Here are 100 books that Telling the Map fans have personally recommended if you like
Telling the Map.
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As both a high school teacher and an activist, I am preoccupied by the world we are leaving to the next generation. And as a long-time Toronto resident, I also just love seeing my city get destroyed in fiction, which is far more cathartic than watching it get bungled up in real life. I am drawn to the type of story that exposes the wounds that run deep in our political, economic, and social structures. The best dystopian fiction shines a mirror on our history and our present, and brings the experiences of marginalized voices—for whom the apocalypse is not merely theoretical—to a broader audience.
Hopkinson’s stunning debut plunges the reader into a wildly inventive future Toronto. She seamlessly weaves together the politics of race, class, and gender, inflected with the rich culture and history of the Caribbean diaspora.
Despite the grim post-apocalyptic setting, the characters are part of a community, surviving through solidarity and mutual aid. There are no easy answers or neat resolutions to be found here—the fraught, tenuous connections between families and lovers are messy and grounded.
Sadly, many of the elements of this 1998 novel have proven prophetic, and this book is still a clarion call 25 years later.
The rich and the privileged have fled the city, barricaded it behind roadblocks, and left it to crumble. The inner city has had to rediscover old ways -- farming, barter, herb lore. But now the monied need a harvest of bodies, and so they prey upon the helpless of the streets. With nowhere to turn, a young woman must open herself to ancient truths, eternal powers, the tragic mystery surrounding her mother and grandmother. She must bargain with gods, and give birth to new legends.
I've been in love with ecological writing, the effort to communicate love for and grief over the destruction of the profound beauty of the natural world, since I wrote my first play about rainforest clear-cutting in fifth grade—if not before. In 2016, I started Reckoning, a nonprofit journal of creative writing about environmental justice, because I wanted to encourage others doing this work, to provide an independent platform for it in ways profit-driven traditional publishing wasn't, and to build a community where those writers could share and inspire each other. Seven years later, that community defines me; it's the most rewarding thing I've ever done.
In this profound and devastating novella, Campbell gives us a complex, multi-generational window on a post-warming, post-collapse world rebuilding itself. A cathedral grown, not built, out of living trees. A masterwork violin made from dying old-growth Sitka spruce that will long outlast the hand of its creator. A decaying library salvaged, its wealth of knowledge distributed to the living hands that need it most. Through these touchstones of human resilience and ingenuity, we're shown a path forward into a new world that doesn't escape loss or ignore it, but is burgeoned up by it into new vitality.
A NOVELLA-LENGTH EXPANSION OF THE 2020 THEODORE STURGEON MEMORIAL AWARD WINNER
A professor in pandemic isolation rescues books from the flooded and collapsing McPherson Library. A man plants fireweed on the hillside of his depopulated Vancouver Island suburb. An aspiring luthier poaches the last ancient Sitka spruce to make a violin for a child prodigy. Campbell's astonishing vision pulls the echoing effects of small acts and intimate moments through this multi-generational and interconnected story of how a West coast community survives the ravages of climate change.
I've been in love with ecological writing, the effort to communicate love for and grief over the destruction of the profound beauty of the natural world, since I wrote my first play about rainforest clear-cutting in fifth grade—if not before. In 2016, I started Reckoning, a nonprofit journal of creative writing about environmental justice, because I wanted to encourage others doing this work, to provide an independent platform for it in ways profit-driven traditional publishing wasn't, and to build a community where those writers could share and inspire each other. Seven years later, that community defines me; it's the most rewarding thing I've ever done.
Another short novel about people forging community in a world rendered almost unrecognizable by climate collapse and the devastating consequences of environmental injustice, this one provides a close focus on what it's like to be young, lost, and angry in the ruins of choices made before you were born. Nobody trying to live forward in these uncertain times should be without that perspective. As a parent struggling to come to terms with sending a kid out to grow up in this world, I know I've been desperate for it, and Mohamed's intensely close point of view makes it impossible not to inhabit. It's scary, but essential.
A novella set in post–climate disaster Alberta; a woman infected with a mysterious parasite must choose whether to pursue a rare opportunity far from home or stay and help rebuild her community
The world is nothing like it once was: climate disasters have wracked the continent, causing food shortages, ending industry, and leaving little behind. Then came Cad, mysterious mind-altering fungi that invade the bodies of the now scattered citizenry. Reid, a young woman who carries this parasite, has been given a chance to get away — to move to one of the last remnants of pre-disaster society — but…
I've been in love with ecological writing, the effort to communicate love for and grief over the destruction of the profound beauty of the natural world, since I wrote my first play about rainforest clear-cutting in fifth grade—if not before. In 2016, I started Reckoning, a nonprofit journal of creative writing about environmental justice, because I wanted to encourage others doing this work, to provide an independent platform for it in ways profit-driven traditional publishing wasn't, and to build a community where those writers could share and inspire each other. Seven years later, that community defines me; it's the most rewarding thing I've ever done.
