Here are 76 books that Murder Machine fans have personally recommended if you like
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It’s no wonder South Brooklyn, in the latter half of the last century, is the setting for so many remarkable dramas for both page and screen. In fact, when legendary former NYPD Detective Thomas Dades offered to make introductions to a Colombo Crime Family associate who cooperated with the federal government, I leapt at the opportunity. I was born in Greenpoint in 1971 and grew up on 16th Avenue in the heart of Bensonhurst. It’s not just South Brooklyn’s raw, urban chaotic physical setting, but the sheer volatility of this period in time, where so many transformational trends of the larger culture were evident, and some even epi-centered.
Hubert Selby Jr. delivers another dark indictment of life along the outer shores of South Brooklyn, in the form of both this 1978 novel and the grim 2000 film Darren Aronofsky film adaptation (co-written with Selby, with a cameo as prison guard).
The characters of this disturbing drama are as marginalized as the bleak 1970s backdrop they infect. Selby’s prose holds us by the back of the neck as his characters descend down awful spirals of addiction: Sara Goldfarb with her diet pills, and her son Harry, his girlfriend Marion, and his best friend Tyrone, all heroin addicts. Electroconvulsive therapy, reluctant prostitution, and amputation abound, harrowing hallmarks you’d expect from Selby.
For this trip to Coney Island, think more Warriors, less Woody Allen, and buckle up. It’s going to be a spectacularly gruesome ride.
Locations of interest: Coney Island Clam Bar; Brighton Beach Boardwalk; Surf Avenue Second-hand Shops; 3152 Brighton…
Harry Goldfarb, heroin addict and son of lonely widow Sara, cares only about enjoying the good life with girlfriend Marion and best friend Tyrone C Love, and making the most of all the hash, poppers and dope they can get. Sara Goldfarb sits at home with the TV, dreaming of the life she could have and struggling with her own addictions - food and diet pills. But these four will pay a terrible price for the pleasures they believe they are entitled to. A passionate, heart-breaking tale of the crushing weight of hope and expectation, Requiem for a Dream is…
It’s no wonder South Brooklyn, in the latter half of the last century, is the setting for so many remarkable dramas for both page and screen. In fact, when legendary former NYPD Detective Thomas Dades offered to make introductions to a Colombo Crime Family associate who cooperated with the federal government, I leapt at the opportunity. I was born in Greenpoint in 1971 and grew up on 16th Avenue in the heart of Bensonhurst. It’s not just South Brooklyn’s raw, urban chaotic physical setting, but the sheer volatility of this period in time, where so many transformational trends of the larger culture were evident, and some even epi-centered.
Displaying the decaying carcass of post-war South Brooklyn, Hubert Selby Jr. mines a grim industrial wasteland, as bleak as his beleaguered characters imploding across six short stories, each prefaced by a Biblical passage.
A gang mauls a group of soldiers on leave. A transgender woman, abused by a homophobic brother, rejected by a drug dealer, overdoses. Facing a shotgun wedding, a young man abandons his pregnant girlfriend. A sex worker is gang raped to death. A corrupt, closeted union steward is severely beaten after sexually assaulting a boy.
This 1950s South Brooklyn, when the Brooklyn Army Terminal complex and waterfront docks were infested by racketeers and thugs, comes to brutal life because of Selby’s crude prose. That grammar-be-damned style vividly captures Brooklyn life on the docks, factories, and warehouses, as well as its diners, dive bars, and union locals.
Last Exit to Brooklyn remains undiminished in its awesome power and magnitude as the novel that first showed us the fierce, primal rage seething in America’s cities. Selby brings out the dope addicts, hoodlums, prostitutes, workers, and thieves brawling in the back alleys of Brooklyn. This explosive best-seller has come to be regarded as a classic of modern American writing.
I had the passion to write Necessary Deeds because: 1) as someone who'd spent 20+ years writing novels, dealing with untrustworthy literary agents, and book-doctoring other writers’ novels in order to pay rent, I'd come to know betrayal (“best friend” writers who stole drafts of mine and called them their own, novelists who backstabbed me after I helped them land agents and book contracts, and so on); 2) like many people who lived through the drug-and-alcohol-laced Eighties, I had a long relationship with someone that ended because they cheated on me. So I never doubted that, as I wrote Necessary Deeds, my heart knew well what motivated its characters.
