Fans pick 100 books like Zed

Kate Moore sucked me into the world of the radium girls, who literally glowed from the radium dust that covered them at work, and that they ultimately ingested, sickening them in horrific ways.

The book made me want to scream in anger at their treatment and cheer for those who were determined to defend them and deliver justice. The story is a huge eye-opener about the importance of industry oversight and occupational health regulations. 

The ultimate dystopia survival story .. if you can call it survival. Although its title is only 10 years after Francine Prose’s book, it was, of course, written decades earlier by Orwell, who was looking across Europe at the totalitarian Soviet Union for his inspiration.

I read this book in junior high and have returned to it many times; contemplating Orwell’s insights about the ways authoritarian politics infect societies and destroy souls is more urgent and relevant now than ever.

I adored this fascinating tale of scientists studying chimpanzees in Africa, intertwined with the story of a failing marriage between one of those scientists, Hope Clearwater, and her mathematician husband back in England.

Reading this book, I was engrossed in the interplay between the people and the chimps, the evocations of African and English landscapes, and the subtle way in which the struggle for power within the chimps’ territory is echoed by human conflict in the same country.

If this all sounds rather complicated, William Boyd is one of the best storytellers around, so I was effortlessly carried along by the gorgeous sentences.

A totally distinctive coming-of-age novel, set in a desert community where people with environmental illnesses are forced to live, far away from the everyday chemicals and wireless gadgets which make them sick. The author gets so much right about the emotional fallout of this falling away from the normal: the ache that never quite goes for the old life that has been lost; the new bonds that form between disparate characters finding themselves in the same boat; the corrosive extra layer of societal contempt and disbelief (“of course it’s all in the mind…”). which makes these already devastating illnesses even harder to bear - and the lurking temptation of suicide. I gasped with recognition on almost every page. It’s a YA novel, but who cares?

A warm, glowing book, like having a conversation with a sane, intelligent friend. I learned so much about light (and I thought I was an expert!): for example how modern LEDs produce light in a fundamentally different way from all previous human light sources. And I learned about politics too: how a fudge of obfuscated health risks, dodgy carbon-saving assumptions, and eco-virtue-signalling led to other bulbs being banned while light pollution soars. Levin, a wildlife journalist (her descriptions of the rhythm of light in the natural world are just beautiful) was motivated to explore all this because of her own painful, disabling reactions to low-energy bulbs (a deeply politically incorrect problem to have). She soon found she was a) absolutely not alone and b) no one else wanted to know…

I was blown away by this book: one of those books that makes you think differently about the world and stays with you. Your classical political thriller is set at the heart of government: the big cheeses and their power games; this, though, is about two ordinary (but exceptional!) young people and how the political climate of Weimar Germany and the rise of Nazism affected their lives.

I much prefer a book like this, about life and what it means to be human. The “thriller” aspect comes from your fear of what might happen and whether their love alone can pull them through. I loved the characters, both the main ones and the secondary ones.

This is more your standard genre political thriller: written from the perspective of a British Prime Minister and those pulling the political strings.

I really appreciated the insights the author brings, having been an observer of government machinations and an insider of the British Labour Party. I believe it has reflections for anyone interested in understanding the fragility of democracy.

I deliberately didn't read this until after I had written my book to avoid being influenced since there are parallel warnings about how the British Establishment has a stranglehold over real power and only plays lip service to the concept of democracy.

This play profoundly affected me (even though it only played out in my head and not on a real stage). It is both disturbing and moving. It is absurdist, but that nightmarish detachment from reality somehow sends an even stronger shock to the system in its warnings about how fascism takes hold: that strong human tendency towards social thinking (emerging neuroscience research suggests a substantial overlap between physical pain and social pain).

This is much more than just an allegory on authoritarianism, however. Recently, people have used it to explain how easily society gave up on a public health approach to the ongoing Covid pandemic. Maybe getting COVID-19 repeatedly and, at some point, eventually getting long-term COVID-19/turning into a Rhinoceros is not so bad?

This is a collection of four related stories that follow a little girl named Josette, her Mama and Papa, and the maid, Jacqueline. Papa tells Josette some absurd stories within the story and everyone has a bizarre and seemingly random imagination. For example, Papa calls cheese a music box, a music box a rug, a rug a lamp, and so on. Mama can open walls. Josette eats the moon, and Jacqueline is one of many Jacquelines. The author, Ionesco was a French-Romanian playwright and considered one of the fathers of “Theatre of the Absurd” in the 1950s and 60s and these stories are surreal. Originally published in the early ’70s, this new edition contains Delassert’s equally surreal, colorful, and expressive illustrations.

Eugene Ionesco is an absurd theater playwright. Absurd plays tell us things without overtly telling us things.

Rhinoceros depicts the way that Nazism went from something as shocking as a rhinoceros running around Europe, to a thing that everyone takes as a fait accompli. Only one character, who is no great shakes himself, alternately self-loathing and confused, wanting to do right, but not knowing how to, avoids becoming one of them.

It's a simple skillful play, depicting a chilling problem. It is perfect for MAGA-ism in America: book banning, election-stealing, vaccine distrust, and the like, because it shows how easily and seamlessly people fall into line behind horrific, but compelling, movements. Ionesco's dialogue is brilliant, as is his message; his work can show us the way to writing with meaning.