Here are 100 books that Stories 1,2,3,4 fans have personally recommended if you like
Stories 1,2,3,4.
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I’m a lifelong monster fiend. I love horror and sci-fi, and I especially love stories that really dig into characters and how they smash into each other. My favorite scary books (and movies, etc.) are funny, and my favorite funny books are kinda scary. It can be super healing and empowering to read books about terrible things that are handled with a heaping scoop of empathy and humor and absurdity.
What can I say? It’s the goated friendly freaks book.
This collection of super short connected stories stars one kid per tale. The kids are weird and wild, and something that has really stuck with me my whole life is that some of the kids are rotten and stay rotten. Not everyone needs to grow and change in 120 pages.
Let a character stink. Let a kid be a wet rat. Let a nasty teacher be eaten. Anyway, there’s this incredible way that the author employs a third-person limited POV that gets me every time, even on the hundredth read.
A few illustrators have graced the pages of this all-time favorite. I grew up reading an edition illustrated by the amazing Julie Brinkloe. I also have a copy illustrated by Adam McCauley, which I also really love.
There has been a terrible mistake. Instead of having thirty classrooms side by side, Wayside School is thirty storeys high! (The builder said he was sorry.) Perhaps that's why all sorts of strange and unusual things keep happening - especially in Mrs Jewls's classroom on the very top floor.
There's the terrifying Mrs Gorf, who gets an unusually fruity comeuppance; Terrible Todd, who always gets sent home early; and Mauricia, who has a strange ice-cream addiction. Meanwhile, John can only read upside down, and Leslie is determined to sell her own toes.
We almost said “quirky” instead of off-kilter in this title. But quirky is becoming synonymous with cozy, which is weird because it doesn’t mean the same thing at all. So, off-kilter it is. Done well, playing with expectations makes for an especially engaging read. We’ve attempted that trick in our own Shady Hollow Mysteries, which uses the form of a traditional murder mystery, but in a world of anthropomorphic animals. So naturally we love when other authors play with the form. These five books all fit the description of “off-kilter,” and we hope you can find fun and joy in reading them.
Lemony Snicket is no stranger to unfortunate events, but this standalone book contains perhaps the worst of all: the news that he, the author, has consumed poison while eating the first meal of the day. Of course, this being a Snicket story, there’s more going on. This book is a bit mystery, and a bit philosophy (or is it the other way around?). More importantly, it is also a meditation on the wonderfulness of books and reading, a part of life that remains important even if one is quite sure one has been poisoned and now has an indeterminate amount of time to discover the truth of what happened.
In the years since this publishing house was founded, we have worked with an array of wondrous authors who have brought illuminating clarity to our bewildering world. Now, instead, we bring you Lemony Snicket.
Over the course of his long and suspicious career, Mr. Snicket has investigated many things, including villainy, treachery, conspiracy, ennui, and various suspicious fires. In this book, he is investigating his own death.
Poison for Breakfast is a different sort of book than others we have published, and from others you may have read. It is different from other books Mr. Snicket has written. It could…
I admire the way children tell stories—how their imagination veers here and there, how fantasy and reality intertwine, and how magic can happen at any moment. I wrote stories like this when I was a kid and, fortunately, saved many of them. When writing The Kids of Cattywampus Street (my twentieth book), I went through these stories and recreated this narrator’s voice as the 8-year-old me with absurdity and confidence. I wanted to show a range of characters in a diverse world where kids believe in themselves, have the power to use their imagination, can get into and out of trouble on their own accord, are resilient, adaptable, strong, and just plain funny.
These interrelated short stories are whimsical, sometimes melancholy, and often use nonsense language. My parents read these to me when I was a kid and I always listened intently and laughed hysterically, and later I read them to myself. Many of the stories are narrated by the Potato-Face-Blind-Man, an old minstrel of the Village of Liver-and-Onions who hangs out in front of the local post office. That says it all right there. This book creates a magical, fantasy world which provided me with fodder for the rest of my life. These have been a huge influence on me!
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…
I was a children's book illustrator for years before my agent prompted me to start writing. I didn’t know the first thing about writing for children, but I really wanted to try, and with help from the SCBWI and after a lot of failed attempts, I found that early reader graphic novels most fit in with my Mad Magazine and New Yorker style of gag humor. There are so many great early reader graphic novels out there these days, and I truly feel we are in a golden age for this genre. I hope you like my choices and find many more on your own!
This is the first book in the young readers' genre that made me think that I, too, could write for this age group.
