100 books like The Berlin Exchange

Another master, Alan Furst’s 1st novel (of 15 so far) is a great place to start. His stories are so well researched you might think you were reading a travel guide.

Filled with intricate details of the conflict between Russia and Germany as World War II begins, Khristo Stoianev is a young man recruited to work for the Russian secret service, the NKVD. From his recruitment in Bulgaria through training and successive secret missions, Khristo must survive not only the Nazis, but his own employers, who decide he too must be killed.

Furst builds both the pace and tension as Khristo fights his way across Europe trying to escape. Relentless.  

This is another book written by an ex-spy, in this case, the CIA. So, you can pick up a few authentic tips on how to run surveillance detection, for example, but I think there’s only so much of the real stuff McCloskey can include without some comeback from his previous employers. This is a fast-paced, action-packed thriller, which delivers.

I love McCarry’s books because not only are they true to the genre, they are historically accurate (and often quite humorous).

Moreover, his spy “tradecraft” works because he was a deep-cover CIA officer—the ones who get shot if they’re caught. His characters are realistic, not supermen—they have feelings, fears, and families—and they struggle against enormous odds.

In Tears of Autumn, American spy Paul Christopher believes he knows who assassinated JFK, a theory that pits him against a Vietnamese family seeking revenge for the death of its patriarch, as well as his bosses in the CIA. To survive, Christopher must stay one step ahead of all of them in this totally plausible tale of political intrigue. 

Muir’s Gambit is a prequel to Beckner’s blockbuster movie Spy Game (with Brad Pitt and Robert Redford). 

Not your traditional “spy thriller,” it follows a dark thematic arc of two spies, fueled by whisky and cigarettes, talking on the front porch of a beach house after the assassination of a comrade.

It is layered with a gritty (and sometimes absurdist) intellectual/philosophical study of the moral cost of living a life of lies. All in search of a truth that is hidden from everyone but one man.

Told with flashbacks to events in Korea, Vietnam, Cuba, and Hong Kong, it is a story fraught with human emotion—love, heartbreak, grief, regret—and the fragility of memory. A story told with authentic tradecraft and serpentine strategy, it evokes—more than any other book I’ve read—the reality, challenges, and moral pitfalls of working in a clandestine intelligence organization.

Muir’s Gambit is the 1st… show more.

Though Deighton has gone on to write several hugely popular and better-known spy stories, none of them beats Funeral In Berlin for sheer fun. Narrated by its nameless, smart-ass protagonist, who works for an obscure and underfunded British intelligence agency, the book has all the Cold War suspense, plot twists, and dubious characters you could wish for. Swiftly paced and told with great irreverent humor, it’s terrific entertainment.

I was immediately drawn to the suspense of this book. The novel begins at the Berlin Wall, where British intelligence agent Alec Leamas helplessly watches as East German guards murder his colleague.

As I followed the elaborate British plan to get revenge on an East German official, I had the nagging feeling that I was missing something. When I finally got to the end, I realized that I had been duped—much like many of the characters in the novel. 

Although The Berlin Airlift devotes time and space to the political background of the crisis, the bulk of the book is devoted to explaining how the West and the Berliners effectively responded to the Soviet blockade.

It shows both the difficulties encountered, the risks involved, and how the West’s efforts ultimately forced the Soviets to abandon their aggression unconditionally. Importantly, this book does not neglect the role played by the Berliners themselves in fighting for their freedom from Soviet domination.

While technically a prequel to Deighton’s well-known Cold War Game, Set, Match trilogy, Winter can certainly be read as a standalone novel. As the subtitle indicates, this is a book about a family. But really, this is a novel about two brothers, Peter and Pauli. The evolution of their relationship over the course of nearly half a century, 1900-1945, is the foundation on which Deighton explores this tumultuous period of German history. From their innocent and carefree youth in the late Wilhelmine period, to the trauma of their military service during the First World War, through the rise and rule of the Nazi party – can the ties that bind the Winter brothers survive?  

Parris’ book provides a “peek behind the curtains” to look at the decision-making process, particularly in Washington.

He uses eye-witness reports to highlight the differences between the various actors, and underlines disagreements within governments. Truman, for example, was not only often at odds with his generals and diplomats, he was also considered a “lame duck” president, destined for electoral defeat during the critical early months of the blockade and airlift.

Understanding his relationships with his cabinet officials is thus extremely illuminating and well handled by Parrish. The weakness of the book is that its focus on American politics and issues results in a comparative neglect of British, German, and Soviet perspectives.   

Milton does an exceptional job of tracing the origins of the Berlin crisis that culminated in a Soviet blockade of the 2.2 million German civilians living in the Western Sectors of Berlin.

The book starts with a look at Allied decisions and actions during the Second World War and describes how these influenced and shaped the post-war period. It does a particularly outstanding job of portraying life in occupied Berlin with rare granularity and neutrality. The result is a work that highlights Western hubris, failings, and mistakes as much as Soviet arrogance, deceit, and cruelty.

The book’s strength is explaining the build-up to the crisis (three-quarters of the book) rather than the confrontation itself. I recommend it as a good book to start with.