Here are 100 books that Crosshairs fans have personally recommended if you like
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I think about the positive identity development of Native youth all the time and not just because I am an educator and author. I love my Ojibwe language and culture, but I want to turn Native fiction on its head. We have so many stories about trauma and tragedy with characters who lament the culture that they were always denied. I want to show how vibrant and alive our culture still is. I want gripping stories where none of the Native characters are drug addicts, rapists, abused, or abusing others. I want to demonstrate the magnificence of our elders, the humor of our people, and the power of forgiveness and reconciliation.
Cherie Dimaline's book really spoke to me because, in addition to great story-telling, it sets Native people in a post-apocalyptic setting.
As Native people, we are so often portrayed as ancient rather than modern. So this work connected the ancient and the modern in a novel way. With relatable characters searching for family and community, it was relatable and real even in the world the book describes.
Humanity has nearly destroyed its world through global warming, but now an even greater evil lurks. The indigenous people of North America are being hunted and harvested for their bone marrow, which carries the key to recovering something the rest of the population has lost: the ability to dream. In this dark world, Frenchie and his companions struggle to survive as they make their way up north to the old lands. For now, survival means staying hidden-but what they don't know is that one of them holds the secret to defeating the marrow thieves.
After spending many years as a historian, I could be really negative about humanity. We have done many bad things to each other and the planet, but I don’t think there is a downward trajectory. I don’t believe in fate. My last published works have been about using fear and conspiracy to gain certain ends, but 99% of those were imagined connections, not some sophisticated plans of evil geniuses. The imagined conspiracy came after the actions. So, the books I have listed that I think are excellent are ways out of terrible situations, some of our own making, but often not. I hope you enjoy the books.
I had no idea what this book was when I picked it up, largely by accident. The plot mostly takes place in the Great Lakes area. A flu pandemic kills almost everyone on earth, and the question becomes, how do you survive?
There is no electricity, internet, or cell phones. Everything has collapsed. What does survival even mean? In this case, the survival mechanism is a traveling Shakespearean troupe putting on plays in various encampments.
St. John Mandel strings the whole thing together with a graphic novel the protagonist and antagonist read many years earlier, which connects them in weird ways. In the end, someone turns on a light.
'Best novel. The big one . . . stands above all the others' - George R.R. Martin, author of Game of Thrones
Now an HBO Max original TV series
The New York Times Bestseller Winner of the Arthur C. Clarke Award Longlisted for the Baileys Women's Prize for Fiction National Book Awards Finalist PEN/Faulkner Award Finalist
What was lost in the collapse: almost everything, almost everyone, but there is still such beauty.
One snowy night in Toronto famous actor Arthur Leander dies on stage whilst performing the role of a lifetime. That same evening a deadly virus touches down in…
As both a high school teacher and an activist, I am preoccupied by the world we are leaving to the next generation. And as a long-time Toronto resident, I also just love seeing my city get destroyed in fiction, which is far more cathartic than watching it get bungled up in real life. I am drawn to the type of story that exposes the wounds that run deep in our political, economic, and social structures. The best dystopian fiction shines a mirror on our history and our present, and brings the experiences of marginalized voices—for whom the apocalypse is not merely theoretical—to a broader audience.
Hopkinson’s stunning debut plunges the reader into a wildly inventive future Toronto. She seamlessly weaves together the politics of race, class, and gender, inflected with the rich culture and history of the Caribbean diaspora.
Despite the grim post-apocalyptic setting, the characters are part of a community, surviving through solidarity and mutual aid. There are no easy answers or neat resolutions to be found here—the fraught, tenuous connections between families and lovers are messy and grounded.
Sadly, many of the elements of this 1998 novel have proven prophetic, and this book is still a clarion call 25 years later.
The rich and the privileged have fled the city, barricaded it behind roadblocks, and left it to crumble. The inner city has had to rediscover old ways -- farming, barter, herb lore. But now the monied need a harvest of bodies, and so they prey upon the helpless of the streets. With nowhere to turn, a young woman must open herself to ancient truths, eternal powers, the tragic mystery surrounding her mother and grandmother. She must bargain with gods, and give birth to new legends.
As both a high school teacher and an activist, I am preoccupied by the world we are leaving to the next generation. And as a long-time Toronto resident, I also just love seeing my city get destroyed in fiction, which is far more cathartic than watching it get bungled up in real life. I am drawn to the type of story that exposes the wounds that run deep in our political, economic, and social structures. The best dystopian fiction shines a mirror on our history and our present, and brings the experiences of marginalized voices—for whom the apocalypse is not merely theoretical—to a broader audience.
As Rebecca Roanhorse put it, Indigenous people on Turtle Island have already survived an apocalypse.
