Here are 100 books that The Ghost Ship of Brooklyn fans have personally recommended if you like
The Ghost Ship of Brooklyn.
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History is learned in the worst way by most, through textbooks. Textbooks are written heavy on dates, timelines, and synopsizing events for multiple-choice, maybe a few, essay questions in schools. Whose facts are they? To paraphrase Frederick Douglass, what does the Fourth of July mean when you’re black? History is taught in these fact silos. But that’s not how it happens. History happens in layers that build under pressure, erupt, and shift like rock sediment evolving over time. I chose these five nonfiction books because they unapologetically show the fault lines and pressures that make American history. These books also uncover the hidden gems created by those societal pressures.
You wouldn’t think anyone could unearth something new about New York City. But that’s what Carla Peterson did with this book. I first came across it while researching my own work. By focusing on her own family history, Peterson flipped the wagon on the perception that NYC’s African American population was mostly enslaved laborers.
Reading this, I discovered an elite class of black entrepreneurs who worked tirelessly to end slavery in the state and gain the civil rights all other New Yorkers enjoyed. Thoroughly researched, the book reads with the ebbs and flows of a novel. Anyone writing future screenplays, novels, or streaming series about old New York must face Peterson’s stereotype-busting work.
A groundbreaking history of elite black New Yorkers in the nineteenth century, seen through the lens of the author's ancestors
Part detective tale, part social and cultural narrative, Black Gotham is Carla Peterson's riveting account of her quest to reconstruct the lives of her nineteenth-century ancestors. As she shares their stories and those of their friends, neighbors, and business associates, she illuminates the greater history of African-American elites in New York City.
Black Gotham challenges many of the accepted "truths" about African-American history, including the assumption that the phrase "nineteenth-century black Americans" means enslaved people, that "New York state before…
History is learned in the worst way by most, through textbooks. Textbooks are written heavy on dates, timelines, and synopsizing events for multiple-choice, maybe a few, essay questions in schools. Whose facts are they? To paraphrase Frederick Douglass, what does the Fourth of July mean when you’re black? History is taught in these fact silos. But that’s not how it happens. History happens in layers that build under pressure, erupt, and shift like rock sediment evolving over time. I chose these five nonfiction books because they unapologetically show the fault lines and pressures that make American history. These books also uncover the hidden gems created by those societal pressures.
The United States was born out of a revolution, but the civil rights of its citizens were created by evolution over the country’s nearly 250-year history. In this book, author Kyle G. Volk traces how various minorities elbowed their way to the American rights table and changed our democratic political system.
What made the book resonate with me was the well-researched examples of how minorities got their voices heard by the majority. He sticks to the meat and potatoes issues that matter to regular people, such as transportation, education, and booze–wet regulations, as it were.
Should the majority always rule? If not, how should the rights of minorities be protected? In Moral Minorities and the Making of American Democracy, historian Kyle G. Volk unearths the origins of modern ideas and practices of minority-rights politics. Focusing on controversies spurred by the explosion of grassroots moral reform in the early nineteenth century, he shows how a motley but powerful array of self-understood minorities reshaped American democracy as they battled laws regulating Sabbath observance, alcohol, and interracial contact. Proponents justified these measures with the "democratic" axiom of majority rule. In response, immigrants, black northerners, abolitionists, liquor dealers, Catholics,…
History is learned in the worst way by most, through textbooks. Textbooks are written heavy on dates, timelines, and synopsizing events for multiple-choice, maybe a few, essay questions in schools. Whose facts are they? To paraphrase Frederick Douglass, what does the Fourth of July mean when you’re black? History is taught in these fact silos. But that’s not how it happens. History happens in layers that build under pressure, erupt, and shift like rock sediment evolving over time. I chose these five nonfiction books because they unapologetically show the fault lines and pressures that make American history. These books also uncover the hidden gems created by those societal pressures.
What I found most rewarding about this book by Wilma King is the way she widened the research net to include the ways women communicated with each other through diaries, letters, and various church records. This makes sense and creates tremendous value because newspaper reporters of this period weren’t knocking on the doors of Maria Stewart or other black female leaders for their opinions.
Thanks to King's diligent work, I got a much better sense of the important role these underrepresented women played in the antislavery and early civil rights movement.
