Here are 100 books that Brown Girl in the Ring fans have personally recommended if you like
Brown Girl in the Ring.
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I’ve always been deeply interested in how people connect to those around them—it is something I write about constantly. My first novel, So Much Love, was about how a community reacts to terrible loss and uncertainty, and my recent book of nonfiction, These Days Are Numbered, is about how my own community—and I—reacted to the Covid-19 pandemic. I am always looking at how humans human, separately and especially together. That is one of the joys of narrative fiction for me—the way we can use it to examine our behaviour and interactions, and how we form relationships and communities. I hope these books enthrall you as much as they did me.
There are so many things to love about this extremely beloved YA adventure novel about a futuristic world where a pandemic has ravaged most people’s ability to dream…except for Indigenous people, who are hunted for their bone marrow, which is believed to contain their dreaming ability.
It’s a haunting, exciting, eerie, and important book, but of the many things it underlines is the importance of found family, of learning to trust and find solace and protection and strength from the people we choose to be with. A beautiful lesson in a book full of good ones.
Humanity has nearly destroyed its world through global warming, but now an even greater evil lurks. The indigenous people of North America are being hunted and harvested for their bone marrow, which carries the key to recovering something the rest of the population has lost: the ability to dream. In this dark world, Frenchie and his companions struggle to survive as they make their way up north to the old lands. For now, survival means staying hidden-but what they don't know is that one of them holds the secret to defeating the marrow thieves.
I’ve long had an ambivalent relationship with airports. They have been the starting point for my adventures, but I have also known well the discomfort, boredom, stress, surveillance, bad food, and other unpleasantries that often define airport experiences. Despite my ambivalence, I’ve found airports to be fascinating places where differently situated people (travelers and workers) encounter one another. I’ve learned that those encounters, as well as airport operations and design, tell us something about the places where they are located and the broader societies in which we live. I’ve since become aware that reading (and writing) about airports are also great ways to gain such insights.
In addition to eerily anticipating the COVID-19 pandemic—thankfully, our pathogen was not nearly as virulent and lethal—this post-apocalyptic novel offers interesting commentary about airports as microcosms of society.
The airport that figures prominently here is the gateway to and manifestation of a “secure” society structured as much by those it excludes as by those it includes. It is also the archive of a society defined, for better and for worse, by its relationship to technology.
'Best novel. The big one . . . stands above all the others' - George R.R. Martin, author of Game of Thrones
Now an HBO Max original TV series
The New York Times Bestseller Winner of the Arthur C. Clarke Award Longlisted for the Baileys Women's Prize for Fiction National Book Awards Finalist PEN/Faulkner Award Finalist
What was lost in the collapse: almost everything, almost everyone, but there is still such beauty.
One snowy night in Toronto famous actor Arthur Leander dies on stage whilst performing the role of a lifetime. That same evening a deadly virus touches down in…
I've been in love with ecological writing, the effort to communicate love for and grief over the destruction of the profound beauty of the natural world, since I wrote my first play about rainforest clear-cutting in fifth grade—if not before. In 2016, I started Reckoning, a nonprofit journal of creative writing about environmental justice, because I wanted to encourage others doing this work, to provide an independent platform for it in ways profit-driven traditional publishing wasn't, and to build a community where those writers could share and inspire each other. Seven years later, that community defines me; it's the most rewarding thing I've ever done.
Christopher Rowe's prose is beautiful, vivid, and engrossing. His vision of a future mid-South dominated by rogue artificial intelligence conceals amid its wild phantasmagoria a surprisingly perceptive tenderness for the ways people cling together as they struggle to adapt and make space for each other in a complex and massively changed world. These stories also communicate an engrossing, evangelical love for bikes and cycling like nothing else I've read.
There are ten stories here including one readers have waited ten long years for: in new novel-la The Border State Rowe revisits the world of his much-lauded story The Voluntary State. Competitive cyclists twins Michael and Maggie have trained all their lives to race internationally. One thing holds them back: their mother who years before crossed the border into Tennessee.
Praise for Christopher Rowe:
"Rowe's stories are the kind of thing you want on a cold, winter's night when the fire starts burning low. Terrific." Justina Robson (Glorious Angels)
"As good as he is now, he'll keep getting better. Read…
I've been in love with ecological writing, the effort to communicate love for and grief over the destruction of the profound beauty of the natural world, since I wrote my first play about rainforest clear-cutting in fifth grade—if not before. In 2016, I started Reckoning, a nonprofit journal of creative writing about environmental justice, because I wanted to encourage others doing this work, to provide an independent platform for it in ways profit-driven traditional publishing wasn't, and to build a community where those writers could share and inspire each other. Seven years later, that community defines me; it's the most rewarding thing I've ever done.
