Here are 100 books that The Invisible Man fans have personally recommended if you like
The Invisible Man.
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Like a caricature, satire lets you see reality better by exaggerating it. When satire is done right, every element, from the overall plot to the characters to paragraph-level details, is there to cast an exposing light on some part of our real world. They are books that exist on many levels, expose hubris and essential misunderstandings, and generally speak truth to power. They should leave the reader reassessing core assumptions about how the world works. I’ve written a best-selling nonfiction book about machine learning in the past, and I probably could have taken that approach again, but AI and American politics are both ripe for satire.
This book taught me the meaning of the word “totalitarianism.” It’s like a horror movie you can’t escape from, but instead of a zombie fungus eating your mind, it’s the state controlling every little aspect of your life, down to—and worst of all—the words that you think with, and therefore what you can even conceive of.
Few books have stayed in my mind like this one. Even today—or more than ever—its images come to my mind over and over again when I see what is happening in America and the world.
1984 is the year in which it happens. The world is divided into three superstates. In Oceania, the Party's power is absolute. Every action, word, gesture and thought is monitored under the watchful eye of Big Brother and the Thought Police. In the Ministry of Truth, the Party's department for propaganda, Winston Smith's job is to edit the past. Over time, the impulse to escape the machine and live independently takes hold of him and he embarks on a secret and forbidden love affair. As he writes the words 'DOWN WITH BIG…
I am both a writer and a teacher of writing at the university. I have always wanted to be a writer, even though one of my aunts lied to me when I was five that writers would be poor and would die of tuberculosis. I like listening to stories of ordinary people and can learn so much from them. I studied English literature and psychology in my undergraduate studies. I hold a PhD in applied linguistics. I enjoy reading about the subject of philosophy and am fascinated by the theories revolving around ethics. Naturally, I challenge my characters with moral dilemmas so I can write about their struggles.
We have all heard of this book. We all know something about the plot either by watching the film or hearing something about it at school. If you haven’t yet read the book, you must put it on your reading list. We can only give Mary Shelley’s work full justice by reading it from beginning to end; not until then will you be able to feel Victor’s internal struggles. In his attempt to achieve immortality, he created a monster.
I never get tired of reading chapter five where Shelley describes Victor’s utter disappointment upon watching his creation coming to life. I love the choice of language. The thoughts that went through his mind and his guilty feelings mixed with pride and excitement present an unsolvable moral dilemma. Should he destroy his own creation?
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
Like a caricature, satire lets you see reality better by exaggerating it. When satire is done right, every element, from the overall plot to the characters to paragraph-level details, is there to cast an exposing light on some part of our real world. They are books that exist on many levels, expose hubris and essential misunderstandings, and generally speak truth to power. They should leave the reader reassessing core assumptions about how the world works. I’ve written a best-selling nonfiction book about machine learning in the past, and I probably could have taken that approach again, but AI and American politics are both ripe for satire.
I couldn’t look at society the same way after reading this tale of how a group of schoolboys stranded on an island descends, step by step, into savagery. The savagery is inside all of us, and the veneer of civilization that our education puts on it is very thin and easily cracks. Haunting.
A plane crashes on a desert island and the only survivors, a group of schoolboys, assemble on the beach and wait to be rescued. By day they inhabit a land of bright fantastic birds and dark blue seas, but at night their dreams are haunted by the image of a terrifying beast. As the boys' delicate sense of order fades, so their childish dreams are transformed into something more primitive, and their behaviour starts to take on a murderous, savage significance.
First published in 1954, Lord of the Flies is one of the most celebrated and widely read of modern…
I’ve written across genres, including mysteries like The Last Policeman and big works of alternate history like Underground Airlines. But Bedbugs—now republished as The Bonus Room—was one of my first books, and very dear to my heart. I’ve always loved books that pit a single, relatively helpless protagonist against some inexplicable force that he or she cannot begin to fathom. A force that can’t be reasoned with or bargained with. You just have to beat it. Perhaps that’s why I love these books about man vs. beast—the natural world is our friend, and animal are subservient to us…until suddenly, terrifyingly, they’re not.
When we think of scary animals we think of gnashing teeth and tearing claws, but obviously Orwell’s famous parable presents a very different kind of malevolence: that of overweaning ambition and our deep-seated instinct to control.
The pigs that present themselves as heroes and then slowly, greedily, inexorable turn into murderous dictators, forcing the other animals to do their bidding and then slaughtering them when they become too old, are of course not really pig-like at all—they are human-like, and therefore all the more terrifying.
The perfect edition for any Orwell enthusiasts' collection, discover Orwell's classic dystopian masterpiece beautifully reimagined by renowned street artist Shepard Fairey
'All animals are equal. But some animals are more equal than others.'