Before 1865, slavery and freedom coexisted tenuously in America in an environment that made it possible not only for enslaved women to become free but also for emancipated women to suddenly lose their independence. Wilma King now examines a wide-ranging body of literature to show that, even in the face of economic deprivation and draconian legislation, many free black women were able to maintain some form of autonomy and lead meaningful lives. ""The Essence of Liberty"" blends social, political, and economic history to analyze black women's experience in both the North and the South, from the colonial period through emancipation.…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
History is learned in the worst way by most, through textbooks. Textbooks are written heavy on dates, timelines, and synopsizing events for multiple-choice, maybe a few, essay questions in schools. Whose facts are they? To paraphrase Frederick Douglass, what does the Fourth of July mean when you’re black? History is taught in these fact silos. But that’s not how it happens. History happens in layers that build under pressure, erupt, and shift like rock sediment evolving over time. I chose these five nonfiction books because they unapologetically show the fault lines and pressures that make American history. These books also uncover the hidden gems created by those societal pressures.
I found this book while researching my own history book. I purchased a used copy complete with the underlined text and notes of other people that I always find interesting. It’s an old book, first published more than fifty years ago. I see it as the perfect companion piece to King’s book.
Here, late author/editor Dorothy Sterling (quite an agitator herself) includes African American leaders' letters, speeches, songs, and news articles. Sterling covers heavyweights such as Frederick Douglass, Sojourner Truth, and Henry Highland Garnet, along with overlooked figures Ira Aldridge (Shakespearean actor), poet Phillis Wheatley, merchant Paul Cuffe, and opera singer Elizabeth Greenfield, the Black Swan. Reading Speak Out expanded my knowledge of the breadth and scope of the early Civil Rights Movement.
This impressive collection, drawn from a wealth of original research into previously untapped sources,including letters, diaries, memoirs, speeches, poems, songs, newspaper articles, advertisements, a ship's log, and official documents,allows African Americans to speak afresh across more than two centuries. Besides the expected voices of Frederick Douglass and Sojourner Truth, this book makes vivid the experiences and views of a diverse range of lesser-known but equally fascinating personalities: Ira Aldridge, one of the great Shakespearean actors of his day William Allen, the first black college professor in the country the astronomer and mathematician Benjamin Banneker Paul Cuffe, owner of a fleet…
Growing up in New York, the child of New Yorkers, every corner was replete with memories and histories that taught me life values. Walking through these meaningful places, I learned that the multiplicity of people’s stories and struggles to make space for themselves were what made the city and enriched everyone’s lives. The books here echo the essential politics and personal connections of those stories, and all have been deeply meaningful to me. Now, with my firm Buscada, and in my writing and art practice, I explore the way people’s stories of belonging and community, resistance and rebuilding from cities around the globe help us understand our shared humanity.
The people in this book shaped the spaces and sidewalks of a city I know well. Prithi Kanakamedala’s telling of four Black families’ stories and the ways they shaped Brooklyn gave depth to my own way of thinking, writing, and caring about the borough.
I love this book because it makes people who are often absent from written histories feel vital and real–it introduces us to Black people who have agency in shaping their own lives and places, and specifically, to brilliant Black women who are almost invisible in the archive.
I could imagine talking with these people, seeing the signs they saw, hearing the smells they smelled, and walking their streets; the book allowed me to see how Black people shaped their place–and shaped the place Brooklyn would become–and how this making of the place was really making the arguments for freedom. What else could you want?
Meet the Black Brooklynites who defined New York City's most populous borough through their search for social justice
Before it was a borough, Brooklyn was our nation's third largest city. Its free Black community attracted people from all walks of life-businesswomen, church leaders, laborers, and writers-who sought to grow their city in a radical anti-slavery vision. The residents of neighborhoods like DUMBO, Fort Greene, and Williamsburg organized and agitated for social justice. They did so even as their own freedom was threatened by systemic and structural racism, risking their safety for the sake of their city. Brooklynites recovers the lives…
Other than the fact that I grew up in the United States, the son of a Jewish-American mother, an Iranian-born father, a thirteen-letter unpronounceable letter last name, the 444-day Iranian hostage crisis, and parents who were both members of the Socialist Workers Party, which advocated for a working-class revolution along the lines of the Russian Revolution—I am a typical American. I like hamburgers, Martha Stewart, and the New York Yankees. Trace elements of my upbringing can still be found in my memoir, When Skateboards Will Be Free, my two short story collections, and my worldview, which I’m still working on in therapy.
