Here are 100 books that Enemy Women fans have personally recommended if you like
Enemy Women.
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I’ve always loved stories that rearrange reality in some simple, allusive way, including movies like Groundhog Day or The Truman Show. They remind me of a quote about Italo Calvino that I first read when I was a teenager and have loved ever since: ‘He holds a mirror up to life, then writes about the mirror.’ I tend not to be attracted to stories that simply depict reality and even less so to stories that completely abandon reality for an invented fantasy world. All my favorite fictions take place somewhere in between, in the blending of the real and the impossible.
It always seemed unfair to me that not only do we get just one life, but we only get to live it once. So I fell in love with this novel from the moment I read its premise: Ursula Todd is born and dies and is born again… and again… and again.
I love that she doesn’t remember her previous lives except as vague intuitions that help her avoid making the same mistakes twice–and I also love that avoiding those mistakes often means she makes other (often fatal) mistakes. I found this book funny, moving, and thought-provoking, but what I love most about it is the way its down-to-earth, realistic style allowed me to fully inhabit the impossible conceit at its heart.
What if you could live again and again, until you got it right?
On a cold and snowy night in 1910, Ursula Todd is born to an English banker and his wife. She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war.
At the close of World War II, I was born into the peace and prosperity of mid-twentieth century America, but I longed to be transported to an earlier era and a simpler time. I grew up living in an apartment building in New York City, but my spiritual home was Central Park, which served as my wilderness. Clumps of bushes were my woods. Rock outcroppings were my mountains. Books like Heidi and Little House on the Prairie captured my imagination and warmed my heart. But when my beloved father died in my eleventh year, a shadow fell that changed the emotional landscape of my life.
I was twelve when I fell in love with the old fashioned allure of the 19th century that I discovered in this book, which provided an early template (1868), for generations of books to follow that break down female stereotypes.
I identified with different aspects of all four March daughters, but most powerfully with Jo, the writer, who secretively pursues publication, prevails as a successful author, and no doubt provided a template for my own development as a writer.
And Marmee’s nurturing model of mothering was especially consoling to me as I grew up entangled in a difficult mother/daughter relationship, later to be recycled in my own books.
Louisa May Alcott shares the innocence of girlhood in this classic coming of age story about four sisters-Meg, Jo, Beth, and Amy.
In picturesque nineteenth-century New England, tomboyish Jo, beautiful Meg, fragile Beth, and romantic Amy are responsible for keeping a home while their father is off to war. At the same time, they must come to terms with their individual personalities-and make the transition from girlhood to womanhood. It can all be quite a challenge. But the March sisters, however different, are nurtured by their wise and beloved Marmee, bound by their love for each other and the feminine…
As a writer of seven historically themed books, fiction and nonfiction, I’ve loved the intense, deep dive into World War I, World War II, the Civil War, and the Paris Commune that researching my books entailed. It’s been particularly fascinating to explore how women, whether on or near the front lines, or on the home front, negotiate life during war and how their behavior illuminates character. My protagonists are all women, and I’ve found that writing their lives offers a sharp opportunity to see the moral ambiguities of war. What’s more, their stories often transcend the personal to symbolize the spirit of a particular time and place at war.
My favorite of Hemingway’s books, this great anti-war novel about a passionate love affair between a young, wounded soldier and the beautiful nurse who cares for him, never loses its power for me despite repeated readings.
I admire not only the book’s lyrical writing, exquisite observations and heartbreaking story, but also how the horror of what men are experiencing on the battlefield is mirrored in the tragedy of Catherine’s death in childbirth.
Ernest Hemingway's classic novel of love during wartime.
Written when Ernest Hemingway was thirty years old and lauded as the best American novel to emerge from World War I, A Farewell to Arms is the unforgettable story of an American ambulance driver on the Italian front and his passion for a beautiful English nurse. Set against the looming horrors of the battlefield, this gripping, semiautobiographical work captures the harsh realities of war and the pain of lovers caught in its inexorable sweep.
Hemingway famously rewrote the ending to A Farewell to Arms thirty-nine times to get the words right. A…
Head West in 1865 with two life-long friends looking for adventure and who want to see the wilderness before it disappears. One is a wanderer; the other seeks a home he lost. The people they meet on their journey reflect the diverse events of this time period–settlers, adventure seekers, scientific…
I am a child sexual abuse survivor who struggled for years with the help of therapy to become the person I am today. My sister, my mother, and I suffered years of emotional abuse by my father. When I was a child, my best friend (who also suffered abuse by her brother) and I made up stories that helped us navigate the situations in our families. I read, hiked, backpacked, and traveled alone for years in order to take
risks and develop strength before attempting to write at age sixty-one. I love books that put me solidly in time and place and deeply empathize with characters who struggle and grow to become their genuine selves.