In this case, I saw the film before I read the book, and if I’m going to call myself an honest man, I’d have to say I enjoyed the film more than the book.
Still, the book struck me as a great read because it embraced and portrayed the extraordinary amount of tension an undercover agent deals with 24/7. I mean, when you’re trying to make an arrest undercover, you’re two people at the same time, but you’d better not mess up and let anyone know you are or it’s game over—and very probably, bang-bang, pal, you’re history.
Add to that being undercover for the FBI and you’re guaranteed a high-stakes conundrum. Which is to say, after reading this book, how could I not have had my book’s character working undercover for what he and his partner Jonas refer to as “the Bureau”?
In 1978, the US government waged a war against organised crime. One man was left behind the lines. From 1976 until 1981, Special Agent Pistone lived undercover with the Mafia. Only able to visit his young family once every few months, Pistone - under the alias Donnie Brasco - ate, drank, partied, worked and sometimes killed with the wiseguys. He got so close that his Mafia partner, Lefty Ruggiero, asked him to officiate as best man at his wedding. Pistone's eventual testimony, in such spectacular prosecutions as 'the Pizza Connection' and 'the Mafia Commission' resulted in more than 200 indictments…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
It’s no wonder South Brooklyn, in the latter half of the last century, is the setting for so many remarkable dramas for both page and screen. In fact, when legendary former NYPD Detective Thomas Dades offered to make introductions to a Colombo Crime Family associate who cooperated with the federal government, I leapt at the opportunity. I was born in Greenpoint in 1971 and grew up on 16th Avenue in the heart of Bensonhurst. It’s not just South Brooklyn’s raw, urban chaotic physical setting, but the sheer volatility of this period in time, where so many transformational trends of the larger culture were evident, and some even epi-centered.
In adapting Nicholas Pileggi’s 1985 non-fiction Wiseguy for film, Martin Scorsese delivered a “staged documentary,” depicting a far more gritty and authentic account of organized crime than Mario Puzo’s Godfather trilogy.
Much of what makes Pileggi’s masterpiece work is how he captures South Brooklyn culture as it morphs from the 1950s through the 1980s. Pileggi’s tale of the tarnishing of the Golden Era of Italian American organized crime is recounted from the pedestrian perspective of un-makeable underling and ultimate-turncoat Henry Hill.
That bygone Brooklyn landscape leaps off the pages, from its gambling dens and gangster bars, to its corner cafes, criminal courts, and cab stands. BONUS: Pileggi’s no-nonsense non-fiction prose, peppered with Hill’s verbatim account, delivers even more days-in-the-lives of lowlifes than Scorsese could ever have packed into his classic film.
Locations of interest: The Prospect Park Zoo (stand-in for The Tampa Zoo); Smith Street in Red Hook (Jimmy Conway’s…
A longtime member of organized crime recounts his criminal career, his involvement in the six-million dollar Lufthansa robbery, and his decision to become a federal witness
I grew up watching every cop show on the air with my father. I always wanted to be a detective, but one that didn’t have to do a lot of chasing, like Starsky and Hutch, or get beat up a lot, like Mannix—one who could take a laid-back approach and work his own hours, like Ellery Queen. I wound up becoming a forensic specialist who also writes thrillers. The protagonists have my same job, only with smarter criminals and better-looking colleagues. I also grew up playing the clarinet—not, I admit, particularly well—in a band and/or orchestra from the fourth grade until well after I married.
In July of 1980, a beautiful violinist disappeared during a 45-minute break while the visiting ballet company used a prerecorded piece. Helen Hagnes Mintiks was a Julliard grad who had played with professionals since her teens. After the evening’s performance ended, her colleagues knew—as any musician would—that Helen would neverhave left the building without her violin. It took another nine hours to find her body, thrown down a ventilation shaft, hands tied with knots that stagehands used. A witness led them to the killer, who promptly confessed—a real villain, robbing the world of a kind-hearted talent out of lust. I read this book probably 30 years ago, while I was reading my way through the entire true crime section of the Cleveland Public Library.
