Something Like Home, Andrea Beatriz Arango’s luminous novel in verse, centers on Laura, a young girl who faces the unthinkable: being separated from her parents. Her mom and dad are addicts, and when they enter rehab, Laura is sent to live with her estranged aunt as a foster child.
Laura adores birds and her Rubik’s Cube, but she loves her parents more than anything. Not only does she have to learn to live without them, but she needs to navigate a new school, make friends, and connect with her emotionally detached Titi Silvia. Enter Sparrow, the abandoned puppy Laura finds on the side of the road. She brings Sparrow home and decides to train him as a therapy dog.
Spoiler: Sparrow is the glue that finally binds Laura and her aunt, and he lends much-appreciated sweetness and levity to an otherwise heart wrenching story.
The Pura Belpre Honor winning novel in verse, in which a lost dog helps a lonely girl find a way home to her family . . . only for them to find family in each other along the way. From the Newbery Honor winning author of Iveliz Explains It All.
"Trust me: this book will touch your heart." -Barbara O'Connor, New York Times bestselling author of Wish
Titi Silvia leaves me by myself to unpack, but it's not like I brought a bunch of stuff. How do you prepare for the unpreparable? How do you fit your whole life in…
I am a multicultural published author from California. I attended different schools growing up, reading classic literature that I couldn't relate to, resulting in becoming a reluctant reader. I didn't live in historical time periods. My skin was a lighter shade of brown. In my world, I met kids from diverse backgrounds, who spoke slang and had personal hardships. Where were the books like that? That's why I wrote Graffiti Girl. To share a realistic, multicultural approach so the reluctant reader could have characters they could see themselves in. That's why I chose these books, in no specific order, that share contemporary, urban stories involving people of different cultures, who face unique hardships.
Luz Cordero lost her brother in a police shooting. Anger and grief burn within her for her brother's tragic death, and this young girl must battle through her emotional pain toward forgiveness during her stay at a Boys and Girls home. This is one girl's story as she pulls herself from the life of gangs and violence toward forgiveness and ultimately peace. I couldn't put it down.
Luz Cordero is on fire. She’s burning up with rage. She was there the night her brother got killed. She saw the cop pull the trigger. She tried to do something positive about it by going to protests, but all her anger got her into trouble. Now Luz is living at the St. Therese Home for Boys and Girls, working to turn her life around.
Sister Ellen and Luz’s three fellow residents are helping. When Sister Ellen gives Luz a journal to write everything down, Luz is finally able to face the truth about what happened that night. And she’s…
I’m a child of the Puerto Rican diaspora. Born in the island, raised in the South Bronx—with an interval period in the homeland “to find roots”—I now reside in upstate New York. My life is representative of the vaivén—the “coming and going”—that is a constant in Puerto Rican modern history. Like many Diasporicans, I grew up disconnected from my history, culture, and heritage. These books did not recover what I lost. It is difficult to reclaim culture and national identity secondhand. But these writers shared an experience I readily recognized. Reading them, I embrace my tribe and don’t feel alone. They inspire me to write and tell my own stories.
Thomas’s memoir is a seminal text of Nuyorican Literature (a sub-genre of Diasporican Literature) and the Latinx canon. It also belongs to the urban literature genre that emerged in the 1960s. His, however, was the first Latinx version of a narrative that depicts, some would say sensationalizes and exploits, the gritty, raw life of the inner city. As such, it had a tremendous impact on developing Latinx writers who had few role models at the time. His work, along with others of that genre, still holds influence stylistically and thematically with some Latinx authors. Written in the traditional Augustinian autobiographical model, Mean Streets tracks Piri’s fall into crime and drugs and final transformation and redemption. More significantly, this memoir introduces the issue of Latinx black identity and the complication of it within the American black-white paradigm.
A modern classic of manhood, marginalization, survival, and transcendence—and a lyrical memoir of coming of age on the streets of Spanish Harlem.
"A report from the guts and heart of a submerged population group ... It claims our attention and emotional response." —The New York Times Book Review
Thirty years ago Piri Thomas made literary history with this lacerating memoir. Here was the testament of a born outsider: a Puerto Rican in English-speaking America; a dark-skinned morenito in a family that refused to acknowledge its African blood. Here was an unsparing document of Thomas's plunge into the deadly consolations of…
This was a great book because it incorporated lots of fictional characters. These characters made the story really great and entertaining. It modified the storyline of the first book by adding new landmarks to the town and changing the inside and outside of the school. And it added new rooms and new people.