Mr Jones of Manor Farm is so lazy and drunken that one day he forgets to feed his livestock. The ensuing rebellion under the leadership of the pigs Napoleon and Snowball leads to the animals taking over the farm. Vowing to eliminate the terrible inequities of the farmyard, the renamed Animal Farm is organised to benefit all who walk on four legs. But as time passes, the…
I’ve always been attracted to the overlooked, the obscure, the forbidden. Maybe it’s as simple as the fact I grew up in a time when it seemed natural to rebel against norms. Or maybe it’s that I inherited an oddball gene from some ancient ancestor. Anyway, it led me to interesting adventures—hanging out with a crew of gun runners in eastern Turkey—and interesting career choices—strike organizer, private detective, etc. It also shaped my reading and my writing. I read everything, but I’m particularly drawn to the quirky—Grendel, the fiction of Christine Rivera Garza for instance. And in my writing too: Lynerkim, the protagonist of my novella, is undoubtedly an odd duck.
If you need inspiration to write strange stories, then read the Brazilian Machado de Assis. In his photos he looks like a prim and proper gentleman, giving no hint he wrote some of the whackiest fiction you’ll ever encounter—for example, one story is told from the perspective of a needle. The Alienist is a favorite. Bacamarte, a man devoted to science, opens an insane asylum in the town of Itaguaí, taking in the mentally ill. But his scientific mind leads him to the inevitable conclusion that he must also include healthy people who, according to his diagnosis, are about to go crazy. Soon, his asylum, Casa Verdi, accommodates the entire town. Then, in the ending of the story… Well, you’ll have to read it yourself to find out.
A classic work of literature by “the greatest author ever produced in Latin America.” (Susan Sontag)
Brilliant physician Simão Bacamarte sacrifices a prestigious career to return home and dedicate himself to the budding field of psychology. Bacamarte opens the first asylum in Brazil hoping to crown himself and his hometown with “imperishable laurels.” But the doctor begins to see signs of insanity in more and more of his neighbors. . . .
With dark humor and sparse prose, The Alienist lets the reader ponder who is really crazy.
At heart, I’m still just a girl. I don’t think I’ll ever grow out of wanting to experience the excitement of first kisses, first loves, and of coming out, when everything was new and exciting, and the world was full of promise. That’s why we return to YA even as adults. To feel the butterflies of a first crush, the fluttering of first love, and the agony of first loss. Those transformative books, the ones that change the trajectory of our lives, are usually young adult novels. I wrote The Space Betweento give readers a story to fall in love with and take with them the rest of their lives.
This book will make you question everything you’ve ever thought about your sanity.
The incredible true story of Susannah Cahalan took the world by storm when it topped the charts to #1 New York Times Bestseller and was made into a film. Cahalan’s intense journey from New York Post investigative reporter to psychiatric lockdown patient spans only one month, a month that nearly ended her life.
A reader once described my books as ‘unputdownable,’ and I’m happy to share that label with Brain on Fire. Riveting, frightening, and incredibly moving, I couldn’t read quickly enough as Susannah fought to reclaim her sanity and her life.
Based on her article “The Month of Madness,” this book is one of the best about a young woman’s struggle to find and reclaim herself.
Brain on Fire is the stunning debut from journalist and author Susannah Cahalan, recounting the real-life horror story of how a sudden and mysterious illness put her on descent into a madness for which there seemed to be no cure
'My first serious blackout marked the line between sanity and insanity. Though I would have moments of lucidity over the coming days and weeks, I would never again be the same person ...'
Susannah Cahalan was a happy, clever, healthy twenty-four-year old. Then one day she woke up in hospital, with no memory of what had happened or how she…
I’ve been either studying, researching, or teaching psychology since I was 16 – but before that, I was a reader. I have always been drawn to books that pose fundamental questions about the mind,and to this day I still go back to fiction and non-fiction that can generate ideas and hypotheses for new experiments. I’ve even used fictional stories in brain-scanning experiments to explore how the mind represents voices and characters: our findings show that we are experts at automatically simulating both the sound and the intention of other people when they talk in a story (even when the stories are very simple ones).
My book starts with a series of conversations with people who have psychosis and hear voices. Some people described to me a particularly unusual experience: the feeling of a voice being there, even when it wasn’t speaking.
As an undergraduate student one of the books that first got me thinking about these topics was Richard Bentall’s Madness Explained. It really opened my eyes to the possibilities of the mind and how we can think about experiences like hallucinations without necessarily pathologizing them.
This book was my gateway to then learning about things like the International Hearing Voices moment, which argues against an overly medicalized understanding of unusual experiences like voice-hearing. My book is quite wide-ranging, but I’ve tried to retain some of the ethos ofMadness Explained in how I’ve approached the world of uncanny presences.