So it’s not surprising that my favourite apocalypse novel centres around a remote Anishinaabe community struggling to survive after a distant and never-fully explained calamity. It’s a prescient story, especially in light of real-life catastrophe that arrived only two years after its publication.
Much apocalyptic and post-apocalyptic fiction focuses on gritty bands of survivors, but Rice provides a scenario that is much more in keeping with how communities actually act during disasters, contrasting the acts of care and mutual aid with the haunting slow decay of the world and the threat posed by violent outsiders.
It’s a multilayered, stunningly crafted realist take on how to keep surviving after the world ends.
Winner of the 2019 OLA Forest of Reading Evergreen Award
Shortlisted for the 2019 John W. Campbell Memorial Award
Shortlisted for the 2019/20 First Nation Communities READ Indigenous Literature Award
2020 Burlington Library Selection; 2020 Hamilton Reads One Book One Community Selection; 2020 Region of Waterloo One Book One Community Selection; 2019 Ontario Library Association Ontario Together We Read Program Selection; 2019 Women’s National Book Association’s Great Group Reads; 2019 Amnesty International Book Club Pick
January 2020 Reddit r/bookclub pick of the month
“This slow-burning thriller is also a powerful story of survival…
Growing up, I’m not embarrassed to admit the horror genre was too scary for me. I don’t remember when it was but at some point that changed and it’s become my favourite. It started with horror movies but as I became a writer, that love transferred to horror books. My favourite type of horror focuses more on the character than the scares. I don’t see why I should be worried about a character’s fate if they’re one-dimensional. I’d trade in great character development for clichéd scares in horror any day.
First of all, if you go into this book expecting a slasher story, you’ll be disappointed. While its characters are rooted in the horror genre, the story focuses more on thriller until its final act. However, the best thing about the book is its character development with its main character and the other Final Girls. While the plot collapses in on itself every so often, the character work keeps it afloat and provides the suspense to make the reader scared.
VOTED GOODREADS CHOICE AWARD BEST HORROR NOVEL OF 2021
A Good Morning America Buzz Pick
“The horror master…puts his unique spin on slasher movie tropes.”-USA Today
A can't-miss summer read, selected by The New York Times, Oprah Daily, Time, USA Today, The Philadelphia Inquirer,CNN, LitHub, BookRiot,Bustle, Popsugar and the New York Public Library
In horror movies, the final girls are the ones left standing when the credits roll. They made it through the worst night of their lives…but what happens after?
Like his bestselling novel The Southern Book Club’s Guide to Slaying Vampires, Grady…
In my poetry, stories, novels, and scripts, I have long been drawn to the workings of chance: how it can charm characters by the opportunities it appears to offer; how it can turn attractive prospects inside out; and how it can so often force characters to confront realities which, perhaps for a long time, they have sought to avoid. Through different genres—science fiction, mainstream literary, lyric poetry, and realistic drama—I have, over the years, explored the notion of the fork in the road. Will a character choose their path wisely? Will they choose foolishly but press on against all odds? In literature, in lfe, such questions are crucial.
On the surface, this is a comedy of mistaken identity with identical twins, Sebastian and Viola, at its heart. It concerns members of the nobility: Orsino, Olivia, and Viola (disguised as Orsino’s serving-man, Cesario). But there are other characters, too, who drive the sub-plot. Key among these is the jester, Feste, who knows that all of life is uncertain, a matter of ‘the wind and the rain,’ and that so much of existence is to do with confronting forks in the road. At the end of the play, the ’toffs’ dutifully pair off: Olivia marries Sebastian and Orsino marries Cesario (or rather, Viola, unmasked in the nick of time). And Feste is on hand to pronounce on the mutability of life and on how its choices aren’t always ours to make.
Named for the twelfth night after Christmas, the end of the Christmas season, Twelfth Night plays with love and power. The Countess Olivia, a woman with her own household, attracts Duke (or Count) Orsino. Two other would-be suitors are her pretentious steward, Malvolio, and Sir Andrew Aguecheek.
Onto this scene arrive the twins Viola and Sebastian; caught in a shipwreck, each thinks the other has drowned. Viola disguises herself as a male page and enters Orsino’s service. Orsino sends her as his envoy to Olivia—only to have Olivia fall in love with the messenger. The play complicates, then wonderfully untangles,…
I spent more than 10 years and 25,000 nautical miles voyaging as the captain of my sailboat, Swell. My desires for life did not fit the common mold and context of where I grew up in Southern California– I sailed away wanting to understand the meaning of life, live simply and closer to nature, experience and learn from other cultures, be in solitude and ask life’s bigger questions. I chased my big, unlikely ocean dream and succeeded, but not without radical challenges, learning, and growth.
