100 books like When We Make It

Long Way Down does an incredible job of telling such a contained story, telling everything within the span of a single elevator ride.

Reynolds uses the elevator trip to make the protagonist encounter ghosts of multiple dead people in his community, all connected to his murdered brother, and question if vengeance is the right answer to his grief. This is a well-deserved classic, and a must-read for all novel-in-verse fans!

I’m fascinated by the stories of DNA secrets that unite, confuse, and complicate lives. Camino Rios and Yahaira Rios had no idea they shared the same father—until he perished in an airplane disaster. Told in verse with alternating viewpoints, this novel drew me in right away. Camino Rios had her father every summer while Yahaira had her father the rest of the year, both living very different lives—until their father’s death changed everything. Suspense builds as the two girls follow clues to the shocking realization that they are sisters. Once I started reading, I could not put the book down. 

Yrsa-Daley Ward is a complete sentence. Her work is everything and even Beyonce took note, bringing her on to write for Black Is King. Her debut poetry collection, Bone, introduced me to a perspective that I had not explored: that of a first-generation black British queer woman. Yet and still, her experience and words resonated so deeply, highlighting the interconnectivity of the African diaspora, and particularly, Black women. It shined a light on issues of sexual assault, religion, and society’s expectations of women, which are some of the same issues that I write about. And despite the trauma captured in the poems, it has an overarching inspirational message for all of us:

“You will come away bruised. 

You will come away bruised 

but this will give you poetry.” 

This book brought me into yet another new world. Fatimah Asghar is a Pakistani, Kashmiri, Muslim-American who grew up in Cambridge, Massachusetts, and was orphaned as a child. The layers to her lived experience and perspective are so rich! If They Come For Us is an exploration of identity and coming of age in the absence of parental guidance. She exposed me to how issues of race, gender, sexuality, and violence manifest in other cultures and how it is so closely intertwined and reflective of the experiences of all marginalized people. It reinforced my understanding that we are truly more alike than we are different. The poems are beautifully written and have staying power.

Before reading this book, I had no idea city-based fantasy novels could draw me in as powerfully as stories with more “traditional” fantasy settings. But Mr. Older’s depiction of Brooklyn as a living, breathing landscape made me a new believer in urban magic. And the main character Sierra’s shadowshaping feels like its own form of beautiful, youthful rebellion. Art can save us, if only we breathe our power into it. I stop and stare at most graffiti murals now, waiting for them to move a little.

I grew up in Brooklyn, New York in the 1940s and 1950s. As one of New York City’s 5 boroughs it has character and even a mystique about it, and we Brooklynites are often very proud of our heritage.

Until I was about 13 the Brooklyn Dodgers were the zany, irreverent, baseball upstarts who sometimes even won the World Series. And they hired Jackie Robinson, desegregating professional baseball. All of this is to say that when High Ryan published his book, I devoured it as it fused my Brooklyn heritage and my queer identity.

Starting with poet Walt Whitman, he takes us through the writers, the dock workers, the socialists, the communists, the college professors and artists, who were lesbian or gay and both shaped and were shaped by the city, Ryan’s archival research is amazing, and his writing style breezy, and accessible.  Even if you’re not from Brooklyn (!)… show more.

Before David Adjmi became an acclaimed playwright, he was contending with his complicated upbringing in Brooklyn, New York, the child of Syrian Jewish parents, being schooled in a Yeshiva, and trying to come to terms with being gay. Adjmi writes with incredible candor about feeling like a perpetual outsider, including—or especially—within his own family. The title borrows its name from a pejorative term for gays that his family would often use to their great amusement and Adjmi’s mortification. Bonus viewing: Marie Antoinette, The Evildoers, Stunning, Stereophonic, or any number of his plays, where you will be able see how and where nonfiction is transmuted into theatre.

I love how Georges and Safer are relatable. Their friendship has ups and downs and tensions that resonate for young readers.

Middle school is challenging! The realism extends to Georges’s family and the challenges he faces at home. But this story is driven by the mystery of Spy Club and Mr. X. Important themes of friendship, empathy, and self discovery are flawlessly woven into the expert storytelling. I read this in one sitting!

Published the same year as John Steinbeck’s The Grapes of Wrath, di Donato’s Christ in Concrete is another closely drawn portrait of working-class immigrants, this time the Italian-American bricklayers of New York City’s Lower East Side.

On top of its lyricism and spirited narrative pace, what I find most refreshing about di Donato’s tale is its choice of subject matter. So much of what we read and hear about the Italian-American experience tends to focus on the Mafia, perpetuating negative stereotypes that have dogged paisans since the late 19th century.

While I’ll never be the one to turn off Goodfellas, I long for more stories like that of Geremio and his irrepressible son, Paul, “born artists of brick and mortar.”

Corner grocery stores are everywhere in New York City, but most of the time we never really think very hard about them. Ben Ryder Howe on the other hand, drew on his own experience running the family bodega. The store he ran was on the border between a rapidly gentrifying section of Brooklyn and a neighborhood with public housing. The changing customer base meant his store shelves began to gentrify like the neighborhood around him, but as he soon learned, too many changes too quickly are bad for business. Part memoir, part researched journalism, Ryder Howe provides a fascinating look into a New York City staple.