I have been researching and writing about 19th-century American murders since 2009, and my blog, Murder by Gaslight (murderbygaslight.com), includes illustrated stories of more than 500 murder cases. My book, The Bloody Century: True Tales of Murder in 19th Century America, compiled fifty of the most famous murders. In researching these stories, I prefer to use primary sources such as newspaper articles, pamphlets, and books from the time of the murder. They present the attitudes surrounding the crime without modern analysis and preserve details that tend to disappear over time. My latest book, So Far from Home: The Pearl Bryan Murder, draws almost exclusively from newspaper accounts in 1896 and 1897.
Carlyle W. Harris was a promising young medical student in 1891 with an unfortunate obsession with sex. He would constantly regale his friends and associates with tales of his sexual conquests. When he failed to seduce 19-year-old Helen Potts, he convinced her to marry him but keep the marriage a secret. Six Capsules tells the story of Harris’s plot to murder Helen with a poisoned capsule to keep the secret from being revealed. The author, George R. Dekle Sr., a retired law professor and former prosecutor, provides a detailed analysis of Harris’s sensational trial for murder. The book’s vivid account of the murder and its consequences contrasts the moral and legal atmosphere of the 1890s with that of today.
As Ted Bundy was to the 20th century, so Carlyle Harris was to the 19th. Harris was a charismatic, handsome young medical student with an insatiable appetite. His trail of debauched women ended with Helen Potts, a beautiful young woman of wealth and privilege who was determined to keep herself pure for marriage. Unable to conquer her by other means, Harris talked her into a secret marriage under assumed names, and when threatened with exposure, he poisoned her.
The resulting trial garnered national headlines and launched the careers of two of New York's most famous prosecutors, Francis L. Wellman and…
Meet Lev Gleason, a real-life comics superhero! Gleason was a titan among Golden Age comics publishers who fought back against the censorship campaigns and paranoia of the Red Scare. After dropping out of Harvard to fight in World War I in France, Gleason moved to New York City and eventually…
As an academic, I have been researching Canadian police and criminal justice history since the 1980s and I teach courses on the history of policing, crime, drugs and homicide, and capital punishment. In 2014 I began to cover a high-profile murder trial in my region of Canada and ended up writing a best-selling book on the case. The Oland case reinforced my interest in true crime, both as a research topic and a cultural phenomenon. True crime, whether set in the distant past or contemporary times, offers writers and readers alike fascinating forays into specific societies and communities as well as human nature.
Similar to my second choice, this American study explores the impact of a sensational unsolved death on early Victorian New York and America in general. In 1841 Marie Rogers, an attractive young woman who worked in a tobacco shop, was found dead in the Hudson River, suspected to be a victim of murder. The case was well covered in the press and exposed weaknesses in the city’s system of policing. The author details how Edgar Allen Poe furthered early detective fiction in his story The Mystery Marie Roger, which although set in Paris borrowed heavily from the New York events. An example of how the public can make a celebrity out of a murder victim who is not from the elite.
On July 28, 1841, the body of Mary Rogers, a twenty-year-old cigar girl, was found floating in the Hudson-and New York's unregulated police force proved incapable of solving the crime. One year later, a struggling writer named Edgar Allan Poe decided to take on the case-and sent his fictional detective, C. Auguste Dupin, to solve the baffling murder of Mary Rogers in "The Mystery of Marie Rogt."
I love history. I’ve loved it ever since I was a kid, listening to my dad’s history lectures. And in my history classes, I always tucked away stories about women. There weren’t many; most were trailblazers like Amelia Earhart or Susan B. Anthony. They were completely admirable, but I wanted to know about the women who had strayed from the straight and narrow: the murderers, the liars, and the thieves. Now, I write about women committing crimes throughout history. As a reader, I can never resist a story about a woman from the past doing things she shouldn’t. These books were endlessly entertaining and sometimes downright chilling to read.
