Here are 100 books that Conversations from Calais fans have personally recommended if you like
Conversations from Calais.
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I knew I wanted to be a writer of fiction when I was 10 years old, being raised by my father. He thoughtfully gave me a typewriter, and plenty of other encouragement too. As a youngster, I couldn’t read enough about what youngsters read about: animals, sports, cowboys, child detectives. Soon, I came to love books that probed human conflict through characters who reached deeply into my soul. Not simplistic “good versus evil” driven principally by plot, but gut-pulling interpersonal struggle coming to life (and sometimes death) in characters facing moral and legal dilemma, and facing it with wit, humor, and human frailty.
The novel’s evocative intensity hit me like a brick in the head. From page one, it never let up. I urge readers to set aside if they can, the literary/political ethnicity storm that the book engendered and simply accept and enjoy the quality of the storytelling by Ms. Cummins.
I initially listened to it as an audiobook. I wondered if my favorable view might be attributable to some degree to the extremely effective first-person female narration. When I then read the book in print, I was disabused of any such impression. The writing is terrific.
*NOW A BBC RADIO 4 BOOK AT BEDTIME* 'Breathtaking... I haven't been so entirely consumed by a book for years' Telegraph 'I'll never stop thinking about it' Ann Patchett
FEAR KEEPS THEM RUNNING. HOPE KEEPS THEM ALIVE.
Vivid, visceral, utterly compelling, AMERICAN DIRT is an unforgettable story of a mother and son's attempt to cross the US-Mexico border. Described as 'impossible to put down' (Saturday Review) and 'essential reading' (Tracy Chevalier), it is a story that will leave you utterly changed.
Yesterday, Lydia had a bookshop. Yesterday, Lydia was married to a journalist. Yesterday, she was with everyone she loved…
I’ve been working to amplify voices of refugees and asylum seekers since 2015, when a 12-year-old boy named Mez joined my family as the first of four foster brothers I now have from Eritrea, Sudan, Libya and Afghanistan. Their stories led me to the Calais Jungle in an attempt to challenge the negative media portrayal of those experiencing displacement. I’ve since worked in refugee camps across the world from France to Bangladesh, sharing food, stories, laughter, and tears, asking questions and learning from those I meet. My book is a compilation of the stories that have impacted me most (Mez being the first), and a testament to those who shared them with me.
I read this book when my own family was in the process of welcoming a new foster brother from Afghanistan.
Reading Gulwali’s very personal journey from Afghanistan to the UK as an unaccompanied child helped us to understand what my own brother had been through and the journey he had taken. It gave us context as to the Afghanistan he experienced and left behind, and we passed the book around the whole family and devoured it eagerly.
Gulwali’s story is raw and real and is the most powerful account of a child refugee I have ever read.
A gripping, inspiring, and eye-opening memoir of fortitude and survival—of a twelve-year-old boy’s traumatic flight from Afghanistan to the West—that puts a face to one of the most shocking and devastating humanitarian crises of our time.
“To risk my life had to mean something. Otherwise what was it all for?”
In 2006, after his father was killed, Gulwali Passarlay was caught between the Taliban who wanted to recruit him, and the Americans who wanted to use him. To protect her son, Gulwali’s mother sent him away. The search for safety would lead the twelve-year-old across eight countries, from the mountains…
I’ve been working to amplify voices of refugees and asylum seekers since 2015, when a 12-year-old boy named Mez joined my family as the first of four foster brothers I now have from Eritrea, Sudan, Libya and Afghanistan. Their stories led me to the Calais Jungle in an attempt to challenge the negative media portrayal of those experiencing displacement. I’ve since worked in refugee camps across the world from France to Bangladesh, sharing food, stories, laughter, and tears, asking questions and learning from those I meet. My book is a compilation of the stories that have impacted me most (Mez being the first), and a testament to those who shared them with me.
My friend and hero search-and-rescue worker Brendan met Doro during a rescue mission in the Mediterranean Sea. He promised to help Doro share his story with the world, and together they wrote this book.
Brendan’s writing really touches me as someone who has had a similar experience and journey into working in refugee response, and this, along with Doro’s incredible story, makes for a very profound book.
So begins the extraordinary story of Doro Goumaneh, who faced an unimaginable series of adversities on his journey from persecution in The Gambia to refuge in France.
Doro was once a relatively prosperous fisherman, but in 2014, when the country's fishing rights were stolen and secret police began arresting Gambian fishermen, Doro left home, fleeing for his life. From Senegal to Libya to Algeria and back to Libya, Doro fell victim to the horrific cycle of abuse targeted at refugees. He endured shipwrecks, torture and being left for dead in a mass grave.…
I’ve been working to amplify voices of refugees and asylum seekers since 2015, when a 12-year-old boy named Mez joined my family as the first of four foster brothers I now have from Eritrea, Sudan, Libya and Afghanistan. Their stories led me to the Calais Jungle in an attempt to challenge the negative media portrayal of those experiencing displacement. I’ve since worked in refugee camps across the world from France to Bangladesh, sharing food, stories, laughter, and tears, asking questions and learning from those I meet. My book is a compilation of the stories that have impacted me most (Mez being the first), and a testament to those who shared them with me.
