The most recommended books on the Silk Road

The Gates of Heaven is book three of Seven Brothers, a four-book series, in which the presence and role of the gods become more and more apparent as the overarching story unfolds. Llesho’s story starts off as what you might expect of a young prince in exile, sold into slavery as a pearl-diver, who escapes and sets out to find his scattered brothers. It doesn’t end up where you think, and this book is the point in the series where the story of gods and goddesses and dragons involved in human affairs really takes over as the main plotline, though the threads of it have been there from start. Mountains, grasslands, ancient cities, and their trade routes—this is an excellent silk road fantasy as well.

The author does a huge amount of detailed research in his books, and I can escape into all of them because he makes the past come alive.

Marco Polo was nicknamed "Marco of the millions" on his return from the East due to his unbelievable stories. Lying on his death bed, he confessed, "I have not told the half of what I saw and did!" and I can believe that.

This superb read takes me from Venice's back streets and the dangers of the Silk Road to the Kublai Khan court. All the historical accuracy brings the past to life. It can be explicit in parts, giving it an X movie rating.  

Tragically little Central Asian literature has been translated into English: Hamid Ismailov’s books are notable exceptions. The Devils’ Dance won the 2019 EBRD Literature Prize, and it was the first time an Uzbek writer was awarded a major international prize. It is the desire to see more writers like Hamid be able to bring their books to global audiences that prompted me to co-found the Silk Road Literary Festival.  

I found the author's gorgeous writing and deep reflection to be irresistible. Harris is a true explorer of the world and the self as well as a brilliant writer.

This book showcases the curiosity and awe that drove Harris and her best friend to bicycle across the Silk Road. While pedaling out of bounds on her bicycle, she effortlessly led me to new territories of thought and imagination. Her descriptions are vivid, and I identified fully with her love of wildness.

I’ve spent my life tracing the first 20,000 years of our drive to dress ourselves, and this book adds unique knowledge to that search. 

Aslan traces the development of the three great natural fibers, wool, silk, and cotton, in Central Asia, a remarkably convoluted and fascinating story ranging from handmaking gorgeous textiles to the destruction of people and environments that the growing of water-thirsty cotton for vast markets has caused. Indeed, cotton recently swallowed the entire inland Sea of Azov and its tributaries, leaving the marooned docks and ships stuck in this new desert. 

His well-paced page-turner draws from decades of personal experience living and working there, helping rebuild local lives through reconsidered textile industries. The bottom line is we must stop wasting this wonderful but destructive fiber.

As I perched on the ramparts of the citadel in Khiva one sunny morning in autumn of 2001, the scene in the bazaar below of sellers hawking everything from recalcitrant sheep to giant melons and elaborately-carved furniture summoned up the exotic past of a town once traversed by caravans of merchants plying their trade between China and Europe. But what is compelling about this book is its focus not on Khiva’s illustrious history but on the present-day lives of the people the author encountered when he lived among them running a carpet-making workshop. Fascinating both for its forensic exploration of that ancient craft and for the sensitive depictions of the people of Khiva, this book is a true tale of the modern-day Silk Road.

The Silk Road is a nineteenth-century invention, but the movements of people, things, and ideas in and through the immense and often terrifying space between modern Iran and China generated change in every sphere and engaged an astonishing variety of people. Valerie Hansen’s exploration of seven places along the imagined route and what has been found in them offers a lucid and lively introduction to a wider medieval world and how we know about it. 

This book was a pertinent reminder of the prevailing yet misplaced, western-centric historical epicenter by realigning the map toward the East while providing a fresh, cosmopolitan perspective of our shared saga. Frankopan traverses the dynamic Eurasian Steppe and Silk Roads, which, for millennia, have connected and coupled people, products, pathogens, economies, armies, inventions, and ideas that shaped our global village.

Food is without doubt one of the most insightful windows into any culture. The food we eat is a mirror of who we are and where we come from, a strong trigger for memory, and cooking together or sharing a meal creates an unusually strong bond between people who were previously strangers. In Red Sands, Caroline Eden combines reportage, photography, and recipes to build a rich picture of Central Asia, introducing people and places foreigners would never normally encounter. Her stories are diverse, evocative, and thought-provoking, but they have one thing in common: they make you hungry for adventure and to taste the many ingredients and dishes she describes.

The main character in House of Eclipses is the third daughter of the “king," appointed by their God, Sol. Her father abuses her but when he sees a way to increase his power, sends her to enemy lands to secure that power for him. She looks at this task as an opportunity to get the upper hand on her father, but things quickly get out of hand. She discovers she may not be able to follow her father’s orders. Does she follow her heart or do her father’s bidding and potentially escape his wrath? I love that this book has the element of a character choosing her own path in life. The second book in this series takes a while to dig into but House of Eclipses will not disappoint.