Here are 100 books that The Final Girl Support Group fans have personally recommended if you like
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I’ve been a fanatic of horror, especially Gothic horror since I was about eight years old when I read all of Poe’s short stories. It’s the genre I read most often and the one I’m dedicated to writing about. For me, the most effective horror novels have a setting that is as rich and fully developed as any of the characters. You can battle vampires, zombies, and all of the other delightful monsters out there, but how do you battle what’s trapped in the walls around you? How do you fight a home that hates you? Or one that loves you too much to let you go? It’s endlessly fascinating.
The novel’s prose is breathtaking. Jackson tells us from the start that Hill House is not sane and that sets the tone for the unraveling of the other characters’ minds.
For me, one of the best things about the novel is that it gives the reader space to create their own horrors. Nothing is explicitly stated and that makes it all the more frightening. Add to that an unreliable narrator and this novel captured my mind from the moment I read it.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
I’m Catherine Cavendish – writer of Gothic and ghostly horror stories. I lived in a haunted house. It didn’t scare me because our ghost seemed to go out of her way to make us welcome. Elsewhere in the building was a different matter. This was occupied by a social club and in one room in particular, an entity targeted lone females, taking delight in poking and shoving them. Since we left there, I wonder about our friendly ghost. Does she continue to watch over her old home? As for the malevolent spirit – one encounter was quite enough for me! My experiences left me fascinated by the power of buildings to absorb its ghosts.
Eel Marsh House. The name itself sets you up for something dark, sinister, cold, lonely, and hide-under-the-bedcovers scary.
The way Susan Hill handles her brand of horror has always fascinated and grabbed me. She sets her Gothic and ghostly stories – which are mostly novella length – in an indeterminate timeline which has been called ‘Hill-time’ and this all adds to the mystery and ethereal darkness.
The Woman in Black is her most famous (writing in this genre) and has all the ingredients you want. An isolated house with such a macabre back story it’s no wonder it is so deeply haunted, a desolate fog-ridden landscape, the hapless and grieving solicitor who stays there in order to sort out the legal affairs of the late owner.
Add all this to the tragic legend that has the locals fearful and wary and it’s classic stuff – but no less gripping when…
The classic ghost story from the author of The Mist in the Mirror: a chilling tale about a menacing spectre haunting a small English town.
Arthur Kipps is an up-and-coming London solicitor who is sent to Crythin Gifford—a faraway town in the windswept salt marshes beyond Nine Lives Causeway—to attend the funeral and settle the affairs of a client, Mrs. Alice Drablow of Eel Marsh House. Mrs. Drablow’s house stands at the end of the causeway, wreathed in fog and mystery, but Kipps is unaware of the tragic secrets that lie hidden behind its sheltered windows. The routine business trip…
It’s taken me a while to feel comfortable calling myself an expert on workplace bullying. I mean, just because you experience something doesn’t necessarily make you an expert, right? What I am, though, is passionate about the subject of workplace bullying within the larger context of organizational health and workplace culture. I’m passionate about it because I experienced a workplace whose culture devolved into hostility, toxicity, and workplace bullying. I'm one of the 80 million US workers who have been affected by workplace bullying. That’s the size of two Californias or one Germany. And, it means one in two workers are contending with something that is known as “the Undiscussable.” So, let’s discuss it.
Leave it to the master of horror, Stephen King, to dream up the ultimate comeuppance story.
High school student Carrie is bullied relentlessly by her peers, both at school and outside its walls. Her mother’s treatment of her at home doesn’t help. But one day Carrie realizes she has supernatural powers that dwarf the “powers” her classmates think they wield over her.
I don’t condone what happens on prom night, of course, but anyone who’s ever been bullied will agree that the fantasy of turning the tables on your tormentor(s) can be…very satisfying.
Stephen King's legendary debut, about a teenage outcast and the revenge she enacts on her classmates, is a Classic. CARRIE is the novel which set him on the road to the Number One bestselling author King is today.
Carrie White is no ordinary girl.
Carrie White has the gift of telekinesis.
To be invited to Prom Night by Tommy Ross is a dream come true for Carrie - the first step towards social acceptance by her high school colleagues.
But events will take a decidedly macabre turn on that horrifying and endless night as she is forced to exercise her…
Growing up, I’m not embarrassed to admit the horror genre was too scary for me. I don’t remember when it was but at some point that changed and it’s become my favourite. It started with horror movies but as I became a writer, that love transferred to horror books. My favourite type of horror focuses more on the character than the scares. I don’t see why I should be worried about a character’s fate if they’re one-dimensional. I’d trade in great character development for clichéd scares in horror any day.