This book is a wonderfully funny and imaginative tale about a girl, her family, and her imaginary friends. It is not really a graphic novel but more of an illustrated early reader story. The loose but expressive pencil illustrations really impressed me with how much personality you could get in such a simple drawing.
What sets this apart is the anything-goes/freewheeling stream-of-consciousness telling of her story, which takes you from one outlandish scene to another as Dory makes her way through her day. However, this book also has lots of heart and love in the family.
Move over, Junie B. Jones and Ivy & Bean! Here comes a lovably energetic little sister with a BIG personality-and an imagination to match!
As the youngest in her family, Dory really wants attention, and more than anything she wants her brother and sister to play with her. But she's too much of a baby for them, so she's left to her own devices-including her wild imagination and untiring energy. Her siblings may roll their eyes at her childish games, but Dory has lots of things to do: outsmarting the monsters all over the house, escaping from prison (aka time-out),…
I started reading voraciously at age 4, and read Camus by 6th grade, which is why it made sense that I was so into Pink Floyd, my favorite album of theirs being Animals, which is super depressing. I then studied writing extensively with some great writers, getting my MA and MFA, and teaching writing at colleges from 1991-2021. Along the way I became an editor, a writing coach, ran a writing workshop for 7 years, and started a publishing company. I know good writing when I see it versus crap, and I can tell for sure in about 300 words. I also fall hard for books, and do want to marry them.
Eugene Ionesco is an absurd theater playwright. Absurd plays tell us things without overtly telling us things.
Rhinoceros depicts the way that Nazism went from something as shocking as a rhinoceros running around Europe, to a thing that everyone takes as a fait accompli. Only one character, who is no great shakes himself, alternately self-loathing and confused, wanting to do right, but not knowing how to, avoids becoming one of them.
It's a simple skillful play, depicting a chilling problem. It is perfect for MAGA-ism in America: book banning, election-stealing, vaccine distrust, and the like, because it shows how easily and seamlessly people fall into line behind horrific, but compelling, movements. Ionesco's dialogue is brilliant, as is his message; his work can show us the way to writing with meaning.
I see no distinction between the personal and the political. All art is, therefore, a political act, and literature especially, since the author gets inside the reader's head. In 1984, the use of a pen is punishable, never mind having an unorthodox opinion; novels are written by machines—commodities like jam or bootlaces, to pacify the proles. (A.I. novels outcompeting human ones?) Yes, novels entertain, and that's OK, but the best way to change your outlook is to let you understand the human condition a little better. That is why I want more from a political thriller than just the same old lies, corruption, sex, and power at the heart of government.
This book made me think, reflect, and laugh (if a little unnervingly!). It is a quirky tale that warns us of threats to civil liberties from AI and corporate tech giants in a Hitch-hikers' Guide to the Galaxy meets 1984 way.
Some of the writing is lyrical and literary, sometimes perplexing and banal. I was not entirely convinced by the science behind the science-fiction elements, but that is perhaps allowed because of the Theatre of the Absurd approach the author takes.
'Fun and erudite' Sunday Times 'Snort-inducingly funny' Daily Mail 'One of the cleverest books you'll read this year' Telegraph
Every system, however immaculate, has a few little glitches.
The latest in domestic tech should have predicted that businessman George Mann was about to murder his family. But instead it crashes and leads to the wrong man being caught and punished.
Are there gremlins in digital giant Beetle's ubiquitous wearable tech, talking fridges and Dickensian droids? Have they been hacked, or is something even more sinister going on?
With the clock ticking philandering Beetle CEO Guy Matthias, conflicted national security agent…
The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Although the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they are linked by an exploration of identity and the ways personhood is shaped through…
I have been a surrealist since I discovered Salvador Dali and David Lynch at the age of 14. I have been on a path to combine the art world’s depth in style; symbols and metaphors with storytelling. Becoming a comic artist was a natural path and the media is great for expressing the many complex questions in life; what it is to be human and a woman in this world. I have become an artist who revolves around feminism and surrealism, eros and doubt.
This comic is a 1:1 dream story. It has the weirdness and absurdity of dreams. It is about Juliet herself and is an autobiographical classic. And it made me wonder how very personal feelings in your dreams are actually universal. It also has feministic potential, being very honest with all its dreamy gender chaos and strangeness.And it’s funny.
Doucet has transcribed her intimate dreams i nto intensely drawn comic book stories, remembering everythi ng from tormenting nightmares to her most secret desires. Th e widely acclaimed young cartoonist offers us a unique psych edelic trip. '
Jean Muenchrath wrote down her story to heal herself from the trauma of a life-threatening mountaineering accident, an epic survival incident, and decades of chronic pain. She then published her memoir to inspire readers to follow their dreams and to encourage them to overcome whatever challenges their life presents. Before she became an author, Muenchrath was a park ranger with the National Park Service for over thirty years. She’s led trekking tours in Nepal and Thailand and worked in Bhutan with the World Wildlife Fund. Jean enjoys traveling to foreign lands, exploring wild places and sitting quietly in meditation.
