Here are 100 books that When We Make It fans have personally recommended if you like
When We Make It.
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I have always straddled between the worlds of fiction and poetry. I received my MFA in poetry in 2016, but during my time in the program, I was often told my poems were too narrative. Sometimes in my fiction workshops in undergrad, I was told my stories were too poetic. So when I finally jumped into the world of verse, I really fell in love with the intersection of poetry and story. Finally, there was a medium that felt “just right!” There are so many fantastic novels in verse out there—with so many more to come—but I hope you’ll enjoy these five favorites of mine!
Long Way Down does an incredible job of telling such a contained story, telling everything within the span of a single elevator ride.
Reynolds uses the elevator trip to make the protagonist encounter ghosts of multiple dead people in his community, all connected to his murdered brother, and question if vengeance is the right answer to his grief. This is a well-deserved classic, and a must-read for all novel-in-verse fans!
“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review)
A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of…
I studied French language and literature from the time I was 13 until I graduated from college. Alongside that work, I also became more interested in African American literary and artistic histories, so I studied that as well. I realized there was a lot of overlap as many Black American artists would flee to Europe to “escape” American racism. Learning more about these historical writers throughout my graduate school journey made me very interested in researching further and writing my own take on the subject for young people.
I love this novel in verse because it made me think a lot about what it must be like to have a whole root system, a family, in a place, a whole country apart, that you have never or rarely visited. I concluded that sometimes it’s not about how you came to eventually make it back to that home you’ve never known, but that you went to explore it at all.
The stunning New York Times bestselling novel from the 2019 Carnegie Medal winning, Waterstones Book Prize shortlisted author of THE POET X. 2020 Goodreads Choice Award Winner of CLAP WHEN YOU LAND.
Camino Rios lives for the summers when her father visits her in the Dominican Republic. But this time, on the day when his plane is supposed to land, Camino arrives at the airport to see crowds of crying people...
In New York City, Yahaira Rios is called to the principal's office, where her mother is waiting to tell her that her father, her hero, has died in a…
I am Monique “Nikki” Murphy, an awarded poet, author, and Diversity, Equity, and Inclusion professional. I grew up in a Black low-income neighborhood with the love of a single mother and the absence of a father, which all impacted the way I experienced the failed promise of justice and equality for all. My mother, an avid reader of Black novels, fostered a love of reading in me and a deep sensitivity to caring about the issues that affected Black people. This sensitivity manifested in a career in Diversity, Equity, & Inclusion and a love of creative writing & books that explore issues of inequality, trauma, and personal development. As a poet, I love the artistic exploration of our lived experiences and art that inspires activism.
Yrsa-Daley Ward is a complete sentence. Her work is everything and even Beyonce took note, bringing her on to write for Black Is King. Her debut poetry collection,Bone, introduced me to a perspective that I had not explored: that of a first-generation black British queer woman. Yet and still, her experience and words resonated so deeply, highlighting the interconnectivity of the African diaspora, and particularly, Black women. It shined a light on issues of sexual assault, religion, and society’s expectations of women, which are some of the same issues that I write about. And despite the trauma captured in the poems, it has an overarching inspirational message for all of us:
“yrsa daley-ward’s bone is a symphony of breaking and mending. . . . she lays her hands on the pulse of the thing. . . . an expert storyteller. of the rarest. and purest kind.” —nayyirah waheed, author of salt.
From the celebrated poet Yrsa Daley-Ward, a poignant collection of poems about the heart, life, and the inner self.
Foreword by Kiese Laymon, author of Heavy: An American Memoir
Bone. Visceral. Close to. Stark.
The poems in Yrsa Daley-Ward’s collection bone are exactly that: reflections on a particular life honed to their essence—so clear and pared-down, they become universal.
I am Monique “Nikki” Murphy, an awarded poet, author, and Diversity, Equity, and Inclusion professional. I grew up in a Black low-income neighborhood with the love of a single mother and the absence of a father, which all impacted the way I experienced the failed promise of justice and equality for all. My mother, an avid reader of Black novels, fostered a love of reading in me and a deep sensitivity to caring about the issues that affected Black people. This sensitivity manifested in a career in Diversity, Equity, & Inclusion and a love of creative writing & books that explore issues of inequality, trauma, and personal development. As a poet, I love the artistic exploration of our lived experiences and art that inspires activism.
This book brought me into yet another new world. Fatimah Asghar is a Pakistani, Kashmiri, Muslim-American who grew up in Cambridge, Massachusetts, and was orphaned as a child. The layers to her lived experience and perspective are so rich! If They Come For Us is an exploration of identity and coming of age in the absence of parental guidance. She exposed me to how issues of race, gender, sexuality, and violence manifest in other cultures and how it is so closely intertwined and reflective of the experiences of all marginalized people. It reinforced my understanding that we are truly more alike than we are different. The poems are beautifully written and have staying power.
