnerable migrants with references to people we know well: Ulysses, Dante, Satan, and even Alice in Wonderland.
This book addresses the well-known issue of refugees who are attempting to cross the Mediterranean Sea in order to gain refugee status in Europe, but it does so by adding historical detail that helps us to understand the legal issues pertaining to their flight. Mann links these overloaded vessels filled with desperate peoples to the actions of Jewish migrants to Palestine after WWII, Vietnamese 'boatpeople', Haitian refugees seeking to reach Florida, Middle Eastern migrants and refugees bound to Australia, and Syrian refugees currently crossing the Mediterranean, and then legal responses by states and international organizations to these movements. Along the way, he also helps us to understand the value of reading works by twentieth-century thinkers such as Hannah Arendt and Emmanuel Levinas, and other legal materials to form a rich account of an issue of increasing global concern.
This interdisciplinary study engages law, history, and political theory in a first attempt to crystallize the lessons the global 'refugee crisis' can teach us about the nature of international law. It connects the dots between the actions of Jewish migrants to Palestine after WWII, Vietnamese 'boatpeople', Haitian refugees seeking to reach Florida, Middle Eastern migrants and refugees bound to Australia, and Syrian refugees currently crossing the Mediterranean, and then legal responses by states and international organizations to these movements. Through its account of maritime migration, the book proposes a theory of human rights modelled around an encounter between individuals in…
The refugee story is deeply rooted in my family, as my (great-/) grandparents fled Europe for a safer life in America. I grew up listening to their stories of escape and trying to integrate in their new land. Human rights were also a focus of my graduate studies – and later in founding the Human Rights Watch Committee NL and joining the Save the Children Board of Trustees. I am a writer and poet, Board member, and former strategy consultant who always wanted to write refugee stories for children. Their stories are difficult. But children should understand that although the world is not always safe or fair, there is always hope.
This wordless picture book uses gorgeous collage art to soften the frightening story of a wartime escape from Vietnam. The use of ants as a refugee metaphor, and the intertwined wordless stories of ants with a fleeing human family, may make the story a bit complex for very young readers. But the lack of text, in this case, makes it a perfect read-together book and conversation starter. It is a story of hope, courage, and kindness, which are key pillars for refugees to survive and thrive. Separately, we all tend to focus on the biggest, most current, refugee crises (and there are many!). Yet children should also hear refugee stories from around the world and through history. What do these journeys have in common? What makes them unique? What can we learn?
Named a best picture book of 2020 by Kirkus, School Library Journal, Booklist, New York Public Library, the Globe and Mail, CBC, and the Bulletin of the Center for Children’s Books ― a heartfelt and personal immigration story by critically acclaimed author Thao Lam
New from Thao Lam, the award-winning author of picture books My Cat Looks Like My Dad, Wallpaper, and Skunk on a String, comes a personal story inspired by her family’s refugee journey.
In The Paper Boat, Thao’s signature collage art tells the wordless story of one family’s escape from Vietnam―a journey intertwined with an ant colony’s…
My biggest aim as a writer is for my reader to feel something. It could be on a page where they are fighting back the tears or at the end of a chapter where they are gasping at an unexpected plot twist. I think we can sometimes forget how powerful children’s books can be – yes, they can make you cry, laugh, gasp and feel scared! Here are some of my favorites that will make you have all the feelings.
Nine-year-old Ahmet, a Syrian refugee, has arrived in Mrs. Khan’s classroom after fleeing the horrors of war. One of the things that is so striking about this book is how the children in the story have far more understanding than most adults. It is both funny and heartfelt and is a masterclass in teaching empathy – for the young and the old.
WINNER OF THE BLUE PETER BOOK AWARD 2019 WINNER OF THE WATERSTONES CHILDREN'S BOOK PRIZE 2019 SHORTLISTED FOR THE JHALAK PRIZE 2019
Told with heart and humour, The Boy at the Back of the Class is a child's perspective on the refugee crisis, highlighting the importance of friendship and kindness in a world that doesn't always make sense.
There used to be an empty chair at the back of my class, but now a new boy called Ahmet is sitting in it.
He's nine years old (just like me), but he's very strange. He…
