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I’m a child of the Puerto Rican diaspora. Born in the island, raised in the South Bronx—with an interval period in the homeland “to find roots”—I now reside in upstate New York. My life is representative of the vaivén—the “coming and going”—that is a constant in Puerto Rican modern history. Like many Diasporicans, I grew up disconnected from my history, culture, and heritage. These books did not recover what I lost. It is difficult to reclaim culture and national identity secondhand. But these writers shared an experience I readily recognized. Reading them, I embrace my tribe and don’t feel alone. They inspire me to write and tell my own stories.
Thomas’s memoir is a seminal text of Nuyorican Literature (a sub-genre of Diasporican Literature) and the Latinx canon. It also belongs to the urban literature genre that emerged in the 1960s. His, however, was the first Latinx version of a narrative that depicts, some would say sensationalizes and exploits, the gritty, raw life of the inner city. As such, it had a tremendous impact on developing Latinx writers who had few role models at the time. His work, along with others of that genre, still holds influence stylistically and thematically with some Latinx authors. Written in the traditional Augustinian autobiographical model, Mean Streets tracks Piri’s fall into crime and drugs and final transformation and redemption. More significantly, this memoir introduces the issue of Latinx black identity and the complication of it within the American black-white paradigm.
A modern classic of manhood, marginalization, survival, and transcendence—and a lyrical memoir of coming of age on the streets of Spanish Harlem.
"A report from the guts and heart of a submerged population group ... It claims our attention and emotional response." —The New York Times Book Review
Thirty years ago Piri Thomas made literary history with this lacerating memoir. Here was the testament of a born outsider: a Puerto Rican in English-speaking America; a dark-skinned morenito in a family that refused to acknowledge its African blood. Here was an unsparing document of Thomas's plunge into the deadly consolations of…
I’m a child of the Puerto Rican diaspora. Born in the island, raised in the South Bronx—with an interval period in the homeland “to find roots”—I now reside in upstate New York. My life is representative of the vaivén—the “coming and going”—that is a constant in Puerto Rican modern history. Like many Diasporicans, I grew up disconnected from my history, culture, and heritage. These books did not recover what I lost. It is difficult to reclaim culture and national identity secondhand. But these writers shared an experience I readily recognized. Reading them, I embrace my tribe and don’t feel alone. They inspire me to write and tell my own stories.
Nominated for a Pulitzer, Ortiz-Cofer’s book is an eclectic collection of poetry, creative nonfiction and fiction. She weaves these genres masterfully into a mosaic of diasporican life, especially from a woman’s perspective. Published in 1993, The Latin Deli breaks from the traditional, bleak picture of Puerto Rican urban life in the States. Growing up in Paterson, New Jersey, and then Georgia, Ortiz Cofer focuses on the more typical stories of growing up in a middle-class home and what she casts as the daily struggle “to consolidate my opposing cultural identities.” A subtextual element of the book is Ortiz Cofer’s developing identity as a Latina writer in a country that sees you as an “other.”
A community transplanted from what they now view as an island paradise, these Puerto Rican families yearn for the colors and tastes of their former home. As they carve out lives as Americans, their days are filled with drama, success, and sometimes tragedy. A widow becomes crazy after her son is killed in Vietnam, her remaining word "nada." Another woman carries on after the death of her husband, keeping their store, filled with plantain, Bustello coffee, jamon y queso, open as a refuge for her neighbors. And there are Cofer's stories of growing up with a dictatorial and straying father,…
I’m a child of the Puerto Rican diaspora. Born in the island, raised in the South Bronx—with an interval period in the homeland “to find roots”—I now reside in upstate New York. My life is representative of the vaivén—the “coming and going”—that is a constant in Puerto Rican modern history. Like many Diasporicans, I grew up disconnected from my history, culture, and heritage. These books did not recover what I lost. It is difficult to reclaim culture and national identity secondhand. But these writers shared an experience I readily recognized. Reading them, I embrace my tribe and don’t feel alone. They inspire me to write and tell my own stories.