In June of 1897, a group of New York children discovered a human torso, catapulting the city into a brutal mystery. Who was this man? And who killed him? I could not put this book down.
The central mystery kept me riveted, and the cold-blooded woman at the heart of it truly chilled me to my core. I also found my jaw on the floor reading about the antics of reporters for the warring New York Journal and New York World as they threw ethics out the window to get the best scoop.
"No writer better articulates our interest in the confluence of hope, eccentricity, and the timelessness of the bold and strange than Paul Collins."--DAVE EGGERS
On Long Island, a farmer finds a duck pond turned red with blood. On the Lower East Side, two boys playing at a pier discover a floating human torso wrapped tightly in oilcloth. Blueberry pickers near Harlem stumble upon neatly severed limbs in an overgrown ditch. Clues to a horrifying crime are turning up all over New York, but the police are baffled: There are no witnesses, no motives, no suspects.
I have been writing fantasy professionally for more than twenty-five years, and have published novels of epic fantasy, contemporary urban fantasy, supernatural thriller, and (as D.B. Jackson) historical fantasy. I have devoted my professional life to the genre because I love writing about magic and the people who wield it. I believe fantasy novels should thrill and intrigue, but also touch our emotions, and carry us through narratives with beautiful writing. That is what I try to do with my books, and that is what draws me to the novels I have listed here. I hope you enjoy them as much as I have.
I am a huge fan of urban fantasy, and have written several myself, including my newest project.
Of all the UFs I have read, C.E. Murphy’s Negotiator series is my favorite.Heart of Stone, the first book in the sequence, introduces us to a magically reimagined New York City that is populated by dragons, vampires, and gargoyles that come to life at night and slumber in their stone form by day.
It also introduces us to Magrit Knight, a smart, powerful, fearless hero who will capture your heart and have you cheering (when you’re not breathlessly rushing to see what happens to her next)!
Okay, so jogging through Central Park after midnight wasn't a bright idea. But Margrit Knight never thought she'd encounter a dark new world filled with magical beings―not to mention a dying woman and a mysterious stranger with blood on his hands. Her logical, lawyer instincts told her it couldn't all be real― but she could hardly deny what she'd seen…and touched.
The mystery man, Alban, was a gargoyle. One of the fabled Old Races who had hidden their existence for centuries. Now he was a murder suspect, and he needed Margrit's help to take…
I was a painfully awkward teenager, two years younger than the rest of my class and a little too “extra” to fit in anywhere. I spent all of high school desperately seeking my weirdos—people who would accept me the way I was, rabid-puppy enthusiasm and all. One night I met a colorfully-dressed trio on the street who invited me to a loft party that changed my life. That night I fell in love with NYC’s underground party scene: the high-energy music, grimy locations, and most of all the people. I had found my weirdos. When the Beat Drops is my love letter to discovering your people and finding your scene.
I’ve covered rock, classical, a capella, and new wave in my list, so I thought I’d round it out with sugar-sweet pop. Kill the Boy Bandis a darkly hilarious journey into fangirl obsession filled with quirky characters and sitcom situations that are as fun to read as they are improbable. The boy band in question is The Ruperts, a quartet of British heart-throbs with an eerie resemblance to One Direction. When four superfans score a room in the hotel where The Ruperts are staying, they hatch a plan that goes awry fast, leaving the band with one fewer Ruperts and the girls with a…very incriminating situation.
I loved this book for so many reasons, but my favorite was the deep dive into superfan culture. A lot of the book is spent questioning the nature of this culture, but in a way that's genuinely soul-searching and not condescending—the narrator…
The New York Times–bestselling debut story of four superfan friends whose devotion to their favorite band has darkly comical and deadly results.
Just know from the start that it wasn’t supposed to go like this. All we wanted was to get near them. That’s why we got a room in the hotel where they were staying.
We were not planning to kidnap one of them. Especially not the most useless one. But we had him—his room key, his cell phone, and his secrets.
We were not planning on what happened next. We swear.