This book is based on one of my favourite movies. However, it takes its time to expand on the characters (delving into their feelings and motivations more). It’s a zombie story set at Christmas about a young girl who wants to break away from her life in Scotland. The zombies are second to the characters. Time is taken to explore Anna, her friends, and the eventual villain through flashbacks and their relationships. As a Scotsman it’s nice to see a horror story set in Scotland, which is something I try to do with most of my horror books.
Anna and the Apocalypse is a horror comedy about a teenager who faces down a zombie apocalypse with a little help from her friends.
Anna Shepherd is a straight-A student with a lot going on under the surface: she’s struggling with her mom’s death, total friend drama, and the fallout from wasting her time on a very attractive boy. She’s looking forward to skipping town after graduation—but then a zombie apocalypse majorly disrupts the holidays season. It’s going to be very hard to graduate high school without a brain.
I was born in the world’s most isolated capital city – Perth, Western Australia. Ever since my family packed up and drove across the vast Nullarbor Plain to relocate to South Australia, I’ve been fascinated by our eerie, wide-open spaces. There’s no doubt that family folklore fed into this. My Finnish mother arrived as a ten-year-old, recalling that when she first felt the heat, she thought: “This is hell.” My father and his family arrived from the Netherlands. I love my country, but this continent presents dangers in its arid isolation – all captivating to a storyteller.
The Island achieved an incredible feat by inducing two competing thoughts in my mind: this couldn’t possibly happen, and this could possibly happen!
A family of four is on an Australian driving holiday and is unexpectedly allowed entry onto a privately owned Dutch Island. This isolated setting soon makes them vulnerable and reliant on others. I loved following the characters’ journeys as they grappled with how to protect themselves and their loved ones. They’re "ordinary everyday people" who are forced to take action—and there’s plenty of it!
As with most of the best thrillers, there are multiple points of view that ratchet up the tension.
I've been a student of horror since my mother first sat me down in front of the TV to watch the old monster movies with her. It's a genre for the outsiders, the underdogs, which I've certainly felt at several points throughout my life. Good horror is both an escape and a vessel to affect change in the world. Many people in my life believe horror is just boobs and blood, so I feel like it's my job to educate them. This is why I started hosting my horror movie nights, which later developed into my first cookbook. Horror is a major part of my life and I hope it gets the appreciation it deserves.
There is so much tension and paranoia built into this quiet story that you won't know what to believe by the end.
I have been thinking a lot about adopting, and I felt really connected to this one. It must be hard to be a gay couple raising a child in a world full of strangers who can burst into your life just to challenge you at any time.
I just couldn't get past the reality of the situation presented here. It could happen to anyone at any time, but the fact that it happened to a gay couple made it all the more relatable and horrifying.
Paul Tremblay’s terrifying twist to the home invasion novel—inspiration for the upcoming major motion picture from Universal Pictures
“Tremblay’s personal best. It’s that good.” — Stephen King
Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake. Their closest neighbors are more than two miles in either direction along a rutted dirt road.
One afternoon, as Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen, but he is young, friendly, and he wins her over almost…
I’ve always admired epistolary novels—stories told in the form of diaries, letters, or other mass media. They seem so real and so much more believable than plain narratives. When dealing with fantastic subjects, like paranormal phenomena, any technique that can draw the weird back into the real world helps me become more invested as a reader. It’s a quality I’ve also tried to capture as a horror writer. Moreover, the epistolary format pairs well with unreliable narrators, often filtering stories so as to make them more ambiguous and disturbing. From the many epistolary works I’ve read over the years, here are my picks for the most compelling—and creepy.
I know the concept of a sasquatch attack on a remote commune sounds silly on the surface, but Brooks crafts it into a realistic, serious story. As a believer in the possibility of Bigfoot, I was fascinated to see how disastrously an encounter between humans and cryptids could conceivably go.
The naivete of the settlers in the wilderness is even more distressing than the hostility of the animals. Unsettling news reports (of which the characters remain unaware) interspersed with diary entries underscore their desperation and peril. I thought the situation was completely credible. Really, we ought to have more sasquatch horror books.
'TRUE TERROR' Guardian 'NAIL CHOMPING SUSPENSE' Total Film ______________________________________ As the ash and chaos from Mount Rainier's eruption swirled and finally settled, the story of the Greenloop massacre has passed unnoticed, unexamined . . . until now.