In Vega’s third novel, the eponymous Omaha Bigelow falls for a young and gifted Puerto Rican Taina priestess, Maruquita Salsipuedes. Smitten by the “gringo whiteboy,” and driven by her desire to have a “gringorican baby,” Maruquita asks her mother to perform the bohango ceremony on Omaha to enlarge his small penis. Breaking his vow never to use this new bohango on another woman, Omaha pays the consequences for his betrayal. Full of metafictional intrusions, a subplot concerning a secret, subversive plot to liberate Puerto Rico, and rambling discursive rants, this maximalist novel is more than a parodic romantic story. Vega’s fictional world is often complex, imaginative, iconoclastic, and attuned to American culture and society as seen through the eyes of arguably the most accomplished, talented diasporican fiction writer to date.
From one of the most powerful voices in contemporary fiction comes a fantastic adventure through the concrete jungle of New York City
Failed in all his career aspirations, recently laid off from Kinko's, and burdened with a frustrating anatomical shortcoming, Omaha Bigelow finds salvation on the streets of New York City's Lower East Side in the form of a Nuyorican homegirl equipped with an array of powers to cure his problems. Their misbegotten romance transforms him from a perpetual loser to an overnight success, but fame comes with a hefty price. Omaha must soon struggle to remain faithful as he…
Soon after 9/11, I had dinner with several American scientists worried about how new security measures would affect international collaborations and foreign-born colleagues. Since science rarely if ever comes up in discourse about the War on Terror, that set me off. I’m always drawn to whatever gets overlooked. I was born in one international city – New York – and have lived in another – Los Angeles – for over 20 years. I’ve spent time on four continents and assisted survivors of violent persecution as they seek asylum – which may explain why I feel compelled to include viewpoints from outside the US and fill in the gaps when different cultural perspectives go missing.
Through friendships with Borinqueñxs and interest in the island, I don’t consider myself wholly ignorant about Puerto Rico. Like the Philippines, Puerto Rico was claimed by the US following the Spanish American War, but once again, when I tried to learn more about that era, I ran into a brick wall. Marisel Vera recovers that history while offering all the pleasures of a traditional family saga. She brings the reader close to the daily lives and loves of a family of coffee farmers who struggle first under Spanish rule and then the system established by the US. Vera also taught me something I’d never heard of: the deceptive recruitment that carried newly impoverished but still hopeful Puerto Ricans off to Hawaii to labor in the sugar fields.
Marisel Vera emerges as a major new voice in contemporary fiction with this "capacious" (The New Yorker) novel set in Puerto Rico on the eve of the Spanish-American War. Up in the mountainous region of Utuado, Vicente Vega and Valentina Sanchez labor to keep their coffee farm from the creditors. When the great San Ciriaco hurricane of 1899 brings devastating upheaval, the young couple is lured along with thousands of other puertorriquenos to the sugar plantations of Hawaii, where they are confronted by the hollowness of America's promises of prosperity. Depicting the roots of Puerto Rican alienation and exodus, which…
I have been a reader and a writer for as long as I can remember, so books about reading, writing, and storytelling have always interested me. As a school library media specialist for over 30 years, I have read thousands of picture books and placed wonderful books in the hands of thousands of young people. Several of these books were mentor texts when I wrote my picture book biography. I want young people to be inspired to read and write, and I hope these books will do that for the adults who select them and the children who read them.
I have always been fascinated by storytelling, and this book about a librarian pleases me so! What I especially love about this book is the metaphoric writing device of planting story seeds and how Pura Belpré, storyteller, puppeteer, and New York City’s first Puerto Rican librarian, shared her tales from her homeland along her journey.
The lyrical writing captures the magic of Belpré’s stories, inspiring readers to read and write.
FOLLOW LA VIDA Y EL LEGADO OF PURA BELPRE, THE FIRST PUERTO RICAN LIBRARIAN IN NEW YORK CITY
When she came to America in 1921, Pura carried the cuentos folkloricos of her Puerto Rican homeland. Finding a new home at the New York Public Library as a bilingual assistant, she turned her popular retellings into libros and spread story seeds across the land. Today, these seeds have grown into a lush landscape as generations of children and storytellers continue to share her tales and celebrate Pura's legacy.