“A debut poetry collection showcasing both a fierce and tender new voice.”—Booklist “Elegant and playful . . . The poet invents new forms and updates classic ones.”—Elle “[Fatimah] Asghar interrogates divisions along lines of nationality, age, and gender, illuminating the forces by which identity is fixed or flexible.”—The New Yorker
NAMED ONE OF THE TOP TEN BOOKS OF THE YEAR BY THE NEW YORK PUBLIC LIBRARY • FINALIST FOR THE LAMBDA LITERARY AWARD
an aunt teaches me how to tell an edible flower from a poisonous one. just in case, I hear her say, just in case.
My novel choices were part of the Afterschool Literacy & Building Modules for an organization called LitShop. It encourages growth in literacy, making, building, and leadership in girls ages 10-15 in St. Louis, Missouri. I’m honored to lead the writing classes. All of the LitShop books feature strong girls who believe they can make and build their way to a better world, and I aim to include similar characters in my stories. Stories can provide us with motivation, inspiration, and companionship, and all of these books have done just that… for the girls of LitShop as well as myself.
Before reading this book, I had no idea city-based fantasy novels could draw me in as powerfully as stories with more “traditional” fantasy settings. But Mr. Older’s depiction of Brooklyn as a living, breathing landscape made me a new believer in urban magic. And the main character Sierra’s shadowshaping feels like its own form of beautiful, youthful rebellion. Art can save us, if only we breathe our power into it. I stop and stare at most graffiti murals now, waiting for them to move a little.
Sierra Santiago planned an easy summer of making art and hanging with her friends. But then a corpse crashes the first party of the season. Her stroke-ridden grandfather starts apologizing over and over. And when the murals in her neighborhood begin to weep real tears . . . Well, something more sinister than the usual Brooklyn ruckus is going on.
Where the powers converge and become one
With the help of a fellow artist named Robbie, Sierra discovers shadowshaping, a thrilling magic that infuses ancestral spirits into paintings, music, and stories. But…
Other than the fact that I grew up in the United States, the son of a Jewish-American mother, an Iranian-born father, a thirteen-letter unpronounceable letter last name, the 444-day Iranian hostage crisis, and parents who were both members of the Socialist Workers Party, which advocated for a working-class revolution along the lines of the Russian Revolution—I am a typical American. I like hamburgers, Martha Stewart, and the New York Yankees. Trace elements of my upbringing can still be found in my memoir, When Skateboards Will Be Free, my two short story collections, and my worldview, which I’m still working on in therapy.
Before David Adjmi became an acclaimed playwright, he was contending with his complicated upbringing in Brooklyn, New York, the child of Syrian Jewish parents, being schooled in a Yeshiva, and trying to come to terms with being gay. Adjmi writes with incredible candor about feeling like a perpetual outsider, including—or especially—within his own family. The title borrows its name from a pejorative term for gays that his family would often use to their great amusement and Adjmi’s mortification. Bonus viewing: Marie Antoinette, The Evildoers, Stunning, Stereophonic, or any number of his plays, where you will be able see how and where nonfiction is transmuted into theatre.
“David Adjmi has written one of the great American memoirs, a heartbreaking, hilarious story of what it means to make things up, including yourself. A wild tale of lack and lies, galling humiliations and majestic reinventions, this touching, coruscating joy of a book is an answer to that perennial question: how should a person be?”
— Olivia Laing, author of Crudo and The Lonely City
In a world where everyone is inventing a self, curating a feed and performing a fantasy of life, what does it mean to be a person? In his grandly entertaining debut memoir, playwright David Adjmi…
I'm an activist/scholar and I taught in the Feminist Studies department at the University of California, Santa Cruz for 40 years. My most popular class was Introduction to Feminism. Then I taught another large, undergraduate course Feminism & Social Justice. By the time I retired I had taught over 16,000 students, and worked with scores of graduate students. My online class, Feminism & Social Justice, on the Coursera Platform has been taken by over 107,000 people located on literally every continent. My teaching and writings are always anti-racist, and explicitly queer. They've drawn on my life experiences. They come out of my passion to lessen suffering, and embrace compassion.
I grew up in Brooklyn, New York in the 1940s and 1950s. As one of New York City’s 5 boroughs it has character and even a mystique about it, and we Brooklynites are often very proud of our heritage.
Until I was about 13 the Brooklyn Dodgers were the zany, irreverent, baseball upstarts who sometimes even won the World Series. And they hired Jackie Robinson, desegregating professional baseball. All of this is to say that when High Ryan published his book, I devoured it as it fused my Brooklyn heritage and my queer identity.
Starting with poet Walt Whitman, he takes us through the writers, the dock workers, the socialists, the communists, the college professors and artists, who were lesbian or gay and both shaped and were shaped by the city, Ryan’s archival research is amazing, and his writing style breezy, and accessible. Even if you’re not from Brooklyn (!)…
The never-before-told story of Brooklyn’s vibrant and forgotten queer history, from the mid-1850s up to the present day.