In this profound and devastating novella, Campbell gives us a complex, multi-generational window on a post-warming, post-collapse world rebuilding itself. A cathedral grown, not built, out of living trees. A masterwork violin made from dying old-growth Sitka spruce that will long outlast the hand of its creator. A decaying library salvaged, its wealth of knowledge distributed to the living hands that need it most. Through these touchstones of human resilience and ingenuity, we're shown a path forward into a new world that doesn't escape loss or ignore it, but is burgeoned up by it into new vitality.
A NOVELLA-LENGTH EXPANSION OF THE 2020 THEODORE STURGEON MEMORIAL AWARD WINNER
A professor in pandemic isolation rescues books from the flooded and collapsing McPherson Library. A man plants fireweed on the hillside of his depopulated Vancouver Island suburb. An aspiring luthier poaches the last ancient Sitka spruce to make a violin for a child prodigy. Campbell's astonishing vision pulls the echoing effects of small acts and intimate moments through this multi-generational and interconnected story of how a West coast community survives the ravages of climate change.
I've been in love with ecological writing, the effort to communicate love for and grief over the destruction of the profound beauty of the natural world, since I wrote my first play about rainforest clear-cutting in fifth grade—if not before. In 2016, I started Reckoning, a nonprofit journal of creative writing about environmental justice, because I wanted to encourage others doing this work, to provide an independent platform for it in ways profit-driven traditional publishing wasn't, and to build a community where those writers could share and inspire each other. Seven years later, that community defines me; it's the most rewarding thing I've ever done.
Another short novel about people forging community in a world rendered almost unrecognizable by climate collapse and the devastating consequences of environmental injustice, this one provides a close focus on what it's like to be young, lost, and angry in the ruins of choices made before you were born. Nobody trying to live forward in these uncertain times should be without that perspective. As a parent struggling to come to terms with sending a kid out to grow up in this world, I know I've been desperate for it, and Mohamed's intensely close point of view makes it impossible not to inhabit. It's scary, but essential.
A novella set in post–climate disaster Alberta; a woman infected with a mysterious parasite must choose whether to pursue a rare opportunity far from home or stay and help rebuild her community
The world is nothing like it once was: climate disasters have wracked the continent, causing food shortages, ending industry, and leaving little behind. Then came Cad, mysterious mind-altering fungi that invade the bodies of the now scattered citizenry. Reid, a young woman who carries this parasite, has been given a chance to get away — to move to one of the last remnants of pre-disaster society — but…
I've been in love with ecological writing, the effort to communicate love for and grief over the destruction of the profound beauty of the natural world, since I wrote my first play about rainforest clear-cutting in fifth grade—if not before. In 2016, I started Reckoning, a nonprofit journal of creative writing about environmental justice, because I wanted to encourage others doing this work, to provide an independent platform for it in ways profit-driven traditional publishing wasn't, and to build a community where those writers could share and inspire each other. Seven years later, that community defines me; it's the most rewarding thing I've ever done.
A ridiculously fun and eerily prescient folktale, about the rise of a Robin Hood figure and the community that rallies around her in a droughted, post-warming Portland, Oregon, I can basically never not recommend this book. Like Brown Girl in the Ring, this is one of the books that made me want to read and write about speculative community-building and environmental justice. Parzybok's clever, inviting prose makes this substantial novel a deceptively fast and joyful read, and I'm never not sad when it's over.
"Parzybok does this thing where you think, 'this is fun!' and then you are charmed, saddened, and finally changed by what you have read. It's like jujitsu storytelling."—Maureen F. McHugh, author of After the Apocalypse
In drought-stricken Portland, Oregon, a Robin Hood-esque water thief is caught on camera redistributing an illegal truckload of water to those in need. Nicknamed Maid Marian—real name: Renee, a twenty-something barista and eternal part-time college student—she is an instant folk hero. Renee rides her swelling popularity and the public's disgust at how the city has abandoned its…
As both a high school teacher and an activist, I am preoccupied by the world we are leaving to the next generation. And as a long-time Toronto resident, I also just love seeing my city get destroyed in fiction, which is far more cathartic than watching it get bungled up in real life. I am drawn to the type of story that exposes the wounds that run deep in our political, economic, and social structures. The best dystopian fiction shines a mirror on our history and our present, and brings the experiences of marginalized voices—for whom the apocalypse is not merely theoretical—to a broader audience.
As Rebecca Roanhorse put it, Indigenous people on Turtle Island have already survived an apocalypse.
So it’s not surprising that my favourite apocalypse novel centres around a remote Anishinaabe community struggling to survive after a distant and never-fully explained calamity. It’s a prescient story, especially in light of real-life catastrophe that arrived only two years after its publication.
Much apocalyptic and post-apocalyptic fiction focuses on gritty bands of survivors, but Rice provides a scenario that is much more in keeping with how communities actually act during disasters, contrasting the acts of care and mutual aid with the haunting slow decay of the world and the threat posed by violent outsiders.
It’s a multilayered, stunningly crafted realist take on how to keep surviving after the world ends.