This portrait of the influential librarian, author, and puppeteer reminds us of the…
The first time I learned that I was raised by a “bad” mother was when I was in the first grade. The teachers complained that my mother hadn’t shown up for parent-teacher conferences and never could get me to school on time. But I knew what they did not, that my mother worked a lot and was raising kids all her own and yet still had time to take us to the library to read books that were well beyond the ones at school. Because of my highly iterant life raised by a bookish and neglectful mother, I have always been interested in the relationship between children and their less-than-perfect mothers.
At the heart of this book is a mother who appears mostly off stage but is truly the director of this fabulous story of a brother and sister trying to define and live their own American dreams in the shadow of US colonialization of Puerto Rico.
It’s a great read. Biting, funny, and political.
This is a book I press into everyone’s hands these days. It’s a book that speaks to many people, who have ever tried and failed to both be of family and get awayfrom family.
NEW YORK TIMES BESTSELLER • A NEW YORK TIMES NOTABLE BOOK · WINNER OF THE BROOKLYN PUBLIC LIBRARY PRIZE • INTERNATIONAL LATINO BOOK AWARD FINALIST
A blazing talent debuts with the tale of a status-driven wedding planner grappling with her social ambitions, absent mother, and Puerto Rican roots—all in the wake of Hurricane Maria
NAMED ONE OF THE BEST BOOKS OF THE YEAR: Kirkus, Washington Post, TIME, NPR, Vogue, Esquire, Book Riot, Goodreads, EW, Reader's Digest, and more!
"Don’t underestimate this new novelist. She’s jump-starting the year with a smart romantic comedy that lures us in with laughter and keeps…
I am convinced that my life would be better if I had read more books by Latina/Latine authors while growing up. To be able to see oneself in a story is powerful. I didn’t have that for a long time. It made me feel invisible. It made me feel like being an author was as realistic as becoming an astronaut or a performer in Cirque du Soleil. Now, as a professor of Creative Writing and author of several books (and more on the way!), I dedicated my life to writing the books I needed as a young Latina. I hope others find something meaningful in my stories, too.
When I was growing up, there were so few memoirs written by Latina/Latine authors. I wish I had read a book like this—a story of a Latina/Latine woman in Puerto Rico and Miami Beach and her experiences as a mixed-race person. While I am not mixed-race, I often felt like I was caught between worlds.
I couldn’t stop reading this book, yet I wanted to slow down and read it bit by bit and savor it. Jaquira Díaz has an incredible life story, but she also writes in a way that is so riveting and honest. If I’d read this sooner, I would have felt less alone. And stronger as a result.
One of the Must-Read Books of 2019 According to O: The Oprah Magazine * Time * Bustle * Electric Literature * Publishers Weekly * The Millions * The Week * Good Housekeeping "There is more life packed on each page of Ordinary Girls than some lives hold in a lifetime." -Julia Alvarez In this searing memoir, Jaquira Diaz writes fiercely and eloquently of her challenging girlhood and triumphant coming of age. While growing up in housing projects in Puerto Rico and Miami Beach, Diaz found herself caught between extremes. As her family split apart and her mother battled schizophrenia, she…
I am a historian of the early Americas, and while I often teach courses such as “The U.S. to 1865,” my real passion lies in the Caribbean. As the first site of encounter between the Indigenous inhabitants of the place we came to call the "Americas," Africans, and Europeans, this, to me, is where "American" history began, yet the history of the Caribbean—particularly in the era surrounding European arrival—remains relatively little known. As a Canadian teaching American history at a university in the U.S., I try to disrupt familiar historical narratives by showing my students that American history also unfolded beyond the borders of the modern nation-state.
Anderson-Córdova asks readers to question many things they may have been told about the Indigenous Caribbean, including the very labels used to describe the region’s inhabitants.