A ridiculously fun and eerily prescient folktale, about the rise of a Robin Hood figure and the community that rallies around her in a droughted, post-warming Portland, Oregon, I can basically never not recommend this book. Like Brown Girl in the Ring, this is one of the books that made me want to read and write about speculative community-building and environmental justice. Parzybok's clever, inviting prose makes this substantial novel a deceptively fast and joyful read, and I'm never not sad when it's over.
"Parzybok does this thing where you think, 'this is fun!' and then you are charmed, saddened, and finally changed by what you have read. It's like jujitsu storytelling."—Maureen F. McHugh, author of After the Apocalypse
In drought-stricken Portland, Oregon, a Robin Hood-esque water thief is caught on camera redistributing an illegal truckload of water to those in need. Nicknamed Maid Marian—real name: Renee, a twenty-something barista and eternal part-time college student—she is an instant folk hero. Renee rides her swelling popularity and the public's disgust at how the city has abandoned its…
My journey into Asian story began with Black Cranes, edited by Lee Murray and Geneve Flynn. I have two stories in that book, but it is more than another anthology. The stories were specifically about women of horror and Asian descent- black cranes. I’ve gone on to write and publish my own stand-alone works from the Asian perspective, and our sisterhood gets stronger with every new book. We aren’t alone in appreciating representation. The books we’ve written since Black Cranes have an impressive collection of Bram Stoker, Shirley Jackson, and all sorts of other awards.
Another essayist from my book, Ai Jiang, writes a heartbreaking story. I think a lot of us trapped in debt can feel in our core. Ai’s book captures the essence of human connection in a world increasingly dominated by technological advancement and capitalist pursuits.
Despite the sci-fi story, Ai focuses on the human, everyday interactions that truly define our collective experience. She emphasizes the value of the moments we share with those closest to us—our families, friends, and neighbors. Often overlooked in the hustle of getting ahead, these interactions keep a community alive.
A wonderful author and person, her story digs deep into all the feels.
"Moving, brilliant, and certified 100% human." -Samit Basu, author of Turbulence
If you have the opportunity to give up humanity for efficiency, mechanical invincibility, and to surpass human limitations. . . would you?
Ai is a cyborg, under the guise of an AI writing program, who struggles to keep up with the never-blinking city of Emit as it threatens to leave all those like her behind.
I read almost any genre, but fantasy is what I love most, both reading and writing. Stories are magic, but when they have actual magic in them, I’m hooked. Having studied both Film and Creative Writing at university, I love to go in-depth on storytelling and have reviews aplenty on my website if you want further recommendations. The books I’ve chosen for this list have incredibly unique worlds full of bizarre magic. When I enter a new world, I want it to be exactly that: new and exciting with a touch of the surreal. To me, these books showcase magic at its most vivid and creative.
I thought this would be a typical thief turned rebel leader story, but this book really surprised me. The world is utterly unique, and the magic system adds a lot of humor with sentient keys and locks, literally arguing the laws of physics on whether to open it or not.
There’s a cool heist to go along with, as well as fun, diverse characters, but it was really the unique blend of science and magic that captivated me. The magic feels ancient, but there’s a razor-sharpness in how it’s implemented that is as exacting as any scientific discipline.
“The exciting beginning of a promising new epic fantasy series. Prepare for ancient mysteries, innovative magic, and heart-pounding heists.”—Brandon Sanderson
“Complex characters, magic that is tech and vice versa, a world bound by warring trade dynasties: Bennett will leave you in awe once you remember to breathe!”—Tamora Pierce
In a city that runs on industrialized magic, a secret war will be fought to overwrite reality itself—the first in a dazzling new series from City of Stairs author Robert Jackson Bennett.
Sancia Grado is a thief, and a damn good one. And her latest target, a heavily guarded warehouse on Tevanne’s…
When students ask me if I am from Kentucky, I say “no, but I got here as quickly as I could.” I chose to make the state my home and raise my family here, and I have studied its history for nearly three decades. I am drawn to Kentucky’s story and the paradox it represents: on one hand, you have the Derby, rolling hills and pastures, and fine bourbon, but set against that polished, sophisticated image are the stereotypes of a lawless, illiterate, poor state. As a borderland, not quite north or south, east or west, Kentucky offers a fascinating lens through which to view the nation’s history.
Uneven Ground is a book about Appalachia, but it is also a story of American economic development and a cautionary tale about the failures of capitalism. Eastern Kentucky lies in the heart of central Appalachia, an area rich in resources but home to some of the nation’s poorest people. Eller knows more about the region’s challenges than anyone and he provides a compelling indictment of development narratives that emphasize industrialization and false promises of “progress.” His book offers hope that out-of-the-box thinking and a new definition of “the good life” can lead to healthy and more equitable communities in the mountains.
