Here are 100 books that Betty fans have personally recommended if you like
Betty.
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In my high school creative writing class, my teacher once said that good writing was a bit like looking at a star. If you look directly at it, it gets a little fuzzy and hard to see. But if you look just off to the side, the star becomes vivid and clear. That, to me, is exactly the power of spooky stories for young readers. We all deal with monsters, to varying degrees, throughout our lives. Even kids. But if we look at it just off to the side, through the angle of a fun, spooky story, those monsters suddenly become much more comprehensible. More faceable. More beatable.
It’s been said by smarter people than me how writing horror for kids isn’t about scaring them, it’s about showing them how brave they are.
A Monster Calls is the perfect illustration of that. The scariness and the spookiness are a stand-in for the real-life horrors that this kid is facing. Kids deal with a lot, and this book is the perfect example of how to survive when the worst happens.
The artwork too—wow! I wish I could get some of this artwork to hang on my walls. Absolutely gorgeous book.
The bestselling novel and major film about love, loss and hope from the twice Carnegie Medal-winning Patrick Ness.
Conor has the same dream every night, ever since his mother first fell ill, ever since she started the treatments that don't quite seem to be working. But tonight is different. Tonight, when he wakes, there's a visitor at his window. It's ancient, elemental, a force of nature. And it wants the most dangerous thing of all from Conor. It wants the truth. Patrick Ness takes the final idea of the late, award-winning writer Siobhan Dowd and weaves an extraordinary and heartbreaking…
I can’t count the number of conversations where I’ve been asked to slow down, or take a breath, or talk in a straight line. My neurodivergent heroes are versions of me: me if I were an alien, or a dying old lady, or a zombie. Gus is the closest I’ve come yet to writing my true self. He’s just me. I want readers who identify with Gus to feel seen and accepted and those who don’t—to understand what it’s like to live like this. And, just maybe, to have a little fun along the way.
I love story remixes: new takes on an existing genre. This book takes a conventional mystery plotline and gives it bright new coloring thanks to the narrator’s autism.
As is often the case with neurodivergent folks, Christopher doesn’t know much about the world, but he understands himself. A quiet masterpiece. No sentimentality, thank heavens.
'Mark Haddon's portrayal of an emotionally dissociated mind is a superb achievement... Wise and bleakly funny' Ian McEwan
The Curious Incident of the Dog in the Night-Time is a murder mystery novel like no other. The detective, and narrator, is Christopher Boone. Christopher is fifteen and has Asperger's Syndrome. He knows a very great deal about maths and very little about human beings. He loves lists, patterns and the truth. He hates the colours yellow and brown and being touched. He has never gone further than the…
I'm the author of over 15 novels written for kids, teens, and adults across several genres. The thing all my books have in common is that they are sad and they are dark. My most recent novel is my most distilled, compressed delivery of deliciously dark sadness yet! Oddly, I'm rarely sad in real life. My daughter suggested that I write books to get the darkness out of my head and onto the page, which I think is very insightful (she is my kid, after all). I enjoy the beauty in the breakdown, I savor the sublime catharsis of tragedy, and I want to share that perspective with everyone.
Neil Gaiman has probably had more of an impact on my brain and my writing than any other author. Selecting just one of his many incredible "dark and sad" books was a real challenge for me.
I settled on this one, in part because it is the perfect bookend to my previous recommendation, Doll Bones, in that it eloquently expresses the quiet joys, fears, and sorrows of childhood, as seen through the eyes of an adult who knows full well the meaning of loss, and the cost of things we can barely recognize, much less understand, when we are young.
Like the narrator of the book, I feel the ever-widening gulf between myself and my own memories. I also see it beginning for my offspring, who have both recently entered adulthood, and my heart breaks for all three of us.
'Neil Gaiman's entire body of work is a feat of elegant sorcery. He writes with such assurance and originality that the reader has no choice but to surrender to a waking dream' ARMISTEAD MAUPIN
'Some books just swallow you up, heart and soul' JOANNE HARRIS
'Summons both the powerlessness and wonder of childhood, and the complicated landscape of memory and forgetting' GUARDIAN
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'My favourite response to this book is when people say, 'My childhood was nothing like that - and it was as if…
I am a forty-five-year career educator, sharing my classrooms with students from primary school through graduate programs in creative writing. What I love most in every classroom I enter is sharing the books and stories and poems I love with my students. The best days: when I’m reading one of my favorite parts of the book out loud to the group and I look up and they laugh or gasp, or I look up and see their eyes full of joy. If it’s my own work I’m reading from, all the better!
