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As an academic, I have been researching Canadian police and criminal justice history since the 1980s and I teach courses on the history of policing, crime, drugs and homicide, and capital punishment. In 2014 I began to cover a high-profile murder trial in my region of Canada and ended up writing a best-selling book on the case. The Oland case reinforced my interest in true crime, both as a research topic and a cultural phenomenon. True crime, whether set in the distant past or contemporary times, offers writers and readers alike fascinating forays into specific societies and communities as well as human nature.
This book was written not as a work of history, but contemporary non-fiction by two reporters covering one of Canada’s highest-profile murder cases of the 1970s, the killing of Christine Demeter, a former model married to flamboyant Toronto businessman and Hungarian immigrant Peter Demeter. By Canadian standards, the authors had unprecedented access to lawyers and others involved in the 1974 trial of Demeter for the murder of his wife and benefited from evidence and a cast of characters straight out of a best-selling crime novel. Demeter was found guilty and while serving his sentence he was convicted of instigating two separate plots to have people kidnapped and murdered. By Persons Unknown broke new ground in Canadian true crime writing.
Most people think of Mary Shelley’s masterpiece as horror, but the truth is – and I love this fact! – Frankenstein is widely considered to be the first science fiction novel. I’ve always been fascinated with the origin story of the novel: Lord Byron’s ghost-story writing competition proposed among friends at Geneva’s Villa Diodati in 1816. I’ve watched every movie version of that iconic gathering. (Most are bad. Oh well.) As a college professor, I taught Frankenstein in a writing class. (I was also a preschool teacher. Honest! Those kids read other books.)
Another meticulously researched work of nonfiction, this book opened my eyes to the connection between real-life murders in Victorian England and the start of the public’s obsession with detective fiction.
As a fan of mysteries and thrillers in which not all characters survive, I was fascinated to see how the genre literally began. I’ve read a bunch of the old serialized tales, the “Penny Dreadfuls” talked about in this book, and I loved seeing them placed into their larger historical and cultural context.
'We are a trading community, a commercial people. Murder is doubtless a very shocking offence, nevertheless as what is done is not to be undone, let us make our money out of it.' Punch
Murder in the 19th century was rare. But murder as sensation and entertainment became ubiquitous - transformed into novels, into broadsides and ballads, into theatre and melodrama and opera - even into puppet shows and performing dog-acts.
In this meticulously researched and compelling book, Judith Flanders - author of 'The Victorian House' - retells the gruesome stories of many different types of murder - both famous…
As an academic, I have been researching Canadian police and criminal justice history since the 1980s and I teach courses on the history of policing, crime, drugs and homicide, and capital punishment. In 2014 I began to cover a high-profile murder trial in my region of Canada and ended up writing a best-selling book on the case. The Oland case reinforced my interest in true crime, both as a research topic and a cultural phenomenon. True crime, whether set in the distant past or contemporary times, offers writers and readers alike fascinating forays into specific societies and communities as well as human nature.
We all know that Grisham writes best-selling fiction that has been turned into several Hollywood blockbusters. But the most frightening book by this former small-town defence lawyer is his only work of non-fiction, an account of the wrongful conviction of Ronald Keith Williamson of the 1982 sex murder of Debra Sue Carter. Williamson, who was low-hanging fruit for police and prosecutors in Ada, Oklahoma, languished in prison for 11 years before being exonerated by DNA evidence. This book should be mandatory reading for police, prosecutors, and judges and is a useful reminder that public opinion and justice are often mutually exclusive.
__________________ ***NOW A MAJOR NETFLIX SERIES***
A gripping true-crime story of a shocking miscarriage of justice, from international bestselling thriller author John Grisham.
In the baseball draft of 1971, Ron Williamson was the first player chosen from Oklahoma. Signing with Oakland, he said goodbye to his small home town and left for California to pursue his dreams of glory.
Six years later he was back, his dreams broken by a bad arm and bad habits - drinking, drugs and women. He began to show signs of mental illness. Unable to keep a job, he moved in with his mother and…
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
As an academic, I have been researching Canadian police and criminal justice history since the 1980s and I teach courses on the history of policing, crime, drugs and homicide, and capital punishment. In 2014 I began to cover a high-profile murder trial in my region of Canada and ended up writing a best-selling book on the case. The Oland case reinforced my interest in true crime, both as a research topic and a cultural phenomenon. True crime, whether set in the distant past or contemporary times, offers writers and readers alike fascinating forays into specific societies and communities as well as human nature.
This is a compelling Canadian true-crime tale that captures the atmosphere of early 20th-century Toronto and explores the intersection of class, ethnicity, and societal expectations of proper moral conduct by men and women during wartime. The Masseys were a wealthy Ontario family that amassed a fortune manufacturing agricultural equipment. In 1915 Carrie Davies was an 18-year old English maid working in the home of C.A. “Bert” Massey. She killed her married employer with a revolver in front of a witness and freely admitted carrying out the crime, explaining that he had been making sexual advances towards her. I enjoyed this book as it reminds us of how legal rules and arguments in the past could be overwhelmed by public pressure and cultural expectations. Davies, who many viewed as a heroine, was acquitted of murder by an all-male jury in less than 1 hour.
