100 books like All the Frequent Troubles of Our Days

My reading is almost entirely influenced by my own family’s extraordinary history. My mother and father-in-law were both illegitimate. Both suffered for the fact and my father-in-law was 11 years old when he first found out and was reunited with his mother, albeit on a second-class basis compared to his half siblings. My mother trained bomb aimers. My father flew Lancaster bombers and was just 19 years old in the skies above wartime Berlin. My own books combine history, my personal experiences, and my family’s past to weave wartime stories exploring the strains that those conflicts imposed on friendships.

I’ve been a journalist for much of my life and have been passionate about history since I was a child. Ever since I visited a castle at age five, I’ve loved imagining the past and naturally ended up doing a History degree at Oxford. I love fact-based stories and am always meticulous in my research so that I can bring my readers with me on a journey of discovery. But what always brings history to life for me is focusing on the characters, real or imagined, who’ve made history themselves.

I'm an Australian writer who wrestled with the idea of being a novelist for years before finally surrendering to the joy of crafting beloved characters–then dropping them in the most awful situations for the sake of a compelling story. I was a newspaper journalist for a decade, covering crime, politics, and shark attacks. I moved into youth work and wrote The Deep Enders series while also producing How To Cook That, a large YouTube channel hosted by my wife, Ann.

As a writer of seven historically themed books, fiction and nonfiction, I’ve loved the intense, deep dive into World War I, World War II, the Civil War, and the Paris Commune that researching my books entailed. It’s been particularly fascinating to explore how women, whether on or near the front lines, or on the home front, negotiate life during war and how their behavior illuminates character. My protagonists are all women, and I’ve found that writing their lives offers a sharp opportunity to see the moral ambiguities of war. What’s more, their stories often transcend the personal to symbolize the spirit of a particular time and place at war.

I am Robert Loewen, the author of The Lioness of Leiden. Imagine that you were born between 1910 and 1925, and the war in Europe is raging. You're a university professor in Berlin who holds meetings at your home to resist the oppressive regime that has imprisoned prominent members of the opposition. Or maybe you are a Jewish man who plans to use your linguistic talent to succeed in a Czechoslovakian business venture, but you just received an order to report for transportation to a place called Auschwitz. Perhaps you are a Dutch university student who joins the resistance when the Third Reich invades your country.

As a writer of seven historically themed books, fiction and nonfiction, I’ve loved the intense, deep dive into World War I, World War II, the Civil War, and the Paris Commune that researching my books entailed. It’s been particularly fascinating to explore how women, whether on or near the front lines, or on the home front, negotiate life during war and how their behavior illuminates character. My protagonists are all women, and I’ve found that writing their lives offers a sharp opportunity to see the moral ambiguities of war. What’s more, their stories often transcend the personal to symbolize the spirit of a particular time and place at war.

I’ve been drawn to the Holocaust ever since a school project in the tenth grade. Later, as I worked to become a professional musician, the passion to learn more about the topic never left me. When I was first asked to perform some music of the Holocaust, the reaction of the audience (tears) and my own realization that through the power of this music, I could return a voice to so many who had their own voices so cruelly silenced changed my life. To date, I have interviewed multiple survivors of the Holocaust. Many became very dear friends, and my life has been infinitely enriched by knowing them. 

As a writer of seven historically themed books, fiction and nonfiction, I’ve loved the intense, deep dive into World War I, World War II, the Civil War, and the Paris Commune that researching my books entailed. It’s been particularly fascinating to explore how women, whether on or near the front lines, or on the home front, negotiate life during war and how their behavior illuminates character. My protagonists are all women, and I’ve found that writing their lives offers a sharp opportunity to see the moral ambiguities of war. What’s more, their stories often transcend the personal to symbolize the spirit of a particular time and place at war.

Since 2011 I have taught a summer course at Freie Universität Berlin, and have grown fond of the city, including its admirable efforts to acknowledge and atone for its former status as the capital of the Nazi empire. I’ve seen pictures of Canadian Prime Minister Mackenzie King touring the city and interacting (cheerfully) with Reich officials, and a couple of years ago I made a point of retracing his steps to observe the vestiges (very little) of prewar Berlin. This compelled me to dig deeply into what motivated King to break bread with Nazis, and how the prime minister’s trip was viewed by Canadians and the world – at the time, and since.

Fact is often more fascinating than fiction, and on occasions, a lot weirder too. As someone, London-based though lucky to have travelled extensively in Europe since childhood (my mother was keen to visit places where my father had been stationed in the Second World War) and more recently as a journalist (for The Financial Times, BBC, The Guardian, and others) in the Americas, Asia, and Africa, I have always been attracted to stories that strongly convey senses of time, place and the people you just happen to meet.