I love to cook, and I love to eat. I love using food as a vehicle to tell stories.
This is a bustling, vibrant tour of 90 Syrian dishes celebrating the flavours of Syria that can easily be made in the comfort of your own home–the first cookbook from my friend Imad–a renowned chef from Damascus.
Complete with heartfelt stories, stunning photography, and beautiful illustrations, Imad's Syrian Kitchen features 90 sensational recipes celebrating the flavors of Syria.
This is the first cookbook by Imad Alarnab, a renowned chef from Damascus. Imad now runs an acclaimed restaurant in London, which was named GQ’s “Best Breakthrough Restaurant 2022.” Imad’s Syrian Kitchen is a bustling tour through 90 traditional and adapted Syrian dishes that can be made in the comfort of your own home. Imad introduces us to the delicious flavors and techniques of the Syrian kitchen. And alongside delicious recipes, mouthwatering photography, and beautiful illustrations, Imad shares the…
As an immigration legal scholar and lawyer, I read about immigration a lot. From laws that seem written to confuse to articles in academic journals written for an audience of experts, I’m lucky to love what I do—and so I enjoy most of what I read. But these books are special. They drew me in and wouldn’t let go until the last page. Whether fiction or non-fiction, they are written by storytellers who bring laws and policies to life.
In Calais, France, on Europe’s northern edge, migrants from across the Middle East and Africa settled, hopeful that they would eventually make it across the English Channel.
While they waited, they built lives, relationships, and the ramshackle edifices that poverty permits—the ingredients of communities. Only to be attacked, sometimes by neighbors, other times by police. In this graphic novel, Evans brings Europe’s refugees to life in their humor, hope, and despair.
**LONGLISTED FOR THE ORWELL PRIZE FOR BOOKS 2018**
In the French port town of Calais, famous for its historic lace industry, a city within a city arose. This new town, known as the Jungle, was home to thousands of refugees, mainly from the Middle East and Africa, all hoping, somehow, to get to the UK. Into this squalid shantytown of shipping containers and tents, full of rats and trash and devoid of toilets and safety, the artist Kate Evans brought a sketchbook and an open mind. Combining the techniques of eyewitness reportage with the medium of comic-book storytelling, Evans has…
I am interested in the history of people on the move, and in particular how migrants and refugees negotiated the upheavals of war and revolution in the 20th century. Originally, I turned to these topics as a specialist in Russian history, but I have since broadened my perspective to consider the causes and consequences of mass population displacement in other parts of the world. I have just retired from the History faculty at the University of Manchester, where I taught since 1976. In 2019 I was elected a Fellow of the British Academy, the UK’s national academy for the humanities and social sciences.
Thinking about camps and incarceration brings me to Voices from the ‘Jungle’: Stories from the Calais Refugee Camp. I choose this book because it offers insights into the lives and aspirations of refugees who congregated in the refugee camp in the coastal town of Calais in northern France. As such, it is an antidote to much contemporary reportage of refugees as a faceless and anonymous mass. Their vivid first-person accounts testify to the violence and persecution from which they escaped, whether in Afghanistan, Eritrea, Sudan, or Syria, and their subsequent adventures and odysseys, including endless waiting for official decisions or for the opportunity to make their way to the UK to join family or friends. The camp and its residents have been much photographed, but most of these images give little idea of the extent to which the “jungle” became a vibrant community; juxtaposing images and words, as in…
Often called the 'Jungle', the refugee camp near Calais in Northern France epitomises for many the suffering, uncertainty and violence which characterises the situation of refugees in Europe today. But the media soundbites we hear ignore the voices of the people who lived there - people who have travelled to Europe from conflict-torn countries such as Syria, Sudan, Afghanistan and Eritrea: people with astounding stories, who are looking for peace and a better future.
Voices from the 'Jungle' is a collection of these stories. Through its pages, the refugees speak to us in powerful, vivid language. They reveal their childhood…
I am professor of medieval history at the University of St Andrews in Scotland. As a PhD student, I was electrified by the historian E. P. Thompson’s call to rescue the masses ‘from the enormous condescension of posterity’, but it’s often only when peasants revolt, as they did outside Paris in 1358, that we get much evidence about the masses in the Middle Ages. I loved writing The Jacquerie of 1358 because it allowed me to get very close to the men (and a few women) who risked everything to make their society a more just and equal one. It was a privilege, and a pleasure, to tell their story.
This is a work of fiction, but one so well imagined that I felt like I was actually in the medieval English countryside.
It’s the story of Will, a peasant heading to France to join the English army as an archer in the Hundred Years War during the summer of 1348, when the Black Death swept across northern Europe. Along with him travel a gentlewoman avoiding an unwelcome marriage, some soldiers harboring a sordid secret, and a cleric with troubles of his own.
Following behind is Will’s gender-fluid childhood friend and would-be lover, Hab-Madlen, who is endangered as much by people’s prejudices as by the disease stalking the population. Will they escape England and their pasts before the plague catches up with them?