Winner of the Arthur Ellis Award for Best Crime Non-Fiction Winner of the Toronto Book Award Winner of the CAA Lela Common Award for Canadian History Winner of the Heritage Toronto Book Award A Globe and Mail Best Book of the Year Finalist for the RBC Taylor Prize, the BC National Award for Canadian Non-Fiction, the Ottawa Book Award, the Libris Award, the OLA Evergreen Award
A scandalous crime, a sensational trial, a surprise verdict—the true story of Carrie Davies, the maid who shot a Massey
In February 1915, a member of one of Canada’s wealthiest families was shot and…
I have been researching and writing about 19th-century American murders since 2009, and my blog, Murder by Gaslight (murderbygaslight.com), includes illustrated stories of more than 500 murder cases. My book, The Bloody Century: True Tales of Murder in 19th Century America, compiled fifty of the most famous murders. In researching these stories, I prefer to use primary sources such as newspaper articles, pamphlets, and books from the time of the murder. They present the attitudes surrounding the crime without modern analysis and preserve details that tend to disappear over time. My latest book, So Far from Home: The Pearl Bryan Murder, draws almost exclusively from newspaper accounts in 1896 and 1897.
Carlyle W. Harris was a promising young medical student in 1891 with an unfortunate obsession with sex. He would constantly regale his friends and associates with tales of his sexual conquests. When he failed to seduce 19-year-old Helen Potts, he convinced her to marry him but keep the marriage a secret. Six Capsules tells the story of Harris’s plot to murder Helen with a poisoned capsule to keep the secret from being revealed. The author, George R. Dekle Sr., a retired law professor and former prosecutor, provides a detailed analysis of Harris’s sensational trial for murder. The book’s vivid account of the murder and its consequences contrasts the moral and legal atmosphere of the 1890s with that of today.
As Ted Bundy was to the 20th century, so Carlyle Harris was to the 19th. Harris was a charismatic, handsome young medical student with an insatiable appetite. His trail of debauched women ended with Helen Potts, a beautiful young woman of wealth and privilege who was determined to keep herself pure for marriage. Unable to conquer her by other means, Harris talked her into a secret marriage under assumed names, and when threatened with exposure, he poisoned her.
The resulting trial garnered national headlines and launched the careers of two of New York's most famous prosecutors, Francis L. Wellman and…
It’s no wonder South Brooklyn, in the latter half of the last century, is the setting for so many remarkable dramas for both page and screen. In fact, when legendary former NYPD Detective Thomas Dades offered to make introductions to a Colombo Crime Family associate who cooperated with the federal government, I leapt at the opportunity. I was born in Greenpoint in 1971 and grew up on 16th Avenue in the heart of Bensonhurst. It’s not just South Brooklyn’s raw, urban chaotic physical setting, but the sheer volatility of this period in time, where so many transformational trends of the larger culture were evident, and some even epi-centered.
Love to know why this murderous mob masterpiece has yet to make it to film.
This must-have for any True Crime bookshelf is from the dynamic duo of Gene Mustain (author of John Gotti bio) and Jerry Capeci (“Gangland” journalist extraordinaire). It chronicles the blood-soaked rise and demise of the deadly Roy Demeo crew, a gaggle of Gambino grunts a couple of rungs under Captain Nino Gaggi.
It’s an underworld tour of the black-and-blue-collar South Brooklyn rackets, circa 70s and 80s, often through the bloodshot eyes of Dominick Montiglio, Gaggi’s nephew, and bolstered by an avalanche of investigative research. From the innards of a Mafia street crew, to the entrails of an auto-theft ring, to the autopsy of Demeo’s whack-tastic dismemberment routine (a.k,a. “The Gemini Method”), there’s so much to digest, if you can stomach the body count.
Locations of interest: The Gemini Lounge on Flatlands Avenue; Bath Beach (Multiple…
Meet the DeMeo gang - the most deadly killers the Mafia has ever known. They were a small-time Brooklyn corner crew who, headed by the notorious Roy DeMeo, became the hitmen of choice for the Gambino family. Killing for profit and pleasure, they were ultimately feared by everyone - even the Mafia bosses they worked for.
Tourists and local residents of St. Augustine will enjoy reading about the secret wonders of their ancient city that are right under their noses. Of course, that includes a few stray corpses and ghosts!
I grew up watching every cop show on the air with my father. I always wanted to be a detective, but one that didn’t have to do a lot of chasing, like Starsky and Hutch, or get beat up a lot, like Mannix—one who could take a laid-back approach and work his own hours, like Ellery Queen. I wound up becoming a forensic specialist who also writes thrillers. The protagonists have my same job, only with smarter criminals and better-looking colleagues. I also grew up playing the clarinet—not, I admit, particularly well—in a band and/or orchestra from the fourth grade until well after I married.