The supposed dichotomy between the Taínos of the Greater Antilles and the Caribs of the Lesser Antilles obscures significant exchange and movement between islands both before and after European arrival, she argues, while the very term “Taíno” is an ahistorical one, popularized by scholars in the late nineteenth and early twentieth centuries.
Drawing on archeological and historical sources, Anderson-Córdova provides a wealth of information about the multiethnic nature of the Indigenous Caribbean before and long after colonization.
Surviving Spanish Conquest reveals the transformation that occurred in Indian communities during the Spanish conquest of Hispaniola and Puerto Rico from 1492 to 1550.
In Surviving Spanish Conquest: Indian Fight, Flight, and Cultural Transformation in Hispaniola and Puerto Rico, Karen F. Anderson-Cordova draws on archaeological, historical, and ethnohistorical sources to elucidate the impacts of sixteenth-century Spanish conquest and colonization on indigenous peoples in the Greater Antilles. Moving beyond the conventional narratives of the quick demise of the native populations because of forced labor and the spread of Old World diseases, this book shows the complexity of the initial exchange between…
For almost thirty years, I have studied and tried to understand Latin America and the Caribbean. As a historian I have worked with manuscripts and newspapers and books, in archives and libraries and private collections, but I’ve learned my most important lessons elsewhere: on the baseball diamond in Holguín, Cuba, at pick-up cricket matches in Port-of-Spain, Trinidad, and in soccer stadiums in Rio de Janeiro, São Paulo, and Buenos Aires. These books help give us a sense of the power of such places, the power of sports to reveal the region, and as such they’re a great place to start to understand it.
Put simply, in The Sovereign Colony Antonio Sotomayor uses a fascinating exception to prove an important general rule. That is, he explains clearly just how powerful modern sports can be in defining national identity by showing that Puerto Ricans have used sports to claim a sense of nationhood despite the fact that theirs is a nation but not a nation-state. He shows that whenever the Puerto Rican flag flies at an international sporting event islanders express their national identity and negotiate the character of US colonialism, and he carefully demonstrates how politicians and sports figures worked to make sports a site of Puerto Rican pride and identity.
Ceded to the United States under the terms of the Treaty of Paris after the Spanish-American War of 1898, Puerto Rico has since remained a colonial territory. Despite this subordinated colonial experience, however, Puerto Ricans managed to secure national Olympic representation in the 1930s and in so doing nurtured powerful ideas of nationalism.
By examining how the Olympic movement developed in Puerto Rico, Antonio Sotomayor illuminates the profound role sports play in the political and cultural processes of an identity that evolved within a political tradition of autonomy rather than traditional political independence. Significantly, it was precisely in the Olympic…
I'm an actor turned journalist and writer. After a series of roles on low-budget movies and forgettable soap operas, I moved to Latin America to write about travel and life and all the heartbreak and humour it entails. El Flamingo follows the misadventure of a struggling actor who gets mistaken for a rogue assassin in Mexico and is forced to assume the mysterious identity in order to survive. It is a preposterous plot that could never happen in real life, yet the essence of it all was inspired by places I went, people I crossed paths with, and a sense of adventure that, to me, was authentic.
It is written in a distinct, comedic, matter-of-fact voice that carries the reader through a fascinating narrative.
Set in Puerto Rico, the protagonist embarks on a Latin journey that is full philosophy and humour while making a statement on the times. It is the perfect book to take travelling, and worth re-reading every few years or so.
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THE BOOK THAT INSPIRED THE MAJOR MOTION PICTURE STARRING JOHNNY DEPP
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'Remarkable - a genuine, 100% proof discovery of great literary importance' - Mail on Sunday
'Hilarious, utterly real and tragic ... A lithe, well-crafted gem of a novel which leaves the reader disturbed and grinning in a way that makes people sitting nearby change seats' - Scotland on Sunday
'Crackling, twisted, searing, paced to a deft prose rhythm ... a shot of Gonzo with a rum chaser' - San Francisco Chronicle
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The sultry classic of a journalist's sordid life in Puerto Rico
Paul Kemp has moved…
