100 books like Then We Take Berlin

I read Eric Amber when I was young, and again when I was invited to take part in Andrew Marr’s BBC4 documentary Sleuths, Spies and Sorcerers.

Ambler’s books have no heroes or jingoism. He revolutionized spy fiction by injecting realism. He portrays the chaos of Europe in the 1930s, with people trying to survive without papers. In Epitaph for a Spy, Josef Vadassy, a Hungarian refugee, has become stateless after the Treaty of Trianon. In France, he is arrested for spying because of a mix-up with camera film. He is told to find the real spy or be deported, which could mean death. He is left with no choice but to become a spy.

Ambler said that he wanted to write “credible and literate spy fiction.” He amply succeeded in this.

The Night of Wenceslas was the first thriller I read. I was in my teens, and into reading poetry at the time. My parents knew the author—we had even spent Boxing Day together—so Lionel Davidson was the first real novelist I met in person and I remember being excited to read this book.

The protagonist, Nicholas Whistler is young, half English and half Czechoslovakian. He hates working in his father’s business and is in debt because of his dissolute lifestyle. As a way out of his problems, he is lured into carrying out a mission in Prague and finds he has been duped into becoming an unwitting spy.

This book did not stop me from reading poetry—but spurred me to read much more widely.

BOX 88 is a thoroughly modern-day spy story set in two timeframes. Lachlan (‘Lockie’) Kite, the protagonist, is poles apart from Lawton’s Joe Wilderness. An apparently chance meeting at the funeral of an old school friend leads him to be abducted. Flashback 30 years, and we see how he was recruited to a secret cell of intelligence operatives (Box 88) when barely out of his upper-class boarding school. He is trained and asked to undergo a mission while spending the summer at the house of a school friend in France. While there, he falls heavily in love, and somehow manages to carry out his mission—albeit with devastating consequences. This portrayal of an intelligent young man growing up feels real and is beautifully handled. The start of a great series.

Javier Marías, who died recently, is a mesmerising writer. I lived in Spain for many years and have read most of his books. I recommend reading A Heart So White to start, but here, Berta Isla is perfect. This book introduces Tomás Nevinson, who is Anglo-Spanish. While studying at Oxford, he declines an offer to join MI6. He is then accused of murder—a ruse to oblige him to become an infiltrator. Now married to Berta in Madrid, he officially works for the embassy, but travels frequently on undercover missions, while Berta and their children find it difficult to accept his long, unexplained absences.

The book is an exploration of deception, betrayal, loyalty, identity, how a person becomes a spy, and how this impacts personal life.

I shall miss him.

Though Deighton has gone on to write several hugely popular and better-known spy stories, none of them beats Funeral In Berlin for sheer fun. Narrated by its nameless, smart-ass protagonist, who works for an obscure and underfunded British intelligence agency, the book has all the Cold War suspense, plot twists, and dubious characters you could wish for. Swiftly paced and told with great irreverent humor, it’s terrific entertainment.

It’s Berlin, 1949. The second world war has ended but the geopolitical intrigue hasn’t. Russia, the U. S., Great Britain, and France engage in cold war espionage as disparate citizens of the German city struggle to survive. A young Jewish writer who fled the Nazis for America is caught up in Joseph McCarthy’s communist witch hunt. For the sake of his family and to keep from being deported, he agrees to help the CIA by returning to Berlin for a secret assignment. Kidnapping, murder, and more ensue, as he’s forced to keep tabs on the woman he left behind. Then he himself becomes the hunted. After returning to a city trying to rise from the ashes, this expat may or may not wind up ever being able to leave Berlin. 

This author offers a well-crafted history of daily life inside the Reich, a fascinating exploration of the German capital as the Nazi movement brought its citizens to their knees. Extensively researched and documented, Moorhouse vividly portrays the daily oppression and challenges faced on all societal fronts. This well-crafted study enmeshes the reader in life under totalitarian rule.

I stumbled on this novel when I was looking for something else (a common writers’ problem). It was written in 1932 and banned the next year by the Nazis and is set amongst the gangs of young men struggling to survive in a harsh and desperately impoverished Berlin. The descriptions of the hard side of the city are brilliantly drawn and the characters are so real you long for their lives to improve even when you know there is almost no hope of it. Haffner was a social worker who clearly knew Berlin’s streets well. To add to the poignancy of his writing, nothing is known about his fate beyond a summons before a Nazi tribunal in the late 1930s. After that, he disappears. I really hope his book doesn’t.

Okay, I like almost anything that is set in Berlin because I lived and “worked” there during the Cold War, but Canon really brings it in this tightly woven story of Martin Keller, a hapless former convict who has been co-opted to work for the CIA in East Berlin.

From the first page, paranoia sets in, as it must on anyone working against the Communist regime of East Germany, when Keller embarks on his own agenda to save himself and, more importantly, the family he loves.

Kanon re-creates the tension of a divided Berlin while his well-drawn characters try to escape the clutches of a morally corrupt government. Kanon is simply one of the best.  

In Berlin Stories, the book that inspired the movie Cabaret, comprising two linked novellas by Christopher Isherwood loosely based on his first-hand experience as an expat in Berlin in the Twenties, the British novelist evokes the anything-goes atmosphere that reigned in the capital of the Weimar Republic immediately prior to the Nazi take-over. That free-wheeling, raucous spirit survived the Third Reich and still thrives in Berlin today.