Here are 100 books that Distant Waves fans have personally recommended if you like
Distant Waves.
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As a journalist, author and screenwriter, my work has always pondered loss and grief. I think this has something to do with the fact that of my mother’s religion; she was a convert to Hinduism and started conversations about the inevitability of death and how the soul and the body aren’t the same when us children were at a very young age. It probably also has something to do with the constant presence of death within my family and communities as a Black and queer person in a violently anti-Black and queerantagonistic world. I currently volunteer at a hospice, and provide community-building programming to death workers from diverse communities.
This list could be full of Toni Morrison novels and be no worse for it.
I’d argue that the late writer is the finest we’ve ever had on the topics of grief, loss, and ancestry—especially from the Black American perspective. One of my favorite examples is Song of Solomon, a mesmerizing journey through what it takes to craft an identity in the midst of racism and the ruptures it creates in our lives.
Morrison's singular prose is pure magic as it weaves a tale of the enduring power of love. A literary masterpiece.
'Song of Solomon...profoundly changed my life' Marlon James
Macon 'Milkman' Dead was born shortly after a neighbourhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly.
In 1930s America Macon learns about the tyranny of white society from his friend Guitar, though he is more concerned with escaping the familial tyranny of his own father. So while Guitar joins a terrorist group Macon goes home to the South, lured by tales of buried family treasure. But his odyssey back home and a deadly confrontation…
I studied forty years of the political misuses of the memory of Dr. King and the Civil Rights Movement as a sociologist at USC and the daughter of Iranian immigrants who has always been interested in questions of identity and belonging. My interest in civil rights struggles started early, growing up in Virginia, a state that celebrated the Martin Luther King, Jr. holiday alongside Robert E. Lee and Stonewall Jackson. I wanted to understand how revisionist histories could become the mainstream account of the past and how they mattered for the future of democracy.
I am, to put it lightly, obsessed with the way Octavia Butler revolutionizes the timescape and invites us to speculate about worlds that could be. In this and so many of her books, her vision of Afrofuturism is one that reminds us that our ancestral pasts and our imagined futures are always connected.
I thought a lot about the future when I wrote my book, and I share Butler’s conviction that there is collective healing and liberation in revisiting and reimagining the past.
I also love that my neighborhood library in Pasadena is the one Octavia Butler used to frequent!
From the New York Times bestselling author of Parable of the Sower and MacArthur “Genius” Grant, Nebula, and Hugo award winner
The visionary time-travel classic whose Black female hero is pulled through time to face the horrors of American slavery and explores the impacts of racism, sexism, and white supremacy then and now.
“I lost an arm on my last trip home. My left arm.”
Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon…
As a Dominican-American writer, I grew up constantly looking for representation and characters I could relate to. I could never really find whatever I was looking for until I got to college and discovered the long history of infusing realistic storytelling with surreal elements that finds roots in Indigenous and Black communities in Latin America. Once I found it, I was obsessed. I was so bored of western storytelling and basic, straightforward books, and here was this well of creativity that belonged to my ancestors. That’s when I noticed that the books I loved in my childhood all had this same quality – just a touch of magic.
One of my all-time favorite books. I recommend the whole trilogy. This YA book focuses on a young girl named Janie who has grown up with the annoying (sometimes dangerous) power of constantly getting sucked into people’s dreams when they sleep near her. It’s dark and realistic. There’s a mystery and it turns into a Veronica Mars-esque detective story, especially as the books progress. The romance is also amazingly developed. Chef’s kiss.
For seventeen-year-old Janie, getting sucked into other people's dreams at any given moment is getting tired. Especially the falling dreams, and the standing-in-front-of-the-class-naked ones. But then there are the nightmares, the ones that chill her to the bone... like the one where she is in a strange house...in a dirty kitchen...and a sinister monster that edges ever closer. This is the nightmare that she keeps falling into, the one where, for the first time, Janie is more than a witness to someone else's twisted psyche. She is a participant...
I am a contemporary romance writer, mom, queer, dog-lover, and coffee enthusiast. I have a deep love of the genre, particularly sparkly and swoony, sapphic romcoms, with a borderline obsession with happily-ever-afters. Knowing I will always have a happy ending while smiling through pages gives me the comforting hug I sometimes need. My goal is to spread queer joy in my writing and provide a safe, celebratory, and affirming space for my readers to escape reality.
I’ve heard people say this book is “magical,” and that description is spot on.
I cannot get over how cute this book was! A sprinkle of magic, found family, finding yourself, and amazing descriptions of the city. This book gave me so many sparkly feels. I begged for the two characters to get together and rooted for the MC from page one. The plot was phenomenally creative, genuinely like nothing I had ever read within contemporary romance.
I finished this book faster than any other book of the year.