In July of 1980, a beautiful violinist disappeared during a 45-minute break while the visiting ballet company used a prerecorded piece. Helen Hagnes Mintiks was a Julliard grad who had played with professionals since her teens. After the evening’s performance ended, her colleagues knew—as any musician would—that Helen would neverhave left the building without her violin. It took another nine hours to find her body, thrown down a ventilation shaft, hands tied with knots that stagehands used. A witness led them to the killer, who promptly confessed—a real villain, robbing the world of a kind-hearted talent out of lust. I read this book probably 30 years ago, while I was reading my way through the entire true crime section of the Cleveland Public Library.
I love history. I’ve loved it ever since I was a kid, listening to my dad’s history lectures. And in my history classes, I always tucked away stories about women. There weren’t many; most were trailblazers like Amelia Earhart or Susan B. Anthony. They were completely admirable, but I wanted to know about the women who had strayed from the straight and narrow: the murderers, the liars, and the thieves. Now, I write about women committing crimes throughout history. As a reader, I can never resist a story about a woman from the past doing things she shouldn’t. These books were endlessly entertaining and sometimes downright chilling to read.
In June of 1897, a group of New York children discovered a human torso, catapulting the city into a brutal mystery. Who was this man? And who killed him? I could not put this book down.
The central mystery kept me riveted, and the cold-blooded woman at the heart of it truly chilled me to my core. I also found my jaw on the floor reading about the antics of reporters for the warring New York Journal and New York World as they threw ethics out the window to get the best scoop.
"No writer better articulates our interest in the confluence of hope, eccentricity, and the timelessness of the bold and strange than Paul Collins."--DAVE EGGERS
On Long Island, a farmer finds a duck pond turned red with blood. On the Lower East Side, two boys playing at a pier discover a floating human torso wrapped tightly in oilcloth. Blueberry pickers near Harlem stumble upon neatly severed limbs in an overgrown ditch. Clues to a horrifying crime are turning up all over New York, but the police are baffled: There are no witnesses, no motives, no suspects.
I wanted to write crime fiction from a young age. I took a Biomedical Science degree, hoping to follow this with a PhD in Forensics but soon realised I didn’t want to spend the rest of my working life in a lab. So I took a Master’s degree in Science Communication and became a health journalist and editor instead. I knew my own crime novel needed to feature a journalist. My main character, Shanna Regan, has spent her life travelling, whereas my own job has always been desk-based in the UK. Maybe this is why I love reading crime novels that whisk me off to other countries (in my head)!
Invisible City is the first book in Julia Dahl’s Rebekah Roberts series. Julia Dahl cleverly weaves together Jewish culture and a murder mystery, using a rookie journalist as her main character.
I think journalists make great detectives in crime fiction, with their investigative skills, enthusiasm, communication skills, persistence, and perseverance. They bridge the gap between amateur sleuths and the police (not that different from a private investigator).
Invisible City portrays journalists in a positive light and also provides an insight into an unknown world, with a non-judgmental portrayal of the ultra-religious Hassidic Jewish community in Brooklyn. I enjoyed following the main character’s personal journey too.
If you enjoyed UNORTHODOX, you will be riveted by Rebekah Roberts . . .
'An absolutely crackling, unputdownable mystery. I loved it.' GILLIAN FLYNN
Fresh out of journalism school, Rebekah Roberts is working for the New York Tribune, trying to make a name for herself. Assigned a story about the murder of a woman in Brooklyn, Rebekah finds a case from inside a closed, secretive Hasidic Jewish community - the same Brooklyn neighbourhood her estranged mother was brought up in.
Shocked to discover that the victim is set to be buried without an autopsy, Rebekah knows there is a story…
Buried Secrets. A web of deceit, betrayal, and danger. Can she survive her fight for justice and truth? Laura thought she knew everything about her late husband before he died. Now, her life and the lives of those she loves are in danger. As Laura delves into his previous role…
I’m a devourer of Golden Age Detective Fiction, and a writer of locked-room mysteries inspired by the classics. When it comes to old-school mystery writers, my favourites are John Dickson Carr, Ellery Queen, and of course Agatha Christie. What I love about that era is the brilliance of the puzzles, and the way those writers really engaged with the reader and (in some cases) addressed them directly, challenging them to solve the crime along with the detective. Additionally, I’m fascinated by stage illusions (though I’m terrible at performing them myself), and this has also had a major influence on my writing.
The main character in Death From A Top Hat is the enigmatic magician, The Great Merlini, and he is certainly a beguiling and intriguing character!
The perfect amateur sleuth, with everything I love about this particular “stock character.” He’s funny, he’s smart, and he has – quite literally – plenty of tricks up his sleeve. This book, along with the rest of the Merlini series, offers many brilliant insights into the world of professional illusion.
But most important of all, this book offers an irresistible mystery that certainly kept me guessing!
A detective steeped in the art of magic solves the mystifying murder of two occultists.
Now retired from the tour circuit on which he made his name, master magician The Great Merlini spends his days running a magic shop in New York’s Times Square and his nights moonlighting as a consultant for the NYPD. The cops call him when faced with crimes so impossible that they can only be comprehended by a magician’s mind. In the most recent case, two occultists are discovered dead in locked rooms, one spread out on a pentagram, both appearing to have been murdered under…