***An ALA GLBT Round Table Over the Rainbow 2019 Top Ten Selection*** ***NAMED ONE OF THE BEST LGBTQ BOOKS OF 2019 by Harper's Bazaar***
"A romantic, exquisite history of gay culture." ―Kirkus Reviews, starred
“[A] boisterous, motley new history...entertaining and insightful.” ―The New York Times Book Review
Hugh Ryan’s When Brooklyn Was Queer is a groundbreaking exploration of the LGBT history of Brooklyn, from the early days of Walt Whitman in the 1850s up through the queer women who worked at the…
Growing up in New York, the child of New Yorkers, every corner was replete with memories and histories that taught me life values. Walking through these meaningful places, I learned that the multiplicity of people’s stories and struggles to make space for themselves were what made the city and enriched everyone’s lives. The books here echo the essential politics and personal connections of those stories, and all have been deeply meaningful to me. Now, with my firm Buscada, and in my writing and art practice, I explore the way people’s stories of belonging and community, resistance and rebuilding from cities around the globe help us understand our shared humanity.
The people in this book shaped the spaces and sidewalks of a city I know well. Prithi Kanakamedala’s telling of four Black families’ stories and the ways they shaped Brooklyn gave depth to my own way of thinking, writing, and caring about the borough.
I love this book because it makes people who are often absent from written histories feel vital and real–it introduces us to Black people who have agency in shaping their own lives and places, and specifically, to brilliant Black women who are almost invisible in the archive.
I could imagine talking with these people, seeing the signs they saw, hearing the smells they smelled, and walking their streets; the book allowed me to see how Black people shaped their place–and shaped the place Brooklyn would become–and how this making of the place was really making the arguments for freedom. What else could you want?
Meet the Black Brooklynites who defined New York City's most populous borough through their search for social justice
Before it was a borough, Brooklyn was our nation's third largest city. Its free Black community attracted people from all walks of life-businesswomen, church leaders, laborers, and writers-who sought to grow their city in a radical anti-slavery vision. The residents of neighborhoods like DUMBO, Fort Greene, and Williamsburg organized and agitated for social justice. They did so even as their own freedom was threatened by systemic and structural racism, risking their safety for the sake of their city. Brooklynites recovers the lives…
The blue-collar everyman lives on the periphery, coming and going with little fanfare. But what does he think and feel? How does he view the world? I became interested in these questions while working for my father’s rug business. I started as a part-timer in the early 90s, straddling the line between academe and the homes of the rich. He employed me for the next twenty years, supplementing my income as I found my way as a university professor. The books listed led me to a deeper appreciation of my father’s vocation, but only in writing Rug Man did I come to understand the true meaning of work.
Published the same year as John Steinbeck’sThe Grapes of Wrath, di Donato’sChrist in Concrete is another closely drawn portrait of working-class immigrants, this time the Italian-American bricklayers of New York City’s Lower East Side.
On top of its lyricism and spirited narrative pace, what I find most refreshing about di Donato’s tale is its choice of subject matter. So much of what we read and hear about the Italian-American experience tends to focus on the Mafia, perpetuating negative stereotypes that have dogged paisans since the late 19th century.
While I’ll never be the one to turn off Goodfellas, I long for more stories like that of Geremio and his irrepressible son, Paul, “born artists of brick and mortar.”
Giving voice to the hardworking Italian immigrants who worked, lived, and died in New York City shortly before the Great Depression, this American classic ranks with Steinbeck’s The Grapes of Wrath as one of the 20th century’s great works of social protest.
Largely autobiographical, Christ in Concrete opens with the dramatic Good Friday collapse of a building under construction, crucifying in concrete an Italian construction worker, whose death leaves his pregnant wife and eight children impoverished. His oldest son, Paul, at just twelve years old, must take over his father’s role—and his job.
All my books, for adults and kids, include the theme that things are seldom what they seem. I link this to the slow realization when I was young that my family had an uncommon history. Novels featuring spies go deep into this theme, as a good spy is always manipulating their environment and presenting versions of themselves that may or may not be true. When my own children were little, we read so many of these novels. That reading is what inspired the Mrs. Smith’s Spy School for Girls series.
I love how Georges and Safer are relatable. Their friendship has ups and downs and tensions that resonate for young readers.
Middle school is challenging! The realism extends to Georges’s family and the challenges he faces at home. But this story is driven by the mystery of Spy Club and Mr. X. Important themes of friendship, empathy, and self discovery are flawlessly woven into the expert storytelling. I read this in one sitting!
When Georges moves into a new apartment block he meets Safer, a twelve-year-old self-appointed spy. Soon Georges has become his spy recruit. His first assignment? To track the mysterious Mr X, who lives in the flat upstairs. But as Safer becomes more demanding, Georges starts to wonder: what is a game and what is a lie? How far is too far to go for your only friend?
Winner of the Guardian Children's Fiction Prize and shortlisted for the Carnegie Medal.
'A joy to read' Independent
'Rebecca Stead makes writing this well look easy' Philip Ardagh, Guardian