'Inventive and original' The Times 'Fans of intelligent historical fiction will be enthralled' Hilary Mantel
Shortlisted for the Walter Scott Prize for Historical Fiction Longlisted for the Orwell Prize for Political Fiction
Three journeys. One road.
England, 1348. A gentlewoman flees an odious arranged marriage, a proctor sets out for a monastery in Avignon and a young ploughman in search of freedom is on his way to volunteer with a company of archers. All come together on the road to Calais. In the other direction comes the Black Death, the plague that will wipe out half of the population of…
I decided to write this book because while there are many works on the Hundred Years War, they tend to dwell on the political and diplomatic, rather than the military aspects. I considered that this period marked a real revolution in military affairs, led by England. It was England that had the world’s only professional army since the collapse of the Roman Empire in the west in the 5th Century, that used technology (the longbow) as a force multiplier, and while moving on horseback did its fighting on foot. It was these three legs of the revolution that allowed tiny English armies to defeat far larger French feudal ones.
There are lots of books about Crecy, the first major land battle of the war, but here the authors examine and compare all the original sources.
Medieval historians were not necessarily interested in the things that modern historians are, so there are many gaps in the various accounts. Similarly, many academics, through no fault of their own, do not understand the mechanics of organising, deploying, and administering an army, or how it actually fought.
Here the authors do examine points such as what formation the English armies would have taken up, where exactly the archers would have been placed, and suchlike.
While I, with my own military experience, might not agree with all the Authors’ conclusions, they do an admirable job of comparing, contrasting, and shining light into dark corners.
With additional contributions from Francoise Autrand, Christophe Piel, Michael Prestwich, and Bertrand Schnerb.
On the evening of 26 August 1346, the greatest military power in Christendom, the French royal army withPhilip VI at its head, was defeated by an expeditionary force from England under the command of Edward III. A momentous event that sent shock waves across Europe, the battle of Crecy marked a turning point in the English king's struggle with his Valois adversary. While the French suffered humiliation and crippling casualties, compounded by the consequential loss of Calais a year later, the self-confidence and military reputation of the…
I grew up during the war years and remembered the backouts, ration cards, and the newscasts from the front and worrying about my cousins who were in the middle of it. My cousin Gerald always made sure I had a model airplane kit every Christmas, even though he was fighting in Europe. As a journalist, I was lucky to work with a few war correspondents that covered Dieppe and D-Day and heard what they went through. One of those people was Bill Anderson who died two years ago. I recorded a video interview of him when he was still 97 about his experiences in Canada and Europe
Operation Mincemeat and The Man Who Never Was were just the tip of an elaborate double-cross system by the British during the Second World War. It consisted of an elaborate group of English spies operating at German agents in England and beyond, feeding false information to the Germans and gaining access to the codes and cypher work of the German Secret Service. Their work was responsible for deceiving Hitler and the German army into believing that the D-Day landings would take place at the Pas de Calais. I love just about every book I read about World War II and this was one of the best. You’ll be surprised as I was about how important their activities were.
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I am a writer and researcher from North Yorkshire, England. Although I’ve written extensively on pre-cinema history (for example, I co-wrote the BAFTA long-listed documentary, The First Film) I have also researched little-known stories connected with the natural world, particularly the beautiful Yorkshire Moors, where I live. My upcoming travelogue The Witches’ Waywill combine nature-writing with original historical research, and will be published by Open Space Books in the Autumn. I have long been an admirer of the poetryof Edward Thomas – bringing his long-forgotten fictionto a new audience has been a real passion project of mine.
This book – a history of the act of trespass – explores our relationship with the natural world in a provocative and highly original way.
Starting with the statistic that the public are excluded from 92% of the land of England, Hayes combines history with a meditation on the implications of excluding large swathes of the population from what is, at the end of the day, their own country.
However, this is not a dry political tract but a lyrical and passionately argued text enlivened by the author’s own exploits, trespassing on land across the country and visiting everything from migrant camps in Calais to music festivals to explore the various uses and abuses of shared land.
The book is angry and defiant, and – because it has helped spark debate – I see it as something fundamentally hopeful.
THE SUNDAY TIMES BESTSELLER
SHORTLISTED FOR THE CWA GOLD DAGGER FOR NON-FICTION 2021
SHORTLISTED FOR THE INDIE BOOK AWARD FOR NON-FICTION 2022
'Brilliant, passionate and political . . . The Book of Trespass will make you see landscapes differently' Robert Macfarlane
'A remarkable and truly radical work, loaded with resonant truths' George Monbiot
The vast majority of our country is entirely unknown to us because we are banned from setting foot on it. By law of trespass, we are excluded from 92 per cent of the land and 97 per cent of its waterways, blocked by walls whose legitimacy is…
![Book cover of The Chronica Maiora of Thomas Walsingham [1376-1422]](https://res.cloudinary.com/hzpwrwfdi/image/upload/w_220/media/covers/81OHr5D264S_yc7asn.webp "Book cover of The Chronica Maiora of Thomas Walsingham [1376-1422]")