I saw this quirky little book on the “New Titles” table, “little” being the keyword. Algonquin published this short novel’s first edition in a smaller format, and I was, honestly, drawn to the size and to its evocative cover art—rumpled lines on an ornate cast iron bed. Inside I found feisty eleven-year-old Ellen, abused and ill-treated her family, abandoned to the foster care system. This wise and smart and funny narrator holds her next to the best talkers in all of literature. Among other things, Ellen (by way of Kaye Gibbons) taught me some of what I needed to know to write my own book. I fell in love with Ellen Foster and you will too!
"Filled with lively humor, compassion, and intimacy." —Alice Hoffman, The New York Times Book Review
"When I was little I would think of ways to kill my daddy." With that opening sentence we enter the childhood world of one of the most appealing young heroines in contemporary fiction. Her courage, her humor, and her wisdom are unforgettable as she tells her own story with stunning honesty and insight. An Oprah Book Club selection, this powerful novel has become an American classic.
Winner of the American Academy of Arts and Letters' Sue Kaufman Prize for First Fiction and the Ernest Hemingway…
I’m a historical novelist originally from Ohio. In Civil War lessons at school, we learned about battles and generals and read The Red Badge of Courage and other books centering on men’s experiences. With the exception of Florence Nightingale, women were largely absent from the discussions. I want to know about the women. As an adult, I lived in Roswell, Georgia, where I learned of the mill workers, mostly women and children, who, in 1864, were arrested and sent north by Federal forces for making Confederate cloth. Their fates largely remain a mystery, and I wrote my book in order to imagine what we may never know.
This book took me somewhere new for a Civil War novel—the border state of Missouri.
Jiles is a poet, which is evident in her evocative prose. Visceral and unexpected details in every sentence put me right into the story of the young women from Missouri whose father was taken and whose home was destroyed by Union militia despite the family’s neutrality.
I found the excerpts from real letters and newspapers at the beginning of each chapter intriguing. Readers will be captivated by eighteen-year-old Adair, who is courageous, smart, and spirited.
"A gritty, memorable book ... it is a delight from start to finish, without a single misstep." Tracy Chevalier
Missouri, 1865. Adair Colley and her family have managed to hide from the bloody Armageddon of the American Civil War, but finally even their remote mountain farm cannot escape the plundering greed of the Union militia. Her house is burnt, her father beaten and dragged away. With fierce determination, Adair sets out after him on foot. So begins an extraordinary voyage which will see Adair herself denounced as a Confederate spy and thrown in jail. Here she falls passionately in love…
I am an adult child of an alcoholic father and an abusive and dysfunctional stepmother who ran away from home at sixteen and fell into the wrong crowd in my search for love and family. Yet after years of hard personal work, I have overcome and triumphed over these obstacles to become stable, happy, and successful, in a good marriage, raising a great son in a loving, stable home. I’ve gone on to help and inspire others to do the same, including writing the book Redeemed, A Memoir of a Stolen Childhood.
I loved this book because, for the first time in my life, I understood that I was not the only broken and damaged person in the world.
Because of her honest portrayal, I felt less alone and more like there were other souls out there who understood my fears of not belonging, of not being able to be “good enough,” of not being wanted, and of being ignored by one parent while being belittled, abused, and blamed by the other.
Allison wrote clearly about the effects of poverty on family dynamics and the dysfunctional family and explained to me for the first time why I felt defective and why the rest of the world seemed so normal. It gave me hope.
A profound portrait of family dynamics in the rural South and "an essential novel" (The New Yorker)
"As close to flawless as any reader could ask for . . . The living language [Allison] has created is as exact and innovative as the language of To Kill a Mockingbird and The Catcher in the Rye." -The New York Times Book Review
The publication of Dorothy Allison's Bastard Out of Carolina was a landmark event that won the author a National Book Award nomination and launched her into the literary spotlight. Critics have likened Allison to Harper Lee, naming her the…
I was intrigued to write this creative nonfiction book because it is a true story. It’s Mobile’s oldest and most famous legend. After extensive research, I discovered Boyington had two unqualified jurors, and all was based on circumstantial evidence. Still, he was hanged at age nineteen. A group of Mobilians formed the Boyington Oak Society, and we’ve applied for a posthumous pardon. My play is produced annually at Oakleigh Historic Museum. It has also been optioned for a movie, and the script is written.
Rick Bragg’s obsession with a grandfather he ever knew was fascinating. This was a man who lived during the Great Depression. He didn’t wear clothes with holes in them because that was popular, he did it because those were the only clothes he owned. It unveiled the ability of an ordinary man to do extraordinary things, an impressive accomplishment.
NATIONAL BESTSELLER • With the same emotional generosity and effortlessly compelling storytelling that made All Over But the Shoutin’ a beloved bestseller, Rick Bragg continues his personal history of the Deep South.