I love this book because I became deeply involved with every one of the characters and how they were changed by their interactions with one another and by the results of their first experience with another salient species. The book involves the age-old questions of faith, God, religion, and humanity. Beautiful and haunting.
'The Sparrow is one of my favourite science fiction novels and it destroyed me in the best way when I read it. It is so beautifully written and the construction of the narrative is masterful.' Emma Newman, acclaimed author of Planetfall
Set in the 21st century - a number of decades from now - The Sparrow is the story of a charismatic Jesuit priest and talented linguist, Emilio Sandoz, who - in response to a remarkable radio signal from the depths of space - leads a scientific mission to make first contact with an extraterrestrial culture.
I am fascinated by first-person points of view. In writing plays and screenplays, I couldn’t write the inner thoughts of my characters. Now, in novels and short stories, I do that almost exclusively, even if the stories contain multiple narrators. I love the Unreliable Narrator—whether it is someone too young to understand what they are witnessing, someone who is in denial, or mentally ill, or a non-human experiencing the world in an odd way—the discrepancy between their view and mine delights me. I love discovering all those inner thoughts, fears, anxieties, and desires. These first-person stories let me into another’s experience and allow me to empathize with a whole new perspective.
I was profoundly moved by this painful-redemptive story of a young girl navigating her dysfunctional family. To discover the world through her thoughts plunged me into a frighting life of loss and danger and confusion. Yet it is the voice of this character that attracts me with her fierceness and determination.
I was stunned by the writing and had to pause and re-read parts to get the incredible revelations subtly slid into sentences. Ellen Foster is an unforgettable character.
"Filled with lively humor, compassion, and intimacy." —Alice Hoffman, The New York Times Book Review
"When I was little I would think of ways to kill my daddy." With that opening sentence we enter the childhood world of one of the most appealing young heroines in contemporary fiction. Her courage, her humor, and her wisdom are unforgettable as she tells her own story with stunning honesty and insight. An Oprah Book Club selection, this powerful novel has become an American classic.
Winner of the American Academy of Arts and Letters' Sue Kaufman Prize for First Fiction and the Ernest Hemingway…
I didn’t realize for a long time that I was drawn to reading and writing quiet, character-driven stories about found families–because I didn’t know that was a thing. But here we are. As an introvert, I love learning about people and exploring their relationships with one another, and I have devoted my writing and reading life to this endeavor (even before, again, I knew this was a thing). As a child, I spent my time in libraries, falling in love with these characters. Now, as an author and professor of writing, I believe these novels are also all incredible textbooks of character creation and storytelling.
This book, recommended to me by a professor many years ago, is a master class in writing voice. It’s not an easy book—filled with family trauma and abuse (big-time content warning here)—but it masterfully explores the complex relationship between mothers and daughters.
Ruth Anne is broken by her mother’s (and stepfather’s) actions, but the others around her help to put her back together. Yet another lesson is that those who find us can sometimes be the best family for us.
A profound portrait of family dynamics in the rural South and "an essential novel" (The New Yorker)
"As close to flawless as any reader could ask for . . . The living language [Allison] has created is as exact and innovative as the language of To Kill a Mockingbird and The Catcher in the Rye." -The New York Times Book Review
The publication of Dorothy Allison's Bastard Out of Carolina was a landmark event that won the author a National Book Award nomination and launched her into the literary spotlight. Critics have likened Allison to Harper Lee, naming her the…
Secrets, misunderstandings, and a plethora of family conflicts abound in this historical novel set along the Brazos River in antebellum Washington County, East Texas.
It is a compelling story of two neighboring plantation families and a few of the enslaved people who serve them. These two plantations are a microcosm…
I was intrigued to write this creative nonfiction book because it is a true story. It’s Mobile’s oldest and most famous legend. After extensive research, I discovered Boyington had two unqualified jurors, and all was based on circumstantial evidence. Still, he was hanged at age nineteen. A group of Mobilians formed the Boyington Oak Society, and we’ve applied for a posthumous pardon. My play is produced annually at Oakleigh Historic Museum. It has also been optioned for a movie, and the script is written.
