Here are 100 books that The Final Girl Support Group fans have personally recommended if you like
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An avid reader, I began a project in 2012 to read one short story a week in supernatural mysteries, ghost stories, and quiet horror genres. I began with the classic authors: Poe, MR James, Lovecraft, Shelley, Stoker, du Maurier, etc. I began a blog, Reading Fiction Blog, and posted these free stories with my reviews (I’m still posting today). Over the years, it turned into a compendium of fiction. Today, I have nearly 400 short stories by over 150 classic and now contemporary authors in the blog Index. I did this because I wanted to learn more about writing dark fiction and who better to learn from than the masters?
Jackson’s Gothic horror flows like black chiffon over a yawing window. That’s how I felt reading about Hill House. I loved the way the house sneaks up with its psychological weights swinging and jarring. Eleanor possesses a dark ambiance. She desperately needed to belong to something or someone, and I couldn’t let go of that.
Her emotions and fears were right there with me. But it was the romantic underbelly that got me: Eleanor’s romance with Hill House. The statuesque gardens, the light, and shadows, all tempted her into its sinister realm. As it tempted me. I felt deeply for Eleanor, wanting to belong to something extraordinary to replace her dull life. Shirley Jackson is quoted as saying, “I delight in what I fear.” This book proves it.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
An avid reader, I began a project in 2012 to read one short story a week in supernatural mysteries, ghost stories, and quiet horror genres. I began with the classic authors: Poe, MR James, Lovecraft, Shelley, Stoker, du Maurier, etc. I began a blog, Reading Fiction Blog, and posted these free stories with my reviews (I’m still posting today). Over the years, it turned into a compendium of fiction. Today, I have nearly 400 short stories by over 150 classic and now contemporary authors in the blog Index. I did this because I wanted to learn more about writing dark fiction and who better to learn from than the masters?
If ever there was a perfect ghost story, this is it. Gothic with atmospheric language and vivid scenes that still haunt me. I suppose this could have been written by Jane Austen because of its nightmarish ghostliness on the English moors. So masterfully done—the wreaths of moving fog and haunted cries.
I love the unknown fear of it all. Susan Hill is highly skilled in making ghosts present on the page: the eerie sound of the rocking chair in the old nursery is a spine-tingler, albeit a cliché. Written in a sublime fashion, it fits the “quiet horror” genre. Quiet horror is so savory to me because it digs into the imagination with shadowy phantoms without slamming the reader viscerally. I love that kind of artful creation.
The classic ghost story from the author of The Mist in the Mirror: a chilling tale about a menacing spectre haunting a small English town.
Arthur Kipps is an up-and-coming London solicitor who is sent to Crythin Gifford—a faraway town in the windswept salt marshes beyond Nine Lives Causeway—to attend the funeral and settle the affairs of a client, Mrs. Alice Drablow of Eel Marsh House. Mrs. Drablow’s house stands at the end of the causeway, wreathed in fog and mystery, but Kipps is unaware of the tragic secrets that lie hidden behind its sheltered windows. The routine business trip…
Only in my recent life as a reader did I realize that my favorite novels often follow a precise pattern: either the author or the main character is a woman. Or both. So, why this sort of bias from a male reader? I found a plausible answer in my belief that female protagonists, more than male ones, serve as the ideal lever for compelling plot twists—the deae ex machina of contemporary storytelling. No wonder the protagonist of the first novel I wrote is a woman. No wonder she’s gifted (or, rather, cursed) with supernatural powers. As for my choice of topic, could it possibly have turned out differently?
I’m one of those readers who sometimes read a book because they have to. I started this book with the idea that I couldn’t possibly miss Stephen King’s debut novel. On paper, it stood at the antipodes of my liking— a horror story, but also a mystery and a thriller, set in a high school and so drenched in blood you might fear staining your finger at each turning page. Yet, I was so absorbed by Carrie’s tormented personality that I forgot all the above and went all the way down to the end in a single breath.