This time he’s writing about his grandfather Charlie Bundrum, a man who died before Bragg was born but left an indelible imprint on the people who loved him. Drawing on their memories, Bragg reconstructs the life of an unlettered roofer who kept food on his family’s table through the worst of the Great Depression; a moonshiner who drank exactly one pint for every gallon he sold; an unregenerate…
I'm an author of dark fiction from Wales, UK, who, for many years, taught primary school children. In my own writing I often gravitate towards the child’s point of view, and the same can be said of the fiction I choose to read. As a teacher I dealt with children’s issues on a day-to-day basis, and sometimes you wonder how these kids survive, or at least you understand the trauma they carry for the rest of their lives. But what about those who manage to rise above it? Those are the characters whose stories I love to read. The child lurks in all of us, and we must never lose sight of that fact.
This is a short read, one you'll devour in just a few sessions, as it will hold your attention from start to finish. This is real-life horror, not make-believe. Yes, there are some graphic descriptions, but this tale does not set out to shock. There is no gore for the sake of it.
As horrific as Denny's (M.C.) situation is, there are beautiful, tender moments that will tug at your heart.
I don't know if it was because the whole of my career was spent teaching kids of Denny's age, but I found myself fully engaged in his story. Denny's situation resonated deeply, and I wanted to take him home.
The characters were so well drawn and the neighborhood vibe was spot on, too. Highly recommended.
A neglected 12-year-old boy does nothing to report the death of his mother in order to compete in a spelling bee. A tragic coming-of-age tale of horror and drama in the setting of a hot New Orleans summer.
"Original, touching coming of age."—Jack Ketchum, author of The Girl Next Door
"With "Of Foster Homes and Flies" Lutzke is firing on all cylinders. It's a lean mean emotional machine. Coming-of-age presented in a fresh direction. Bearing tremendous emotional weight and heart. It made me cry. "—John Boden, author of Jedi Summer and Dominoes
"Disturbing, often gruesome, yet poignant at the same…
I am a doctor, an award-winning writer, and lifelong lover of mysteries. Many mysteries feature smart characters. I prefer those with wise characters, who can teach me something about a life well-lived. Or not. Sometimes the mistakes are more instructive and more fun. Stories with older characters offer a plethora of life experience and wisdom, and usually poignancy and humor as well. From my life as a doctor and my daily visits to my mother’s retirement community dinner table, I see seniors who are strong, wise, vital, and often overlooked. I love stories that give voice to this robust and rich generation who have so much to offer.
A widow with a new lease on life thanks to her secretly wealthy aunt becomes involved in a murder.
Multigenerational, with the Italian grandma, her newbie journalist granddaughter, plus an ex-nun sister and an ex-sister-in-law.
This story involves food, jokes, and family love, albeit with much more brashness and outspokenness than any of the other books I listed, and also a lot more Italian, though the book is set in New Jersey.
For Alberta Scaglione, her golden years are turning out much more differently than she expected—and much more deadly . . .
Alberta Scaglione’ s spinster aunt had some secrets—like the fortune she squirreled away and a secret lake house in Tranquility, New Jersey. More surprising: she’s left it all to Alberta. Alberta, a widow, is no spring chicken and she’s gotten used to disappointment. So having a beautiful view, surrounded by hydrangeas, honeysuckle, and her cat, Lola, sounds blissful after years of yelling and bickering and cooking countless lasagnas.
But Tranquility isn’t as peaceful as it sounds. There’s a body…
Female warriors add more depth to the action/thriller genre and make any character infinitely more interesting. I’ve read and watched enough Jacks, Johns, and Jakes to last a lifetime and I want some Janes in my reading life. I’ve been an avid reader for more than 40 years and always felt that there was a blank space when it comes to female protagonists. Many of my favorite female characters were relegated to supporting roles including some on my list, but when I find a great female character I end up reading her again and again. And if you haven’t seen it yet, watch Lioness on Amazon, it will leave you breathless!
When it comes to Constance Greene, I hardly know where to begin.
She’s certainly the oldest and most deadly character in fiction writing today. I say she’s the oldest because she’s trapped in the body of a thirty-something-year-old woman even though she was born in 1873, long story.
She appears as a supporting character in multiple novels, as the love interest of Detective Aloysius Pendergast, but she is so much more than that. She’s eloquent, brilliant, and does not succumb to emotional distress under any threat of death.
In Blue Labyrinth, eight highly trained mercenaries pursue her and none of them live to tell the tale. At her most ruthless, she can kill with any tool at her disposal and she is loyal to the man she loves.
When a longtime enemy shows up dead on Pendergast's doorstep, the murder investigation leads him into his own dark past as a vengeful killer waits in the shadows.
It begins with murder. One of Pendergast's most implacable, most feared enemies is found on his doorstep, dead. Pendergast has no idea who is responsible for the killing, or why the body was brought to his home. The mystery has all the hallmarks of the perfect crime, save for an enigmatic clue: a piece of turquoise lodged in the stomach of the deceased.
Interested in
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