Rick Bragg’s obsession with a grandfather he ever knew was fascinating. This was a man who lived during the Great Depression. He didn’t wear clothes with holes in them because that was popular, he did it because those were the only clothes he owned. It unveiled the ability of an ordinary man to do extraordinary things, an impressive accomplishment.
NATIONAL BESTSELLER • With the same emotional generosity and effortlessly compelling storytelling that made All Over But the Shoutin’ a beloved bestseller, Rick Bragg continues his personal history of the Deep South.
This time he’s writing about his grandfather Charlie Bundrum, a man who died before Bragg was born but left an indelible imprint on the people who loved him. Drawing on their memories, Bragg reconstructs the life of an unlettered roofer who kept food on his family’s table through the worst of the Great Depression; a moonshiner who drank exactly one pint for every gallon he sold; an unregenerate…
I'm an author of dark fiction from Wales, UK, who, for many years, taught primary school children. In my own writing I often gravitate towards the child’s point of view, and the same can be said of the fiction I choose to read. As a teacher I dealt with children’s issues on a day-to-day basis, and sometimes you wonder how these kids survive, or at least you understand the trauma they carry for the rest of their lives. But what about those who manage to rise above it? Those are the characters whose stories I love to read. The child lurks in all of us, and we must never lose sight of that fact.
Although the cover did nothing to attract me, it turned out to be one of those rare books you want everybody to read. Even though it was quite a long book, at around 480 pages, I loved every single sentence. The plot, the references to Native American culture, characterization, you name it. Superb.
I’m a historical novelist originally from Ohio. In Civil War lessons at school, we learned about battles and generals and read The Red Badge of Courage and other books centering on men’s experiences. With the exception of Florence Nightingale, women were largely absent from the discussions. I want to know about the women. As an adult, I lived in Roswell, Georgia, where I learned of the mill workers, mostly women and children, who, in 1864, were arrested and sent north by Federal forces for making Confederate cloth. Their fates largely remain a mystery, and I wrote my book in order to imagine what we may never know.
Part of the pleasure of reading historical fiction is the opportunity to learn something new, and this novel offered insight into medical practices of the Civil War period. Oliveira spares no details, no matter how gruesome. Yet the novel never feels like a lecture; the details are expertly woven into the story.
I loved following Mary Sutter’s journey from a well-respected Albany midwife to an aspiring Washington surgeon. I was inspired by her determination to learn all she could about the human body and how to treat it despite the many obstacles in her path.
A moving, New York Times bestselling novel about a young Civil War midwife who dreams of becoming a surgeon
Chosen by Good Housekeeping as a Top 10 Good Read
Mary Sutter's story continues in Winter Sisters, coming February 2018 from Viking
Fans of Caleb's Crossing by Geraldine Brooks, Cold Mountain by Charles Frazier, and Mrs. Lincoln's Dressmaker by Jennifer Chiaverini will love this New York Times bestselling Civil War tale.
Mary Sutter is a brilliant young midwife who dreams of becoming a surgeon. Eager to run away from recent heartbreak, Mary travels to Washington, D.C., to help tend the legions…
I am a child sexual abuse survivor who struggled for years with the help of therapy to become the person I am today. My sister, my mother, and I suffered years of emotional abuse by my father. When I was a child, my best friend (who also suffered abuse by her brother) and I made up stories that helped us navigate the situations in our families. I read, hiked, backpacked, and traveled alone for years in order to take
risks and develop strength before attempting to write at age sixty-one. I love books that put me solidly in time and place and deeply empathize with characters who struggle and grow to become their genuine selves.
I love this book because I was emotionally blown away by this beautifully written tale of a fourteen-year-old boy’s journey across the war-driven South. I experienced his change from a naïve young boy to manhood. How can something so tragic be written so poetically yet simply? I want and need to feel strong emotion when I read, to be connected to the character(s). I certainly was here.
This was the first book I read by Robert Olmstead, but it hasn’t been the last.
When Robey Childs's mother has a premonition about her husband, a soldier fighting in the Civil War, she does the unthinkable: she sends her only child to find his father on the battlefield and bring him home.
At fourteen, wearing the coat his mother sewed to ensure his safety—blue on one side, gray on the other— Robey thinks he's off on a great adventure. But not far from home, his horse falters and he realizes the enormity of his task. It takes the gift of a powerful and noble coal black horse to show him how to undertake the most…