"Magnificent." -Kirkus Reviews, STARRED Review on Time Villains
Story Thieves meets Escape from Mr. Lemoncello's Library in the second book of this wacky, hilarious, and fast-paced middle-grade series. Can Javi and his friends stop Count Dracula from taking over the school?
With Blackbeard banished from their present time, life has gone somewhat back to normal for Javi, his sister Brady, and his best friend Wiki. And Javi can now focus on his favorite thing in the world: crafting extreme sandwiches. Except their beloved Principal Gale has to make an unexpected trip back to Oz, leaving the excessively strict and downright…
Soon after 9/11, I had dinner with several American scientists worried about how new security measures would affect international collaborations and foreign-born colleagues. Since science rarely if ever comes up in discourse about the War on Terror, that set me off. I’m always drawn to whatever gets overlooked. I was born in one international city – New York – and have lived in another – Los Angeles – for over 20 years. I’ve spent time on four continents and assisted survivors of violent persecution as they seek asylum – which may explain why I feel compelled to include viewpoints from outside the US and fill in the gaps when different cultural perspectives go missing.
Through friendships with Borinqueñxs and interest in the island, I don’t consider myself wholly ignorant about Puerto Rico. Like the Philippines, Puerto Rico was claimed by the US following the Spanish American War, but once again, when I tried to learn more about that era, I ran into a brick wall. Marisel Vera recovers that history while offering all the pleasures of a traditional family saga. She brings the reader close to the daily lives and loves of a family of coffee farmers who struggle first under Spanish rule and then the system established by the US. Vera also taught me something I’d never heard of: the deceptive recruitment that carried newly impoverished but still hopeful Puerto Ricans off to Hawaii to labor in the sugar fields.
Marisel Vera emerges as a major new voice in contemporary fiction with this "capacious" (The New Yorker) novel set in Puerto Rico on the eve of the Spanish-American War. Up in the mountainous region of Utuado, Vicente Vega and Valentina Sanchez labor to keep their coffee farm from the creditors. When the great San Ciriaco hurricane of 1899 brings devastating upheaval, the young couple is lured along with thousands of other puertorriquenos to the sugar plantations of Hawaii, where they are confronted by the hollowness of America's promises of prosperity. Depicting the roots of Puerto Rican alienation and exodus, which…
I’m a filmmaker and writer who made a TV series about street gangs around the world with actor and presenter Ross Kemp. But it was one London street gang, the PDC, that particularly caught my attention. The newspaper reports were full of overblown headlines, terrifying statistics, and quotes from police forces. That’s when I decided to head down to the PDC’s “turf” in a small corner of south London because if you are going to try and tackle this crimewave it’s best to find out who is doing it and why. Right? I spoke to PDC gang members, their friends and families and the surprising truth behind the headlines is revealed in my book.
What became apparent as I was writing my book was just how difficult it is for young kids to get away from a life of crime on the streets. Once a King, Always a King helped me understand the challenge – it’s not just that bad habits get absorbed into a personality from a young age, or that adults don’t help kids escape from their criminality. The social care and justice system actively collude in trapping young gang members in a cycle of violence, abuse, and poverty.
This riveting sequel to My Bloody Life traces Reymundo Sanchez's struggle to create a “normal” life outside the Latin Kings, one of the nation's most notorious street gangs, and to move beyond his past. Sanchez illustrates how the Latin King motto “once a king, always a king” rings true and details the difficulty and danger of leaving that life behind. Filled with heart-pounding scenes of his backslide into drugs, sex, and violence, Once a King, Always a King recounts how Sanchez wound up behind bars and provides an engrossing firsthand account of how the Latin Kings are run from inside…
I’m a child of the Puerto Rican diaspora. Born in the island, raised in the South Bronx—with an interval period in the homeland “to find roots”—I now reside in upstate New York. My life is representative of the vaivén—the “coming and going”—that is a constant in Puerto Rican modern history. Like many Diasporicans, I grew up disconnected from my history, culture, and heritage. These books did not recover what I lost. It is difficult to reclaim culture and national identity secondhand. But these writers shared an experience I readily recognized. Reading them, I embrace my tribe and don’t feel alone. They inspire me to write and tell my own stories.