But the journals of resident Kate Holland, recovered from the town's bloody wreckage, capture a tale too harrowing - and too earth-shattering in its implications - to be forgotten.
In these pages, Max Brooks brings Kate's extraordinary account to light for the first time, faithfully reproducing her words alongside his own extensive investigations into…
As a researcher at Wake Forest University School of Medicine and a college professor who has taught biology and anatomy & physiology, I have a unique insight into the mysteries of the human body and how existing and emerging viruses can wreak havoc on the world’s populations. In light of the COVID pandemic that killed millions and
the threat of older and increasingly virulent pathogens, I find it terrifying that viruses could be unleashed that leave us defenseless. Despite all our advances and knowledge, medical mysteries continue to intrigue us and spark our imaginations. We are drawn to them, now more than ever, hoping that the fiction we read about will not become reality.
It was disturbing for me to think that the melting of Alaskan permafrost could actually unleash a disease that spreads and causes its victims to go mad. But the more I thought about it, the more realistic it seemed. Ebola, after all, was spread the same way, except by unearthing tropical soil.
A doomsday cult, which I love reading about, is involved in a sinister plot, and the world falls into chaos and is on the brink of apocalypse. To my delight, I got it all from this book: conspiracy, thrills, a sinister subplot, and a bit of romance. Tosca Lee has given me a believable and riveting novel that delivered on all levels.
In this frighteningly believable thriller from New York Times bestselling author Tosca Lee, an extinct disease re-emerges from the melting Alaskan permafrost to cause madness in its victims. For recent apocalyptic cult escapee Wynter Roth, it's the end she'd always been told was coming.
When Wynter Roth is turned out of New Earth, a self-contained doomsday cult on the American prairie, she emerges into a world poised on the brink of madness as a mysterious outbreak of rapid early onset dementia spreads across the nation.
As Wynter struggles to start over in a world she's been taught to regard as…
No matter the genre, I have always loved surprises in a story. I want characters to do the unexpected and plots to take me to, “Oh, I didn’t see that one coming.” Because that’s how life is, how my own life has been. Due to connections we didn’t understand and secrets people around us have kept (or we didn’t bother to uncover) the unexpected always jumps out in front of us. I also like characters who are either discovering or re-focusing their power in ways that are beneficial to themselves and others. Again, this has been my life’s story and I want my characters to search for that same balance.
Ashley is lost in the woods, an emotional and physical wreck, and she’s got to figure a way out. The two things she has going for her are serious survival skills and a fierce determination to never give up. Some of her challenges border on the unbelievable, but then, so do so many real-life stories we’ve all read about.
The reader gets to know and understand Ashley, with all her flaws exposed, as the worsening events force her to dig deep into who she is and what she’s capable of.The author might push the limit of what qualifies as YA, and as an adult I loved it, but when I was fifteen, I would have loved it even more.
Hatchet meets Wild in this harrowing YA survival story about a teenage girl’s attempt to endure the impossible, from the Edgar Award-winning author of The Female of the Species, Mindy McGinnis.
The world is not tame. Ashley knows this truth deep in her bones, more at home with trees overhead than a roof.
So when she goes hiking in the Smokies with her friends for a night of partying, the falling dark and creaking trees are second nature to her. But people are not tame either. And when Ashley catches her boyfriend with another girl, drunken rage sends her running…
I’m a science fiction writer who loves my chosen genre for the promises it makes for the worlds that we can have—and the warnings that it offers for the worlds that might be ours if we don’t take care. I’ve picked books for people who like their thinking to be challenged, and who also long for the world to be a much better place. These are the kinds of books I love to read—and the kinds of books I try to write.
England, in the near future, walking blindly into totalitarianism, everything falling apart. Eve has grown up in a happy family, with loving parents, but not even they can protect her from the world collapsing around them. Eve sets out on a journey, alone, across the wild Yorkshire moors, in search of new ways of living. This is a powerful, beautiful graphic novel from Una.
A powerful novel of mothers and daughters, and how we imagine our future, from acclaimed author of BECOMING UNBECOMING
'A disturbing and necessary book for our times ... Una has held up a chilling mirror for us, and leaves us with a choice - what kind of world will we make for ourselves?' JACKY FLEMING
In the near future, in a world that seems just like our own, Eve grows up in a loving family that is increasingly threatened by a society which seems to be sleepwalking into totalitarianism. After a catastrophe that changes everything, Eve must set off on…
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