This book confirmed one of my firmest tenets—if you come across a book that is not your genre and love it, it means that you indeed loved it. A lot.
Stephen King's legendary debut, about a teenage outcast and the revenge she enacts on her classmates, is a Classic. CARRIE is the novel which set him on the road to the Number One bestselling author King is today.
Carrie White is no ordinary girl.
Carrie White has the gift of telekinesis.
To be invited to Prom Night by Tommy Ross is a dream come true for Carrie - the first step towards social acceptance by her high school colleagues.
But events will take a decidedly macabre turn on that horrifying and endless night as she is forced to exercise her…
Growing up in New England, my mother had a set of books that she kept in the living room, more for display than anything else. It was The Works of Edgar Allen Poe. I read them and instantly became hooked on horror. In the seventh grade, I entertained my friends at a sleepover by telling them the mysterious clanking noise (created by the baseboard heater) was the ghost of a woman who had once lived in the farmhouse, forced to cannibalize her ten children during a particularly bad winter. And I’ve been enjoying scaring people ever since.
In 1939, on a remote Pacific island, botanical researcher Irene Greer plunged off a waterfall to her death, leaving behind a legacy shrouded in secrets. Her great-niece Julia, a struggling journalist recovering from a divorce, seeks answers decades later.
Tasked with retrieving Dr. Greer’s discovery–a flower that could have world-changing properties–Julia unearths a story rife with hidden agendas and a missionary community unwilling to share the truth. As she confronts the eerie legends and a fellow traveler with his own motives, Julia finds that the longer she stays, the thinner the line between reality and the fantastical becomes until she…
From the award-winning author of Dead Souls and Poe comes an all-new bone-chilling novel where a mysterious island holds the terrifying answers to a woman's past and future.
In 1939, on a remote Pacific island, botanical researcher Irene Greer plunges off a waterfall to her death, convinced the spirits of her dead husband and daughter had joined the nightmarchers-ghosts of ancient warriors that rise from their burial sites on moonless nights. But was it suicide, or did a strange young missionary girl, Agnes, play a role in Irene's deteriorating state of mind?
Growing up, I’m not embarrassed to admit the horror genre was too scary for me. I don’t remember when it was but at some point that changed and it’s become my favourite. It started with horror movies but as I became a writer, that love transferred to horror books. My favourite type of horror focuses more on the character than the scares. I don’t see why I should be worried about a character’s fate if they’re one-dimensional. I’d trade in great character development for clichéd scares in horror any day.
This book is based on one of my favourite movies. However, it takes its time to expand on the characters (delving into their feelings and motivations more). It’s a zombie story set at Christmas about a young girl who wants to break away from her life in Scotland. The zombies are second to the characters. Time is taken to explore Anna, her friends, and the eventual villain through flashbacks and their relationships. As a Scotsman it’s nice to see a horror story set in Scotland, which is something I try to do with most of my horror books.
Anna and the Apocalypse is a horror comedy about a teenager who faces down a zombie apocalypse with a little help from her friends.
Anna Shepherd is a straight-A student with a lot going on under the surface: she’s struggling with her mom’s death, total friend drama, and the fallout from wasting her time on a very attractive boy. She’s looking forward to skipping town after graduation—but then a zombie apocalypse majorly disrupts the holidays season. It’s going to be very hard to graduate high school without a brain.
Worldbuilding is something I absolutely adore, and I have always wanted to see more fantasy in worlds created around a more modern thought process. Worlds that got away from the medieval and instead found inspiration in places like 1920s America or 1950s Mexico or anywhere with cars and motorcycles existing right alongside dragons. It’s what I try to write and its desperately what I want to read. Fantasy has so much more range than I think it is given credit for.
