Fans pick 100 books like The Alienist

Everybody knows Ahab, but do you know Bartleby? It’s a strange story about a strange man, which, of course, attracts me. Bartleby is a lawyer’s copyist who decides he doesn’t want to do this sort of writing anymore and meets every instruction with the words: I would prefer not to. You can read Bartleby as simply a humorous tale. Or you can read it as a story of the existential crisis most writers, myself included, face at one time or the other. Melville was feeling dissatisfied with his choice of a writing career—the critics were unfriendly—and, in my opinion, the title character reflects this. It’s also, in my view, an implicit critique of economic control in America—my SDS youth would approve! It’s not for nothing that the story’s final words are: “Ah Bartleby! Ah humanity!”

There are three novellas collected in the volume titled Legends of the Fall. The first two, Legends of the Fall and Revenge, you almost certainly know from their movies. The third story, The Man Who Gave Up His Name, everyone ignores and it’s the one I recommend. In the story Nordstrom leaves his lucrative job, dances alone at night, goes to New York, battles a drug dealer, and ends up in the Florida Keys as a chef, dancing again. I love this story because I love Harrison’s use of language. His sentences attack. But mostly I love this story because it’s about a man struggling to find his place in life. That’s a situation I like to throw my characters into: reinvention, for good or bad. And the story of my own life.

Based on all the books BTS has liked or recommended over the years, if I could suggest a single one that they (likely) haven’t read, it’d be this lesser-known oldie but goodie.

Mrs. Caliban has the realistic sci-fi elements of the Omelas with the most unexpected of interpersonal dramas (between a woman and a sea creature), all situated within the larger context of a social parable that holds a mirror to society’s own prejudices.

It is, quite simply, unlike any other book I’ve ever read. 

I always marvel at the feat Wharton achieves in delivering this vivid story of love and sacrifice in such a slim volume—but part of Ethan Frome’s power derives from its brevity. Set in a New England farming town during the upheavals of the Industrial Revolution, Wharton’s novel tells the tale of how the titular Ethan Frome became “the ruin of a man.”

Every time I read it, I’m captured by the struggles and indignities of Frome’s life as he ekes out a living on an unproductive farm under the eye of his unsympathetic wife, Zeena. When joy and hope suddenly arrive for Ethan in the form of Zeena’s cousin, Mattie, the tension of knowing that, somehow, they will be prevented from the happy ending they deserve is almost unbearable.

Long before the Victorian asylums, there was Bethlem – London’s ancient hospital for lunatics. Like Broadmoor, Bethlem also looked after high-profile criminals, but within a private and charitable institution that was mostly for the capital’s waifs and strays. Bedlam gives you a sense of how mental health developed as a concept from the medieval period to the present day.

I once worked on a film shoot at the infamous Friern Barnet Asylum in London, an imposing building that boasts the longest corridor in Europe at over a third of a mile long. It was my job to lock up after filming was over each night, and to do so, I had to walk the long corridor with just a flashlight for company… and the ghosts rumoured to haunt the building! I have never forgotten the feeling of dread and despair in that place, and my heart went out to the patients who were isolated in the creepy basement wards. Barbara Taylor gives an inside perspective on this fearsome institution in her book, which is both an achingly honest account of mental illness and addiction, and a critique of community care.

This classic account by a renowned sociologist is critical reading for those interested in the anti-psychiatry movement, a crusade that viewed psychiatry as more coercive than therapeutic and, in some cases, questioned the reality of mental illness itself. For one year, Goffman embedded himself in St. Elizabeth’s mental hospital in Washington, DC, where he ultimately concluded that the defining features of the asylum – similar to those of prisons and other “total institutions” – did more to shape the patient’s behavior than the supposed illness for which the patient had been admitted in the first place. Goffman’s observations left a significant impact on popular ideas about asylum care and helped contribute to widespread deinstitutionalization several decades later.

A man called “Pepper,” who may or may not suffer from mental illness, ends up in a locked mental ward in Queens, New York, where the entire novel takes place.

A beast, who the patients believe is the devil, comes out at night, assaulting and sometimes killing patients. Patient deaths are chalked up to suicide. The engaging, quirky characters—drugged to the gills while warehoused and essentially untreated in a public hospital—share the defining feature of being low-income and unprotected from both the supernatural and human forces that would destroy them. They must take matters into their own hands to protect themselves.

I appreciated the theme of how marginalization and isolation presented as much terror here as the supernatural. Yet, the hope and humor of the characters also kept me engaged and frequently smiling.

Theoretically for Young Adults (meaning older teenagers), this one is also for adults of any age. It’s about exclusion, anxiety, depression, suicide, all matters that have touched my own family with tragedy, 

Helena Close knows about mental illness and what it feels like, and she describes it in visceral detail. But she is a sharp and funny writer, and she takes no prisoners when it comes to the false assurances of a certain kind of charlatan ‘counsellor’. 

The heroine of this book seems set to drown in sorrow, but she learns, slowly and with help, how to swim up out of pain and fear towards the light. So uplifting!

I loved this book because it addressed what I think is at the heart of much of our mental health crisis – that the stories that we tell ourselves can shape our mental health.

As a therapist, I know intuitively that how we think about our distress can shape the course that our illness takes. Does the story promote resilience and flexibility? Or does it fragilize us and lead to worse mental health?

Aviv tells compelling stories from a number of cultures that helped me explore these important questions further.