100 books like Epitaph for a Spy

Graham Greene’s writing has a profound moral gravity, and I found this story–of a petty criminal leading a desperate life on the rim of poverty while manipulating the woman in his life–to be a spectacle of human cruelty I couldn’t look away from.

Rose knows her man is no good but loves him anyway, unaware that he’s courted her solely to avoid prosecution for his crimes. After his death, she goes to Confession and takes solace from the slender thread of good in him–unaware that he has left a recording behind that will reveal the truth and shatter the only happiness she has left.

As a technical matter, the novel is a master class in holding back a final twist of the knife for a book’s very last lines to leave the reader reeling.

The key to a successful historical thriller is a strong sense of time and place, but not so strong that it slows down the plot – it’s still a thriller after all, and while it’s so tempting to find somewhere to put all that research, discipline is essential. I loved this book because Robert Ryan does it particularly well. I took a lot from it for The Fulcrum Files, particularly the mix of action and romance and the basis in real events.

March Violets plunges us into the darkness of 1930s Germany. The book is thoroughly researched and brilliantly evokes the decade which saw the terrible rise of Hitler and the Nazis. The narrative is fast-paced and introduces the character of Bernie Gunther, ex-cop turned private investigator, through whose eyes we witness the collapse of German society into savagery. 

As the first in his series of novels on the 1930s in Europe, Alan Furst's Night Soldier tends to earn the most critical praise, but Dark Star remains my personal favorite. Furst masters the noir ambiance and moral ambiguity of Europe as war approaches, where everyday people are drawn into the world of espionage and intrigue. His settings often lie outside the main urban centers of Paris and Berlin in the remote reaches of Eastern Europe. Furst's novels are impeccably researched for accurate detail-one of my must-haves in historical fiction-and each book will draw you to read the next in his series.

The Night of Wenceslas was the first thriller I read. I was in my teens, and into reading poetry at the time. My parents knew the author—we had even spent Boxing Day together—so Lionel Davidson was the first real novelist I met in person and I remember being excited to read this book.

The protagonist, Nicholas Whistler is young, half English and half Czechoslovakian. He hates working in his father’s business and is in debt because of his dissolute lifestyle. As a way out of his problems, he is lured into carrying out a mission in Prague and finds he has been duped into becoming an unwitting spy.

This book did not stop me from reading poetry—but spurred me to read much more widely.

Lawton and I both write novels about the post-WWII period and have had great conversations on author panels. The protagonist of Then We Take Berlin, Joe Wilderness, is something of a picaresque anti-hero. His mother died in a bomb attack, his abusive father basically abandoned him, so Joe survives as a petty thief, works the black market, and reads everything in his local library. Called up for National Service, his total lack of respect for rules lands him in military prison—and MI6 offers him a way out. So begins his career as a spy. Set in two timeframes, I particularly enjoyed Lawton’s portrayal of Wilderness’s chameleon-like powers of adaptation and his struggle to reconcile his private life, married to his boss’s daughter, and his undercover persona as a spy.

BOX 88 is a thoroughly modern-day spy story set in two timeframes. Lachlan (‘Lockie’) Kite, the protagonist, is poles apart from Lawton’s Joe Wilderness. An apparently chance meeting at the funeral of an old school friend leads him to be abducted. Flashback 30 years, and we see how he was recruited to a secret cell of intelligence operatives (Box 88) when barely out of his upper-class boarding school. He is trained and asked to undergo a mission while spending the summer at the house of a school friend in France. While there, he falls heavily in love, and somehow manages to carry out his mission—albeit with devastating consequences. This portrayal of an intelligent young man growing up feels real and is beautifully handled. The start of a great series.

Javier Marías, who died recently, is a mesmerising writer. I lived in Spain for many years and have read most of his books. I recommend reading A Heart So White to start, but here, Berta Isla is perfect. This book introduces Tomás Nevinson, who is Anglo-Spanish. While studying at Oxford, he declines an offer to join MI6. He is then accused of murder—a ruse to oblige him to become an infiltrator. Now married to Berta in Madrid, he officially works for the embassy, but travels frequently on undercover missions, while Berta and their children find it difficult to accept his long, unexplained absences.

The book is an exploration of deception, betrayal, loyalty, identity, how a person becomes a spy, and how this impacts personal life.

I shall miss him.

There have been so many biographies of Coco Chanel, good and bad, that it must be hard to find anything new (or nice) to say about her. This capsule history offers fresh insights into her lifestyle, inspirations, and obsessions. At La Pausa—her entirely beige bolt-hole on the French Riviera—Chanel waited out World War II alongside the likes of Colette, Igor Stravinsky, Edith Wharton, Aldous Huxley, Jean Cocteau, Wallis Simpson, and Somerset Maugham, who famously called the Riviera “a sunny place for shady people.” That reputation is certainly borne out by de Courcy’s book, which paints Chanel and her circle as being blissfully, willfully ignorant of the stealth war between the Nazis and the French Resistance raging around them.

The undisputed master of the Occult thriller, Wheatley sold over 50 million books, regularly topping best seller lists in the mid-20th Century. In To The Devil a Daughter, Wheatley contrasts the colour of the post-war French Riviera with the greyness of ration-book 1940’s Britain with a rare vividness, and atypically for the time, creates a ‘kick-ass’ middle-aged female protagonist. His descriptions of the Essex marshes, and the sinister Canon Copely-Syle who lives there, are superb. In another book, The Haunting of Toby Jugg, Wheatley describes a school (loosely based on the infamous Dartington Hall school), that partly inspired ‘The Academy’ in my own book. When reading Wheatley’s books, bear in mind he was a man of his time, as many of his views do not date well. I was massively flattered recently when a reader of my book said my style (not my views!) reminded him… show more.