I love this book because it marries the brutality of military sci-fi with epic fantasy in a colossally satisfying fashion. It has dark gods, blood magic, and the grueling rigors of military training. And Ikenna, the main character, takes no crap from anyone, no matter how powerful. You can’t help but to root for her!
Blending fantasy and science fiction, N. E. Davenport's fast-paced, action-packed debut kicks off a duology of loyalty and rebellion, in which a young Black woman must survive deadly trials in a racist and misogynistic society to become an elite warrior.
It's all about blood.
The blood spilled between the Republic of Mareen and the armies of the Blood Emperor long ago. The blood gifts of Mareen's deadliest enemies. The blood that runs through the elite War Houses of Mareen, the rulers of the Tribunal dedicated to keeping the republic alive.
The blood of the former Legatus, Verne Amari, murdered.
From a young age, I was not only curious but obsessively driven to find some sort of purpose in life. I was also incredibly sensitive, and always felt I was put on the earth for a reason. My search took me across the world, taking many turns as I grabbed at every opportunity. Thanks to a motorbike accident in Nigeria, scattered pieces of my past suddenly began to fall into place. Finding our own purpose is exploration in its purest form, and I’ve long been fascinated by other curious minds – those that either struggle to find it, and those that find it and live it, or those that turn their back on convention.
The very idea that someone could abandon modern life and live for so long in the middle of a wood in Maine, in the USA, for close to 30 years, without being found, I find incredible. What Christopher Knight decided to do here isn’t a million miles from Chris McCandless in my earlier book recommendation, but he lasted a lot longer and was undoubtedly more successful. It takes a very special kind of person to become a true hermit, but at some time in our lives, almost all of us will wonder what it’s like to disappear, just to leave everything behind and live the most simplest and natural of lives. Christopher may well not be the last hermit – we’ll never know how many are out there, if we’re honest – but what he achieved makes for fascinating reading, a chance to taste what this sort of mystical life…
Could you leave behind all that you know and live in solitude for three decades? This is the extraordinary story of the last true hermit - Christopher Knight.
'This was a breath-taking book to read and many weeks later I am still thinking about the implications for our society and - by extension - for my own life' Sebastian Junger, bestselling author of The Perfect Storm
'A wry meditation on one man's attempt to escape life's distractions and look inwards, to find meaning not by doing, but by being' Martin Sixsmith, bestselling author of Philomena…
Whereas many seek out stories of human triumph and heroic deeds, I have always been captivated by stories that show humanity for what it is–a bastion of innovation and wonder but also a complex and ethically questionable force of nature. I began writing my book when I was twelve years old, and I immediately knew that my characters would not be one-sided, cast in light or shadow. Instead, they would love at times and hate others, try their hardest to do what is right, but sometimes end up doing more harm than good. Remember that a ‘hero’ is a product of perspective when reading these books.
This book takes what would seem–on the surface–to be an incredibly grim and morally gray story and frames it such that it can be read by younger audiences. I read this book when I was eleven years old, and it truly laid the groundwork for my current love of dystopian sci-fi.
The premise is unique, the characters have complex motivations, and the stakes are endlessly high–after all, humanity was in a bad enough position that it was willing to drop a hundred teenagers on an irradiated planet. In my opinion, such a difficult decision casts a very realistic light on the characters, as their actions could very well happen in the material world. It’s just a matter of how desperate mankind gets.
The Hunger Games meets Lost in this spectacular new series. Now a major TV series on E4.
No one has set foot on Earth in centuries - until now.
Ever since a devastating nuclear war, humanity has lived on spaceships far above Earth's radioactive surface. Now, one hundred juvenile delinquents - considered expendable by society - are being sent on a dangerous mission: to re-colonize the planet. It could be their second chance at life...or it could be a suicide mission.
CLARKE was arrested for treason, though she's haunted by the memory of what she really did. WELLS, the chancellor's…
Simon has been a student and historian of ancient Rome for most of his life, and has authored one non-fiction work and numerous historical novels set in the era, a number of them set in the ancient city itself. He has spent time in Rome over the decades, hunting down traces of the ancient city and studying architecture and finds, ever deepening his understanding of the place, how it worked, what it looked like, and its place in the world. Rome is the core of three decades of research for Simon.
