100 books like The Wild Boys

Lemebel was a courageous and flamboyant activist during the dictatorship of Augusto Pinochet. Having lived in Chile myself, I think this book captures the erotic Chilean soul in all its humor, grief, and idealism at an important historical moment. The hopelessly romantic and delightfully ironic seamstress/protagonist Queen of the Corner lives on a rooftop in one of Santiago’s poorest barrios and hosts discussion groups by local leftist students who keep leaving behind really heavy boxes, ostensibly full of books, as they prepare a vague plan that will have enormous implications. The group’s ringleader Carlos is a charmer ala Che Guevara, and the Queen is soon head over heels in love as a friendship and a tender unrequited love affair begins. A story of remarkable humanism that mixes the erotic with revolution.

In my opinion, one of the finest living writers in the English language, Winterson masterfully spins a tale of historical, poetic, eccentric, dreamy and highly sensual, and gender-bending eroticism involving an androgynous hero during the Napoleonic era, and taking place in the kitchens of the emperor, on the battlefield and along the freezing march into Russia, as well as amid the canals of Venice. Always thought-provoking and rife with magical realism and plain heart-stopping imagery, tension, and poetry, Winterson tells her story in a manner that will—if not change your ideas about everything—certainly challenge them. I always feel inspired to stretch my understanding wider—and I actually fall deeply in love with the world all over again—each time I finish a novel by Winterson.

This anthology of dark fairy tales is everything I love in fiction.

As Carter once said herself, she liked to pour new wine into old bottles, giving them a shake and then seeing them explode. This is something I also do in my own writing - taking the themes of myths or fairy tales and weaving their darkness into my Victorian gothic novels. 

This book is probably the single most praised underground gay novel of my generation, and deservedly so. It’s so many things—beautiful writing, an old west setting in all its ugliness and adventure and hope, and a highly original narrative voice in the bisexual native orphan, Shed, who is being raised in a bordello. All the characters are well-drawn and as odd as the narrator, and the erotic journey, if I can call it that, is one of the most original, thought-provoking, and beautiful expressions of the possibilities of queer I’ve ever encountered. Spanbauer has helped me to write more skillfully about class and race and sexuality and how they are everywhere and how they can warp—and sometimes, oftentimes—set people free. 

This tells the story of a near future when mass extinction has driven the international community to negotiate a deal to save life on Earth. But this deal was corrupted at birth by the interests and opportunism of corporate capitalism. Woven around efforts to 'save' a fish species by people with madly different motivations, the book feels true while also being darkly funny, easy to read, and transforming in its power. It is all horribly familiar from my own experience of the deals that people and institutions have made to save the world from climate change. All of them are warped by the power of the profits made from destroying life, and by no one being willing to pay for precaution or clean-up.

All of R. Lee Smith’s novels are dark, explicit, and fascinating, but my favorite (and it was a Sophie’s Choice, for sure!) is The Last Hour of Gann. The heroine, Amber, and her spaceship full of fellow pioneers crash land on a dystopian alien world inhabited by lizard people. The humans are woefully unprepared to survive in the wild and all too willing to turn on one another. When a passing lizard/warrior/judge, Meoraq, stumbles upon their camp, Amber jumps at the opportunity to beg for his aid, a near-impossible task without knowing his language. Together, they learn to communicate, and as Meoraq embarks on the futile task of keeping “his humans” safe, so begins the delicious, inexplicable, slow-burn romance between woman and lizard that I never knew I needed.

This is the dirty realist poet, Charles Bukowski's, last novel and is filled with intriguing code and name-dropping of people he knew and was influenced by. As well as being as poetic as hell. Pulp also gives a glimpse of what it might have been like if Bukowski had lived on and ventured fully into crime fiction or pulp noir.

I love the book’s surface-level simplicity to draw you into its world. However, it then subversively lets bigger themes creep in: including surrealism and spiritualism, as the author faces his own death. All this with Bukowski’s deftly poetic touches.

This showed me how semi-autobiographical elements can fuse and influence fiction and vice versa. And, that it doesn't have to be hard to absorb or distract from the story. By acknowledging layers in writing which are there for those who want to peel back and discover them. And when they don’t,… show more.

The Big Book of Hell is the holy grail of dark humor, packaged perfectly in a comic format. Growing up as a sarcastic kid from Brooklyn, this was the first humor book I read that I felt was aimed directly at my sensibilities. It has a very unique “substance-over-style” aesthetic that is striking and somehow managed to become widely identifiable. It dances around subjects, poking fun at the absurdities of the world it was written in. It really showed me that you don’t need to be a conventionally great artist to publish comics and that there is a market for dark humor comics. The book, which reads almost like a variety show, opened my eyes to ways to play with structure of an individual comic and a whole book.

Imagine coming back from the dead only to realize the world doesn't want you: You move in with parents who are disgusted by you, random strangers on the street throw food or pull mean jokes on you and your friends, and being caught out past your curfew sends you to the dog pound. That's the life that Andy Warner reanimates into after a fatal accident. It's not all bad, though. At least he's got some friends at the Undead Anonymous support group, including the dead-sexy Rita, and Ray, a guy whose “venison” seems to come with some miraculous healing abilities. This is a darkly comedic book filled with a colorful cast, and you can't help but delight in the tragic spiral of the characters as they become increasingly inhuman. After all, can you blame them? 

Keller is a nice guy; everyone likes him. His only fault is he kills people for money. He is, by definition, a serial killer, but for him, it’s all business. Yes, he kills people, but for him, no big deal, just making a living.

Most of the book is about everything else in his life, his apartment, his girlfriend, and going to an art show. His stamp collection, etc. It’s like a look behind the curtain. Fascinating! 

I liked his cute conversations with his boss lady too. Funny.