Before David Adjmi became an acclaimed playwright, he was contending with his complicated upbringing in Brooklyn, New York, the child of Syrian Jewish parents, being schooled in a Yeshiva, and trying to come to terms with being gay. Adjmi writes with incredible candor about feeling like a perpetual outsider, including—or especially—within his own family. The title borrows its name from a pejorative term for gays that his family would often use to their great amusement and Adjmi’s mortification. Bonus viewing: Marie Antoinette, The Evildoers, Stunning, Stereophonic, or any number of his plays, where you will be able see how and where nonfiction is transmuted into theatre.
“David Adjmi has written one of the great American memoirs, a heartbreaking, hilarious story of what it means to make things up, including yourself. A wild tale of lack and lies, galling humiliations and majestic reinventions, this touching, coruscating joy of a book is an answer to that perennial question: how should a person be?”
— Olivia Laing, author of Crudo and The Lonely City
In a world where everyone is inventing a self, curating a feed and performing a fantasy of life, what does it mean to be a person? In his grandly entertaining debut memoir, playwright David Adjmi…
The first and only full-length biography of Hazel Ying Lee, an unrecognized pioneer and unsung World War II hero who fought for a country that actively discriminated against her gender, race, and ambition.
This unique hidden figure defied countless stereotypes to become the first Asian American woman in United States…
Growing up in an Iraqi Jewish immigrant family in Sydney, Australia, meant that I was always different, without the words or emotional tools to navigate the world around me. Luckily, I was a reader, and so I learned through books Social Emotional Learning (SEL) tools to deal with anxiety and loneliness and develop qualities of empathy, bravery, and the understanding that we don’t have to be the same but can celebrate our cultural and personal differences. Reading with children is a wonderful opportunity to enter their worlds whilst building their social and emotional skills, such as managing emotions, problem-solving, and creating positive relationships.
I love friendships in picture books, and this one is especially precious as it’s between a Muslim boy and a Jewish boy in Flatbush, New York. A friendship across cultures represented by special foods for each child’s cultural festivals is a wonderful gift to introduce children to.
I especially love how the children lead the way for their families to become friends. With my Iraqi Jewish background, I grew up knowing my grandparents had very close relations with their Muslim neighbors. And, of course, the recipes for rugelach and date cookies, which are included in the back matter, are an extra special bonus for me.
An interfaith friendship develops when Rosh Hashanah, the Jewish New Year, overlaps with the Muslim holiday of Ramadan--an occurence that happens only once every thirty years or so.
Moses Feldman, a Jewish boy, lives at one end of Flatbush Avenue in Brooklyn, New York, while Mohammed Hassan, a Muslim boy, lives at the other. One day they meet at Sahadi's market while out shopping with their mothers and are mistaken for brothers. A friendship is born, and the boys bring their families together to share rugelach and date cookies in the park as they make a wish for peace.
I'm an activist/scholar and I taught in the Feminist Studies department at the University of California, Santa Cruz for 40 years. My most popular class was Introduction to Feminism. Then I taught another large, undergraduate course Feminism & Social Justice. By the time I retired I had taught over 16,000 students, and worked with scores of graduate students. My online class, Feminism & Social Justice, on the Coursera Platform has been taken by over 107,000 people located on literally every continent. My teaching and writings are always anti-racist, and explicitly queer. They've drawn on my life experiences. They come out of my passion to lessen suffering, and embrace compassion.
I grew up in Brooklyn, New York in the 1940s and 1950s. As one of New York City’s 5 boroughs it has character and even a mystique about it, and we Brooklynites are often very proud of our heritage.
Until I was about 13 the Brooklyn Dodgers were the zany, irreverent, baseball upstarts who sometimes even won the World Series. And they hired Jackie Robinson, desegregating professional baseball. All of this is to say that when High Ryan published his book, I devoured it as it fused my Brooklyn heritage and my queer identity.