This book is one of my all time favorite reads. Mount Analogue is a short poetic novel. Daumal’s rich descriptions and symbolism engaged my imagination and made me think deeply about the story’s meaning. The author takes readers on a journey to a mystical place with an unusual set of characters and strange circumstances. The story revolves around an adventurous sailing and climbing expedition to a mystical mountain hidden from the world’s inhabitants which is believed to link the earth to a higher sphere of reality. It’s full of intrigue and packed with pithy philosophical statements worth pondering. Daumal’s words and descriptions are so thought-provoking, that I used a quote from this book as the opening to my memoir, If I Live Until Morning.
This pataphysical journey up a mountain whose "summit must be inaccessible, but its base accessible to human beings" depicts an allegorical landscape akin to Alice in Wonderland
A beloved cult classic of surrealism, pataphysics and Gurdjieffian mysticism, René Daumal’s Mount Analogue is the allegorical tale of an expedition to a mountain whose existence can only be deduced, not observed. As its numerous editions (most now rare) over the decades attest, the book has been highly influential: Alejandro Jodorowsky's visionary 1973 film The Holy Mountain is a loose adaptation of the book, and John Zorn based an eponymous album on it.…
For four decades, I have written about art for publications in the U.S., Europe, and Asia. I have interviewed, among other artists, Frank Stella, Mary Ellen Mark, Dale Chihuly, Deng Lin (the daughter of Deng Xiaoping), the most celebrated Vietnamese contemporary painters, and the leading Japanese ceramicists. My ideal vacation is to wander the cobblestone streets of Italy, walking into a church to see the art of Caravaggio, Raphael, and Bernini. On a trip to Venice, I saw the immense illusionist ceiling painting by Giovanni Fumiani in the church of San Pantalon. Looking up at angels swirling in heaven, the idea for my second novel was born.
One of my favorite poets writing about one of my favorite artists. Cornell’s mysterious, alluring dreamscapes in his delicately crafted boxes meet their soulmate in the prose poems of Simic. In this work of only seventy-seven pages of short meditations on Cornell’s life, inspiration, and method, Simic creates the poetic equivalent of Cornell’s visual art. Simic recognizes, as did Cornell, that “The commonplace is miraculous if rightly seen, if recognized.”
In Dime-Store Alchemy, poet Charles Simic reflects on the life and work of Joseph Cornell, the maverick surrealist who is one of America’s great artists. Simic’s spare prose is as enchanting and luminous as the mysterious boxes of found objects for which Cornell is justly renowned.
Blood From a Rose is a collection of light horror and dark fantasy with a dollop of humor that takes the reader into the dark spaces between dusk and dawn, serving up dark fantasy, paranormal and supernatural short fiction. An exploration of our shadow sides, things that go slurp in…
I’m a cyclist and a cycling fan. I’ve commuted through the Surrey countryside by tricycle and explored the cycling city of Cambridge by bike. I’ve stood at the side of the road to cheer on the Olympic road race, the Tour de France and the Tour of Britain, and the World Road Cycling Championships. I kept on cycling until I was eight and a half months pregnant and was reading a biography of Beryl Burton when I went into labour. There aren’t a lot of cycling novels out there, but I’m proud of having added one to that small number.
I wasn’t following professional cycling in the bad old days of systematic doping, but this book made me feel like I was there—not just at the roadside, but in the peloton.
The characters—the good, the bad, and the downright repulsive, are all caught in a system that grinds down the best and brings out the worst, and I couldn’t look away. I wanted integrity to prevail, I wanted justice done, but most of all, I wanted to know what happened next.
Then there’s the prose, which is so bright and vivid that I found a new favourite line in almost every chapter. It’s compulsive, stylish, and cynical—rather like the sport itself.
'Waddington employs a cheerful surrealism to convey the superhuman status of his cyclists and the designer violence of his killer. The encounters with death are funny rather than frightening and the narrator is omnipotent, stylish and amused. Waddington's descriptions of racing, and they are many and enthralling, have the rhythm and intensity of poetry. You're riding with your wheel an inch from the author's, carried along by the surge of the pack, normal life and normal people no more than a muted clamour on the roadside. It's exhilarating stuff.' Joe Cogan in The Independent on Sunday