Steven Callahan not only survived this harrowing sea adventure but also wrote about it in such a powerful way. His unique descriptions constantly made me smile. I love how he was able to capture his evolving relationship with the ocean, his spirituality, himself, and the creatures he encounters during the 76-day saga of being adrift in a life raft on the Atlantic after his sailboat sunk.
I didn’t want to put this book down, he was just so courageous not to give up. It was fascinating to be in his head through this radical journey, especially as he questions the meaning of life while fighting to hang on to his own.
Before The Perfect Storm, before In the Heart of the Sea, Steven Callahan’s dramatic tale of survival at sea was on the New York Times bestseller list for more than thirty-six weeks. In some ways the model for the new wave of adventure books, Adrift is an undeniable seafaring classic, a riveting firsthand account by the only man known to have survived more than a month alone at sea, fighting for his life in an inflatable raft after his small sloop capsized only six days out. “Utterly absorbing” (Newsweek), Adrift is a must-have for any adventure library.
No matter the genre, I have always loved surprises in a story. I want characters to do the unexpected and plots to take me to, “Oh, I didn’t see that one coming.” Because that’s how life is, how my own life has been. Due to connections we didn’t understand and secrets people around us have kept (or we didn’t bother to uncover) the unexpected always jumps out in front of us. I also like characters who are either discovering or re-focusing their power in ways that are beneficial to themselves and others. Again, this has been my life’s story and I want my characters to search for that same balance.
Ashley is lost in the woods, an emotional and physical wreck, and she’s got to figure a way out. The two things she has going for her are serious survival skills and a fierce determination to never give up. Some of her challenges border on the unbelievable, but then, so do so many real-life stories we’ve all read about.
The reader gets to know and understand Ashley, with all her flaws exposed, as the worsening events force her to dig deep into who she is and what she’s capable of.The author might push the limit of what qualifies as YA, and as an adult I loved it, but when I was fifteen, I would have loved it even more.
Hatchet meets Wild in this harrowing YA survival story about a teenage girl’s attempt to endure the impossible, from the Edgar Award-winning author of The Female of the Species, Mindy McGinnis.
The world is not tame. Ashley knows this truth deep in her bones, more at home with trees overhead than a roof.
So when she goes hiking in the Smokies with her friends for a night of partying, the falling dark and creaking trees are second nature to her. But people are not tame either. And when Ashley catches her boyfriend with another girl, drunken rage sends her running…
When I was eleven, I picked up a book about a girl and a boy who get lost on a backpacking trip in the Sierra Nevada. It’s the first book I can remember reading over and over and over again. I wanted to be in that tent and in that forest figuring out how to survive. Since then, I’ve been hooked on books about people facing grueling physical challenges, surviving in the wilderness, and finding out what they’re made of. They’re urgent and compelling and the stakes are high, and I’ll never stop loving the thrill of reading about people being pushed to their physical and mental limits.
This book is tense! Jess is alone in the Canadian wilderness, still injured from the car accident that killed her mom, and now her dad has been murdered and his cabin burned down. Jess must figure out how to survive in the cold with no shelter and no way out when nobody knows where she is. This is part survival story and part thriller. Jess is driven by her desire to survive as much as her desire for revenge. The survival aspect here is enough to keep you reading, but I also loved trying to piece together the mystery of why her dad was killed.
Jess is stranded in the woods. She has few supplies and only her dog for company. Her survival skills are limited, and she has disabilities that make physical labor a challenge. And winter is on its way. How did she get here?
Alternating between the past and the present, this tightly-paced novel tells the story of a girl who survived a car crash that killed her mother, then was pulled from foster care and sent to live with her estranged survivalist father in the remote Canadian wilderness. Jess was just beginning to get to know her dad when a secret…
There’s something about a horror story set in the winter, especially with characters stuck in a snowstorm, that makes it more chilling to me. My first novel, Ancient Enemy, was inspired by my love of horror set in the dead of winter. If you haven’t read these books on my list, I hope you’ll check them out. It was difficult narrowing the list down to just five – I can think of so many other great winter-themed horror novels.
This novel is a gritty, realistic look at the crew of a ship attempting to voyage through the Arctic Circle in the 1800s. Soon, they are iced in, and something horrifying waits out in the tundra for them. Loved this book, the building tension, the detail of Dan Simmons’s writing – I could tell he really researched this book.
The men on board HMS Terror have every expectation of triumph. As part of the 1845 Franklin Expedition, the first steam-powered vessels ever to search for the legendary Northwest Passage, they are as scientifically supported an enterprise as has ever set forth. As they enter a second summer in the Arctic Circle without a thaw, though, they are stranded in a nightmarish landscape of encroaching ice and darkness. Endlessly cold, with diminishing rations, 126 men fight to survive with poisonous food, a dwindling supply of coal, and ships buckling in the grip of crushing ice. But their real enemy is…