For cynical twenty-three-year-old August, moving to New York City is supposed to prove her right: that things like magic and cinematic love stories don't exist, and the only smart way to go through life is alone. She can't imagine how waiting tables at a 24-hour pancake diner and moving in with too many weird roommates could possibly change that. And there's certainly no chance of her subway commute being anything more than a daily trudge through boredom and electrical failures.
But then, there's this gorgeous girl on the train.
Jane. Dazzling, charming, mysterious, impossible Jane. Jane with her rough edges…
History is learned in the worst way by most, through textbooks. Textbooks are written heavy on dates, timelines, and synopsizing events for multiple-choice, maybe a few, essay questions in schools. Whose facts are they? To paraphrase Frederick Douglass, what does the Fourth of July mean when you’re black? History is taught in these fact silos. But that’s not how it happens. History happens in layers that build under pressure, erupt, and shift like rock sediment evolving over time. I chose these five nonfiction books because they unapologetically show the fault lines and pressures that make American history. These books also uncover the hidden gems created by those societal pressures.
Watching reenactors wearing tricorne hats and stockings, I never associated the American Revolution with war atrocities until I read this book. What’s worse is it happened in my own backyard. After the British landed and routed Washington’s fledging army, they occupied Manhattan.
Their biggest problem was prisoners of war. They were housed in twenty-something “hulked” ships with cannon and sails removed in Wallabout Bay off Brooklyn. Watson focuses on the most infamous of these floating prisons, the HMS Jersey.
His vivid descriptions of the thousand or so men and boys shackled there make for claustrophobic reading. After the war, the Bill of Rights was issued in response to our treatment by the British. The HMS Jersey was sunk–a ghostly reminder of our past.
Moored off the coast of Brooklyn, the derelict HMS Jersey was a living hell for thousands of Americans either captured by the British or accused of disloyalty. Crammed below deck without light or fresh air, the disease-ridden prisoners were scarcely given food and water. More Americans died in its ghastly hold than on all the war's battlefields. Throughout the colonies, the mere mention of the ship sparked a fear and loathing of British troops that, paradoxically, helped rally public support for the war.
Utilizing hundreds of accounts culled from old newspapers, diaries, and military reports, award-winning historian Robert Watson follows…
In my day job I write about art for British newspapers and magazines. I’m lucky enough to spend a lot of
time talking to artists. As a group they’re always one step ahead in identifying important issues and ideas. So
Lapidarium has been fuelled by years of conversations with artists exploring geology as a way to think about
things like migration, ecology, diaspora, empire, and the human body. The book is also embedded in personal experience. stone artefacts from cities I’ve lived in, from Washington D.C. to Istanbul. I’m never happier than
when walking with my dog, so many of the stories in Lapidarium are also rooted in the British landscape.
Raffles explores geology through both a historic and an autobiographical lens.
We might understand the ‘unconformities’ of the title as both unconventional geological formations and members of Raffles’s own family (though I imagine he might question my urge to distinguish between the two.)
The book is episodic, and follows Raffles on his travels to sites of geological and personal significance.
Throughout he also draws out the long history of exploitation bound up in our relationship to the mineral realm, including the removal of iron-rich meteorites from indigenous communities in the arctic circle, and the forced labour of the Glimmerwerke– mica splitting workshops – at Theresienstadt ghetto during the Second World War.
In my book I describe geology as a storytelling science – Raffles is something closer to a poet.
From the author of the acclaimed Insectopedia, a powerful exploration of loss, endurance, and the absences that permeate the present
When Hugh Raffles’s two sisters died suddenly within a few weeks of each other, he reached for rocks, stones, and other seemingly solid objects as anchors in a world unmoored, as ways to make sense of these events through stories far larger than his own.
A moving, profound, and affirming meditation, The Book of Unconformities is grounded in stories of stones: Neolithic stone circles, Icelandic lava, mica from a Nazi concentration camp, petrified whale blubber in Svalbard, the marble prized…
According to Entertainment Weekly, I’m a “bestselling author who has made a name for [myself] with uncannily insightful takes on the dark side of family institutions.” But really, I’m just a novelist who has always been fascinated by the myriad ways we play out our unresolved issues from childhood, again and again, over the course of our lives. Although my books are very different from each other, they all focus on the interrelationships among family members (traditional families, work families, etc.). In my most recent novel, When We Were Bright and Beautiful, I look at how wealth, privilege, and power can corrupt even the most loving relationships.
The Emperor’s Childrenis a brilliant novel about three college friends making their way in the world, each representing a different social stratum. Marina Thwaite, an “It” girl from a wealthy, intellectual, and well-known family is the epitome of class and privilege. But then her idealistic, ambitious cousin arrives, and life gets complicated. A story of ambition, illusions, delusions, and self-invention, The Emperor’s Children is a dazzling novel.