Starting with poet Walt Whitman, he takes us through the writers, the dock workers, the socialists, the communists, the college professors and artists, who were lesbian or gay and both shaped and were shaped by the city, Ryan’s archival research is amazing, and his writing style breezy, and accessible. Even if you’re not from Brooklyn (!)…
The never-before-told story of Brooklyn’s vibrant and forgotten queer history, from the mid-1850s up to the present day.
***An ALA GLBT Round Table Over the Rainbow 2019 Top Ten Selection*** ***NAMED ONE OF THE BEST LGBTQ BOOKS OF 2019 by Harper's Bazaar***
"A romantic, exquisite history of gay culture." ―Kirkus Reviews, starred
“[A] boisterous, motley new history...entertaining and insightful.” ―The New York Times Book Review
Hugh Ryan’s When Brooklyn Was Queer is a groundbreaking exploration of the LGBT history of Brooklyn, from the early days of Walt Whitman in the 1850s up through the queer women who worked at the…
My novel choices were part of the Afterschool Literacy & Building Modules for an organization called LitShop. It encourages growth in literacy, making, building, and leadership in girls ages 10-15 in St. Louis, Missouri. I’m honored to lead the writing classes. All of the LitShop books feature strong girls who believe they can make and build their way to a better world, and I aim to include similar characters in my stories. Stories can provide us with motivation, inspiration, and companionship, and all of these books have done just that… for the girls of LitShop as well as myself.
Before reading this book, I had no idea city-based fantasy novels could draw me in as powerfully as stories with more “traditional” fantasy settings. But Mr. Older’s depiction of Brooklyn as a living, breathing landscape made me a new believer in urban magic. And the main character Sierra’s shadowshaping feels like its own form of beautiful, youthful rebellion. Art can save us, if only we breathe our power into it. I stop and stare at most graffiti murals now, waiting for them to move a little.
Sierra Santiago planned an easy summer of making art and hanging with her friends. But then a corpse crashes the first party of the season. Her stroke-ridden grandfather starts apologizing over and over. And when the murals in her neighborhood begin to weep real tears . . . Well, something more sinister than the usual Brooklyn ruckus is going on.
Where the powers converge and become one
With the help of a fellow artist named Robbie, Sierra discovers shadowshaping, a thrilling magic that infuses ancestral spirits into paintings, music, and stories. But…
Benghazi: A New History is a look back at the enigmatic 2012 attack on the US mission in Benghazi, Libya, its long-tail causes, and devastating (and largely unexamined) consequences for US domestic politics and foreign policy. It contains information not found elsewhere, and is backed up by 40 pages of…
I am Monique “Nikki” Murphy, an awarded poet, author, and Diversity, Equity, and Inclusion professional. I grew up in a Black low-income neighborhood with the love of a single mother and the absence of a father, which all impacted the way I experienced the failed promise of justice and equality for all. My mother, an avid reader of Black novels, fostered a love of reading in me and a deep sensitivity to caring about the issues that affected Black people. This sensitivity manifested in a career in Diversity, Equity, & Inclusion and a love of creative writing & books that explore issues of inequality, trauma, and personal development. As a poet, I love the artistic exploration of our lived experiences and art that inspires activism.
This coming-of-age novel-in-verse beautifully captures the dynamics of survival in tough neighborhoods in a way that honors the humanity and nuance of the community—details that are too often lost in media and forgotten by the people that “make it out.” Through the lens of the Puerto Rican-American protagonist, Sarai, her family, and the neighborhood characters that are all too familiar, I was brought into the heart of pre-gentrified Bushwick, Brooklyn, and Puerto Rican culture to go on Sarai’s journey of self-discovery. We are sitting on the stoop, at the foot of the bed, in the back pew in conversation with Sarai. We see her, we hear her, we love her. And won’t ever forget her. We are left to reflect on what it really means to “make it.”
"The energy. The clarity. The beauty. Elisabet Velasquez brings it all. . . . Her voice is FIRE!"-NYT bestselling and award-winning author Jacqueline Woodson
An unforgettable, torrential, and hopeful debut young adult novel-in-verse that redefines what it means to "make it," for readers of Nicholasa Mohr and Elizabeth Acevedo.
Sarai is a first-generation Puerto Rican question asker who can see with clarity the truth, pain, and beauty of the world both inside and outside her Bushwick apartment. Together with her older sister, Estrella, she navigates the strain of family traumas and the systemic pressures of toxic masculinity and housing insecurity…