Winner of the 2019 OLA Forest of Reading Evergreen Award
Shortlisted for the 2019 John W. Campbell Memorial Award
Shortlisted for the 2019/20 First Nation Communities READ Indigenous Literature Award
2020 Burlington Library Selection; 2020 Hamilton Reads One Book One Community Selection; 2020 Region of Waterloo One Book One Community Selection; 2019 Ontario Library Association Ontario Together We Read Program Selection; 2019 Women’s National Book Association’s Great Group Reads; 2019 Amnesty International Book Club Pick
January 2020 Reddit r/bookclub pick of the month
“This slow-burning thriller is also a powerful story of survival…
As both a high school teacher and an activist, I am preoccupied by the world we are leaving to the next generation. And as a long-time Toronto resident, I also just love seeing my city get destroyed in fiction, which is far more cathartic than watching it get bungled up in real life. I am drawn to the type of story that exposes the wounds that run deep in our political, economic, and social structures. The best dystopian fiction shines a mirror on our history and our present, and brings the experiences of marginalized voices—for whom the apocalypse is not merely theoretical—to a broader audience.
Another Toronto post-apocalyptic novel (sorry, but we are the centre of the universe, after all).
Hernandez’ dystopia is also caused by climate catastrophe, ushering in a fascist dictatorship that imprisons BIPOC, disabled, and queer people in labour camps. This relentless story exposes the lie of Canadian politeness and civility, the fraught politics of allyship, and the complicity and banality of evil required to maintain authoritarian structures.
It’s a grim read and often its reach exceeds its grasp, but woven through it is queer joy and resilience and I admire that it doesn’t pull its punches.
The author of the acclaimed novel Scarborough weaves an unforgettable and timely dystopian tale about a near-future, where a queer Black performer and his allies join forces to rise up when an oppressive regime gathers those deemed "Other" into concentration camps.
Set in a terrifyingly familiar near-future, with massive floods leading to rampant homelessness and devastation, a government-sanctioned regime called The Boots seizes on the opportunity to round up communities of color, the disabled, and the LGBTQ+ into labour camps.
In the shadows, a new hero emerges. After he loses his livelihood as a drag queen and the love of…
Growing up, I loved discovering how things work. That led me to a career in engineering, but I never left a certain quirkiness behind. Why else would I have raised llamas for thirty years? Or loved the stories I find in science fiction? Especially books that start in a real place occupied by believable people, then demand a leap of faith, a reach beyond what's known today. We have so much to learn – about planets and people – that possibilities spiral out into the universe. I hope you enjoy the books on my list as much as I have.
You and I may already have one foot in this near-future world with its chilling look inside the warehouse of a retail giant: Amaz… uh, Cloud. The company is named Cloud. Can powerful bosses possibly be benign overlords? Is a miserable existence good enough in a wretched world? Hmm, maybe not.
I loved the characters – a reluctant hero and a cold-blooded spy who join forces as an unlikely couple searching for the truth behind a colossal global company. I never guessed the ending, and that's always a plus.
Cloud isn’t just a place to work. It’s a place to live. And when you’re here, you’ll never want to leave.
“A thrilling story of corporate espionage at the highest level . . . and a powerful cautionary tale about technology, runaway capitalism, and the nightmare world we are making for ourselves.”—Blake Crouch, New York Times bestselling author of Dark Matter
Film rights sold to Imagine Entertainment for director Ron Howard! • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Financial Times • Real Simple • Kirkus Reviews
Paxton never thought he’d be working for Cloud, the giant…
Ever since childhood, I’ve been dazzled by the idea of virtual worlds described by pixels, first in ancient computer games, and then in novels that gave the rudimentary graphics of decades past a vivid new life—from the hallucinatory realities in Philip K. Dick’s novels to William Gibson’s Neuromancer to most of all, Neal Stephenson’s Snow Crash. As a young writer, I stepped sideways into a dream assignment: Helping make the Metaverse real. After writing about it for two decades, however, I’m still learning about it now.
The OG Metaverse novel is still as smart, hilarious, rollicking, and inspirational as it was 30 years ago.
I’m amazed at how many technologists talking about the concept have not read it and realized how influential and prophetic it actually is, envisioning scenes of virtual life that have since become commonplace for millions of Internet denizens.
Often pigeonholed as a standard dystopian sci-fi tale, Snow Crash is too sly, satirical, and kinetic to fit that category. And reading it will clarify why so many people in tech have yearned to build something like the Metaverse for decades, even referencing it during development discussions—including me!
The “brilliantly realized” (The New York Times Book Review) breakthrough novel from visionary author Neal Stephenson, a modern classic that predicted the metaverse and inspired generations of Silicon Valley innovators
Hiro lives in a Los Angeles where franchises line the freeway as far as the eye can see. The only relief from the sea of logos is within the autonomous city-states, where law-abiding citizens don’t dare leave their mansions.
Hiro delivers pizza to the mansions for a living, defending his pies from marauders when necessary with a matched set of samurai swords. His home is a shared 20 X 30…
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