In Manhattan, just after the century's turn, three thirty-year-old friends, Danielle, Marina and Julius, are seeking their fortunes. But the arrival of Marina's young cousin Bootie - fresh from the provinces and keen, too, to make his mark - forces them to confront their own desires and expectations.
The Emperor's Children by Claire Messud is an American classic: a sweeping portrait of one of the most fascinating cities in the world, and a haunting illustration of how the events of a single day can change everything, for ever.
Other than the fact that I grew up in the United States, the son of a Jewish-American mother, an Iranian-born father, a thirteen-letter unpronounceable letter last name, the 444-day Iranian hostage crisis, and parents who were both members of the Socialist Workers Party, which advocated for a working-class revolution along the lines of the Russian Revolution—I am a typical American. I like hamburgers, Martha Stewart, and the New York Yankees. Trace elements of my upbringing can still be found in my memoir, When Skateboards Will Be Free, my two short story collections, and my worldview, which I’m still working on in therapy.
Before David Adjmi became an acclaimed playwright, he was contending with his complicated upbringing in Brooklyn, New York, the child of Syrian Jewish parents, being schooled in a Yeshiva, and trying to come to terms with being gay. Adjmi writes with incredible candor about feeling like a perpetual outsider, including—or especially—within his own family. The title borrows its name from a pejorative term for gays that his family would often use to their great amusement and Adjmi’s mortification. Bonus viewing: Marie Antoinette, The Evildoers, Stunning, Stereophonic, or any number of his plays, where you will be able see how and where nonfiction is transmuted into theatre.
“David Adjmi has written one of the great American memoirs, a heartbreaking, hilarious story of what it means to make things up, including yourself. A wild tale of lack and lies, galling humiliations and majestic reinventions, this touching, coruscating joy of a book is an answer to that perennial question: how should a person be?”
— Olivia Laing, author of Crudo and The Lonely City
In a world where everyone is inventing a self, curating a feed and performing a fantasy of life, what does it mean to be a person? In his grandly entertaining debut memoir, playwright David Adjmi…
I'm a professor of modern U.S. history and have spent my career researching this list's fascinating era. This moment began our modern political history. The first Red Scare in the United States, erupting in the wake of World War I and the Russian Revolution, was a conflict over the definition and limits of radicalism in a modern democracy and the limits of its repression. It was also tied to other seismic questions of the era that remain relevant, including how far the fights of women and Blacks for opportunities and rights that other Americans took for granted could succeed, whether to end mass immigration, the meaning of ‘Americanism,’ the extent of civil liberties, the limits of capitalism, and the role of social movements in the republic.
Gage uses the story of the bomb explosion on Wall Street in September 1920 and the investigation that followed the most deadly terrorist attack in U.S. history at the time to sketch an era of escalating revolutionary activity and its policing. We meet revolutionaries, gain insight into their networks, and understand how both local and federal policing, the latter through the rise of J. Edgar Hoover and the FBI, responded. Gage deftly ties all of it to national debates over immigration and civil liberties in the era that resonate today.
Just after noon on September 16, 1920, as hundreds of workers poured onto Wall Street for their lunchtime break, a horse-drawn cart packed with dynamite exploded in a spray of metal and fire, turning the busiest corner of the financial center into a war zone. Thirty-nine people died and hundreds more lay wounded, making the Wall Street explosion the worst terrorist attack to that point in U.S. history. In The Day Wall Street Exploded, Beverly Gage tells the story of that once infamous but now largely forgotten event. Based on thousands of pages of Bureau of Investigation reports, this historical…
How did I – as a scholar of German literature – turn to economic topics? That had a certain inevitability. When I left for Paris in the early nineties, reading traces of anthropological knowledge in literature and aesthetics of the 18th century, I came across economic ideas on almost every page, in natural history, in medicine, in philosophy, in encyclopedias, in the theories of signs and in the teachings of beauty. There was circulation, communication, flows of exchange all over the place, and the Robinsons were the model. This reinforced the impression that the human being was engaged in aligning himself with homo oeconomicus. The question of modern economics has therefore become unavoidable for me.
With this grotesque odyssey of a hedge fund manager in New York, Don DeLillo’s novel takes us right into the arena of the modern financial market, touches on the question of whether that market lends itself to literary treatment, and offers a series of narrative and rhetorical figures to represent the riddle of the finance economy, its protagonists and their operations.
Eric Packer is a twenty-eight-year-old multi-billionaire asset manager. We join him on what will become a particularly eventful April day in turn-of-the-twenty-first-century Manhattan. He's on a personal odyssey, to get a haircut. Sitting in his stretch limousine as it moves across town, he finds the city at a virtual standstill because the President is visiting, a rapper's funeral is proceeding, and a violent protest is being staged in Times Square by anti-globalist groups. Most worryingly, Eric's bodyguards are concerned that he may be a target . . .
An electrifying study in affectlessness, infused with deep cynicism and measured detachment;…