This is quite simply the best entry-level guide to the ancient culture, world, and city of Rome I have found. Written in a humorous and engaging manner, it walks the reader through the history of Rome from its legendary founding to the date the book is nominally set (the reign of Domitian), all from the point of view of someone of Domitian’s time. It covers every subject from the dos and don’ts of dinner parties to the importance of gods. A perfect start for someone new to the subject, and equally entertaining for the scholar.
Imagine you were transported back in time to Ancient Rome and you had to start a new life there. How would you fit in? Where would you live? What would you eat? Where would you go to have your hair done? Who would you go to if you got ill, or if you were mugged in the street? All these questions, and many more, will be answered in this new how-to guide for time travellers. Part self-help guide, part survival guide, this lively and engaging book will help the reader deal with the many problems and new experiences that they…
A psychic once told me I was born in the wrong century, and I can believe it. I have always been drawn to tales of the past, feeling a kinship for the men and women of whom I read―whether they are real or born of someone's imagination―and longing for a life not digitalized or controlled and one in which self-reliance and community are not at odds. Am I a romantic? You bet, and happy to be.
There is a reason Louis L'Amour books remain popular. I wish I had the whole collection, and I read every one I can get my hands on. One I particularly recommend is Down the Long Hills, which is a slight departure from his usual tales. In this one, two children find themselves aloneand pitted against weather, wilderness, warriors, and their own worry that they are too little for this journey. I could not help measuring my own knowledge and ingenuity against that of a seven-year-old boy and finding it wanting. Nor could I help admiring the resolve and sense of responsibility that would put most adults to shame. I'll be reading this one again, too.
As part of the Louis L’Amour’s Lost Treasures series, this edition contains exclusive bonus materials!
Everyone was dead. Indian raiders massacred the entire wagon train. Only seven-year-old Hardy Collins and three-year-old Betty Sue Powell, managed to survive. With a knife, a faithful stallion, and the survival lessons his father taught him, Hardy must face the challenges of the open prairie as they head west in search of help. Using ingenuity and common sense, Hardy builds shelters, forages for food, and learns to care for Betty Sue. But their journey through this hostile wilderness is being tracked by even more hostile…
I worked as an industrial electrician for over two decades. At one point during a meeting to discuss an upcoming project, a question was posed about the delivery time of a specific piece of equipment. When the answer was given that it would be about a year away, it got me thinking: what if a specialized piece of equipment—critical to the grid and with an equally long lead time—was destroyed, how would the grid survive? More importantly; how would we survive? That single statement was the spark that ignited the fire in me to learn all about the grid, and to write Dark State.
I first heard of The Disaster Diaries from an interview with author Sam Sheridan. While not a book strictly related to a grid failure, it was still about disaster and surviving the breakdown of societal norms.
What was so amazing about the book—and something that endeared the author to me, was his humility regarding his own lack of preparedness. Here was a man who had been an EMT, a mixed martial arts fighter, a fire-fighter, and a cowboy, and yet he still didn’t feel prepared enough to survive a disaster!
What follows is a unique journey as he learns stunt driving, knife fighting, even how to steal a car, all to help him prepare for “The Big One.”
Sam Sheridan has been an amateur boxer, mixed-martial-arts fighter, professional wilderness firefighter, EMT, sailor, and cowboy, and has worked in construction at the South Pole. If he isn't ready for the apocalypse, we're all in a lot of trouble.
Despite an arsenal of skills that would put most of us to shame, when Sam had his son and settled down, he was beset with nightmares about being unable to protect him. Apocalyptic images filled his head. If a rogue wave hit his beach community, could he get out? If he was forced outside the city, could he survive in the…