Rivera’s only major work, Family Installments has influenced many Latinx writers, including Junot Diaz. Published in 1982, it was one of the earliest novels capturing the diasporican experience of the Great Migration in the 1950s. Rivera’s protagonist, Santos Malánguez, narrates his family’s journey from Puerto Rico to New York in great detail, often with sharp insight and humor. As a young aspiring writer, I identified with Santos, especially as he found, in reading and books, solace from a dreary life of struggle. No other book depicts diasporican life so richly and comprehensively—from harsh rural life on the island to tenement living, abusive parochial school education, rip-off credit scams, exploitive working conditions, and the lingering desire to return to the homeland.
A chronicle of the Melanguez family's life in Puerto Rico, their move to New York City, and their efforts to make a life in America includes the narrator's determination to succeed on his own
I’m a Panamanian American author and mother of two bilingual and bicultural children. I live a life between two beautiful languages and cultures, but that intersection is not always easy. In Squawk of Spanish, I explore the issue some children face when they don’t feel comfortable speaking the language of their grandparents. On this list, I’ve included a sample of books that celebrate some of the day-to-day joys and challenges of growing up Latine in the US. I hope you enjoy it!
A beautiful book about preserving traditions. This book follows a girl who anticipates a beloved holiday but worries about not being able to celebrate it in her new home. Where will she find grass for the camels in the midst of the Midwest snow?
This book helped our family discuss the different traditions we celebrate and answer some of my children’s questions: Can the three kings visit us in the US? And will Santa find his way to us if we move? I appreciate how the book introduces Three Kings Day and serves as a reminder that we carry our heritage and traditions wherever life takes us.
In this story about Dia de los Reyes, or Three Kings' Day, a girl and her family discover new ways to celebrate their Puerto Rican heritage in Ohio.
It's eleven days after Christmas and Lucia yearns to be in lush Puerto Rico celebrating Dia de los Reyes with family and friends. But this year, instead of dancing and singing in the parrandas of her Puerto Rican neighborhood, she is surrounded by cold and silence in snow-blanketed Ohio. How will she ever be able to guide the Three Kings to her new home in the frosty Midwest? This picture book is…
It's one of my favorite books because it incorporates multiple figures from history, and some of the figures are very cool. And Blackbeard somehow even seemed to be better than anticipated. That's why I liked this story. This story had a lot of action and ended up being a great read.
"Magnificent."-Kirkus Reviews, STARRED Review Story Thieves meets Escape from Mr. Lemoncello's Library in this wacky, hilarious, and fast-paced middle-grade series starter, with the perfect combination of magic, imagination, and adventure. Javi Santiago is trying his best not to fail sixth grade. So, when the annual "invite any three people to dinner" homework assignment rolls around, Javi enlists his best friend, Wiki, and his sister, Brady, to help him knock it out of the park. But the dinner party is a lot more than they bargained for. The family's mysterious antique table actually brings the historical guests to the meal...and Blackbeard…
I am Monique “Nikki” Murphy, an awarded poet, author, and Diversity, Equity, and Inclusion professional. I grew up in a Black low-income neighborhood with the love of a single mother and the absence of a father, which all impacted the way I experienced the failed promise of justice and equality for all. My mother, an avid reader of Black novels, fostered a love of reading in me and a deep sensitivity to caring about the issues that affected Black people. This sensitivity manifested in a career in Diversity, Equity, & Inclusion and a love of creative writing & books that explore issues of inequality, trauma, and personal development. As a poet, I love the artistic exploration of our lived experiences and art that inspires activism.
This coming-of-age novel-in-verse beautifully captures the dynamics of survival in tough neighborhoods in a way that honors the humanity and nuance of the community—details that are too often lost in media and forgotten by the people that “make it out.” Through the lens of the Puerto Rican-American protagonist, Sarai, her family, and the neighborhood characters that are all too familiar, I was brought into the heart of pre-gentrified Bushwick, Brooklyn, and Puerto Rican culture to go on Sarai’s journey of self-discovery. We are sitting on the stoop, at the foot of the bed, in the back pew in conversation with Sarai. We see her, we hear her, we love her. And won’t ever forget her. We are left to reflect on what it really means to “make it.”
"The energy. The clarity. The beauty. Elisabet Velasquez brings it all. . . . Her voice is FIRE!"-NYT bestselling and award-winning author Jacqueline Woodson
An unforgettable, torrential, and hopeful debut young adult novel-in-verse that redefines what it means to "make it," for readers of Nicholasa Mohr and Elizabeth Acevedo.
Sarai is a first-generation Puerto Rican question asker who can see with clarity the truth, pain, and beauty of the world both inside and outside her Bushwick apartment. Together with her older sister, Estrella, she navigates the strain of family traumas and the systemic pressures of toxic masculinity and housing insecurity…