THIS BOOK WILL EXPLAIN WHAT MADNESS IS, TO SHOW THAT IT CAN BE UNDERSTOOD IN PSYCHOLOGICAL TERMS, AND THAT BY STUDYING IT WE CAN LEARN IMPORTANT INSIGHTS ABOUT THE NORMAL MIND. THE BOOK WILL ARGUE THAT TRADITIONAL APPROACHES TO MADNESS MUST BE ABANDONED IN FAVOUR OF A NEW APPROACH WHICH IS MORE CONSISTENT WITH THAT WE NOW KNOW ABOUT THE HUMAN MIND. OVER THE LAST CENTURY OR SO IT HAS BECOME SO COMMONPLACE TO REGARD MADNESS SIMPLY AS A MEDICAL CONDITION THAT IT HAS BECOME DIFFICULT TO THINK OF IT IN ANY OTHER WAY. BENTALL ARGUES INSTEAD THAT DELUSIONS, HALLUCINATIONS…
Growing up in Philadelphia, with school and family visits to landmarks like Independence Hall and Betsy Ross’s house, I’ve long been interested in American history. That led me, eventually, to graduate school and my profession as a historian. At the same time, I have greatly enjoyed reading American novelists, such as Nathaniel Hawthorne, Willa Cather, and James Baldwin, as well as the works of thinkers like Ralph Waldo Emerson and W.E.B. DuBois. The sweet spot combining those two interests has been American intellectual history.
This is my candidate for the Great American Novel. Read it for its storyline and its fascinating chapters on whales. Along the way, you’ll encounter discussions about race, religion, friendship, and the virtuous life.
Some of my students ask, “Why does Melville digress so much?” My response: persist in reading this work. What at first seems extraneous becomes vital. You’ll discover a masterpiece.
Melville's tale of the whaling industry, and one captain's obsession with revenge against the Great White Whale that took his leg. Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes a biography of Herman Melville and study questions, which can be used both in the classroom or at home to further engage the reader in the work at hand.
I’m a certified crime junkie beginning with Helter Skelter and, more recently, FBI profiler Jack Douglas’ Mindhunter. This genre is a passion, but here’s the kicker, I started my writing journey in Western historical romance. I know, right? Then I had this wild idea: a psychologist who’s got a secret – her mother is a notorious serial killer on death row, and someone is imitating her crimes. Just like that A Killer’s Daughter was born! Now I’m always reading and listening to thrillers and true crime podcasts. Check out my newsletter to see what’s grabbing me.
I attended an author event at the coolest bookstore in Tampa in The Exchange building, and Lisa Unger was being interviewed by Colette Bancroft, the book editor for the Tampa Times.
Well, the book sounded wonderful, and it really is. The heroine in this story is smart, clever, and managed to keep one step ahead of the unusual, troubled boy she is hired to babysit. I loved this story and now have a signed copy on my keeper shelf.
A Best Book Nominee in the Goodreads Choice Awards
A CBC Morning Show Top Book Pick
An Amazon Best Book of the Month
An Indie Next Best Books of the Month Pick
"A brisk, crafty and fascinating psychological thriller... In The Blood is a complex mosaic as well, one that's tricky, arresting and meaningful." (The Washington Post)
Liar, liar, pants on fire . . .
College senior Lana Granger has told so many lies about her…
As a degreed socio-linguist and international educator, my novel writing has been immersed in the human experience that began early on as a teen musician immersed naively in a non-mainstream world of creatives and cons, when the word 'counterculture' was perceived more as a renaissance than the drug-laden world of darker gatherings that it later came to be known as. Boulder Blues is a work of fiction drawn from both fantasy and personal exposure. From there I went on to teach in American alternative education and later at university with a focus on rhetoric and forensic writing. My draw to other cultures and their perspectives moved me to go on to teach internationally.
Kurt Vonnegut, Jr.’s son, Mark, wrote this semi-fictional exploratory piece in an autobiographical style while exploring the nature of drug-induced madness coupled with undiagnosed schizophrenia while living an alternative lifestyle in a working commune. Through it all, the nature of humanity is questioned in a humorously chaotic way. And yet he pulls it all together to somehow not only make sense of, but also be enlightened by, the madness of this counterculture lifestyle.
Mark Vonnegut later returns to university and obtains a medical degree while exploring the use of orthomolecular medicine as a treatment to combat schizophrenia. While successfully obtaining his medical degree, he eventually disavows orthomolecular therapy as a plausible treatment.
“One of the best books about going crazy . . . required reading for those who want to understand insanity from the inside.”—The New York Times Book Review
Mark Vonnegut set out in search of Eden with his VW bug, his girlfriend, his dog, and his ideals. But genetic predisposition and “a whole lot of **** going down” made Mark Vonnegut crazy in a culture that told him “mental illness is a myth” and “schizophrenia is a sane response to an insane society.” Here he tells his story with the eyes that see from the inside out: a moving remembrance…
