Fans pick 99 books like The Witch of Lime Street

I love history. I’ve loved it ever since I was a kid, listening to my dad’s history lectures. And in my history classes, I always tucked away stories about women. There weren’t many; most were trailblazers like Amelia Earhart or Susan B. Anthony. They were completely admirable, but I wanted to know about the women who had strayed from the straight and narrow: the murderers, the liars, and the thieves. Now, I write about women committing crimes throughout history. As a reader, I can never resist a story about a woman from the past doing things she shouldn’t. These books were endlessly entertaining and sometimes downright chilling to read.

I love history. I’ve loved it ever since I was a kid, listening to my dad’s history lectures. And in my history classes, I always tucked away stories about women. There weren’t many; most were trailblazers like Amelia Earhart or Susan B. Anthony. They were completely admirable, but I wanted to know about the women who had strayed from the straight and narrow: the murderers, the liars, and the thieves. Now, I write about women committing crimes throughout history. As a reader, I can never resist a story about a woman from the past doing things she shouldn’t. These books were endlessly entertaining and sometimes downright chilling to read.

I love history. I’ve loved it ever since I was a kid, listening to my dad’s history lectures. And in my history classes, I always tucked away stories about women. There weren’t many; most were trailblazers like Amelia Earhart or Susan B. Anthony. They were completely admirable, but I wanted to know about the women who had strayed from the straight and narrow: the murderers, the liars, and the thieves. Now, I write about women committing crimes throughout history. As a reader, I can never resist a story about a woman from the past doing things she shouldn’t. These books were endlessly entertaining and sometimes downright chilling to read.

I love history. I’ve loved it ever since I was a kid, listening to my dad’s history lectures. And in my history classes, I always tucked away stories about women. There weren’t many; most were trailblazers like Amelia Earhart or Susan B. Anthony. They were completely admirable, but I wanted to know about the women who had strayed from the straight and narrow: the murderers, the liars, and the thieves. Now, I write about women committing crimes throughout history. As a reader, I can never resist a story about a woman from the past doing things she shouldn’t. These books were endlessly entertaining and sometimes downright chilling to read.

From when I first learned to read, books opened a whole new world, which has given me vast pleasure ever since. I think it’s made me wiser, too. But it wasn’t until the sudden death of my younger son in 2020 that I began to read about the edges of the known world, and to discover that by opening my mind I could re-learn what I instinctively knew as a young child: that we come from somewhere else. Even before encountering tragedy, I’d been fascinated by the dividing line between what science can prove, and what still remains conjecture: it’s a theme I have returned to again and again in my fiction. 

The uncanny slips into the gaps between the objective world and the world of human experience with all its dreams, apprehensions, and intuitions. This intermediate space is the habitat of ghosts and also the zone where my mind does its wanderings. It's where my books come, and explorations of that space in other peoples' books draw me in, deeply and inescapably.

As a kid I loved visiting the local history museum, wandering through the dusty displays of taxidermy buffalo and medieval helmets. I enjoyed the creepy feeling I’d get when I stood next to the wax figures and looked at their frozen faces and not-quite-right hair. As I grew older, I became more interested in seeking out weird and unusual history, and it became a passion throughout my teenage years and into adulthood. Now, I’m able to combine my love of the creepy and occult with historical research. I teach U.S. history at SUNY Brockport, I co-produced Dig: A History Podcast, and I am the co-author of my new book (below). 

I am an esoteric storyteller. One day a technician was installing our internet. When he found out we were from New Orleans, he told us a story about when he visited there and saw a ghost. To hear him, there was no doubt about his truthfulness, how it scared him and convinced him never to return to that city again. Here was an ordinary guy whose life view was turned upside down by the paranormal. I write about such things—urban fantasies. I include esoteric books as well as accounts of such experiences in my reading. For me, I believe there is much more to this world than meets the eye. 

As a Dominican-American writer, I grew up constantly looking for representation and characters I could relate to. I could never really find whatever I was looking for until I got to college and discovered the long history of infusing realistic storytelling with surreal elements that finds roots in Indigenous and Black communities in Latin America. Once I found it, I was obsessed. I was so bored of western storytelling and basic, straightforward books, and here was this well of creativity that belonged to my ancestors. That’s when I noticed that the books I loved in my childhood all had this same quality – just a touch of magic.

I’ve always been nostalgic. I long for a connection with times and places I’ve never experienced, and I think my fascination with ghosts and the uncanny is connected to that. As a child, I fell in love with ancient Egypt, with its famously complex religious traditions concerning death and the afterlife. I earned a PhD in Egyptology and spent a lifetime crafting stories about the past, often with a speculative or supernatural twist. For me, ghosts and history are a natural combination.