Appalachia has played a complex and often contradictory role in the unfolding of American history. Created by urban journalists in the years following the Civil War, the idea of Appalachia provided a counterpoint to emerging definitions of progress. Early-twentieth-century critics of modernity saw the region as a remnant of frontier life, a reflection of simpler times that should be preserved and protected. However, supporters of development and of the growth of material production, consumption, and technology decried what they perceived as the isolation and backwardness of the place and sought to "uplift" the mountain people through education and industrialization. Ronald…
My interest in political economy dates back to my student years where I combined the study of the history of political economy, economics, and philosophy. Whether apologists or critics of capitalism, both groups appreciate the centrality of economic exchange among people who live in communities where absolute autonomy and self-sufficiency are unattainable. My concern with reframing political economy is also informed by the all too hushed scandal of capitalism, namely, the reliance on slavery for the accumulation of wealth for more than a century after the establishment of the USA. The reckoning with this atrocity animates much of my present thinking about political economy in general and capitalism in particular.
Lessig’s book argues that the pretense we live in America in a capitalist economy that follows the rules of the markets, with profit maximization and copyright protection (dating back to the Constitution), is by now completely discarded. Focusing on the entertainment industry and the arts, Lessig illustrates the limits of such thinking given the conduct of millions who download music, films, and videos without permission and continue to “remix” them within the legal limits of “fair use.”
The reigning authority on intellectual property in the Internet age, Lawrence Lessig spotlights the newest and possibly the most harmful culture — a war waged against those who create and consume art. America's copyright laws have ceased to perform their original, beneficial role: protecting artists' creations while allowing them to build on previous creative works. In fact, our system now criminalizes those very actions. Remix is an urgent, eloquent plea to end a war that harms every intrepid, creative user of new technologies. It also offers an inspiring vision of the postwar world where enormous opportunities await those who view…
I have long found it mysterious how we can live in what is truly one interconnected global order. Traders, merchants, deal-makers have long been viewed with suspicion. I wrote Compass of Societyto explore how one country, France, with its tradition of land-based elites, could contemplate remaking itself as a “commercial society.” Adam Smith said that even in his time, everyone “becomes in some measure a merchant, and the society itself... a commercial society.” Revisionists are finding high levels of commercialization even in premodern China and India. In this list, I picked five of my favorite books that reshaped our understanding of where European “capitalism” came from.
Though sometimes described as a “textbook,” this authoritative, lucidly written, and altogether reliable synthesis—covering much of Europe—is actually a fine way to learn about the guild masters who dominated pre-industrial labor. Their paradoxical condition comes through clearly: employers and employees, they were at once seamlessly integrated into the social hierarchy and ruthlessly exclusionary toward outsiders. They touted a timeless, divinely sanctioned order, while also being true wheelers and dealers for their own honor and interests, leading to levels of entrepreneurship and inequality amongst their own ranks that would surprise many.
This book is a survey of the history of work in general and of European urban artisans in particular, from the late middle ages to the era of industrialization. Unlike traditional histories of work and craftsmen, this book offers a multi-faceted understanding of artisan experience situated in the artisans' culture. It treats economic and institutional topics, but also devotes considerable attention to the changing ideologies of work, the role of government regulation in the world of work, the social history of craftspeople, the artisan in rebellion against the various authorities in his world, and the ceremonial and leisure life of…
As Nobel prize-winning economist Robert Lucas put it, "Once you start thinking about economic growth, it's hard to think about anything else." That's why I am eager to share the best books on economic development with you! I am a Senior Economist at the World Bank, the world's premier development institution. Over the years, I have developed a deep interest in what makes countries prosper, have published extensively on the topic in academic journals, and earned a PhD in Economics along the way. As a development practitioner, I have been supporting sustainable growth across the globe, with working experience in the Caribbean, Africa, and the Pacific.
After the fall of the Berlin Wall and the collapse of the Soviet Union, the 1990s saw the model of democratic capitalism prevail. Thirty years later, democracy is being questioned, and capitalism has been threatened by growing inequality.
Martin Wolf’s book provides a deep study of the underlying causes of this worrying development, something I very much appreciate. For all its flaws, Wolf argues that democratic capitalism remains the most promising economic model to provide individual freedom and shared prosperity, but it will require a revisiting of the concept of citizenship to foster a shared belief in the common good.
From the chief economics commentator of the Financial Times, a magnificent reckoning with how and why the marriage between democracy and capitalism is coming undone, and what can be done to reverse this terrifying dynamic
Martin Wolf has long been one of the wisest voices on global economic issues. He has rarely been called an optimist, yet he has never been as worried as he is today. Liberal democracy is in recession, and authoritarianism is on the rise. The ties that ought to bind open markets to free and fair elections are threatened, even in democracy’s heartlands, the United States…
